Elba Maria Nunes Ramalho (born August 17, 1951 in Conceição, Paraíba, Brazi… Read Full Bio ↴Elba Maria Nunes Ramalho (born August 17, 1951 in Conceição, Paraíba, Brazil), best known as Elba Ramalho, is a Brazilian MPB singer, songwriter, performer, multi-instrumentalist and actress. Her musical style is characteristic for the traditional sounds of the Northeastern region of Brazil, such as baião, xote, xaxado, frevo, forró, and others.
Elba Ramalho was born in the rural area of Conceição, in Vale do Piancó. In 1962, the family moved to the city of Campina Grande, also in Paraíba. Her father became the owner of the local theater. Daughter of a musician, she became interested in music still as a teenager.
In 1966, she participated, for the first time, in a performance on stage, in the Choir of the Fundação Artística e Cultural Manuel Bandeira, of which she was a member, with "Evocação do Recife". The Manuel Bandeira and Cecília Meireles Talking Choirs gained fame and started to be seen all over the Northeast, and Elba, who made her first presentation on stage together with them, soon became the highlight in the presentations. She starred in the poetic montages of Castro Alves, Thiago de Mello, Lindolfo Bell, Carlos Pena Filho and Figueiredo Agra. He participated in the montages of the plays "Ministro do Supremo" and "Diálogo das Carmelitas."
In 1968, while attending college of Economics and Sociology at the Federal University of Paraíba, she formed the ensemble As Brasas, in which she acted as drummer, which later became a theater group. However, Elba never stopped singing, and performed in several festivals throughout the Northeast.
In 1979, she released her first album, "Ave de Prata", and since then she has consolidated her position as one of the main Brazilian singers in activity. On her father's side, she is a cousin of fellow singer Zé Ramalho.
She has two Latin Grammys for her albums: Qual o Assunto Que Mais Lhe importa?, released in 2008, and Balaio de Amor, 2009, in the category Best Brazilian Roots Album: Regional and Tropical. In over 35 years of career, Elba Ramalho has sold more than 10 million albums. She received from the Art Critics Association of São Paulo the award "Best Show of the Year" on two occasions: in 1989 for the show Popular Brasileira and in 1996 for the show Leão do Norte.
Elba Ramalho was born in the rural area of Conceição, in Vale do Piancó. In 1962, the family moved to the city of Campina Grande, also in Paraíba. Her father became the owner of the local theater. Daughter of a musician, she became interested in music still as a teenager.
In 1966, she participated, for the first time, in a performance on stage, in the Choir of the Fundação Artística e Cultural Manuel Bandeira, of which she was a member, with "Evocação do Recife". The Manuel Bandeira and Cecília Meireles Talking Choirs gained fame and started to be seen all over the Northeast, and Elba, who made her first presentation on stage together with them, soon became the highlight in the presentations. She starred in the poetic montages of Castro Alves, Thiago de Mello, Lindolfo Bell, Carlos Pena Filho and Figueiredo Agra. He participated in the montages of the plays "Ministro do Supremo" and "Diálogo das Carmelitas."
In 1968, while attending college of Economics and Sociology at the Federal University of Paraíba, she formed the ensemble As Brasas, in which she acted as drummer, which later became a theater group. However, Elba never stopped singing, and performed in several festivals throughout the Northeast.
In 1979, she released her first album, "Ave de Prata", and since then she has consolidated her position as one of the main Brazilian singers in activity. On her father's side, she is a cousin of fellow singer Zé Ramalho.
She has two Latin Grammys for her albums: Qual o Assunto Que Mais Lhe importa?, released in 2008, and Balaio de Amor, 2009, in the category Best Brazilian Roots Album: Regional and Tropical. In over 35 years of career, Elba Ramalho has sold more than 10 million albums. She received from the Art Critics Association of São Paulo the award "Best Show of the Year" on two occasions: in 1989 for the show Popular Brasileira and in 1996 for the show Leão do Norte.
Batida de Trem %01 Toque de Fole
Elba Ramalho Lyrics
Cantando esse baião
Aperriado com a sorte
Felicidade não vem
É uma cantiga de cego
É uma sanfona tocando
Parece batida de trem
Sou cantador da alegria
Me chamam de andorinha
Nas festas lá do sertão
Estrela da primavera
Pra onde for vou com ela
Pra esquecer da solidão
Pra entrar nesse forró
Vem meu amor
Do seu nego tenha dó
Vem meu amor
Ponha a mão no coração
Vem meu amor
Pra meu bem não ficar só
Vem meu amor
Pra entrar nesse forró
Vem meu amor
Do seu nego tenha dó
Vem meu amor
Ponha a mão no coração
Vem meu amor
Pra meu bem não ficar só
Vem meu amor
Toque sanfoneiro
Um forró bem animado
Com cadência de xaxado
Da poeira levantar
Toque sanfoneiro
As mulheres estão visando
O fole frouxo tocando
Castigando a nota lá
Toque sanfoneiro
Mostre que é velho macho
Capricho nos oito baixos
Até o dia clarear
Toque sanfoneiro
Toque porque
A gente quer se esbaldar
Toque sanfoneiro
Toque porque
A gente quer dançar
Dedo no couro é pandeirada
Mão na zabumba é zabumbada
E no triângulo é trianglada
Dedo no fole é forrozada
Dedo no couro é pandeirada
Mão na zabumba é zabumbada
E no triângulo é trianglada
Dedo no fole é forrozada
Aperriado com a sorte
Felicidade não vem
É uma cantiga de cego
É uma sanfona tocando
Parece batida de trem
Sou cantador da alegria
Me chamam de andorinha
Nas festas lá do sertão
Estrela da primavera
Pra esquecer da solidão
Pra entrar nesse forró
Vem meu amor
Do seu nego tenha dó
Vem meu amor
Ponha a mão no coração
Vem meu amor
Pra meu bem não ficar só
Vem meu amor
Pra entrar nesse forró
Vem meu amor
Do seu nego tenha dó
Vem meu amor
Ponha a mão no coração
Vem meu amor
Pra meu bem não ficar só
Vem meu amor
Toque sanfoneiro
Um forró bem animado
Com cadência de xaxado
Da poeira levantar
Toque sanfoneiro
As mulheres estão visando
O fole frouxo tocando
Castigando a nota lá
Toque sanfoneiro
Mostre que é velho macho
Capricho nos oito baixos
Até o dia clarear
Toque sanfoneiro
Toque porque
A gente quer se esbaldar
Toque sanfoneiro
Toque porque
A gente quer dançar
Dedo no couro é pandeirada
Mão na zabumba é zabumbada
E no triângulo é trianglada
Dedo no fole é forrozada
Dedo no couro é pandeirada
Mão na zabumba é zabumbada
E no triângulo é trianglada
Dedo no fole é forrozada
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Sebastia Tavares Calixto, Hermelinda Almeida Lopes
Lyrics Licensed & Provided by LyricFind
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