Edith Lefel (November 1963, in Cayenne, French Guiana - 20 January 2003, in… Read Full Bio ↴Edith Lefel (November 1963, in Cayenne, French Guiana - 20 January 2003, in Dreux, France) was a French-based singer
Lefel's mother was from French Guiana and her father from the island of Martinique. She moved with her parents to Martinique when she was three. It was there that she was exposed to the rich musical traditions of the Caribbean. During the 1970s, when Lefel was growing up, creative young artists with Haitian bands were just beginning to create the zouk sound. Groups such as Les Frères Déjean, Le Ska Shah Number One and Tabou Combo drew on a combination of traditional African, Caribbean and European rhythms, including belair, biguine and mazurka, to produce their unique music which became another global phenomenon in the decades following the death of Bob Marley.
In her 14th year, Lefel and her mother left for France, settling in the Saint-Denis suburb of Paris. There she continued her studies in law, occasionally singing with her brother's folk rock group, and, in 1984, launched her career as a professional singer. The turning point in her career came when she met the Maffia band leader Jean-Michel Cambrimol. He invited her to accompany the band on a tour of the French Antilles, and recorded the hit single "My doudou" with her. Lefel's success on that tour led to more offers, including one from Jean-Luc Lazair of Lazair, with whom she recorded the single "Ich Maman". In 1987, she accepted an offer from the famous Martinican group Malavoi, appearing as a chorus singer on their album La case à Lucie. She earned her nickname "la sirène" by singing a song of that title on Malavoi's 1993 album Matebis. During the same period she met the arranger and producer Ronald Rubinel, whom she later married and with whom she had twin sons.
The year after Lefel first appeared with Malavoi she recorded her first solo album, La klé (The Key), which won the Prix de la SACEM for its producer, Georges Debs, in 1988. The album included a duet between Lefel and "Latin Crooner" Ralph Thamar - one of many collaborations Lefel recorded during her career with famous musicians, including Gilles Voyer, Dominique Zorobabel, Jean-Philippe Marthély, Sylviane Cédia and Mario Canonge. She explained to an interviewer for the RFI Musique website that when she hosted a house party she invited the people she loved the most, and she felt there was no reason why a recording session should be any different.
By 1992, Lefel had become well-known throughout the Caribbean and her reputation had spread to Mozambique. In that year she released her second album,Mèci (Thanks), which was honored with the Sacem trophy for the best female singer of the year. Mèci broke records for Afro-Caribbean independent artists, selling in excess of 40,000 units. Her third album Rendez-vous, released in 1996, continued to build her reputation as one of the leading female interpreters of Afro-Caribbean genres.
But that same year Lefel took her career in quite a different direction, with a live recording made at the famed Olympia theater in Paris. In Edith Lefel a l'Olympia, the artist expanded her repertoire to include French and English language material, including some of the Parisian street songs that had been popularized by Edith Piaf. She explained that her parents had listened to Piaf when she was young (along with other classic French-language chanteurs like Jacques Brel and Charles Aznavour), and that she had often imitated Piaf at home for their entertainment. On the evening of the Olympia concert, May 11, 1996, Lefel impressed the audience with her immense talent, supported by her friends Ralph Thamar and Jean-Luc Alger, and her husband and children.
A very attractive woman whose likeness graced the covers of many prominent French magazines, Lefel died at the height of her powers and popularity[1] in January 2003, at only age 39. She died in her sleep. Autopsy results revealed a combination of smoking and birth control pills as the cause of her death. Edith Lefel is buried at Père Lachaise Cemetery.
Contents
[hide] 1 Discography 1.1 Albums
2 References
3 External links
Lefel's mother was from French Guiana and her father from the island of Martinique. She moved with her parents to Martinique when she was three. It was there that she was exposed to the rich musical traditions of the Caribbean. During the 1970s, when Lefel was growing up, creative young artists with Haitian bands were just beginning to create the zouk sound. Groups such as Les Frères Déjean, Le Ska Shah Number One and Tabou Combo drew on a combination of traditional African, Caribbean and European rhythms, including belair, biguine and mazurka, to produce their unique music which became another global phenomenon in the decades following the death of Bob Marley.
In her 14th year, Lefel and her mother left for France, settling in the Saint-Denis suburb of Paris. There she continued her studies in law, occasionally singing with her brother's folk rock group, and, in 1984, launched her career as a professional singer. The turning point in her career came when she met the Maffia band leader Jean-Michel Cambrimol. He invited her to accompany the band on a tour of the French Antilles, and recorded the hit single "My doudou" with her. Lefel's success on that tour led to more offers, including one from Jean-Luc Lazair of Lazair, with whom she recorded the single "Ich Maman". In 1987, she accepted an offer from the famous Martinican group Malavoi, appearing as a chorus singer on their album La case à Lucie. She earned her nickname "la sirène" by singing a song of that title on Malavoi's 1993 album Matebis. During the same period she met the arranger and producer Ronald Rubinel, whom she later married and with whom she had twin sons.
The year after Lefel first appeared with Malavoi she recorded her first solo album, La klé (The Key), which won the Prix de la SACEM for its producer, Georges Debs, in 1988. The album included a duet between Lefel and "Latin Crooner" Ralph Thamar - one of many collaborations Lefel recorded during her career with famous musicians, including Gilles Voyer, Dominique Zorobabel, Jean-Philippe Marthély, Sylviane Cédia and Mario Canonge. She explained to an interviewer for the RFI Musique website that when she hosted a house party she invited the people she loved the most, and she felt there was no reason why a recording session should be any different.
By 1992, Lefel had become well-known throughout the Caribbean and her reputation had spread to Mozambique. In that year she released her second album,Mèci (Thanks), which was honored with the Sacem trophy for the best female singer of the year. Mèci broke records for Afro-Caribbean independent artists, selling in excess of 40,000 units. Her third album Rendez-vous, released in 1996, continued to build her reputation as one of the leading female interpreters of Afro-Caribbean genres.
But that same year Lefel took her career in quite a different direction, with a live recording made at the famed Olympia theater in Paris. In Edith Lefel a l'Olympia, the artist expanded her repertoire to include French and English language material, including some of the Parisian street songs that had been popularized by Edith Piaf. She explained that her parents had listened to Piaf when she was young (along with other classic French-language chanteurs like Jacques Brel and Charles Aznavour), and that she had often imitated Piaf at home for their entertainment. On the evening of the Olympia concert, May 11, 1996, Lefel impressed the audience with her immense talent, supported by her friends Ralph Thamar and Jean-Luc Alger, and her husband and children.
A very attractive woman whose likeness graced the covers of many prominent French magazines, Lefel died at the height of her powers and popularity[1] in January 2003, at only age 39. She died in her sleep. Autopsy results revealed a combination of smoking and birth control pills as the cause of her death. Edith Lefel is buried at Père Lachaise Cemetery.
Contents
[hide] 1 Discography 1.1 Albums
2 References
3 External links
Iche maman
Edith Lefel Lyrics
We have lyrics for these tracks by Edith Lefel:
A contre-temps Kasi kasa, kasi kasi kasi kasa Kasi kasa, kasi kasi kasi…
Adieu Adieu... Adieu... Tout commence un beau matin sans prévenir …
Apartheid Pouki sa kanmarad? Pouki rézon ou ka soufè kon sa, kanmarad…
Asi paré A si parè mwen pa bel ankò A si parè ou…
Bel pawol hey ha hey ha! an an han- ah ah an an han hey…
Bonm' saint doux Fanm minm si w Toujou genti epi nonm la ki fè…
Contre temps Cassi cassa- cassi cassi cassa Cassi cassa-cassi cassi cassa…
Dialogue pa janmin konfon' tout' sentiman ini lanmou épi lanmou tou …
Dites lui Il faudrait seulement lui dire Lui dire sans ses bras Ses …
J'ai pensé à toi An ti chimiz ou té lessé Fè mwen songé-w tout' la…
La foule Je revois la ville en fête et en délire Suffoquant…
La klé Sé vou, ki ja dékwoché la klé tchè mwen aah Tou…
La sirène ON JOU- MWEN DESENN- LA CASCADE- POU Binyin -mwen ten…
Marie Adan kwen an chanb lopital An nonm asiz la ka pléré I…
Mèci Mwen lévé bon matin in in Santi mwen telmen bien in…
Mon Ange {Refrain: x3} Viens je t'attends Mon ange, mon irréel Vie…
Nathalie Nathalie Nathalie ich mwen Kouté sa paren-w ka di-w Lavi a …
Piensa En Mi Si tienes un alto penal Piensa en mi Si tienes ganas de…
Piti innocent Pati tro vit' piti innocent Ou pati tro vit' piti Yo touvéy…
Premié l'anmou Prèmié lanmou ou pé pa oubliyé Ti randévou a la rékréasyon P…
Si seulement Tu n'as jamais compris que c'était toi ma vie Tu n'as pas…
Somnifére Ha ha ha ha Ha ha ha ha Ha ha ha ha Ha…
Somnifère (Paroles de Femmes) Han han han han Han han han Somnifè ta la té two…
Sos Mémé (Chantèz) Lè ou koumansé vyéyi sa rèd Ou kondané a viv tou…
Trop sentimental Si tu savais Ce que tu représentes pour moi Si je pouvais…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@annieclaudel7993
Je sais que tu n’as pas demandé à venir au monde,
La coutela dans ma main, toi-même accroché à mon dos,
Tous cela pour que je puisse te donner à manger
Mon enfant
Des fois, tu te demandes pourquoi est-ce que tu es là,
C’est parce que tu es un pion et que le jeu doit avancer
Tu fois toujours aller plus loin dans la vie
Mon enfant !
Des fois je vais dormir à minuit,
C’est parce que je veille sur toi,
Laver ton linge, repasser, t’envoyer à l’école tous cela c’est toujours ta maman
Je sais que tu n’as pas demandé à venir au monde,
La coutela dans ma main, toi-même accroché à mon dos,
Tous cela pour que je puisse te donner à manger
Mon enfant
Je pense au jour où tu ne seras plus là
Tous ceux qui ont une mère, chantez pour elles
Lala lala lalé lala lala lalé
Ceux qui n’en n’ont pas ne les oubliés jamais
Vénérez les, maman c’est pour toi !
Lala lala lalé lala lala lala
Nous sommes là
Je t’ai donné le sein,
Nous sommes la,
Je t’ai donné à manger,
Nous sommes là,
T’envoyer à l’école,
Nous sommes là,
Laver le linge c’est moi,
Nous sommes là,
Quand tu veux dormir,
Nous sommes là,
Pour un câlin,
Nous sommes là,
Qu’est-ce que tu as ?
Nous sommes là,
Viens pour que je t’embrasse !
Nous sommes là,
Maman ma tête me fait mal,
Nou la,
Maman mon cœur me fait mal,
Nous sommes là,
Manman j’ai envie de dormir,
Nous sommes là,
J’ai blessé mon orteil,
Nous sommes là,
Maman, je veux manger
Nous sommes là,
Maman ma tête me fait mal,
Nous sommes là,
Maman mon cœur me fait mal,
Nous sommes là,
Maman j’ai envie de dormir
Je pense au jour où tu ne seras plus là
Lala lala lalé lala lala lalé
Tous ceux qui ont une mère, chantez pour elles
Lala lala lalé lala lala lalé
Nous sommes là
Je t’ai donné le sein
Nous sommes là
Maman j’ai mal au cœur
Nous sommes là
Je t’ai donné à manger
Nous sommes là
Maman j’ai envie de dormir
Nous sommes la
T’envoyer à l’école
Nous sommes là
J’ai blessé mon orteil
Nous sommes là
Quand tu as sommeil
Nous sommes là
Maman je veux manger
Nous sommes là
Pour un câlin
Nous sommes là
Maman j’ai mal à la tête
Nous sommes la
Viens me voir
Nous sommes la
Maman est fâchée
Nous sommes la
C’est toi mon enfant
@lindsayservan8834
Man sav ki ou pa mandé mété'w la
Lanmen'w an lanmen mwen
Wou menm ou pann an do mwen
Tou sa pou alé chèché manjé ba'w ich mwen
Dé fwa ou ka mandé kò'w poutchi ou la
Sé paskè ou sé an pyon fòk jé-a avansé
Toujou alé pli lwen adan lavi-a ich mwen
Dé fwa mwen alé domi a minui mwen té ka véyé an lè'w
Lavé lenj ripasé voyé'w lékol tou sa sé toujou manman'w
Man sav ki ou pa mandé yo mété'w la
Lanmen'w an lenmen mwen
Wou menm pann an do mwen
Tou sa pou mwen alé chèché manjé ba'w ich mwen
Souflan
(Chantè)
Mwen ka mandé kò mwen lè ou péké la
Tou sa ki ni manman chanté yo
La la la la lé
La la la la lé
Sa ki pani pa janmen oubliyé yo
Vénéré yo
Manman sé pou'w
La la la la la lé
La la la la la lé
Souflan
(Kè)
Nou la
(Chantèz)
Man ba'w tété
(Kè)
Nou la
(Chantèz)
Man ba'w manjé
(Kè)
Nou la
(Chantèz)
Voyé'w lékol
(Kè)
Nou la
(Chantèz)
Lavé lenj sé mwen
(Kè)
Nou la
(Chantèz)
Lè'w lé domi
(Kè)
Nou la
(Chantèz)
Pou an kalen
(Kè)
Nou la
(Chantèz)
Mé ki sa ou ni
(Kè)
Nou la
(Chantè)
Vini pou mwen bò'w
Souflan
(Chantè)
Manman
(Kè)
Nou la
(Chantè)
Manman man ni mal tèt
(Kè)
Nou la
(Chantè)
Manman man ni mal tchè
(Kè)
Nou la
(Chantè)
Manman manvi domi
(Kè)
Nou la
(Chantè)
Man pété zotey mwen
(Kè)
Nou la
(Chantè)
Manman man lé manjé
(Kè)
Nou la
(Chantè)
Manman man ni mal tèt
(Kè)
Nou la
(Chantè)
Manman man ni mal tchè
(Kè)
Nou la
(Chantè)
Manman manvi domi
Souflan
(Chantè)
Man ka mandé kò mwen lè ou pé ké la
La la la la la lé
La la la la la lé
Sa ki ni manman chanté yo
La la la la la lé
La la la la la lé
Souflan
(Kè)
Nou la
(Chantèz)
Man ba'w tété
(Kè)
Nou la
(Chantè)
Manman nou ni mal tchè
(Kè)
Nou la
(Chantèz)
Man ba'w manjé
(Kè)
Nou la
(Chantè)
Manman manvi domi
(Kè)
Nou la
(Chantèz)
Vréyé'w lékòl
(Kè)
@kreyol97
2024 toujours aussi humm ce son❤❤
@cl_tchic8851
Depuis le Congo 🇨🇬 je continue de t'écouter en 2024.. paix à ton âme Edith😢
@AurelieMaganga-wn2wh
Temps passe vite ça c est vraie cette chanson mais fait passer a enfance merci pour cette belle chanson paix a ton âme Edith lefet
@gabriellagames2115
Coucou, que de (bons) souvenirs et aussi un peu de tristesse ! Quelle belle femme et cette voix ! Incontestablement, les larmes tombent malgré le temps passant... Merci et continuez à chanter avec les Anges...
@josianeleslouis4806
Ce morceau est magnifiquement intemporel. Merci aux 2 pour cette prouesse. Les paroles sont fortes coup de coeur depuis plus de 20 ans
@gnagnemelehi7983
2024...et toujours ❤❤❤
Aussi belle que l'auteure
Repose en.paix Edith L
@Tark75ifty
Je viens d'entendre cette chanson à la radio et je me suis rappelé combien Edith Lefel était talentueuse et magnifiquement belle.
Partie trop tôt, elle manque à la musique caribéenne, à la chanson tout court.
Je l'adorais. 💕
R.i.p. sirène. 😥
@tsolegnagbokomi602
La première fois que j'ai découvert cette chanson, je l'ai écoutée environ 20 fois. La mort d'Edith m'a trop émue. Ses chansons sont aussi belles qu'elle.
@jeniferntsame7411
Moi aussi je l'ai écouté 1 milliards de fois et je le fais encore
@1000GRAUZ
Moi aussi