Else Marie Pade (2 December 1924 – 18 January 2016) was a Danish composer. … Read Full Bio ↴Else Marie Pade (2 December 1924 – 18 January 2016) was a Danish composer. She was educated as a pianist at the Kongelige Danske Musikkonservatorium (Royal Danish Academy of Music) in Copenhagen. She studied composition first with Vagn Holmboe, and later with Jan Maegaard, from whom she learned twelve-tone technique. In 1954, she became the first Danish composer of electronic and concrete music (Bruland 2001). She worked with Pierre Schaeffer, Karlheinz Stockhausen and Pierre Boulez.
Pade was born in Aarhus. In her childhood, she was often bedridden with pyelonephritis. She listened to the outside world and created "aural pictures" out of the sounds. These sounds, real sounds, became the basis of her actual musical works. As a protected child, she came with her mother outside of town and went to the theatre. The first music lessons took place in the home where the mother tried to teach her piano playing, but when she did not bother practising scales, she got her mother's piano teacher, Miss Moller. Later she had music lessons at the People's Music School in Aarhus, where the director, Edoard Müller, a music agent in N. Kochs School, had witnessed Pade's talent and offered her music education at the People's Music School. Pade replied that they could not afford it, and then Müller called the parents and established a system. Else gained insight into jazz thanks to the People's Music School. She borrowed a portable gramophone from a friend and heard New Orleans jazz. When she was about 16 she began playing in a jazz band, "The Blue Star Band", which played at school dances and associations. Pade later took piano lessons with Karin Brieg. (Bak 2008, 20).
It was through Brieg that she came into the Danish Resistance. One day Else spat at a column of German soldiers who marched in Aarhus' city center. A soldier stepped out of line and ran after her, but Else knew the city and escaped, taking the tram to Brieg who lived in Klintegården. Brieg said that if she were to resist, she had to join the Resistance, and so Pade joined a women's group with her. Pade began by distributing illegal newspapers after 20 August 1943, and in 1944 she received training in the use of weapons and explosives. She joined an all-female explosives group aimed at identifying the telephone cables in Aarhus with resistance organiser Hedda Lundh.
On 13 September 1944, Pade was arrested by the Gestapo. Through a prison window she saw a star flash and heard music coming from inside herself. Next morning she scratched the tune into the cell wall with a buckle from her girdle. It was the song "You and I and the Stars". She was sent to Frøslevlejren, where she began composing, and decided to train in music. In Frøslevlejren the prisoners held song evenings to keep their spirits up. The songs included Pade's songs and other songs arranged by Karin Brieg. These works were released on CD on the occasion of the 60th anniversary of the liberation: Songs in the Darkness: Music Frøslevlejren 1944–45.
After the war, she read at the Conservatory of Music, first as a pianist, but because of the after-effects of her stay in Frøslevlejren she could not do this and trained instead as a composer. In 1952 she heard a Danmarks Radio programme on Musique concrète and its creator Pierre Schaeffer. It reminded her of her own childhood conception of sounds and timbres. Via family in France, she contacted the French radio RTF and Schaeffer. She got the chance to see studies on RTF and Pierre Schaeffer had his workshop and got an appointment to get sent home material. In the same year she read Schaeffer's book À la Recherche d'une musique concrete (On the trail of concrete music).
This, inspired by Pierre Schaeffer, became Denmark's first concrete and electronic music work: A day at Bakken. After having posted a synopsis for DR, as Jens Frederik Lawaetz read, she agreed to make background music for a TV show for the new Danish television. The background music was Denmark's first practical musical work created by many recordings from Bakken, in which she was assisted by technicians from DR.
Her interest in the new music caused her and many other composers to travel to Darmstadt and follow Stockhausen, Ligeti and Boulez's courses. Pade participated in 1962, 1964, 1968, and 1972. Stockhausen has used her Glass Bead Game as an example when he lectured on electronic music.
https://www.facebook.com/pages/Else-Marie-Pade/30016495426
http://www.dacapo-records.dk/en/artist-else-marie-pade_1.aspx
Pade was born in Aarhus. In her childhood, she was often bedridden with pyelonephritis. She listened to the outside world and created "aural pictures" out of the sounds. These sounds, real sounds, became the basis of her actual musical works. As a protected child, she came with her mother outside of town and went to the theatre. The first music lessons took place in the home where the mother tried to teach her piano playing, but when she did not bother practising scales, she got her mother's piano teacher, Miss Moller. Later she had music lessons at the People's Music School in Aarhus, where the director, Edoard Müller, a music agent in N. Kochs School, had witnessed Pade's talent and offered her music education at the People's Music School. Pade replied that they could not afford it, and then Müller called the parents and established a system. Else gained insight into jazz thanks to the People's Music School. She borrowed a portable gramophone from a friend and heard New Orleans jazz. When she was about 16 she began playing in a jazz band, "The Blue Star Band", which played at school dances and associations. Pade later took piano lessons with Karin Brieg. (Bak 2008, 20).
It was through Brieg that she came into the Danish Resistance. One day Else spat at a column of German soldiers who marched in Aarhus' city center. A soldier stepped out of line and ran after her, but Else knew the city and escaped, taking the tram to Brieg who lived in Klintegården. Brieg said that if she were to resist, she had to join the Resistance, and so Pade joined a women's group with her. Pade began by distributing illegal newspapers after 20 August 1943, and in 1944 she received training in the use of weapons and explosives. She joined an all-female explosives group aimed at identifying the telephone cables in Aarhus with resistance organiser Hedda Lundh.
On 13 September 1944, Pade was arrested by the Gestapo. Through a prison window she saw a star flash and heard music coming from inside herself. Next morning she scratched the tune into the cell wall with a buckle from her girdle. It was the song "You and I and the Stars". She was sent to Frøslevlejren, where she began composing, and decided to train in music. In Frøslevlejren the prisoners held song evenings to keep their spirits up. The songs included Pade's songs and other songs arranged by Karin Brieg. These works were released on CD on the occasion of the 60th anniversary of the liberation: Songs in the Darkness: Music Frøslevlejren 1944–45.
After the war, she read at the Conservatory of Music, first as a pianist, but because of the after-effects of her stay in Frøslevlejren she could not do this and trained instead as a composer. In 1952 she heard a Danmarks Radio programme on Musique concrète and its creator Pierre Schaeffer. It reminded her of her own childhood conception of sounds and timbres. Via family in France, she contacted the French radio RTF and Schaeffer. She got the chance to see studies on RTF and Pierre Schaeffer had his workshop and got an appointment to get sent home material. In the same year she read Schaeffer's book À la Recherche d'une musique concrete (On the trail of concrete music).
This, inspired by Pierre Schaeffer, became Denmark's first concrete and electronic music work: A day at Bakken. After having posted a synopsis for DR, as Jens Frederik Lawaetz read, she agreed to make background music for a TV show for the new Danish television. The background music was Denmark's first practical musical work created by many recordings from Bakken, in which she was assisted by technicians from DR.
Her interest in the new music caused her and many other composers to travel to Darmstadt and follow Stockhausen, Ligeti and Boulez's courses. Pade participated in 1962, 1964, 1968, and 1972. Stockhausen has used her Glass Bead Game as an example when he lectured on electronic music.
https://www.facebook.com/pages/Else-Marie-Pade/30016495426
http://www.dacapo-records.dk/en/artist-else-marie-pade_1.aspx
Faust
Else Marie Pade Lyrics
We have lyrics for 'Faust' by these artists:
9mm Parabellum Bullet 日傘差して歩く一万マイル 風も理由も無く落ちたリンゴ この星の秘密の鍵を 失くした場所まで歩けば アダムかイブには会えた…
Alain Souchon Comme la veilleuse laissait tout voir, La nuit, le petit dor…
Anxious Arms Left behind by the rats who run the race Feel…
BBY GOYARD Uh i did some shit, man Lil Shannon, I'm so in…
Bill Finley I was not myself last night couldn't set things right…
Bladee I-I-I wanna live in heaven I wanna reach closer to you The…
Centhron Mein Hass -> Dein Gesicht! Mein Schlag der deine Knochen br…
Diskreet Nails upon upon his hands. Though... Would save you Searchin…
Dynastie Crisis Faust 72 - 199 1. Ce soir j'ai don-né ren-dez-vous au…
Edgar Wasser "Aber heute find′ ich's nicht so geil Ich mein′, wer Schweiß…
Emigrate What'd you say? About being saved? 'cause all it took Was…
Faust Professor Faust teach me about a brain that hates a…
George Aliceson Tipton & Paul Williams I was not myself last night couldn't set things right…
Glassjaw You can never understand me. 'Cause I, I felt this…
Gorillaz Shigoto no ato ni me ga sameru Nani ka shinakucha Shigoto no…
Guckkasten Lallalla lala lallalla lala lallalla lalala Lallalla lala la…
itchy Okay, was soll der Geiz? Dann geht's halt wieder los Und all…
Joint Venture Ich saß spät nachts zu Haus. Sah aus dem Fenster…
Jughead's Revenge Nothin' that you say Could ever make me change Nothin' that …
Krvavy Nie mogę zasnąć i nie mogę się obudzić Znasz te stany…
Matenrou Opera 晴れることのない闇 ひらひら ひらひら 声が舞う 幻は現実 現実は私という幻想 誘いの声は甘く 濡れた舌先で身を…
Metro Wstań Rozprostuj kark Samotnych spojrzeń tłum Gdy włączasz p…
Missios Den lede han besökte mig Om natten där jag rös Den lede…
Odyssia This world of desolation Infected to the core No end no dest…
OG Keemo (Su!) Was willst du mit der TEC, Ho Wenn ich nicht sterben…
Paul Wiliams I was not myself last night couldn't set things right…
Psychobolia You, faust my lonely friend, are just too disabused... You …
Rainald Grebe Wenn der Bürgerfisch brav liegt im Bett mit seiner Bürgerfis…
Scotty Seed Abducted from my veins Caress me till I'm maimed Buried in h…
Septic Flesh All my life I strived to gain insight to things…
Serenade - Faust - Gounod Professor Faust teach me about a brain that hates a…
Stefan Missios Den lede, han besökte mig Om natten där jag rös Den lede,…
The Eccentric Opera Waldung, Waldung, sie schwankt heran, Felsen, Felsen, sie l…
The Human Abstract Get me off, whatever your on, Or decided to be yourself, L…
Tokyo Babel Mayday Mayday have walked through endless maze Finally I got…
William Finley FAUST I was not myself last night couldn't set things rig…
½ÖÍ·Íçͯ(Gorillaz) Shigoto no ato ni Me ga sameru Nani ka shinakucha Shigoto no…
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