In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.
She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.
Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.
Tiro Ao Álvaro
Elis Regina Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
De tanto leva frechada do teu olhar
Meu peito até parece sabe o quê?
Táubua de tiro ao Álvaro
Não tem mais onde furar
(Não tem mais)
De tanto leva frechada do teu olhar
Táubua de tiro ao Álvaro
Não tem mais onde furar
Teu olhar mata mais do que bala de carabina
Que veneno estriquinina
Que peixeira de baiano
Teu olhar mata mais que atropelamento de automóver
Mata mais que bala de revórver
De tanto leva frechada do teu olhar
Meu peito até parece sabe o quê?
Táubua de tiro ao Álvaro
Não tem mais onde furar
Não tem mais
De tanto leva frechada do teu olhar
Meu peito até parece sabe o quê?
Táubua de tiro ao Álvaro
Não tem mais onde furar
Teu olhar mata mais do que bala de carabina
Que veneno estriquinina
Que peixeira de baiano
Teu olhar mata mais que atropelamento de automóver
Mata mais que bala de revórver
The lyrics to the song "Tiro Ao" by Elis Regina describe the intense pain caused by an unrequited love. The first lines, "De tanto leva frechada do teu olhar" ("From so many arrows shot from your gaze"), compare the pain to that of being hit repeatedly by arrows. The singer's chest feels like a target board that has been shot so many times that there is nowhere left to hit. The metaphor of the "tábua de tiro ao Álvaro" ("board for shooting at Álvaro") emphasizes the idea that the singer's heart has been shot at so much that it is now riddled with holes.
The following lines describe the power of the person's gaze that is causing this pain. The singer compares it to a rifle bullet, poison, a knife, and a car accident, emphasizing the destructive force of their gaze. The overall theme of the song is the uncontrollable power of love and how it can cause intense pain and suffering.
Line by Line Meaning
De tanto leva frechada do teu olhar
After enduring numerous piercing glares from you
Meu peito até parece sabe o quê?
My heart seems to know exactly what it feels like
Táubua de tiro ao Álvaro
It feels like a shooting board for target practice
Não tem mais onde furar
It can't take any more punishment
Teu olhar mata mais do que bala de carabina
Your gaze is deadlier than a rifle bullet
Que veneno estriquinina
Or even strychnine poison
Que peixeira de baiano
Or a sharp Bahian knife
Teu olhar mata mais que atropelamento de automóver
Your gaze is deadlier than getting hit by a car
Mata mais que bala de revórver
It kills more than a gunshot
De tanto leva frechada do teu olhar
After enduring numerous piercing glares from you
Meu peito até parece sabe o quê?
My heart seems to know exactly what it feels like
Táubua de tiro ao Álvaro
It feels like a shooting board for target practice
Não tem mais onde furar
It can't take any more punishment
De tanto leva frechada do teu olhar
After enduring numerous piercing glares from you
Meu peito até parece sabe o quê?
My heart seems to know exactly what it feels like
Táubua de tiro ao Álvaro
It feels like a shooting board for target practice
Não tem mais onde furar
It can't take any more punishment
Lyrics © Editora e Importadora Musical Fermata do Brasil Ltda.
Written by: Joao Rubinato, Oswaldo Molles
Lyrics Licensed & Provided by LyricFind
@nerivaldodasilva6872
De tanto leva frechada do teu olhar
Meu peito até parece sabe o quê?
Táubua de tiro ao Álvaro
Não tem mais onde furar
(Não tem mais)
De tanto leva frechada do teu olhar
Meu peito até parece sabe o quê?
Táubua de tiro ao Álvaro
Não tem mais onde furar
Teu olhar mata mais do que bala de carabina
Que veneno estriquinina
Que peixeira de baiano
Teu olhar mata mais que atropelamento de automóver
Mata mais que bala de revórver
De tanto leva frechada do teu olhar
Meu peito até parece sabe o quê?
Táubua de tiro ao Álvaro
Não tem mais onde furar
Não tem mais
De tanto leva frechada do teu olhar
Meu peito até parece sabe o quê?
Táubua de tiro ao Álvaro
Não tem mais onde furar
Teu olhar mata mais do que bala de carabina
Que veneno estriquinina
Que peixeira de baiano
Teu olhar mata mais que atropelamento de automóver
Mata mais que bala de revórver
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