In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
Jardins De Infância
Elis Regina Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tem sempre uma bruxa para apavorar
O dragão comendo gente
A bela adormecida sem acordar
Tudo o que o mestre mandar
E a cabra cega rodsa sem enxergar
E você se escondeu, e voc6e esqueceu
Pique palcos tem distância
Um tal de pula fogueira, pistolas,morteiras
Vejam vocês
Pega malhacão de Judas
E quebra cabecas, vejam vocês
E você se escondeu, e você não quis ver
Olha o bobo na berlinda
Olha o pau no gato, polícia e ladrão
Tem carnica e palmatória bem no teu portão
Você vive o faz de conta, diz que é de mentira
Brinca até cair
Chicotinho tá queimando, mamãe posso ir?
Pique palcos tem distância, pés pisando em ovos
Burxa, dragão,um tal de pula fogueira
Ea cabra cega vai de roldão
Pega a malhacão de Judas
E um passarinho morto no chão
E você conheceu, e você aprendeu
The lyrics of the song Jardins De Infância by Elis Regina explore the world of childhood fantasies and make-believe, contrasting them with the harsh realities of life. It begins by likening childhood to a fairy tale, with the presence of a wicked witch, a dragon, and a sleeping beauty. However, this idyllic picture is soon shown to be fraught with danger, as the children are instructed to follow the teacher's orders blindly, and play a game of blind man's bluff without looking where they are going. The imagery of violence and mortality is also present, with games like "pistols and mortars" and the tradition of beating a stuffed effigy of Judas.
The second verse continues with this theme of innocent games turning dangerous, and even painful. The singer describes the game of "Chicotinho" (a kind of whip) burning their skin, and asks their mother for permission to play. The violence of the game is juxtaposed with the childlike question, creating a sense of tension and unease. The lyrics also touch on the divide between fantasy and reality, and the idea that childhood games are a form of escapism from the harsh realities of life. The use of the phrase "faz de conta" (make-believe or pretending) hints at the idea that children are aware on some level that their games are not real, even as they play them with gusto.
Overall, Jardins De Infância is a poignant exploration of the complexities of childhood, and the way that innocence can be intertwined with danger and pain.
Line by Line Meaning
É como conto de fadas
Life can sometimes feel like a fairytale, where there's always some obstacle or challenge to overcome.
Tem sempre uma bruxa para apavorar
There's always some source of fear or anxiety lurking around, like a witch waiting to scare us.
O dragão comendo gente
Life can be brutal, and sometimes we feel like we're being devoured by the challenges and problems we face.
A bela adormecida sem acordar
Some of us feel like we're stuck in a deep sleep or slumber, unable to wake up and face our problems.
Tudo o que o mestre mandar
We often feel like we're being forced to do things that we don't want to do, just because someone else is in control.
E a cabra cega rodsa sem enxergar
Sometimes we feel like we're blindly going through life and not seeing things clearly, like a blind goat spinning around in circles.
E você se escondeu, e você esqueceu
Sometimes, when things get tough, we retreat and try to forget about our problems instead of facing them head-on.
Pique palcos tem distância
Sometimes we feel like we're separated from others, like a game of tag where we can't quite catch up to our friends.
Pés pisando em ovos, vejam vocês
Life can be delicate, and we often feel like we have to tread lightly and be careful not to upset anyone or make a mistake.
Um tal de pula fogueira, pistolas,morteiras
Life can be full of excitement and danger, with things like jumping over bonfires, guns, and explosives.
Pega malhacão de Judas
Sometimes we take out our frustration on others, like the tradition of burning an effigy of Judas in some cultures.
E quebra cabecas, vejam vocês
Life can be confusing and difficult to navigate, like trying to solve a complex puzzle with no clear solution.
E você se escondeu, e você não quis ver
Sometimes we avoid facing our problems, even when it's clear that we need to confront them.
Olha o bobo na berlinda
We often find ourselves in situations where we feel foolish or embarrassed, like being put on display for everyone to see.
Olha o pau no gato, polícia e ladrão
Life can be cruel and unfair, with things like animal abuse, injustice, and crime.
Tem carnica e palmatória bem no teu portão
Sometimes we face punishment and pain, like being beaten with a stick or having our faults exposed for all to see.
Você vive o faz de conta, diz que é de mentira
Sometimes we try to pretend that our problems aren't real, like playing a game and pretending that everything is just make-believe.
Brinca até cair
Despite the difficulties of life, we often find joy and excitement in play and recreation.
Chicotinho tá queimando, mamãe posso ir?
Even when we're having fun, there can still be pain and discomfort, like asking our parents if we can leave a game because our feet are sore from running around.
Ea cabra cega vai de roldão
Sometimes we feel like we're spinning out of control, blinded by circumstances beyond our control.
Pega a malhacão de Judas
We sometimes take our anger and frustration out on others, burning effigies or symbols of our enemies.
E um passarinho morto no chão
Life can be cruel and unforgiving, with things like the death of innocent creatures and unfair suffering.
E você conheceu, e você aprendeu
Despite the challenges and difficulties of life, we can still learn and grow from our experiences and become stronger because of them.
Contributed by Elliot J. Suggest a correction in the comments below.