Garota de Ipanema
Elis Regina Lyrics
Olha que coisa mais linda,
Mais cheia de graça.
É ela a menina que vem e que passa,
seu doce balanço a caminho do mar.
Moça do corpo dourado do sol de Ipanema,
O seu balançado é mais que um poema,
É a coisa mais linda que eu já vi passar.
Ah, por que estou tão sozinho?
Ah, por que tudo é tão triste?
A beleza que não é só minha,
Que também passa sozinha.
Ah, se ela soubesse
Que, quando ela passa,
O mundo inteirinho se enche de graça
E fica mais lindo por causa do amor,
Por causa do amor, por causa do amor...
Writer(s): Vinicius de Moraes, Antonio Carlos Jobim Copyright: Duchess Music Corp.
Contributed by Arianna L. Suggest a correction in the comments below.
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Elis Regina Carvalho Costa (March 17, 1945, Porto Alegre, Rio Grande do Sul, Brazil – January 19, 1982, São Paulo, Brazil), better known as Elis Regina, was a Brazilian singer and one of the biggest names of MPB. Known for her vocal competence, musicianship and stage presence, she was acclaimed both in Brazil and internationally.
In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. Read Full BioElis Regina Carvalho Costa (March 17, 1945, Porto Alegre, Rio Grande do Sul, Brazil – January 19, 1982, São Paulo, Brazil), better known as Elis Regina, was a Brazilian singer and one of the biggest names of MPB. Known for her vocal competence, musicianship and stage presence, she was acclaimed both in Brazil and internationally.
In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. Read Full BioElis Regina Carvalho Costa (March 17, 1945, Porto Alegre, Rio Grande do Sul, Brazil – January 19, 1982, São Paulo, Brazil), better known as Elis Regina, was a Brazilian singer and one of the biggest names of MPB. Known for her vocal competence, musicianship and stage presence, she was acclaimed both in Brazil and internationally.
In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
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Thales Carl
O Hermeto já era velho em 1979 e tá vivão em 2021. Esse home é imortal.
Thomaz Nunes de Oliveira
Ele é albino seu cabeçudo rsrsrsr
Thales Carl
@Daniel Castro Machado o sivuca é mais careca que o Hermeto
Daniel Castro Machado
Alguém sabe dizer como diferenciar Hermeto Pascoal de Sivuca, sou leigo kkkk
fabricia carvalho
Que show , ela passou a mão no cabelo albino dele. Que fofa😘🎶🎶🎶🎼🎼📻📣👏👏👏
Carlos Maerz Falanga
Ele era super jovem.
Roberto Fernandes Bastos
E ela jurou que nunca mais cantaria essa canção, mas Hermeto a desafiou a desconstruir a música e ela não era mulher de recusar desafios. Para qualquer cantor ou cantora seria extremamente difícil seguir as harmonias de Hermeto, mas ela segue e ainda acrescenta suas próprias. Meu Deus isso é coisa de chorar de emoção e técnica, pois ela tinha jurado a si mesma que iria bater Hermeto, e fez o que jurou.
willbhmg
Isso não é verdade. Foi ela que pediu pro Hermeto tocar Garota de Ipanema. Ela deu uma entrevista para o radialista Walter Silva em 1979 e disse como tudo ocorreu. Tem essa entrevista aqui no youtube. No minuto 25:26 ela começa a falar da apresentação. https://youtu.be/ph7iPDd4QVA
Veagacastro
@Paulo Mendes a mulher teve confusão com metade das cantoras do brasil kkkk
Darlin Carvalho
@Paulo Mendes Fofoca?! Aceito.