In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
Me deixa em paz
Elis Regina Lyrics
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Eu não agüento mais
Me deixa em paz
Sai de mim
Me deixa em paz
Paz
Eu não agüento mais
Sai de mim
Me deixa em paz
Vá
Nosso fogo se apagou
Nosso jogo terminou
Vai pra onde Deus quiser
Já é hora de você partir
Não adianta mais ficar
Paz
Eu não agüento mais
Me deixa em paz
Sai de mim
Me deixa em paz
Paz
Que eu já não aguento mais
Me deixa em paz
Sai de mim me deixa em paz
Vá
Nosso fogo se apagou
Nosso jogo terminou
Vai pra onde Deus quiser
Já é hora de você partir
Não adianta mais ficar
Paz
Eu não agüento mais
Me deixa em paz
Sai de mim
Me deixa em paz
Paz
Que eu já não aguento mais
Me deixa em paz
Sai de mim
Me deixa em paz
The song "Me Deixa Em Paz" by Elis Regina is a powerful anthem about the end of a relationship and the need for peace and closure. The lyrics, which repeat the phrase "me deixa em paz" (leave me alone), reflect on the pain and frustration of trying to move on from someone who won't let go or give you space to heal. The verses describe a relationship that has reached its end, with the fire and excitement having faded away. The singer urges her partner to accept that it’s time to move on, to find a new path in life, and to free her from the burden of the relationship.
The repetition of "paz" (peace) throughout the song is significant, suggesting that peace is what the singer is seeking above all else. The word is a powerful contrast to the earlier descriptions of the relationship, where passion and intensity were the main focus. By repeating the word, the singer emphasizes the importance of finding peace and moving on, even when it’s difficult to do so. The chorus, with its pleading refrain of "me deixa em paz" also conveys the singer's sense of desperation, frustration, and determination to break free from the past.
Overall, "Me Deixa Em Paz" is a compelling and emotive song that speaks to the complicated emotions at play during the end of a relationship. It highlights the importance of finding closure and moving on, even when it feels impossible.
Line by Line Meaning
Paz
The singer is tired and wants peace, asking the person to leave her alone.
Eu não agüento mais
The singer cannot stand it anymore.
Me deixa em paz
The singer is asking the person to leave her alone and not bother her anymore.
Sai de mim
The singer wants the person to physically leave her presence.
Vá
The singer is telling the person to go away.
Nosso fogo se apagou
The passion and love between the singer and the person is gone.
Nosso jogo terminou
The relationship between the singer and the person has ended.
Vai pra onde Deus quiser
The singer is suggesting the person to go wherever God takes him/her.
Já é hora de você partir
The singer believes it is time for the person to leave.
Não adianta mais ficar
The singer thinks it is no use for the person to stay anymore.
Contributed by Caleb M. Suggest a correction in the comments below.