Elis Regina Carvalho Costa (March 17, 1945, Porto Alegre, Rio Grande do Sul… Read Full Bio ↴Elis Regina Carvalho Costa (March 17, 1945, Porto Alegre, Rio Grande do Sul, Brazil – January 19, 1982, São Paulo, Brazil), better known as Elis Regina, was a Brazilian singer and one of the biggest names of MPB. Known for her vocal competence, musicianship and stage presence, she was acclaimed both in Brazil and internationally.

In the '60s, Elis was a leader and a standard-bearer in defense of Brazilian popular music, heavily contributing to the formation of the MPB label, with commercial and ideological characteristics at the same time. She was the first major artist to emerge from music festivals in the 1960s and detached herself from the Bossa Nova aesthetic through the use of her vocal range and drama. Initially, her style was influenced by radio singers, especially Ângela Maria. After four unsuccessful studio albums — Viva a Brotolândia (1961), Poema de Amor (1962), Elis Regina (1963), O Bem do Amor (1963) — Elis was the biggest revelation of the TV Excelsior festival in 1965, when he sang "Arrastão" by Vinícius de Moraes and Edu Lobo. This feat would guarantee him the invitation to act on television and, shortly afterwards, the title of first star of Brazilian popular song, when he started to command, alongside Jair Rodrigues, one of the two most important Brazilian popular music programs, O Fino da bossa. In 1967, she married Ronaldo Bôscoli, then director of O Fino da Bossa. From 1972, Elis began a relationship with César Camargo Mariano, which would last until 1981, in one of the most successful partnerships in Brazilian Popular Music.

She sang many genres: MPB, bossa nova, samba, rock and jazz. Interpreting songs like "Madalena", "Águas de Março", "Atrás da Porta", "Como Nosso Pais", "O Bêbado e a Equilibrista" and "Querellas do Brasil", he recorded moments of happiness, love, sadness and patriotism. Throughout his career, he stood out for also singing songs by artists, still little known, such as Milton Nascimento, Ivan Lins, Belchior, Renato Teixeira, Aldir Blanc, João Bosco, helping to launch them and publicize their works. , boosting them in the Brazilian music scene. Among other partnerships, the duets she had with Jair Rodrigues, Tom Jobim and Rita Lee are famous. With her second husband, pianist César Camargo Mariano, she consecrated a long work of great creativity and musical consistency and, in technical terms, was considered the best brazilian singer. His most memorable artistic presence is perhaps registered on the albums Em Pleno Verão (1970), Elis (1972), Elis (1973), Elis & Tom (1974), Elis (1974), Falso Brilhante (1976), Transversal do Tempo (1978). ), Essa Mulher (1979), Saudade do Brasil (1980) and Elis (1980). She was the first person to inscribe her own voice as if it were an instrument, in the Order of Musicians of Brazil. In 2013, she was elected the best female voice in Brazilian music by Rolling Stone Magazine. Elis was also mentioned in the list of the greatest artists in Brazilian music, ranking 14th, being the best-placed woman. In November of the same year, a musical was premiered in honor of her Elis, the musical.

Elis Regina died prematurely at the age of 36, at the height of her career, causing strong commotion in the country and leaving a vast body of work in Brazilian popular music. Although there were controversies and disputes as to the cause of death, the tests showed that the cause was the consumption of cocaine associated with alcohol, which caused a cardiac arrest.

Valsa Rancho
Elis Regina Lyrics

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Valsa, rancha
Me faz esquecer
Esperar
Em mil lágrimas
Mil lágrimas
Mil lágrimas

Valsa, rancha

Me faz responder
Transbordar
Em mil lágrimas
Mil lágrimas
Mil lágrimas

Mil abraços
Mil fracassos
Meu delírio
Teus pedaços
Teu calor
Seja feito
Teu desejo
Seja um beijo
Seja como for
Quantos braços
Mil regaços
Mil e uma noites
Faz uma outra vez
Como se ainda fosse
Como é doce
Como você fez

Me valsa
Me rancha
Me faz
Me deixa
Que criança
Que esperança
Que prazer
Que saudade
Que maldade
Piedade
Que fartura
Que loucura
Que cruel tortura
Nos carinhos teus
Minha santa criatura
Diz que jura
Pela mãe de Deus

Valsa, rancha
Me faz desfazer
Descansar
De mil lágrimas
Mil lágrimas
Mil lágrimas

Valsa, rancha
Me faz duvidar
Delirar
Prometer
Desatar
Responder
Transbordar
Devolver
Me acabar
Devagar

Desmaiar
Com você

Overall Meaning

The lyrics of Elis Regina's song "Valsa Rancho" depict a mixture of emotions, such as hope, despair, pain, and pleasure. It appears that the singer is reminiscing about her past with a lover, who both shared intimate moments of strength and vulnerability. The lyrics suggest that the singer feels torn between the opposing emotions that arise from the relationship - the joy and security of the moments they shared together and the heartbreak and pain that came after. The repetitive use of "mil lágrimas" (a thousand tears) implies that the relationship was complex and layered with emotions, both good and bad.

The lyrics repeatedly refer to "valse" and "rancha," which are two different styles of music. The valse (waltz) is a slow, graceful dance that is often associated with elegance and beauty, while the rancha (ranch) is a lively, energetic dance that is associated with rural or rustic areas. The lyrics suggest that the singer finds solace in both styles of music, as they help her forget her troubles while invoking a range of emotions that she feels.

Valsa RanchoElis Regina Lyrics

Valsa Rancho
Elis Regina Lyrics