Prelude In G Minor Op.23/5
Edvard Grieg Lyrics


We have lyrics for these tracks by Edvard Grieg:


Hvad est du dog skön Hvad est du dog skjøn Ja skjøn ja skjøn Du allerlifgste Guds…
i himmelen I himmelen i himmelen Hvor gud vor herre bor Hvor saligt did…
I Himmelen i Himmelen I himmelen i himmelen Hvor gud vor herre bor Hvor saligt did…
Killingdans Aa hipp og hoppe Og tipp og toppe Paa denne dag Aa nipp…
Med en vandlilje Du Vårens milde skjønne Barn Tag Vårens første Blomme Og kas…
Solveig Kanske vil der gå både Vinter og Vår Og næste Sommer…
Solveig's Song Kanske vil der gå både Vinter og Vår Og naeste Sommer…
Solveigs sang Kanske vil der gå både Vinter og Vår Og næste Sommer…
Varen Enno ein Gong fekk eg Vetren at sjaa for Vaaren…





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Most interesting comments from YouTube:

@s.c.1494

You are welcome Bridgit. Do you know that Yuja is performing in Carnegie Hall this November? She is doing chamber music with the renowned violinist Kavakos. Here is the info:

November 4, 2021
Carnegie Hall, New York, NY, United States
Chamber music with Leonidas Kavakos, violin

Program --
BACH: Violin Sonata No. 3 in E major, BWV 1016
SHOSTAKOVICH: Violin Sonata in G major, Op. 134
BACH: Violin Sonata No. 1 in B minor, BWV 1014
BUSONI: Violin Sonata No. 2 in E minor, Op. 36a

You can find their chamber performances on YouTube to get a taste. Yuja's performing schedule is on her website www.yujawang.com. Cheers!



@mariodisarli1022

Ah, Rachmaninoff & Yuja?! The Classical Review
Wang’s powerful virtuosity stronger on flash than depth in Boston recital
May 13, 2018
By Aaron Keebaugh
Yuja Wang performed Friday night at Jordan Hall for the Celebrity Series. Photo: Robert Torres
...
There is no doubting Yuja Wang’s technique at the keyboard. The Chinese-born pianist is capable of unleashing torrents of octave runs, and her left-hand figures supply an almost orchestral sense of depth and gravity to her sound. She clearly shapes every phrase, and her notes resonate with a ping.
...
Still, there were times Friday night when one wondered if Wang only saw some of this music as just showpieces for her mesmerizing technical skill. Her selections of Rachmaninoff Preludes and Études-tableaux, though played deftly, didn’t always flower with the vocal quality so integral to the composer’s style.

Wang takes a full-bodied approach to Rachmaninoff, and she renders his textures in multi-dimensional shapes. In the Prelude in G minor, Op. 23, No. 5, her strong left hand figures tethered the march rhythms to the ground. The Prelude in B minor, Op. 32, No. 10 unfolded in Debussyian washes of color. In the Étude-tableau in E-flat minor, Op. 39, No. 5, Wang’s harmonies and bass lines crashed together in blistering clusters. But in each, Rachmaninoff sense of sweeping grandeur went largely unexplored.

Three of Ligeti’s Etudes, which filled out the program, were similarly muscular but lacking in probing musicality. Wang’s running chromatic figures blurred into a fog in Etude No. 9, “Vertige,” and in Etude No. 1, “Désordre,” churning Bartókian rhythms propelled the music ever forward. In Etude No. 3, “Touches bloquées,” Wang’s performance needed more of the intimacy that this music requires. Though Wang played the work quickly—as marked—the Etude’s halo-like harmonics, caused by the pianist keeping some of the keys depressed with the left hand while punching out syncopated figures with the right, failed to shimmer. Ligeti incorporated difficult passages into these works not as vehicles for showboating but to create ethereal musical tapestries. And throughout, it seemed as if Wang was playing Ligeti’s notes, not Ligeti’s music.
...
The program will be repeated 8 p.m. Thursday night at Carnegie Hall in New York. carnegiehall.org.



@mariodisarli1022

Ah, Rachmaninoff & Yuja?! The Classical Review
Wang’s powerful virtuosity stronger on flash than depth in Boston recital
May 13, 2018
By Aaron Keebaugh
Yuja Wang performed Friday night at Jordan Hall for the Celebrity Series. Photo: Robert Torres
...
There is no doubting Yuja Wang’s technique at the keyboard. The Chinese-born pianist is capable of unleashing torrents of octave runs, and her left-hand figures supply an almost orchestral sense of depth and gravity to her sound. She clearly shapes every phrase, and her notes resonate with a ping.
...
Still, there were times Friday night when one wondered if Wang only saw some of this music as just showpieces for her mesmerizing technical skill. Her selections of Rachmaninoff Preludes and Études-tableaux, though played deftly, didn’t always flower with the vocal quality so integral to the composer’s style.

Wang takes a full-bodied approach to Rachmaninoff, and she renders his textures in multi-dimensional shapes. In the Prelude in G minor, Op. 23, No. 5, her strong left hand figures tethered the march rhythms to the ground. The Prelude in B minor, Op. 32, No. 10 unfolded in Debussyian washes of color. In the Étude-tableau in E-flat minor, Op. 39, No. 5, Wang’s harmonies and bass lines crashed together in blistering clusters. But in each, Rachmaninoff sense of sweeping grandeur went largely unexplored.

Three of Ligeti’s Etudes, which filled out the program, were similarly muscular but lacking in probing musicality. Wang’s running chromatic figures blurred into a fog in Etude No. 9, “Vertige,” and in Etude No. 1, “Désordre,” churning Bartókian rhythms propelled the music ever forward. In Etude No. 3, “Touches bloquées,” Wang’s performance needed more of the intimacy that this music requires. Though Wang played the work quickly—as marked—the Etude’s halo-like harmonics, caused by the pianist keeping some of the keys depressed with the left hand while punching out syncopated figures with the right, failed to shimmer. Ligeti incorporated difficult passages into these works not as vehicles for showboating but to create ethereal musical tapestries. And throughout, it seemed as if Wang was playing Ligeti’s notes, not Ligeti’s music.
...
The program will be repeated 8 p.m. Thursday night at Carnegie Hall in New York. carnegiehall.org.



All comments from YouTube:

@deutschegrammophon

Have you had a chance to listen to Yuja's fantastic Berlin Recital album? She has also released some Encores, available for streaming only.

@sneezesaw2611

Thank you

@pauljohnston3884

Okay. How much are you being paid?

@MARTIN201199

Would DG make an invitation for one of his subscribers to visit Germany and a live concert of the BERLINER PHILHARMONIKER?

@OmgLoLw2gLuvUidkROFL

Perfect tempo. Most play this too fast😩. You play this PERFECTLY‼️😍. Thank you for sharing your wonderful talent with us. Thumbs UP!

@eggizgud

@@OmgLoLw2gLuvUidkROFL Can't imagine any faster than this!

14 More Replies...

@yujawang7753

Thank you, everybody!

@wedemeyerr

@@clausesanta5042 maybe the focus is not her, but definitely your own problem with your sexuality

@clausesanta5042

@@wedemeyerr So you say.

@paulpost6409

Ah, no - thank you. Thank you very much.

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