In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
Samba Feito para Mim
Elis Regina Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Pra desabafar meu coração
Tenho tanta coisa pra dizer de mim
Como eu gostaria de falar numa canção
Sei que o mundo é mal
Jamais vai entender
Que esse samba vive de um sofrer
Era preciso fazerem um samba pra mim
É meu, nasceu assim
Era preciso fazerem um samba pra mim
Então pedi, pra fazerem um samba assim,
E esse samba foi feito todinho, pra mim
Sei que o mundo é mal
Jamais vai entender
Que este samba vive de um sofrer
O dele é meu,nasceu assim
Era preciso fazerem um samba, pra mim
Amei alguém
Fui só de alguém
O mundo não procurou compreender
Então pedi, pra fazerem um samba assim
E este samba foi feito todinho, pra mim
In "Samba Feito pra Mim," Elis Regina sings about the catharsis that comes with making samba music. She asked someone to make a samba song just for her to get it all out and put her emotions to music. She has so much inside that she wants to express, and she wishes she could talk about it in a song. However, the world is cruel, and it will never understand the depth of samba's pain. It's hers, and only hers, born out of suffering that only she can comprehend. She explains that she loved someone, but the world never bothered to understand the complexity of her relationship. So, she asked someone to make a samba just for her, and this song was made entirely for her.
The lyrics speak to the power of music in processing emotions and finding release through creative expression. Elis Regina communicates a desire to find solace in samba music, which is a genre that rose out of the oppressed classes in Brazil. Through the lyrics, Elis is explicitly demanding that her own perspective, her own pain, and her own voice be celebrated through samba music. Overall, the song is a tribute to the therapeutic and inspiring nature of music.
Line by Line Meaning
Pedi pra fazerem samba um pra mim
I asked them to make a samba for me
Pra desabafar meu coração
To express what's in my heart
Tenho tanta coisa pra dizer de mim
I have so much to say about myself
Como eu gostaria de falar numa canção
How I wish I could speak through a song
Sei que o mundo é mal
I know the world is cruel
Jamais vai entender
It will never understand
Que esse samba vive de um sofrer
That this samba comes from suffering
O dele é meu, nasceu assim
It's mine, it was born that way
Era preciso fazerem um samba pra mim
It was necessary to make a samba for me
É meu, nasceu assim
It's mine, it was born that way
Era preciso fazerem um samba pra mim
It was necessary to make a samba for me
Então pedi, pra fazerem um samba assim
So I asked them to make a samba like this
E esse samba foi feito todinho, pra mim
And this samba was made entirely for me
Amei alguém
I loved someone
Fui só de alguém
I was only someone's
O mundo não procurou compreender
The world didn't try to understand
Então pedi, pra fazerem um samba assim
So I asked them to make a samba like this
E este samba foi feito todinho, pra mim
And this samba was made entirely for me
Lyrics © O/B/O APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
Mayra Luis
Pedi pra fazerem samba um pra mim
Pra desabafar meu coração
Tenho tanta coisa pra dizer de mim
Como eu gostaria de falar numa canção
Sei que o mundo é mal
Jamais vai entender
Que esse samba vive de um sofrer
O dele é meu, nasceu assim
Era preciso fazerem um samba pra mim
É meu, nasceu assim
Era preciso fazerem um samba pra mim
Então pedi, pra fazerem um samba assim,
E esse samba foi feito todinho, pra mim
Sei que o mundo é mal
Jamais vai entender
Que este samba vive de um sofrer
O dele é meu, nasceu assim
Era preciso fazerem um samba, pra mim
Amei alguém
Fui só de alguém
O mundo não procurou compreender
Então pedi, pra fazerem um samba assim
E este samba foi feito todinho, pra mim
三文文士
Salto agulha é bom.
Victor Sebastian
O que parece um salto de agulha na verdade é uma falha da Matriz creio eu, porque eu tenho CD que apresenta falha neste mesmo Ponto da gravação. Ou eles não tinham mais as fitas originais para fazer uma remasterização e o disco é tão Raro que resolveram passar o disco para CD direto mesmo com a falha nessa copia em vinil... Pode ter sido isso, no entanto se a cópia foi feita através de um disco de vinil O som tá até bom porque se não tivesse a falha não daria para perceber da onde eles tiraram a fonte para fazer a cópia em CD. Eu acredito mais na hipótese de ser falha na matriz porque eles dariam um jeito de conseguir esse disco caso as cópias de fato tenham sido feitas de um vinil sem fita Master passando vinil dos arquivos da gravadora Continental para a mídia CD.