In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
ROSA MORENA
Elis Regina Lyrics
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Com essa rosa no cabelo e esse andar de moça prosa
Morena, morena Rosa
Rosa morena o samba está esperando
Esperando pra te ver
Deixa de lado esta coisa de dengosa
Anda Rosa vem me ver
Deixa da lado esta pose
Que o pessoal tá cansado de esperar
Ô Rosa, que o pessoal tá cansado de esperar
Morena Rosa, que o pessoal tá cansado de esperar
Viu Rosa, que o pessoal tá cansado de esperar
The lyrics to Elis Regina's song "Rosa Morena" depict a scene where the main subject, a girl named Rosa, is being asked to come and join the samba party that is waiting for her. The lyrics portray her as a charming and poised young lady, with a confident gait and a rose in her hair. She is urged to leave her flirtatious mannerisms and join the dance floor. The singer pleads with her to stop holding back and come and join the samba party.
The song captures the essence of Brazilian music, with its vibrant rhythms and upbeat tempo. It highlights the place of samba music in the Brazilian culture, as a means of bringing people together and celebrating life. Through the lyrics, we can understand the importance of this cultural practice, and how it serves to unite people from different walks of life.
In summary, "Rosa Morena" is a song that not only celebrates the beauty of Brazilian women but also the vibrancy of the Brazilian culture. It invites the listener to come and be a part of the festivities and enjoy life to the fullest.
Line by Line Meaning
Rosa Morena, onde vais morena Rosa
Hey, Rosa Morena, where are you going with that rose in your hair and that elegant walk?
Com essa rosa no cabelo e esse andar de moça prosa
With that rose in your hair and that sophisticated way of walking
Morena, morena Rosa
Brown-skinned girl, Rosa
Rosa morena o samba está esperando
Brown-skinned Rosa, the samba is waiting for you
Esperando pra te ver
Waiting to see you dance
Deixa de lado esta coisa de dengosa
Forget about being coy and coquettish
Anda Rosa vem me ver
Come on, Rosa, come see me
Deixa da lado esta pose
Drop that pose
Vem pro samba vem sambar
Come to the samba, come dance
Que o pessoal tá cansado de esperar
The people are tired of waiting
Ô Rosa, que o pessoal tá cansado de esperar
Hey, Rosa, the people are tired of waiting
Morena Rosa, que o pessoal tá cansado de esperar
Brown-skinned Rosa, the people are tired of waiting
Viu Rosa, que o pessoal tá cansado de esperar
See, Rosa, the people are tired of waiting
Contributed by Sebastian A. Suggest a correction in the comments below.
Margareth Tassinari
Ouvindo, parece fácil. Impressionante!