Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian comp… Read Full Bio ↴Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively.
Edvard Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieghallen), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Grieg was born in Bergen, Norway on 15 June 1843. His ancestors were Scottish, the original family name was spelled "Greig". After the Battle of Culloden in 1746, his great-grandfather travelled widely, settling in Norway around 1770, and establishing business interests in Bergen. Grieg was raised in a musical home. His mother, Gesine, became his first piano teacher. He studied in several schools including Tank's School, and often brought in examples of his music to class.
In the summer of 1858, Grieg met the eminent Norwegian violinist virtuoso Ole Bull, who was a friend of the family, and whose brother was married to Grieg's aunt. Bull noticed the 15-year-old boy's talent and persuaded his parents to send him to further develop his talents at the Leipzig Conservatory, then directed by Ignaz Moscheles.
Grieg enrolled in the conservatory, concentrating on the piano, and enjoyed the numerous concerts and recitals given in Leipzig. He disliked the discipline of the conservatory course of study, yet he still achieved very good grades in most areas, the exception being the organ, which was mandatory for piano students at the time. In the spring of 1860, he survived the life-threatening lung disease, pleurisy, which would effect his health for the rest of his life. The following year he made his debut as a concert pianist, in Karlshamn, Sweden. In 1862, he finished his studies in Leipzig, and held his first concert in his home town of Bergen, where his programme included Ludwig van Beethoven's Pathétique sonata. (Grieg's own recording of his Piano Sonata, made late in his life, shows he was an excellent pianist).
In 1863, Grieg went to Copenhagen, Denmark, and stayed there for three years. He met the Danish composers J. P. E. Hartmann, and Niels Gade. He also met his fellow Norwegian composer Rikard Nordraak (composer of the Norwegian national anthem), who became a good friend and source of great inspiration. Nordraak died shortly after, and Grieg composed a funeral march in his honor. Grieg had close ties with the Bergen Philharmonic Orchestra (Harmonien) and was Music Director of the orchestra from 1880–1882.
On 11 June 1867, Grieg married his first cousin, Nina Hagerup. The next year their only child, Alexandra, was born. The following summer, Grieg wrote his Piano Concerto in A minor while on holiday in Denmark. Edmund Neupert gave the concerto its premiere performance on 3 April 1869 in the Casino Theater in Copenhagen. Grieg himself was unable to be there due to commitments conducting in Christiania (as Oslo was then named).
In the summer of 1869, Grieg's daughter Alexandra became ill and died, at the age of 13 months.
In 1868, Franz Liszt, who up to that time had not met Grieg, wrote a testimonial for him to the Norwegian Ministry of Education, which led to Grieg obtaining a travel grant as well as a pension from the Norwegian government. The two finally met in Rome in April, 1870. On Grieg's first visit, the two went over Grieg's Violin Sonata No. 1, which pleased Liszt greatly. On the second day of his visit, Grieg brought with him the manuscript of his Piano Concerto in A minor, which Liszt proceeded to sightread (including the orchestral arrangement). Liszt's rendition greatly impressed his audience, although Grieg gently pointed out to him that he played the first movement too quickly. Liszt also gave Grieg some advice on orchestration (e.g. to give the melody of the second theme in the first movement to a solo trumpet) as well as the encouragement to become a great composer.
In 1876, Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suites or piano and piano-duet arrangements.
In 1888, Grieg met Tchaikovsky in Leipzig. Both men appreciated each other's works and were great friends, attending each other's concerts and writing each other letters. Their correspondence ended in 1888 for unknown reasons.
In the spring 1903, Grieg made nine 78-rpm gramophone recordings of his piano music in Paris; all of these historic discs have been reissued on both LPs and CDs and, despite limited fidelity, show his artistry as a pianist. Grieg also made live-recording player piano music rolls for the Welte-Mignon reproducing system, all of which survive today and can be heard.
Edvard Grieg died in the autumn of 1907, aged 64, after a long period of illness. His final words were "Well, if it must be so". The funeral drew between 30,000 and 40,000 people out on the streets of his home town to honour him. Following his wish, his own funeral march for Rikard Nordraak as well "Last Spring" were played in an orchestration by his friend Johan Halvorsen, who had married Grieg's niece. In addition, the famous funeral march from Frédéric Chopin's third movement from his Second Sonata were played. His and his wife's ashes are entombed in a mountain crypt near his house, Troldhaugen, which is near Bergen, Norway.
Edvard Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieghallen), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Grieg was born in Bergen, Norway on 15 June 1843. His ancestors were Scottish, the original family name was spelled "Greig". After the Battle of Culloden in 1746, his great-grandfather travelled widely, settling in Norway around 1770, and establishing business interests in Bergen. Grieg was raised in a musical home. His mother, Gesine, became his first piano teacher. He studied in several schools including Tank's School, and often brought in examples of his music to class.
In the summer of 1858, Grieg met the eminent Norwegian violinist virtuoso Ole Bull, who was a friend of the family, and whose brother was married to Grieg's aunt. Bull noticed the 15-year-old boy's talent and persuaded his parents to send him to further develop his talents at the Leipzig Conservatory, then directed by Ignaz Moscheles.
Grieg enrolled in the conservatory, concentrating on the piano, and enjoyed the numerous concerts and recitals given in Leipzig. He disliked the discipline of the conservatory course of study, yet he still achieved very good grades in most areas, the exception being the organ, which was mandatory for piano students at the time. In the spring of 1860, he survived the life-threatening lung disease, pleurisy, which would effect his health for the rest of his life. The following year he made his debut as a concert pianist, in Karlshamn, Sweden. In 1862, he finished his studies in Leipzig, and held his first concert in his home town of Bergen, where his programme included Ludwig van Beethoven's Pathétique sonata. (Grieg's own recording of his Piano Sonata, made late in his life, shows he was an excellent pianist).
In 1863, Grieg went to Copenhagen, Denmark, and stayed there for three years. He met the Danish composers J. P. E. Hartmann, and Niels Gade. He also met his fellow Norwegian composer Rikard Nordraak (composer of the Norwegian national anthem), who became a good friend and source of great inspiration. Nordraak died shortly after, and Grieg composed a funeral march in his honor. Grieg had close ties with the Bergen Philharmonic Orchestra (Harmonien) and was Music Director of the orchestra from 1880–1882.
On 11 June 1867, Grieg married his first cousin, Nina Hagerup. The next year their only child, Alexandra, was born. The following summer, Grieg wrote his Piano Concerto in A minor while on holiday in Denmark. Edmund Neupert gave the concerto its premiere performance on 3 April 1869 in the Casino Theater in Copenhagen. Grieg himself was unable to be there due to commitments conducting in Christiania (as Oslo was then named).
In the summer of 1869, Grieg's daughter Alexandra became ill and died, at the age of 13 months.
In 1868, Franz Liszt, who up to that time had not met Grieg, wrote a testimonial for him to the Norwegian Ministry of Education, which led to Grieg obtaining a travel grant as well as a pension from the Norwegian government. The two finally met in Rome in April, 1870. On Grieg's first visit, the two went over Grieg's Violin Sonata No. 1, which pleased Liszt greatly. On the second day of his visit, Grieg brought with him the manuscript of his Piano Concerto in A minor, which Liszt proceeded to sightread (including the orchestral arrangement). Liszt's rendition greatly impressed his audience, although Grieg gently pointed out to him that he played the first movement too quickly. Liszt also gave Grieg some advice on orchestration (e.g. to give the melody of the second theme in the first movement to a solo trumpet) as well as the encouragement to become a great composer.
In 1876, Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suites or piano and piano-duet arrangements.
In 1888, Grieg met Tchaikovsky in Leipzig. Both men appreciated each other's works and were great friends, attending each other's concerts and writing each other letters. Their correspondence ended in 1888 for unknown reasons.
In the spring 1903, Grieg made nine 78-rpm gramophone recordings of his piano music in Paris; all of these historic discs have been reissued on both LPs and CDs and, despite limited fidelity, show his artistry as a pianist. Grieg also made live-recording player piano music rolls for the Welte-Mignon reproducing system, all of which survive today and can be heard.
Edvard Grieg died in the autumn of 1907, aged 64, after a long period of illness. His final words were "Well, if it must be so". The funeral drew between 30,000 and 40,000 people out on the streets of his home town to honour him. Following his wish, his own funeral march for Rikard Nordraak as well "Last Spring" were played in an orchestration by his friend Johan Halvorsen, who had married Grieg's niece. In addition, the famous funeral march from Frédéric Chopin's third movement from his Second Sonata were played. His and his wife's ashes are entombed in a mountain crypt near his house, Troldhaugen, which is near Bergen, Norway.
Rondo Alla Turca
Edvard Grieg Lyrics
We have lyrics for these tracks by Edvard Grieg:
Hvad est du dog skön Hvad est du dog skjøn Ja skjøn ja skjøn Du allerlifgste Guds…
i himmelen I himmelen i himmelen Hvor gud vor herre bor Hvor saligt did…
I Himmelen i Himmelen I himmelen i himmelen Hvor gud vor herre bor Hvor saligt did…
Killingdans Aa hipp og hoppe Og tipp og toppe Paa denne dag Aa nipp…
Med en vandlilje Du Vårens milde skjønne Barn Tag Vårens første Blomme Og kas…
Solveig Kanske vil der gå både Vinter og Vår Og næste Sommer…
Solveig's Song Kanske vil der gå både Vinter og Vår Og naeste Sommer…
Solveigs sang Kanske vil der gå både Vinter og Vår Og næste Sommer…
Varen Enno ein Gong fekk eg Vetren at sjaa for Vaaren…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@aejiis
Wasn't Peer Gynt kind of a wild fool of a person? In the tale he's based on, he's a roguish, handsome person who never settles down despite being super well-traveled and wealthy because of his adventuring.
In this one, he is portrayed as a total fool to the audience, but from his perspective he is exactly like the gentleman explorer of the original tale. So he's a brat of a child, always stealing from people in the village, and no one likes his company. When he's older, he sees a beautiful woman at her own wedding, and decides he's in love with her. He practically abducts her from her wedding and he's ousted from the village in return.
In the wilderness he comes across the Hall of the Mountain King, where he may finally be welcomed by some people despite their ostracization by society, and he is even allowed to marry the king's daughter who was actually reasonably attractive as long as he became a troll like the people in the kingdom.
Except like git he is, he decides he loves the girl from his village too much to do this, so he steals the king's treasures and attempts to escape in the night. He eventually gets caught and accepts the king's proposal finally at the end. I think that's how it goes.
Peer Gynt is really the Florida man of his own life with no regard for others. He justifies all of his actions by basically thinking "the world is my oyster" because he thinks it was made for him. Then when he finally gets a good opportunity given by a generous king, he not only rejects it but goes on to steal from him because he doesn't realize that this is the best deal he could ever receive for the terrible things he's done his whole life.
@portal_master520
"In the Hall of the Mountain King" is a captivating and iconic piece of classical music composed by Norwegian composer Edvard Grieg. This orchestral composition is part of the incidental music Grieg created for Henrik Ibsen's play "Peer Gynt," and it has become one of the most recognizable and widely loved classical pieces.
From the very first notes, "In the Hall of the Mountain King" conjures a sense of tension and anticipation. The piece is characterized by its relentless and escalating tempo, creating a feeling of unease that gradually builds as the music unfolds. The repetitive and insistent melody, carried by the strings and woodwinds, gives the impression of an impending danger or a lurking presence.
The composition is masterfully orchestrated, with Grieg skillfully manipulating dynamics and instrumentation to convey a sense of atmosphere and drama. As the piece progresses, the addition of brass and percussion instruments intensifies the tension, leading to a climactic and powerful finale.
The imagery evoked by the music aligns perfectly with the title. The listener is transported to a mythical realm, where a procession of trolls led by the Mountain King himself moves with a frenzied energy. The music captures the chaos and excitement of the scene, as well as the growing apprehension of Peer Gynt, the protagonist of Ibsen's play.
"In the Hall of the Mountain King" is not only musically captivating but also emotionally evocative. Its ability to create a sense of suspense, danger, and urgency has made it a popular choice for various adaptations and media, from film to television to video games. Grieg's composition has transcended time and genre, captivating audiences for generations.
Overall, "In the Hall of the Mountain King" is a masterpiece of classical music that showcases Edvard Grieg's compositional skill and ability to craft music that resonates deeply with listeners. Its ability to tell a story and evoke powerful emotions has secured its place as one of the most recognizable and enduring pieces in the classical repertoire.
And yes, this was written by ChatGPT.
@tidalshores
The Hero: “What could possibly go wrong?”
The Author:
@notpostingx5035
TidalShores Yes yes yes gotta make my readers hate the story by making it tragic af yes yes yessss 😈😈
@lagreewithyourcomment
Fairly odd parents in a nutshell
@pyrogaming6488
the side character: don't...
@sennahoj777
Yeah, right
@swinelias
Jojo in a nutshell
@kattastic9999
I can't even conceive of what it was like for the audience the first time this was ever performed
@caitlincheney4358
I mean I have a strong opinion of how I would have reacted. More, please?
@SkippertheBart
Apparently they loved it. Which made the composer angry, oddly enough. Artists, am I right?
@Daeeie
Their reaction: 😨