El Gran Combo was founded in May 1962,[1] by Rafael Ithier. Ithier is still, as of 2008[update], the orchestra's pianist and musical director. The group is currently promoting their latest album titled Arroz con Habichuela (Rice and Beans). They still perform today after 40 years together.[2]
Contents
[hide]
* 1 History
o 1.1 The Birth of El Gran Combo
o 1.2 First albums
o 1.3 Near death experience
o 1.4 The 1970s
o 1.5 Recent years
o 1.6 The new millennium
* 2 Discography
* 3 Current members
o 3.1 Singers
o 3.2 Orchestra
* 4 Former members
o 4.1 Singers
o 4.2 Percussion
o 4.3 Bass
o 4.4 Brass section
o 4.5 Others
* 5 Bibliography
* 6 See also
* 7 References
* 8 External links
[edit] History
[edit] The Birth of El Gran Combo
Rafael Ithier had been a member of Rafael Cortijo's "Cortijo y su Combo" orchestra, travelling to the eastern United States before forming El Gran Combo. For their first gig, the orchestra was signed by the legendary Cuban comedian, writer and businessman Alvarez Guedes, who hired them to support Dominican singer Joseito Mateo on one of his albums for his record company Gema Records. It was Alvarez Guedes himself who baptized them with the name of El Gran Combo.
The members that met for this first incarnation were Ithier, Eddie Perez, Hector Santos, Rogelio "Kito" Velez, Martín Quiñones, Miguel Cruz and Roberto Roena. That first album was titled Menéame Los Mangos, El Gran Combo con Joseito Mateo (Shake My Handles, or Shake My Mangoes, depending on the double meaning of the word Mango).
The group met again to define the foundations of the orchestra and they chose singers Daniel Vázquez, Pellín Rodríguez and Chiqui García. On May 21, 1962, El Gran Combo was heard for the first time on Puerto Rican radio. Later on, they became the on-studio musicians of the live television show, "La Taberna India", sponsored by India Beer.
After their live debut at Hotel La Concha in San Juan, Puerto Rico, Chiqui García left the orchestra. Sammy Ayala, who had also played with Ithier in the Cortijo orchestra, recommended the hiring of Andy Montañez. Felipe Rodríguez, another legendary Salsa singer, also followed the group's career closely, sometimes even making suggestions to Ithier.
[edit] First albums
On November 20, 1963, El Gran Combo released their first group album, Acángana, with Rodríguez and Montañez as leading voices. The album became a number one hit in New York, Panama and Puerto Rico. Their success opened doors for them in many Latin American markets and they gained an exclusivity spot in Puerto Rican television show El Show de las 12. The album also reached gold status.
On 1964, musician Elías López joined the orchestra. However, the excess of exposure helped their demands to decline. Still, in 1967, their album Boogaloo con el Gran Combo also reached gold status. In 1969, Roena and López left the orchestra to form the Apollo Sound together. Despite all this, that same year the group is awarded with an Agüeybana de Oro Award in Puerto Rico.
[edit] Near death experience
On February 15, 1970, the members of El Gran Combo shared a near death experience. They were returning to Puerto Rico from Curaçao, and had to stop at Las Américas International Airport in Santo Domingo. One of the band's members had a bad feeling about the flight they were about to embark on, and the orchestra decided not to take that flight, which would turn out to be the Dominicana Airlines DC-9 that crashed off the Caribbean coast.
[edit] The 1970s
In 1970, their contract with Gema Records wasn't renewed. Despite offers from the renowned Motown label, El Gran Combo decided to produce their own albums, under the label "Combo Records". Their first album under their label, EGC, is titled Estamos Primeros.
In 1971, El Gran Combo introduced the trombone to their list of instruments. The trombone was played by Fanny Ceballos. Soon after, their production named De Punta a Punta (slang for "From Coast to Coast") was released. In 1973, Pellín Rodriguez left the group to continue on with a solo career. Legendary Salsa musician Jerry Concepción and the well known sportscaster Rafael Bracero, friends of Ithier, recommended Ithier to replace Rodríguez with Charlie Aponte.
In 1973, El Gran Combo sang in front of 50,000 fans at the famous Yankee Stadium in New York City as the opening act for the Fania All-Stars' sold out concert.
Montañez left the band in early 1977 and went to live in Venezuela, where he receive a good contract to replace Oscar D'León in another orchestra, Dimension Latina. Jerry Rivas was then chosen to join the orchestra. Both Rivas and Aponte are still members of the orchestra to this day. The success of this new duo was proved with their 1977 album International and 1978's En Las Vegas which reached gold record status.
In 1975, El Gran Combo en Navidad, a Christmas album, was released, with Martín Quiñones appearing as Santa Claus in the album's cover. After a car accident in early 1977, Quiñones was replaced in the band by his son, Martín Quiñones Jr. He stayed until 1979, being replaced by Luis Díaz.
[edit] Recent years
The band continues to receive numerous awards in all Latin America. In 1984, they traveled to Alaska where they received a great welcome. Soon after they release their album titled Breaking the Ice which garnered them their first Grammy nomination.
In 1982 they celebrated their 20th anniversary playing at the Madison Square Garden. They also reached Europe that year playing in Paris, France.
In the early 90s, they were honored in the city of Madrid, Spain to open the decade in the right track. In March 29, 1992, they celebrated a huge concert in the Hiram Bithorn Stadium in front of 30,000 people.
[edit] The new millennium
In 2002, El Gran Combo celebrated their 40th anniversary with two sold-out concerts at the Ruben Rodríguez Coliseum in Bayamón, Puerto Rico. This celebration spawned a renowned album that was recognized as one of the best of the year. A year later, they received a Grammy for Best Tropical Album. Among other musicians, they are one of the 'the enduring superstars of the island' [3]
As of 2006[update], the orchestra has released over 40 albums or CD's, and it has received many awards, including golden albums, a "Calendario de Plata" in Mexico, a "Golden Combo" in Colombia, a "Paoli Award" in their native Puerto Rico, an honorable distinction in Spain and countless others.
In 2006, they released their latest album titled Arroz con Habichuela. It has already spawned three hit singles. The first one titled "No Hay Manera" ("There's No Way"), the title song, and "Si La Vez Por Ahí".
In 2007, El Gran Combo performed two massive concerts at the José Miguel Agrelot Coliseum to celebrate their 45th anniversary.
[edit] Discography
Album Year Label
Menéame los Mangos, el Gran Combo con Joseito Mateo 1962 Gema Records
El Gran Combo... de Siempre 1963 Gema Records
Acángana 1963 Gema Records
Ojos Chinos, Jala Jala 1964 Gema Records
El Caballo Pelotero 1965 Gema Records
Traigo un Tumba'o, Meneíto Me 1965 Gema Records
El Swing del Gran Combo con Pellín y Andy 1966 Gema Records
El Gran Combo En Navidad 1967 Gema Records
Maldito Callo 1967 Gema Records
Esos Ojitos Negros 1967 Gema Records
Fiesta Con El Gran Combo 1967 Gema Records
Boleros Románticos Con El Gran Combo 1967 Gema Records
Tú Querías Boogaloo, Toma Boogaloo 1967 Gema Records
Pata Pata, Jala Jala Y Boogaloo 1967 Gema Records
Boogaloos Con El Gran Combo 1967 Gema Records
Tangos 1967 Gema Records
Merengues 1968 Gema Records
Guarachas 1968 Gema Records
Bombas, Bombas, Bombas 1968 Gema Records
Los Nenes Sicodélicos 1968 Gema Records
Latin Power 1968 Gema Records
Smile, It's El Gran Combo 1968 Gema Records
Este Si Que Es El Gran Combo 1969 Gema Records
Estamos Primeros 1970 EGC Records
De Punta A Punta 1971 EGC Records
Por El Libro 1972 EGC Records
En Acción 1973 EGC Records
Número 5 1973 EGC Records
Disfrútelo Hasta El Cabo 1974 EGC Records
Número 7 1975 EGC Records
Los Sorullos 1975 EGC Records
Mejor Que Nunca 1976 EGC Records
Internacional 1977 EGC Records
En Las Vegas 1978 Combo Records
Aquí No Se Sienta Nadie 1979 Combo Records
Unity 1980 Combo Records
Happy Days 1981 Combo Records
Nuestro Aniversario 1982 Combo Records
20th Anniversary 1982 Combo Records
La Universidad De La Salsa 1983 Combo Records
In Alaska: Breaking The Ice 1984 Combo Records
Innovations 1985 Combo Records
Nuestra Musica 1985 Combo Records
El Gran Combo Y Su Pueblo 1986 Combo Records
25th Anniversary 1987 Combo Records
Romántico Y Sabroso 1988 Combo Records
Amame 1989 Combo Records
Latin Up! 1990 Combo Records
Erupción 1991 Combo Records
Gracias 1992 Combo Records
First Class International 1993 Combo Records
La Ruta Del Sabor 1994 Combo Records
Para Todos Los Gustos 1995 Fonovisa Records
Por Todo Lo Alto 1996 Fonovisa Records
35 Years Around The World 1997 Combo Records
Pasaporte Musical 1998 Combo Records
Nuevo Milenio, El Mismo Sabor 2001 Combo Records
40 Aniversario 2002 Combo Records
Estamos Aqui...¡Y De Verdad! 2004 Sony Discos Norte
Arroz con Habichuela 2006 Sony Discos Norte
Sin Salsa No Hay Paraiso 2009 Sony Discos Norte
[edit] Current members
[edit] Singers
* Charlie Aponte (1973–present)
* Jerry Rivas (1977–present)
* Luis "Papo" Rosario (1980–present)
[edit] Orchestra
* Rafael Ithier - leader, director (1962–present); piano (1962–2006; except on live performances)
* Willie Sotelo piano (2006–present)
* Eddie Pérez - saxophone (1962–present)
* Freddie Miranda - saxophone (1980–present)
* Luis "Taty" Maldonado - trumpet (1970–present)
* Victor "Cano" E. Rodriguez - trumpet(1980–present)
* Moisés Nogueras - trombone (1991–present)
* Freddy Rivera - bass guitar (1989–present)
* Domingo "Cuqui" Santos - timbales (1988–present)
* Miguel "Pollo" Torres - conga (1979–present)
* Richie Bastar - bongo (2001–present)
* Jorge Torres - sound engineer
* David Marrero - support personnel
[edit] Former members
[edit] Singers
* Pellín Rodríguez (1962–1973)
* Andy Montañez (1962–1977)
* Marcos Montañez (1973)
* "Chiqui" Rivera (1962)
[edit] Percussion
* Milton Correa - timbales (1962–1970)
* Miguel Marrero - timbales (1970–1979)
* Edgardo Morales - timbales (1979–1988)
* Roberto Roena - bongos (1962–1969)
* Martín Quiñones - conga (1962–1977)
* Martín Quiñones, Jr. - conga (1962–1979)
* Luis Díaz - conga (1979)
[edit] Bass
* Miguel Cruz - bass guitar (1962–1975)
* Fernando Perez - bass guitar (1975–1989)
[edit] Brass section
* Mike Torres - trumpet (1969)
* Epifanio "Fanny" Ceballos - trombone (1971–1991)
* Toñito Vázquez - trombone (1991)
[edit] Others
* Hector Santos (1962–1969)
* Rogelio "Kito" Vélez (1962–1964)
* Daniel Vázquez (1962)
* Mickey Duchesne (1962–1969)
* Elias Lopez (1964–1969)
* Edwin Cortés (1969)
* "Baby" Serrano - Bongos (1969–1984)
* José "Keko" Duchesne - Saxophone (1969–1980)
* Tommy Sánchez (1969)
* Gerardo "Grillo" Cruz-Trumpet (1969–1979)
* Miguel Laboy-Bongos (1984–2001)
* Mike Ramos-Coro (1969–1980)
* Edwin González (1979)
* Nelson Feliciano-Trumpet (1979–1980)
* Paquito Guzman (Coros; Recording Sessions 1971–1976)
* Elliot Romero (Coros; Recording Sessions 1973–1977)
* Yayo "El Indio" (Coros; Recording Sessions 1977–1979)
* Tito Henriquez (Coros; Recording Sessions 1978)
* Eddie W. Feyjoo (Trumpet; Recording 1980s-????)
[edit] Bibliography
* Keeling, Stephen: Rough Guides, Rough Guides, 2008, ISBN 978-1-85828-354-8
* Marino, John: Wiley Publishing Inc., 2008, ISBN 978-0-470-25711-1
* Let's Go Inc: MacMillan, 2007, ISBN 978-0-312-37447-1 ISBN 10-0-312-3744-X Third Edition
* Peffer, Randal: Lonely Planet Publications Pty Ltd, 2002, ISBN 1 74059 274 3
[edit] See also
* List of famous Puerto Ricans
[edit] References
1. ^ Keeling and Rough Guides: "The Rough Guide to Puerto Rico", page 377. Rough Guides, 2008.
2. ^ Frommer's Puerto Rico: Marino, p. 37
3. ^ Lonely Planet Puerto Rico: Peffer Published, p. 42
[edit] External links
* Official website
* Biography, Discography, Photos, Lyrics (SalsaClasica.com)
Retrieved from "http://en.wikipedia.org/wiki/El_Gran_Combo_de_Puerto_Rico"
Categories: Puerto Rican musical groups | Salsa music groups | Latin Grammy Award winners
No Hay Cama Pa' Tanta Gente
El Gran Combo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A la casa de Tabin
Para un tremendo festín
Que Pio había preparado
Allí llegó Pérez Prado
Los guaracheros de Oriente
La fiesta estaba caliente
Jonhy Elmen casi dormía
No hay cama pa' tanta gente
Vi al gran Combo que llegaba
Y ramito el de la altura
Más atrás Jonhy Ventura
Con Yayo el Indio, charlaba
Roberto Torres estaba
Con Javier Vaca y su gente
Y Ralf Mercado derrepente
Intentó apagar la luz
Pero gritó Celia Cruz
No hay cama pa' tanta gente
Pa afuera, pa la calle Willie Rosario y su orquesta
La salsa quería empezar
Y Hector Lavoe al llegar... tarde
Encontró que la selecta
Ya se encontraba dispuesta
Para alegrar el ambiente
Y en una esquina Tito Puente
Empezaba a pestañar
Y volvio Celia a gritar ¡Azucar!
No hay cama pa' tanta gente
A Odilio junto al Gallito
Lo vi en la mesa sentao
Y Daniel Santos gillao
De ron se daba un tragito
Tabin Tabaja al laíto
Y así dijo prontamente
Oye máchucha, damele esta gente
Que canten en una taza
Y todo el mundo pa' su casa
No hay cama pa' tanta gente
Pa afuera, pa la calle, Mira ahí se va este
Pa afuera, pa la calle, Bamba, José Estevez
Pa afuera, pa la calle, Vamos gente
Pa afuera, pa la calle
Tírenlos pa' bajo, que son un peligro arriba
Se llenan las manos del hecho
Luego se limpian con la cortina
Y por eso, Tírenlos pa' bajo
Que son un peligro arriba
Allá, allá se meten al baño
Y te lo dejan como oficina ¡Tu ves! Tírenlos pa' bajo
Que son un peligro arriba
Se jactan y beben y se enferman
Después te dicen: señora tiene aspirina
Tírenlos pa' bajo, que son un peligro arriba
Esa trulla, es peligrosa, pa' fuera, pa la calle
Tírenlos pa' bajo, que son un peligro arriba
Oye ahí sálvese quien pueda, oye son una amenaza
The song "No Hay Cama Pa' Tanta Gente" by El Gran Combo tells the story of a massive party where too many people show up and there's not enough room for everyone to sleep. The singer is invited to Tabin's house for a great feast prepared by Pio. Many famous musicians show up to the party, including Perez Prado, Jonhy Ventura, Yayo el Indio, Roberto Torres, and Celia Cruz. Willie Rosario and his orchestra start playing outside, while Hector Lavoe arrives late and finds that the selecta is already poised to liven up the atmosphere.
The song's lyrics are full of humorous descriptions of the partygoers' antics. Daniel Santos is seen drinking rum, while Tabin Tabaja tries to figure out how to fit everyone in. The chorus repeats the phrase "no hay cama pa' tanta gente," emphasizing the cramped conditions and the need for people to go home. The final lines of the song describe the guests as a danger, as they make a mess wherever they go and are always in need of aspirin. Overall, the lyrics of "No Hay Cama Pa' Tanta Gente" paint a vivid picture of a wild, overcrowded party that quickly spirals out of control.
Line by Line Meaning
En la vida fui invitado
I was invited to a huge party at Tabin's house
A la casa de Tabin
To Tabin's house
Para un tremendo festín
For a great feast
Que Pio había preparado
That Pio had prepared
Allí llegó Pérez Prado
Pérez Prado arrived there
Los guaracheros de Oriente
The Guaracheros de Oriente were also there
La fiesta estaba caliente
The party was full of energy
Jonhy Elmen casi dormía
Jonhy Elmen was almost asleep
Y Elimiro le decía,
And Elimiro was telling him
No hay cama pa' tanta gente
There aren't enough beds for so many people
Vi al gran Combo que llegaba
I saw El Gran Combo arriving
Y ramito el de la altura
And Ramito the tall one
Más atrás Jonhy Ventura
Behind them, Jonhy Ventura
Con Yayo el Indio, charlaba
Talking to Yayo el Indio
Roberto Torres estaba
Roberto Torres was there
Con Javier Vaca y su gente
With Javier Vaca and his group
Y Ralf Mercado derrepente
And suddenly, Ralf Mercado
Intentó apagar la luz
Tried to turn off the lights
Pero gritó Celia Cruz
But then Celia Cruz shouted
No hay cama pa' tanta gente
There aren't enough beds for so many people
Pa afuera, pa la calle Willie Rosario y su orquesta
Willie Rosario and his orchestra started playing outside
La salsa quería empezar
The salsa music was about to begin
Y Hector Lavoe al llegar... tarde
And Hector Lavoe arrived late
Encontró que la selecta
He found that La Selecta
Ya se encontraba dispuesta
Was already ready
Para alegrar el ambiente
To liven up the atmosphere
Y en una esquina Tito Puente
And in a corner, Tito Puente
Empezaba a pestañar
Was starting to doze off
Y volvio Celia a gritar ¡Azucar!
And then Celia shouted 'Azucar' again
No hay cama pa' tanta gente
There aren't enough beds for so many people
A Odilio junto al Gallito
Odilio was sitting next to Gallito
Lo vi en la mesa sentao
I saw him sitting at the table
Y Daniel Santos gillao
And Daniel Santos looking drunk
De ron se daba un tragito
Taking a sip of rum
Tabin Tabaja al laíto
Tabin works on the side
Y así dijo prontamente
And he said quickly
Oye máchucha, damele esta gente
Hey, give me this gang of people
Que canten en una taza
They can sing in a cup
Y todo el mundo pa' su casa
And everyone can go home
No hay cama pa' tanta gente
There aren't enough beds for so many people
Tírenlos pa' bajo, que son un peligro arriba
Throw them down, they're a hazard upstairs
Se llenan las manos del hecho
They fill their hands with the act
Luego se limpian con la cortina
Then they clean themselves with the curtain
Y por eso, Tírenlos pa' bajo
And that's why, throw them down
Allá, allá se meten al baño
There, there they go into the bathroom
Y te lo dejan como oficina
And leave it behind like an office
¡Tu ves! Tírenlos pa' bajo
You see! Throw them down
Que son un peligro arriba
They're a hazard upstairs
Se jactan y beben y se enferman
They boast and drink and get sick
Después te dicen: señora tiene aspirina
Then they tell you: 'Miss, do you have aspirin?'
Tírenlos pa' bajo, que son un peligro arriba
Throw them down, they're a hazard upstairs
Esa trulla, es peligrosa, pa' fuera, pa la calle
That gang is dangerous, outside, to the street
Tírenlos pa' bajo, que son un peligro arriba
Throw them down, they're a hazard upstairs
Oye ahí sálvese quien pueda, oye son una amenaza
Hey, save yourself if you can, they're a threat
Writer(s): FLOR MORALES RAMOS
Contributed by Lincoln H. Suggest a correction in the comments below.