History
E solo records
In 1991, Everett signed a contract with Polydor and released A Man Called E under the name E a year later. The single "Hello Cruel World" was a minor success. Touring to support the album, E opened for Tori Amos. A Man Called E was followed by Broken Toy Shop in 1993. This year also marked the beginning of E's collaboration with drummer Jonathan "Butch" Norton. After Broken Toy Shop, E was released from his record deal with Polydor. E has performed two of the songs from Broken Toy Shop ("The Only Thing I Care About" and "Manchester Girl") for his own live shows with the Eels.
Beautiful Freak
Eels were officially founded when Butch and E met Tommy Walter. The name "Eels" was chosen so that the band's records would be close to E's solo records in an alphabetical ordering, although it was too late once they realized that numerous Eagles and Earth, Wind & Fire releases were in between. Eels became one of the first groups to sign a record deal with DreamWorks Records, followed by Elliott Smith.
In 1996, the band released their debut album Beautiful Freak. The singles "Novocaine for the Soul", "Susan's House" and "Your Lucky Day in Hell" achieved modest national and international success, with the band winning the Best International Breakthrough Act award at the 1998 BRIT Awards. In 1996 and 1997, Eels toured extensively to support the album, building their name as a live act in the United States and Europe. In September 1997, Walter quit the band.
Released in May 2001, the motion picture soundtrack for the movie Shrek included the song "My Beloved Monster".
Electro-Shock Blues
Following the success of Beautiful Freak, E experienced a difficult time in his personal life. His sister committed suicide, and his mother was diagnosed with cancer. These events inspired Eels' second album, 1998's Electro-Shock Blues. The album deals with many difficult subjects, including cancer, mental illness, suicide and death. The tragedy of Everett's father's death became prominent once more in the context of his mother's impending death and his sister's suicide, and as a result the song "Baby Genius" is written for his father Hugh Everett III. Contributions to the album were made by Jon Brion, Lisa Germano, Jim Jacobsen, Grant-Lee Phillips, Dust Brother Michael Simpson, and T-Bone Burnett.
The single "Last Stop: This Town" saw minor success, while "Cancer for the Cure", the second single from the album, appeared on the soundtrack for American Beauty (1999).
Still a three-piece band on stage, Tommy Walter was replaced by Adam Siegel. Part of the American leg of the tour was cancelled after the death of E's mother. They returned to tour Europe later in the year, to open for Pulp.
Daisies of the Galaxy
In 2000, Eels released Daisies of the Galaxy. The album, which was recorded almost entirely in E's basement, is lighter and more upbeat than its predecessor. Everett noted, "if Electro-Shock Blues was the phone call in the middle of the night that the world doesn't want to answer, then Daisies of the Galaxy is the hotel wake-up call that says your lovely breakfast is ready". He was joined in the studio by Michael Simpson (Dust Brothers), Grant-Lee Phillips (Grant Lee Buffalo), and Peter Buck (R.E.M.).
The first single, "Mr. E's Beautiful Blues", was co-written by Simpson. The song was not intended to be on the album, but the record company insisted on its inclusion. Therefore, it was not featured on the track listing but was instead listed on the cover sticker as a bonus track, separated from the rest of the album by 20 seconds of silence.
To promote Daisies of the Galaxy, another tour took place across the United States and Europe, with the band also playing their first concerts in Australia. For these performances, Eels were transformed into a 6-piece orchestra, including Lisa Germano and Probyn Gregory. E also played some solo shows, opening for Fiona Apple.
Souljacker and Shootenanny!
In 2001, Souljacker was released, an album with a heavier feel and more rock-oriented sound than Daisies of the Galaxy. John Parish, previously of PJ Harvey's band, co-wrote most of the songs and played guitar on the album and first part of the tour. After Parish became a father, he was replaced with Joe Gore for the American leg of the Bus Driving, Band Rocking Tour. Koool G Murder played bass and keyboards and joined Eels on tour.
2003 marked the release of the album Shootenanny!. E now refers to the album as a break from recording the following Blinking Lights album. It was recorded live in the studio in only ten days. "Saturday Morning" was released as a single.
Butch was replaced on drums by Puddin'. In 2003, Eels embarked upon another big tour, called the Tour of Duty. The live band consisted of E, Goldenboy (guitar), Koool G Murder (bass) and Puddin' (drums). Later that year, E composed the score for the film Levity.
Blinking Lights and Other Revelations and Eels with Strings
Eels' next album, Blinking Lights and Other Revelations, was released on April 26, 2005, and was the band's first release for new label Vagrant Records. It is a 33-track double album. Contributions were made by Tom Waits, Peter Buck, John Sebastian (The Lovin' Spoonful), Jim Jacobsen, and Butch.
The first tour in support of the Blinking Lights album, billed as Eels with Strings, featured primarily performances by E on acoustic guitar, organ or piano, backed by Allen "Big Al" Hunter on piano and upright bass, Jeffrey Lyster (also known as Chet Atkins III or "The Chet") on guitar, mandolin, pedal steel, musical saw and drums, and a string quartet consisting of violinists Paloma Udovic and Julie Carpenter, violist Heather Lockie and cellist Ana Lenchantin. The tour resulted in a live album, Eels with Strings: Live at Town Hall, recorded in New York City. The performance includes tracks from all of their albums, and was released on CD and DVD on February 21, 2006.
Meet the Eels: Essential Eels Vol. I and Useless Trinkets
In early 2008, Eels released their first "greatest hits" compilation as well as a compilation of B-sides, rarities, soundtrack singles and unreleased tracks. Meet the Eels: Essential Eels Vol. I spans the first decade of the Eels, including singles from all their albums, as well as a DVD featuring music videos and one live performance video. Useless Trinkets contains 50 B-sides and rarities and a DVD of their Lollapalooza 2006 performances. To promote the releases, the band went on a world tour, An Evening With Eels. This time, only the Chet joined E on stage, both playing a broad cross-section from the Eels repertoire on a variety of instruments. The concerts also featured the Chet reading excerpts from E's 2008 autobiography, Things the Grandchildren Should Know. On this tour, the band released a live CD/DVD package of Eels' 2006 performance at the London Astoria, Live and in Person!, documenting a show from the second tour in support of Blinking Lights and Other Revelations.
The soundtrack of the 2008 comedy film Yes Man features nine songs by Eels, including "Man Up", a brand new song.
Concept album trilogy: Hombre Lobo, End Times, and Tomorrow Morning
Hombre Lobo, the seventh Eels studio album, was released on June 2, 2009. The album comprises twelve new songs. "Hombre Lobo" is Spanish for "wolf man" or "werewolf" and references E's unusually long beard, which he originally grew when writing the song "Dog Faced Boy". On March 31, 2009, the band made the track "Fresh Blood" available on Spinner, explaining that the song would be the lead single for the album. A Jesse Dylan-directed music video was released on April 29, 2009 as well. The album was released as a single-disc CD and a deluxe edition with a DVD. In September 2009, Eels released a music video for "That Look You Give That Guy", featuring Bobby Jr., E and Top Chef host Padma Lakshmi.
While promoting this album, Eels released the live EP The Myspace Transmissions Session 2009 on October 14, 2009. That same day, the band's website announced that a new Eels album entitled End Times would be released on January 19, 2010. It was largely recorded on a four-track recorder and is based on the themes of broken love. Three album tracks—"Little Bird", "In My Younger Days", and "A Line in the Dirt"—were made available as music videos or promotional downloads prior to the release of the album. Once again, Butch contributed drums to "A Line in the Dirt". On January 19, 2010, End Times was released. E made no comment on touring and there was no tour scheduled to begin.
A second album was announced on May 20, 2010: Tomorrow Morning was described as the "final installment of a trilogy that began with Hombre Lobo and End Times." The three albums respectively explore themes of desire, loss, and redemption. A world tour, the first since 2007's An Evening With Eels tour, was announced at the same time. This tour once again featured the Chet on various instruments, alongside Koool G Murder on bass, trilogy drummer Knuckles on drums and a new member, P-Boo, on guitar.
Wonderful, Glorious and The Cautionary Tales of Mark Oliver Everett
On February 5, 2013, the 10th Eels studio album was released, entitled Wonderful, Glorious. The first single from the album, "Peach Blossom", premiered on SoundCloud on November 6, 2012. A month later, on December 4, 2012, the official video was released on Stereogum. The second single, "New Alphabet", was streamed pre-release on December 12, 2012 on Spinner
On March 25, 2013, the band released a parody music video called "Cold Dead Hand" through Funny or Die, with Jim Carrey replacing E on vocals. The song and video, set as a musical act during the variety program Hee Haw, lampoons American gun culture, and specifically former NRA spokesperson Charlton Heston.
Eels' eleventh studio album, The Cautionary Tales of Mark Oliver Everett, was released on April 21, 2014 on E Works Records. In April 2015, the band released the DVD and double live album Live at the Royal Albert Hall.
In 2015, Eels created their own version of Melanie De Biasio's track "I Feel You" for the album Gilles Peterson Presents - No Deal Remixed. The track was later used to promote the 2017 film Alien: Covenant, directed by Ridley Scott, and appears during the entire in-universe short movie Meet Walter starring Michael Fassbender.
The Deconstruction and Earth to Dora
On January 17, 2018, Eels announced their 12th studio album, The Deconstruction, to be released on April 6, 2018, their first in nearly four years. They also announced a supporting tour throughout the United States and Europe, beginning in Pomona, California on May 28, 2018. The album travels through many styles sonically, but its lyrics primarily deal with rebuilding one's life and looking back on what went wrong. Singles include (in release order) the title track, "Today Is the Day", "Premonition", and "Bone Dry". Styles present on the album include orchestral pop, power pop, psychedelic pop/rock, indie/alternative rock and post-modern pop.
The band's next release was the single "Baby Let's Make It Real"/"Who You Say You Are", announced on September 1, 2020. These songs were featured on the subsequent studio album, Earth to Dora (2020).
Extreme Witchcraft
On September 21, 2021, it was announced that the 14th Eels album would be called Extreme Witchcraft and would be released on January 28, 2022. The album was produced by E and John Parish in their first collaboration since 2001's Souljacker.
Full Wikipedia article: https://en.wikipedia.org/wiki/Eels_(band)
Studio albums
As E
A Man Called E (1992)
Broken Toy Shop (1993)
As Eels
Beautiful Freak (1996)
Electro-Shock Blues (1998)
Daisies of the Galaxy (2000)
Souljacker (2001)
Shootenanny! (2003)
Blinking Lights and Other Revelations (2005)
Hombre Lobo (2009)
End Times (2010)
Tomorrow Morning (2010)
Wonderful, Glorious (2013)
The Cautionary Tales of Mark Oliver Everett (2014)
The Deconstruction (2018)
Earth to Dora (2020)
Extreme Witchcraft (2022)
Souljacker Part 1
Eels Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
33 years of tough luck
44 skulls buried in the ground
Crawling down through the muck
Oh yeah
Johnny don't like the teacher
Johnny don't like the school
Show 'em he's nobody's fool
Oh yeah
Sisters Brothers make better lovers
Family Affairs now under the covers
trailer park of broken hearts
won't let you leave until you're bleeding
Sally don't like her daddy
Sally don't like her friends
Sally and Johnny watchin' TV
Waitin' for it to end
Oh yeah
Woooh!
Sisters Brothers make better lovers
Family Affairs now under the covers
trailer park of broken hearts
won't let you leave until youROCK!
Waaaa whoo
Ha Ha Ha Ha Wha Ha Ha Ha Ha... Woo!
22 miles of hard road
33 years of tough luck
44 skulls buried in the ground
Crawling down through the muck
Oh yeah
The lyrics of Eels' song "Souljacker Part I" evoke a sense of desperation and frustration that permeates throughout the song. The opening lines of "22 miles of hard road, 33 years of tough luck, 44 skulls buried in the ground, crawling down through the muck" sets the scene for the song's bleak outlook, suggesting a long and difficult journey fraught with obstacles and danger. The repetition of the phrase "oh yeah" adds a touch of irony, as if to imply that the situation is far from good, but still somehow inevitable.
The following lines introduce the character of Johnny, a rebellious figure who doesn't conform to societal expectations. He doesn't like his teacher or the school, and is determined to prove that he's not "nobody's fool." The lyrics suggest that there's a sense of frustration and anger bubbling beneath the surface, and that Johnny is ready to take action to challenge the status quo.
The chorus of the song shifts the focus to the complex dynamics of family relationships. The phrase "Sisters Brothers make better lovers" suggests a level of intimacy that goes beyond familial bonds, while "Family Affairs now under the covers, trailer park of broken hearts won't let you leave until you're bleeding" suggests a darker, more dysfunctional side of family life. The sense of isolation and entrapment is palpable, and the repeated exclamation of "Waaaa whoo!" adds a touch of maniacal energy to the song.
Line by Line Meaning
22 miles of hard road
The singer has gone through a long, challenging journey.
33 years of tough luck
The singer has had a lot of misfortune in their life.
44 skulls buried in the ground
The singer has witnessed a great deal of death and violence.
Crawling down through the muck
The artist is persevering in spite of difficult circumstances.
Oh yeah
The artist is acknowledging the hardships they have endured.
Johnny don't like the teacher
Johnny is unhappy with authority figures in his life.
Johnny don't like the school
Johnny is unhappy with his educational environment.
One day Johnny gonna do somethin'
Johnny plans to take action to improve his situation.
Show 'em he's nobody's fool
Johnny wants to prove that he is smarter than others think he is.
Sisters Brothers make better lovers
The artist believes that romantic partners who are siblings have a unique bond.
Family Affairs now under the covers
Romantic relationships within families are being hidden from outsiders.
trailer park of broken hearts
The artist is in a community where many people are heartbroken.
Won't let you leave until you're bleeding
The singer is stuck in a toxic relationship and cannot escape without being hurt.
Sally don't like her daddy
Sally has a difficult relationship with her father.
Sally don't like her friends
Sally is unhappy with her social circle.
Sally and Johnny watchin' TV
Sally and Johnny are both bored and unfulfilled.
Waitin' for it to end
Sally and Johnny are waiting for a change in their lives.
Woooh!
The singer is expressing excitement or enthusiasm for their situation.
Waaaa whoo
The singer is making a nonsensical noise to express joy or excitement.
Ha Ha Ha Ha Wha Ha Ha Ha Ha... Woo!
The artist is laughing and making silly noises to express their enjoyment of life.
Lyrics © DICK LITTLE PUBLISHING
Lyrics Licensed & Provided by LyricFind
@riesgodocenal3679
Twenty two miles of hard road
Thirty three years of tough luck
Forty four skulls buried in the ground
Crawling down through the muck
Oh yeah
Johnny don't like the teacher
Johnny don't like the school
One day Johnny is going to do somethin'
Show 'em he's nobody's fool
Oh yeah
Sisters brothers make better lovers
Family affairs down under the covers...
Trailer parks the broken hearts
Won't let you leave until you're bleeding
Sally don't like her daddy
Sally don't like her friends
Sally and Johnny watchin' TV
Waitin' for it to end
Oh yeah
Sisters brothers make better lovers
Family affairs down under the covers...
Trailer parks the broken hearts
Won't let you leave until you're bleeding
Twenty two miles of hard road
Thirty three years of tough luck
Forty four skulls buried in the ground
Crawling down through the muck
Oh yeah
@dannyriley6250
22 miles of hard road
33 years of tough luck
44 skulls buried in the ground
Crawling down through the muck
Aw yeah
Johnny don't like the teacher
Johnny don't like the school
One day johnny gonna do something
Show 'em he's nobody's fool
Aw yeah
Sisters' brothers make better lovers
Family affair down under the covers
Trailer park of broken hearts
Won't let you leave until you're bleeding
Sally don't like her daddy
Sally don't like her friends
Sally and johnny watching tv
Waiting for it to end
Aw yeah
Sisters' brothers make better lovers
Family affair down under the covers
Trailer park of broken hearts
Won't let you leave until you
Rock
22 miles of hard road
33 years of tough luck
44 skulls buried in the ground
Crawling down through the muck
Aw yeah
@FontaMetal
One of the greatest and underrated rock'n'roll songs in history
@militarywargaming7840
These guys are a phenomenal group with such an original sound and deserve far more credit as musicians.....been a fan a long time now and every track is a masterpiece
@edwardbyrne4109
For me this is the best song by the Eels, seeing them do it live is amazing, the feed back break, wow. Without doubt the best band of the 90s
@mrbianco1979
E is a very creative song writer,but keeps it simple at the same time. I was too involved with Smashing Pumpkins and nirvana back in the 90's to really get into the Eels. I'm actually glad I waited, because I can relate to his messages more today.
@domeslacker
im still into the pumpkins haha
@english_electric7125
I was pretty into Eels during my mid-late teens (although it was a case of really liking some songs, not being able to stand others) to the point of buying the 6 studio albums from Beautiful Freak - Blinking Lights, but I ended up drifting away from them... Only to find up those CDs yesterday. Figured I'd stick one on for the hell of it, then realised that actually... He's a great lyricist, and as you say, writes deceptively simple songs which are more than they seem at first look.
@punker-gamer-trucker-guy
Chris Bianco I got into the eels just as the pumpkins were running out of steam, 97/98. Novacain for the soul was on the radio at 3am. I was instantly hooked.
@RadtasticNinjaChick
E writes all of his songs a certain way for a reason. His instruments and lyrics are comparable to literary devices used by writers like Tolstoy, Dickens, Thoreau... Each chord, each "voice" is meant to produce a certain tone and tie back into a uniform thematic element, the same way symbolism is used in writing. Every work of art has a message and has to be analyzed from that. Souljacker 1&2: very symbolic. Don't we all have something that is a Souljacker? Something that threatens to crush us?
@misogoop6
This band needs more stuff like this.
@seamusgaelic6447
Love the song, but as much as I love the song, I totally love the accompanying music video. Well done!