Stanley by God Terry
Elizabeth Cook Lyrics


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Stanley by God Terry knew exactly how it felt
To play a George Jones song in a white leather belt
With matching shoes, polyester blues
At the Pine Grove Lounge for all you can drink booze
A bloody bucket of ol broads and men
Who had been clean shaven when they started at 10
 
When Stanley got goin' with mama by his side
And daddy on bass singin' Charlie Pride
Kaw-lija, Folsom, Stand By Your Man
Just a few you might hear from the band
Nobody gets it like Tom T. Hall
Sad spun laughs off a disco ball
 
They could kinda play but they could really drink
Somebody'd finally say exactly what they think
And Pine-Sol, sawdust and last night's beer
And a bolo tie on a rear view mirror
There's a fighter in every dancin' fool
I watched all as a baby from a black barstool
 
Stanley's wife Carol didn't care to hang around
She liked her drink, just didn't take it in town
They'd knock down drag out every weekend
By Sunday somebody's face was on the mend
And passed out cold on the concrete porch
Love sure is a bitch when your liver is scorched
 
South end of the county had a whole nother bar
Where the band would play since it wasn't very far
There were more strange women, even more smoke
In a field by a legendary live oak
Carol came in hot on Hennessy
Left and wrapped her car round that live oak tree
 
I remember in the morning mama dropping the phone
I remember hushed words and hearing daddy groan
They had a pretty daughter, shy little Sherry
We went and picked her up from the school library
She was 16 and could sing so sweet
And on a really good night she'd babysit me
 
After all that it gets kinda cloudy
But 2 years later she was Miss Sumter County
As small town, trashy, tragic goes
She feathered her hair and sang The Rose
The whole Cow Palace knew just how she felt
And Stanley By God Terry wore a white leather belt




And country music and hillbilly pain
Make stories that'll hurt ya, and hold ya like a chain

Overall Meaning

The lyrics to Elizabeth Cook's song "Stanley" by God Terry paint a vivid picture of a small-town bar scene and the lives of its inhabitants. The song follows the story of Stanley, a musician who knows the feeling of playing a George Jones song while wearing a flashy white leather belt. He performs at the Pine Grove Lounge, where patrons can enjoy unlimited drinks. The bar is filled with a diverse crowd, including both women and men who started the night clean-shaven but are now intoxicated.


When Stanley performs, he is joined by his mother and father, who sings backup vocals and plays the bass. They entertain the crowd with songs such as "Kaw-lija," "Folsom," and "Stand By Your Man." The lyrics suggest that nobody understands and embodies country music quite like Tom T. Hall, who adds a mix of sadness and humor to his songs. The Pine Grove Lounge musicians may not be the most skilled, but they make up for it with their ability to drink and speak their minds.


The song also delves into Stanley's personal life. His wife, Carol, is not a fan of the bar scene and prefers to drink elsewhere. Their weekends are filled with explosive arguments that often end with someone getting hurt. The lyrics highlight the destructive nature of their relationship and the toll it takes on their livers.


The narrative takes a tragic turn when Carol, fueled by Hennessy, leaves the bar and wraps her car around a legendary live oak tree outside of town. The aftermath of the accident is described through fragmented memories, with Stanley's wife being severely injured. This event leaves a lasting impact on their family and the community, as they collectively mourn the consequences of their actions.


The song also introduces Sherry, a pretty and shy daughter of Stanley and Carol. Two years later, Sherry becomes Miss Sumter County, representing the small town in a beauty pageant. She embodies the familiar small-town life, with feathered hair and a talent for singing. On good nights, she even babysits the singer. Despite the tragedy and chaos surrounding them, Sherry manages to rise above it and find success.


The lyrics reflect the country music genre's ability to tell stories of heartache and suffering. The pain and struggles of the characters depicted in "Stanley" are likened to a chain that both hurts and holds. The mention of the white leather belt worn by Stanley implies that despite the difficult and often tragic circumstances, these characters still possess a sense of pride and identity within their community.


Line by Line Meaning

Stanley by God Terry knew exactly how it felt
Stanley, who was known as 'God Terry', had a deep understanding of the emotions and experiences being portrayed in the song.


To play a George Jones song in a white leather belt
He would perform a George Jones song with great style and confidence, symbolized by his attire of a white leather belt.


With matching shoes, polyester blues
His attention to detail extended to his outfit, wearing shoes that perfectly complemented his polyester suit, expressing a sense of melancholy and nostalgia.


At the Pine Grove Lounge for all you can drink booze
He would entertain the crowd at the Pine Grove Lounge, a venue known for its unlimited supply of drinks, creating an atmosphere of revelry and excess.


A bloody bucket of ol broads and men
The audience consisted of older women and men, who had become lively and rowdy after consuming alcohol.


Who had been clean shaven when they started at 10
These individuals had arrived at the lounge early in the evening, appearing well-groomed and fresh-faced.


When Stanley got goin' with mama by his side
Once Stanley, accompanied by his mother, began performing, the energy and excitement heightened.


And daddy on bass singin' Charlie Pride
His father, playing the bass guitar, would join in to sing songs by Charlie Pride, contributing to the musical experience.


Kaw-lija, Folsom, Stand By Your Man
The band would play popular songs like 'Kaw-liga', 'Folsom Prison Blues', and 'Stand By Your Man', which resonated with the audience's nostalgic feelings.


Just a few you might hear from the band
These were just a handful of the many songs that the band would perform, captivating the listeners.


Nobody gets it like Tom T. Hall
Tom T. Hall's music, with its introspective and humorous elements, connected with the audience on a deep level, evoking understanding and empathy.


Sad spun laughs off a disco ball
The combination of sorrow and laughter could be experienced in the lounge, with the disco ball reflecting the contrasting emotions.


They could kinda play but they could really drink
Although their musical skills were average, their ability to consume alcohol was exceptional, often resulting in uninhibited honesty.


Somebody'd finally say exactly what they think
Under the influence of alcohol, someone would inevitably speak their mind honestly and without filter.


And Pine-Sol, sawdust and last night's beer
The atmosphere in the lounge was a blend of the strong scent of Pine-Sol cleaning solution, the earthy aroma of sawdust, and the lingering smell of beer from the previous night.


And a bolo tie on a rear view mirror
A bolo tie, a symbol of Western fashion, hung from the rearview mirror, adding a touch of cowboy aesthetic to the surroundings.


There's a fighter in every dancin' fool
Each person dancing in the lounge possessed a fighting spirit within them, striving to overcome their challenges and adversities.


I watched all as a baby from a black barstool
As an infant, the singer observed the lively scenes and interactions from a black barstool, observing the dynamics of the bar as they grew up.


Stanley's wife Carol didn't care to hang around
Carol, Stanley's wife, had no interest in staying at the lounge and being a part of the scene.


She liked her drink, just didn't take it in town
She enjoyed drinking alcohol but preferred not to do it in the public setting of the town.


They'd knock down drag out every weekend
Every weekend, they would engage in intense arguments and fights, often resulting in physical altercations.


By Sunday somebody's face was on the mend
By Sunday, one of the individuals involved in the fights would have visible injuries that were slowly healing.


And passed out cold on the concrete porch
After the confrontations, someone would end up unconscious and collapsed on the concrete porch, due to either exhaustion or intoxication.


Love sure is a bitch when your liver is scorched
The experience of love becomes challenging and painful when one's liver is severely damaged or affected by excessive alcohol consumption.


South end of the county had a whole nother bar
In the southern part of the county, there was another bar altogether, offering a different environment and atmosphere.


Where the band would play since it wasn't very far
The band would perform at this other bar because of its closeness in proximity to the previous one and its reputation as a music venue.


There were more strange women, even more smoke
The new bar attracted a larger number of unfamiliar women and had an even denser cloud of smoke, creating a more mysterious and hazy ambiance.


In a field by a legendary live oak
The bar was situated in a field next to a legendary live oak tree, adding a sense of folklore and history to the surroundings.


Carol came in hot on Hennessy
Carol entered the new bar in an intoxicated and fiery state after consuming Hennessy, a type of brandy.


Left and wrapped her car round that live oak tree
She drove away from the bar but ended up crashing her car into the live oak tree, causing significant damage.


I remember in the morning mama dropping the phone
The next morning, the singer recalls their mother being startled and dropping the phone, indicating something distressing had happened.


I remember hushed words and hearing daddy groan
They also remember whispering conversations and the sounds of their father groaning in pain, suggesting a moment of anguish.


They had a pretty daughter, shy little Sherry
Stanley and Carol had a beautiful daughter named Sherry, who was timid and reserved in her nature.


We went and picked her up from the school library
The artist and their family went to collect Sherry from the school library, emphasizing their close bond and familial support.


She was 16 and could sing so sweet
At the age of 16, Sherry possessed a sweet and melodious singing voice, showcasing her talent and potential.


And on a really good night she'd babysit me
On special occasions when Sherry didn't have any commitments, she would take care of the artist, providing them with comfort and companionship.


After all that it gets kinda cloudy
The narrative becomes less clear and more uncertain as the events that followed become hazy and difficult to recall.


But 2 years later she was Miss Sumter County
Two years later, Sherry achieved the title of Miss Sumter County, participating in a local pageant and being recognized for her beauty and charisma.


As small town, trashy, tragic goes
In the context of a small town characterized by its less refined qualities and unfortunate happenings, Sherry's story became a tale of tragedy.


She feathered her hair and sang The Rose
Sherry adopted the popular hairstyle trend of feathering her hair and would perform the song 'The Rose' as part of her repertoire, showcasing her artistic expression.


The whole Cow Palace knew just how she felt
The entire Cow Palace, a local venue, became aware of Sherry's emotions and vulnerabilities through her heartfelt performances and personal journey.


And Stanley By God Terry wore a white leather belt
Stanley, who was still referred to as 'God Terry', continued to wear his white leather belt, representing his commitment and dedication to his musical identity.


And country music and hillbilly pain
The genre of country music, intertwined with the pain and hardships often associated with a rural lifestyle, became a catalyst for emotional storytelling.


Make stories that'll hurt ya, and hold ya like a chain
These stories, filled with raw emotions and resonant experiences, possess the ability to affect and captivate listeners, gripping them like a powerful and unbreakable chain.




Lyrics © Wixen Music Publishing
Written by: Elizabeth Yvonne Cook

Lyrics Licensed & Provided by LyricFind
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