Dois Pra Lá Dois Pra Cá
Elis Regina Lyrics
Sentindo o frio
Em minha alma
Te convidei prá dançar
A tua voz me acalmava
São dois prá lá
Dois prá cá
Meu coração traiçoeiro
Batia mais que o bongô
Tremia mais que as maracas
Minha cabeça rodando
Rodava mais que os casais
O teu perfume gardênia
E não me perguntes mais
A tua mão no pescoço
As tuas costas macias
Por quanto tempo rondaram
As minhas noites vazias
No dedo um falso brilhante
Brincos iguais ao colar
E a ponta de um torturante
Band-aid no calcanhar
Eu hoje, me embriagando
De wisky com guaraná
Ouvi tua voz murmurando
São dois prá lá
Dois prá cá
No dedo um falso brilhante
Brincos iguais ao colar
E a ponta de um torturante
Band-aid no calcanhar
Eu hoje, me embriagando
De wisky com guaraná
Ouvi tua voz murmurando
São dois prá lá
Dois prá cá
Writer(s): Joao Bosco de Freitas Mucci, Aldir Blanc Mendes Copyright: Universal Music Publishing Mgb Brasil Lt
Contributed by Camden N. Suggest a correction in the comments below.
To comment on specific lyrics, highlight them
Elis Regina Carvalho Costa (March 17, 1945, Porto Alegre, Rio Grande do Sul, Brazil – January 19, 1982, São Paulo, Brazil), better known as Elis Regina, was a Brazilian singer and one of the biggest names of MPB. Known for her vocal competence, musicianship and stage presence, she was acclaimed both in Brazil and internationally.
In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. Read Full BioElis Regina Carvalho Costa (March 17, 1945, Porto Alegre, Rio Grande do Sul, Brazil – January 19, 1982, São Paulo, Brazil), better known as Elis Regina, was a Brazilian singer and one of the biggest names of MPB. Known for her vocal competence, musicianship and stage presence, she was acclaimed both in Brazil and internationally.
In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. Read Full BioElis Regina Carvalho Costa (March 17, 1945, Porto Alegre, Rio Grande do Sul, Brazil – January 19, 1982, São Paulo, Brazil), better known as Elis Regina, was a Brazilian singer and one of the biggest names of MPB. Known for her vocal competence, musicianship and stage presence, she was acclaimed both in Brazil and internationally.
In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
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marianaduartevoz
Sentindo frio em minha alma
Te convidei pra dançar
A tua voz me acalmava
São dois pra lá, dois pra cá
Meu coração traiçoeiro
Batia mais que o bongô
Tremia mais que as maracas
Descompassado de amor
Minha cabeça rodando
Rodava mais que os casais
O teu perfume, gardênia
E não me perguntes mais
A tua mão no pescoço
As tuas costas macias
Por quanto tempo rondaram
As minhas noites vazias
No dedo, um falso brilhante
Brincos iguais ao colar
E a ponta de um torturante
Band-aid no calcanhar
Eu hoje me embriagando
De whisky com Guaraná
Ouvi tua voz murmurando
São dois pra lá, dois pra cá
No dedo, um falso brilhante
Brincos iguais ao colar
E a ponta de um torturante
Band-aid no calcanhar
Eu hoje me embriagando
De whisky com Guaraná
Ouvi tua voz murmurando
São dois pra lá, dois pra cá
Dejaste abandonada la ilusión
Que había en mi corazón por ti
Dejaste abandonada la ilusión
Que había en mi corazón por ti
Dejaste abandonada la ilusión que había en mi corazón por ti
João Batista de Mello Ayres Neto
Dois Pra Lá, Dois Pra Cá [Aldir Blanc Mendes / Joao Bosco De Freitas Mucci]
com Elis Regina
Sentindo frio em minha alma
Te convidei pra dançar
A tua voz me acalmava
São dois pra lá, dois pra cá
Meu coração traiçoeiro
Batia mais que o bongô
Tremia mais que as maracas
Descompassado de amor
Minha cabeça rodando
Rodava mais que os casais
O teu perfume, gardênia
E não me perguntes mais
A tua mão no pescoço
As tuas costas macias
Por quanto tempo rondaram
As minhas noites vazias
No dedo, um falso brilhante
Brincos iguais ao colar
E a ponta de um torturante
Band-aid no calcanhar
Eu hoje me embriagando
De whisky com Guaraná
Ouvi tua voz murmurando
São dois pra lá, dois pra cá
No dedo, um falso brilhante
Brincos iguais ao colar
E a ponta de um torturante
Band-aid no calcanhar
Eu hoje me embriagando
De whisky com Guaraná
Ouvi tua voz murmurando
São dois pra lá, dois pra cá
Dejaste abandonada la ilusión
Que había en mi corazón por ti
Dejaste abandonada la ilusión
Que había en mi corazón por ti
Dejaste abandonada la ilusión que había en mi corazón por ti
Lucas Ernani
Quem ta curtindo a voz mais bonita da história da MPB nessa quarentena? Eterno ícone <3
allexcosta
Quem não está?
Luisa Bustamante
Gracias
Luisa Bustamante
Hola
Samuel Machado Filho
Foi este bolerão, hoje um clássico, que consagrou definitivamente a dupla João Bosco-Aldir Blanc. Antológica interpretação de Elis Regina, lançada pela Philips/Phonogram em 1974 no álbum anual da cantora, "Elis". No final, ela incluiu um trecho do bolero "La puerta", de Luís Demétrio. E foi de um verso dele que foi tirado o título do show "Falso brilhante", o mais bem-sucedido da carreira de Elis, encenado entre 1975 e 1977 no Teatro Bandeirantes de São Paulo (14 meses!).
Renato Neubert de Souza
Quando se foi, Elis deixou atrás de si um vazio que nunca foi preenchido. Ela é insubstituível.
ADRIANA MARTINS
NINGUÉM é substituível!!!Experimenta fazer isto com alguém que se foi e verás que não é possível...
sergio mesmo
Nem tanto né amor
é isso aí
Que vazio? Ela é eterna.
Aline Escariao Roque
Verdade