However, Neubauten soon outgrew the confines of even the broad scope of industrial music. In their 25-plus years, they have produced a dozen studio albums, live records, a remix album and EP, scored theatre pieces, and more.
Lead vocalist Blixa Bargeld is perhaps the best-known member of the group, both for his work with Neubauten and as guitarist for Nick Cave and the Bad Seeds. His fellow founding members Alexander Hacke and N.U. Unruh have likewise been active in various musical roles outside the group over the years.
Bassist Mark Chung was a member of the group from 1981 to 1994. He founded the publishing house Freibank Music Publishing to handle business affairs for Neubauten and other groups, and has continued in this role (concurrently serving as a senior vice-president of Sony Music International for nine years). Percussionist FM Einheit, was a member from 1981 to 1995, and has also been active as a solo artist and member of groups such as Gry.
Since 1997 the group has also included guitarist Jochen Arbeit and percussionist Rudi Moser.
Neubauten's most recent work has been available exclusively to subscribers to their online home, www.neubauten.org. Neubauten completed the third incarnation of their online project in November 2007 and were touring Europe in 2008 in support of their latest album Alles Wieder Offen.
Currently Einstürzende Neubauten is celebrating their 30th anniversary with a tour through Europe and the United States. In October/November 2010 the band is releasing Strategies Against Architecture IV, the fourth album in the archival compilation series by Neubauten which collates the band’s output from 2002-2010.
Let's do it a Dada
Einstürzende Neubauten Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Let's do it, let's do it, let's do it a Dada!
Bei Herzfeldes hab ich mal gefrühstueckt
In Steglitz oder Wilmersdorf
Mit Wieland hab ich mich gestritten
Mit Wieland, nicht mit John
Ich kochte ihm den Leim
In keinem Diktionär
Hat es den Eintrag je gegeben
Nur du und ich my Darling
Wir wissen was es wirklich heisst
Let's do it, let's do it, let's do it a Dada!
Ich spielte Schach mit Lenin
Zürich, Spiegelgasse
Ich kannte Jolifanto höchstpersönlich
Hab mit dem Urtext selbst einmal gebadet
Ich spielte mit Anna
Ich spielte mit Hannah
Ich weiss wo der Kirchturm steht
Ich reichte ihr das Küchenmesser
Ich kochte ihr den Leim
Hawonnnti!
Let's do it, let's do it, let's do it a Dada!
Hülsendada
Propagandada
Monteurdada
Zentrodada
Das Oberdada
Ein grosses Ja ein kleines Nein
Ich trank ne Menge
Trank mit George
War trotzdem nicht zur Stelle
An der Kellertreppe
Morgens am Savignyplatz
Ich half Kurt beim Bauen seiner Häuser
No. 1, 2 und 3
Ich reichte ihm die Säge
Ich kochte ihm den Leim
Aaah! Signore Marinetti!
Back from Abyssinia?
Just you and me my darling
We know what it really means
Let's do it, let's do it, let's do it a Dada!
The lyrics of Einstürzende Neubauten's song "Let's do it a Dada" are a tribute to the avant-garde art movement of Dadaism that rocked Europe after the First World War. The song follows a nonsensical narrative that references important figures and events in the Dada movement through seemingly random vignettes. The opening line, "Ba-ummpff!", sets the tone for the song, which is an experimental blend of industrial and punk music with spoken-word poetry.
The lyrics mention some of the most important figures of Dada, including German artists John Heartfield and Wieland Herzfelde, and the Italian poet Filippo Tommaso Marinetti, who founded the Futurist movement, which inspired Dada. The song also references Zurich, Switzerland, where Dada had its birthplace, and various Dadaist techniques, such as photomontage, collage, and sound poems.
The phrase "Let's do it a Dada!" is a call to action for listeners to embrace the Dada spirit of anarchy, absurdity, and rebellion against traditional art forms. By suggesting that only the singer and their lover truly understand what Dada means, the song encourages a feeling of belonging to an exclusive and subversive group.
Overall, "Let's do it a Dada" is a chaotic and playful song that captures the essence of Dadaism, a movement that sought to dismantle the conventions of society and art through provocation and humor.
Line by Line Meaning
Ba-ummpff!
An onomatopoeic representation of a loud, abrupt sound meant to start the song
Let's do it, let's do it, let's do it a Dada!
Invitation to embrace the Dada movement's subversive and nonsensical style in creating art
At Herzfeld's I once had breakfast
The singer recalls a memory of having breakfast at a particular cafe
in Steglitz or Wilmersdorf
Specifies the location of the aforementioned cafe
I had an argument with Wieland
The artist had a disagreement with a person named Wieland
with Wieland, not John
Clarifies that the argument did not involve a person named John
I handed him the scissors
The singer passed a pair of scissors to Wieland
I cooked him the glue
The artist prepared some glue for Wieland, perhaps for an art project
It's never been in any dictionary
The term 'Dada' has never been included in any dictionary, implying the movement's anti-establishment nature
only you and I, my darling
Only those who truly understand the Dada movement and its philosophy can use the term accurately
we know what it really means
The singer and their partner share a deep understanding of the Dada philosophy
I played chess with Lenin
The artist recalls playing a game of chess with Vladimir Lenin
Zurich, Spiegelgasse
Specifies the location of where the singer played chess with Lenin
I knew Jolifanto personally
The singer knew someone named Jolifanto on a personal level
I once bathed in the original text
The singer refers to bathing in a manuscript or original copy of a text
I played with Anna
The artist played with a person named Anna
I played with Hannah
The artist played with a person named Hannah
I know where the church tower stands
The singer knows the location of a particular church tower
I handed her the kitchen knife
The singer passed a kitchen knife to someone
I cooked her the glue
The artist prepared glue for someone
Hawonnnti!
Exclamation of joy or excitement
Hülsendada
Nonsensical term, perhaps referring to a type of Dada art
Propagandada
Nonsensical term, perhaps referring to a type of propaganda that incorporates Dada elements
Monteurdada
Nonsensical term, perhaps referring to a type of Dada art or performance involving machines or found objects
Zentrodada
Nonsensical term, perhaps referring to a type of Dada art or performance taking place in a central location or as a centerpiece of an exhibit
The Oberdada
The highest authority or leader of the Dada movement
A big yes, a small no
The singer expresses ambivalence, indicating that Dada art can convey both agreement and disagreement simultaneously
I drank a lot
The artist consumed a significant amount of alcohol
drank with George
The artist shared drinks with someone named George
still wasn't there at the cellar stairs
The singer was absent from a particular location or event, despite having consumed alcohol with someone named George
at Savignyplatz in the morning
Specifies the location and time of the aforementioned event
I helped Kurt build his houses
The artist assisted a person named Kurt in constructing several houses
No. 1, 2 and 3
Specifies the number of houses that Kurt built
I handed him the saw
The artist passed a saw to Kurt
I cooked him the glue
The singer prepared glue for Kurt to use in constructing the houses
Aaah! Signore Marinetti!
Exclamation upon encountering Filippo Tommaso Marinetti, founder of the Futurism movement and rival of Dada
Lyrics © Universal Music Publishing Group, THE ROYALTY NETWORK INC.
Written by: Jochen Arbeit, Blixa Bargeld, Andrew Chudy, Rudolph Moser, Alexander Hacke
Lyrics Licensed & Provided by LyricFind