Ella Mae Morse (September 12, 1924 – October 16, 1999) was an American popu… Read Full Bio ↴Ella Mae Morse (September 12, 1924 – October 16, 1999) was an American popular singer. Morse blended jazz, country, pop, and rhythm and blues.

Ella Mae Morse was born in Mansfield, Texas, United States. She was hired by Jimmy Dorsey when she was 14 years old. Dorsey believed she was 19, and when he was informed by the school board that he was now responsible for her care, he fired her. In 1942, at the age of 17, she joined Freddie Slack's band, with whom in the same year she recorded "Cow Cow Boogie", Capitol Records' first gold single. "Mr. Five by Five" was also recorded by Morse with Slack, and they had a hit recording with the song in 1942 (Capitol 115). She also originated the wartime hit "Milkman, Keep Those Bottles Quiet", which was later popularized by Nancy Walker in the film, Broadway Rhythm.

In 1943, Morse began to record solo. She reached #1 in the R&B chart with "Shoo-Shoo Baby" in December for two weeks. In the same year she performed "Cow Cow Boogie" in the film Reveille with Beverly and starred in Universal's South of Dixie and The Ghost Catchers with Olsen and Johnson and How Do You Dooo? with radio's Mad Russian, Bert Gordon. She sang in a wide variety of styles, and she had hits on both the U.S. pop and rhythm and blues charts. However, she never received the popularity of a major star because her versatility prevented her from being placed into any one category of music.

The song "Love Me or Leave Me" as recorded by Morse was released by Capitol Records as catalog number 1922, with the flip side "Blacksmith Blues," which became her biggest hit.

In 1946, "House of Blue Lights" by Freddie Slack and Morse, (written by Slack and Raye) saw them perform what was one of many of Raye's songs picked up by black R&B artists. Her biggest solo success was "Blacksmith Blues" in 1952, which sold over one million copies, and was awarded a gold disc. The same year her version of "Down the Road a Piece" appeared on Capitol with Slack again on piano accompaniment. Morse also recorded a version of "Oakie Boogie" for Capitol which reached #23 in 1952. Her version was one of the first songs arranged by Nelson Riddle.

Morse ceased recording in 1957, but continued performing until the early 1990s at such clubs as Michael's Pub in New York, Ye Little Club in Beverly Hills, the Hollywood Roosevelt Hotel's Cinegrill and the Vine St. Bar and Grill. She appeared regularly at Disneyland for several years with the Ray McKinley Orchestra, and did a successful tour of Australia shortly before her final illness.

Her music career was profiled in Nick Tosches' 1984 book, The Unsung Heroes of Rock 'N' Roll: The Birth of Rock in the Wild Years Before Elvis. She has a star on the Hollywood Walk of Fame at 1724 Vine Street. Her entire recorded body of work was issued in a deluxe box set by Bear Family Records.

As Morse's musical style blended jazz, blues, and country, she has sometimes been called the first rock 'n' roll singer. A good example is her 1942 recording of the song "Get On Board, Little Chillun", which, with strong gospel, blues, boogie, and jive sounds as a genuine precursor to the later rockabilly/ rock 'n roll songs. Her records sold well to both Caucasian and African-American audiences. As she was not well known at the time of her first solo hits, many people assumed she was African-American because of her 'hip' vocal style and choice of material.

Morse had six children from two marriages, as well as several grandchildren and great-grandchildren, and an estranged sister named Flo Handy, who was also a singer.

In 1999 Morse died of respiratory failure in Bullhead City, Arizona, aged 75.

Mr. Five by Five
Ella Mae Morse Lyrics

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Well, twirl my turban, man alive!
Here comes Mister Five by Five
He's one of those big fat bouncing boys
Solid avoirdupois!

Mister Five by Five
He's five feet tall and he's five feet wide
He don't measure no more from head to toe

Than he do from side to side

Mister Five by Five
Got fifty chins and a line of jive
He's a mellow old cat, a real hep fat
He be Mister Five by Five

That man
Can really jump it for a fat man
The only trouble is there's no way of knowin'
Whether he's comin' or, or goin'

Mister Five by Five
He's slightly plump on his butter side
He don't shake it no more from head to toe
Than he do from side to side

That man [my, my!]
Can really jump it for a fat man [fat man!]
Boys, the trouble is there's no way of knowin'
Whether he's comin' or, or goin'

Mister Five by Five
He's five feet tall and he's five feet wide
He don't measure no more from head to toe
Than he do

From side to side
Mister Five by Five

Overall Meaning

Ella Mae Morse's song "Mr. Five by Five" is a playful and humorous tribute to a larger, solidly built man. The term "five by five" originated as a reference to radio signal strength, but in this song, it's used to describe a man who is five feet tall and five feet wide. The lyrics humorously highlight the physical characteristics of the man, including his fifty chins, mellow demeanor, and ability to "jump it" despite his size.

The song also pokes fun at the idea that this man doesn't move much, likening his lack of movement to a square shape that's the same from side to side and head to toe. Despite his size, the song finds the man to be fun and enjoyable, with a great sense of rhythm and dance ability.

Mr. Five by FiveElla Mae Morse Lyrics

Mr. Five by Five
Ella Mae Morse Lyrics