Elvis Costello (born Declan Patrick MacManus on 25 August 1954) is an inter… Read Full Bio ↴Elvis Costello (born Declan Patrick MacManus on 25 August 1954) is an internationally known English singer-songwriter. Gaining prominence as an early participant in London's pub rock scene in the mid-70s, he burst into fame with his critically acclaimed 1977 debut 'My Aim Is True', still one of the most successful debuts of all time. He soon did much work in the genres of punk rock, power pop, and New Wave after he formed Elvis Costello & The Attractions. In a long and successful career, Costello has released over thirty studio albums on his own and with the Attractions, the Imposters, and other collaborations, praised by many critics for his literate, witty songwriting.
Born in St Mary's Hospital, Paddington in London, Costello is the son of trumpeter, vocalist and band-leader Ronald (“Ross”) MacManus and record store manager Lillian Costello. His family had roots in Merseyside and he moved to Birkenhead at age 16, with his mother, when his parents separated. While he is better known as 'Elvis Costello', a stage name referring to the legendary Elvis Presley suggested by Stiff Records manager Jake Riviera, he has used many other aliases, including 'The Imposter' and 'Napoleon Dynamite'.
In the early 1970s Costello was a participant in London's pub rock scene with the group Flip City. Then in 1977 along with fellow Pub-Rockers Nick Lowe and Ian Dury he made his first releases on the independent label Stiff, tailoring his work towards the burgeoning punk, power pop, and new wave scenes. From 1980's Armed Forces onwards, however, other influences including soul, country, 1960s pop, and classical music began to re-emerge, and he soon became established as a unique and original voice. His output has been wildly diverse: one critic has written that "Costello, the pop encyclopedia, can reinvent the past in his own image".
His prolific and varied 30-year career has been marked by two constants: sharp songwriting and musical restlessness. The latter has seen him dabble in almost every musical form, from country to jazz to orchestral. This stems from the fact that, at heart, Costello is a fan. His desire to work with his musical heroes has attracted collaborators as diverse as Burt Bacharach and Paul McCartney, Anne Sofie von Otter, Allen Toussaint, Aimee Mann, Bill Frisell, and Brian Eno.
But his most successful partners were his long-term band The Attractions. They comprised Steve Nieve (keyboards), Pete Thomas (drums) and Bruce Thomas (bass). Between 1978 and 1983, this outfit produced a peerless series of albums: This Year's Model; Armed Forces; Get Happy!!; Almost Blue; Trust; Imperial Bedroom and Punch the Clock.
These recordings drew on styles spanning soul, country and western and commercial pop. It was only with 1984's Goodbye Cruel World that Costello started to stumble. An album he concedes was one of his worst, it ushered in a period which produced interesting music but lacked the consistent quality of his halcyon days. Interestingly, although he enlisted the other Elvis's band for King of America in 1986, it was a reunion with The Attractions and former producer Nick Lowe that produced his best album of the late 1980s in the form of the scabrous Blood and Chocolate.
The following albums, Spike and Mighty Like a Rose were uncompromising and difficult solo works, as was the string quartet collaboration The Juliet Letters in 1993. It was only reconvening the Attractions for Brutal Youth the following year that gave his fans another glimpse of what first attracted them to him: punchy, angry pop songs, tightly played by an impeccably taut ensemble.
Since then, Costello has become a career dilettante, true to his inner musical quest, but never again returning to heights he scaled in the early 1980s. Maybe the best work of this latter period was 1998's Painted from Memory. This joint effort with Burt Bacharach matched restrained writing from Costello with stately Bacharach arrangements.
Subsequent career nadirs such as the tune-free North (2003), and instrumental orchestral works such as Il Sogno (2004) led many long-term admirers to conclude that Costello had retained his integrity at the expense of his real musical strengths. However, he has given occasional evidence of his former fire. The ballsy bar-room atmosphere of the collaborative The Delivery Man (2004), suggests that he is still capable of giving his fans what they want, in between his more esoteric experiments.
Elvis is married to jazz vocalist Diana Krall and they have twin sons.
*Upon the film's release, it was noted that the name "Napoleon Dynamite" had originally been used by musician Elvis Costello, most visibly on his 1986 album Blood and Chocolate, although he had used the pseudonym on a single B-side as early as 1982. Filmmaker Jared Hess claims that he was not aware of Costello's use of the name until two days before the end of shooting, when he was informed by a teenage extra. He later said, "Had I known that name was used by anybody else prior to shooting the whole film, it definitely would have been changed ... I listen to hip-hop, dude. It's a pretty embarrassing coincidence." Hess claims that "Napoleon Dynamite" was the name of a man he met around the year 2000 on the streets of Cicero, Illinois while doing missionary work for the Mormon Church.
Costello believes that Hess stole the name: "The guy just denies completely that I made the name up... but I invented it. Maybe somebody told him the name and he truly feels that he came about it by chance. But it's two words that you're never going to hear together." To date, Costello has taken no legal action against the film.
Elvis Costello and Elton John to Make a Television 'Spectacle'
Two of the most respected musicians in the world will collaborate on an extraordinary new television series.
"Spectacle: Elvis Costello with..." is hosted by its namesake and produced in conjunction with Sir Elton John's Rocket Pictures. Elton John will be one of the program's Executive Producers.
The series begain airing in 2008 on CTV in Canada, Channel 4 in the UK and Sundance Channel in the US. FremantleMedia Enterprises, will handle sales of the show to the rest of the world.
Conceived to provide a forum for in-depth discussion and performance with the most interesting and influential artists and personalities of our time, the show fuses the best of talk and music television.
"Spectacle: Elvis Costello with..." is an unpredictable and unprecedented television experience. The series of 13 one-hour programs features everything from intimate one-on-ones with legendary performers and notable newcomers to thematic panel discussions, with a variety of performance elements including unique collaborations, acoustic and impromptu "illustrative" demonstrations of the creative process, and some original interpretations of others' songs by Costello.
Born in St Mary's Hospital, Paddington in London, Costello is the son of trumpeter, vocalist and band-leader Ronald (“Ross”) MacManus and record store manager Lillian Costello. His family had roots in Merseyside and he moved to Birkenhead at age 16, with his mother, when his parents separated. While he is better known as 'Elvis Costello', a stage name referring to the legendary Elvis Presley suggested by Stiff Records manager Jake Riviera, he has used many other aliases, including 'The Imposter' and 'Napoleon Dynamite'.
In the early 1970s Costello was a participant in London's pub rock scene with the group Flip City. Then in 1977 along with fellow Pub-Rockers Nick Lowe and Ian Dury he made his first releases on the independent label Stiff, tailoring his work towards the burgeoning punk, power pop, and new wave scenes. From 1980's Armed Forces onwards, however, other influences including soul, country, 1960s pop, and classical music began to re-emerge, and he soon became established as a unique and original voice. His output has been wildly diverse: one critic has written that "Costello, the pop encyclopedia, can reinvent the past in his own image".
His prolific and varied 30-year career has been marked by two constants: sharp songwriting and musical restlessness. The latter has seen him dabble in almost every musical form, from country to jazz to orchestral. This stems from the fact that, at heart, Costello is a fan. His desire to work with his musical heroes has attracted collaborators as diverse as Burt Bacharach and Paul McCartney, Anne Sofie von Otter, Allen Toussaint, Aimee Mann, Bill Frisell, and Brian Eno.
But his most successful partners were his long-term band The Attractions. They comprised Steve Nieve (keyboards), Pete Thomas (drums) and Bruce Thomas (bass). Between 1978 and 1983, this outfit produced a peerless series of albums: This Year's Model; Armed Forces; Get Happy!!; Almost Blue; Trust; Imperial Bedroom and Punch the Clock.
These recordings drew on styles spanning soul, country and western and commercial pop. It was only with 1984's Goodbye Cruel World that Costello started to stumble. An album he concedes was one of his worst, it ushered in a period which produced interesting music but lacked the consistent quality of his halcyon days. Interestingly, although he enlisted the other Elvis's band for King of America in 1986, it was a reunion with The Attractions and former producer Nick Lowe that produced his best album of the late 1980s in the form of the scabrous Blood and Chocolate.
The following albums, Spike and Mighty Like a Rose were uncompromising and difficult solo works, as was the string quartet collaboration The Juliet Letters in 1993. It was only reconvening the Attractions for Brutal Youth the following year that gave his fans another glimpse of what first attracted them to him: punchy, angry pop songs, tightly played by an impeccably taut ensemble.
Since then, Costello has become a career dilettante, true to his inner musical quest, but never again returning to heights he scaled in the early 1980s. Maybe the best work of this latter period was 1998's Painted from Memory. This joint effort with Burt Bacharach matched restrained writing from Costello with stately Bacharach arrangements.
Subsequent career nadirs such as the tune-free North (2003), and instrumental orchestral works such as Il Sogno (2004) led many long-term admirers to conclude that Costello had retained his integrity at the expense of his real musical strengths. However, he has given occasional evidence of his former fire. The ballsy bar-room atmosphere of the collaborative The Delivery Man (2004), suggests that he is still capable of giving his fans what they want, in between his more esoteric experiments.
Elvis is married to jazz vocalist Diana Krall and they have twin sons.
*Upon the film's release, it was noted that the name "Napoleon Dynamite" had originally been used by musician Elvis Costello, most visibly on his 1986 album Blood and Chocolate, although he had used the pseudonym on a single B-side as early as 1982. Filmmaker Jared Hess claims that he was not aware of Costello's use of the name until two days before the end of shooting, when he was informed by a teenage extra. He later said, "Had I known that name was used by anybody else prior to shooting the whole film, it definitely would have been changed ... I listen to hip-hop, dude. It's a pretty embarrassing coincidence." Hess claims that "Napoleon Dynamite" was the name of a man he met around the year 2000 on the streets of Cicero, Illinois while doing missionary work for the Mormon Church.
Costello believes that Hess stole the name: "The guy just denies completely that I made the name up... but I invented it. Maybe somebody told him the name and he truly feels that he came about it by chance. But it's two words that you're never going to hear together." To date, Costello has taken no legal action against the film.
Elvis Costello and Elton John to Make a Television 'Spectacle'
Two of the most respected musicians in the world will collaborate on an extraordinary new television series.
"Spectacle: Elvis Costello with..." is hosted by its namesake and produced in conjunction with Sir Elton John's Rocket Pictures. Elton John will be one of the program's Executive Producers.
The series begain airing in 2008 on CTV in Canada, Channel 4 in the UK and Sundance Channel in the US. FremantleMedia Enterprises, will handle sales of the show to the rest of the world.
Conceived to provide a forum for in-depth discussion and performance with the most interesting and influential artists and personalities of our time, the show fuses the best of talk and music television.
"Spectacle: Elvis Costello with..." is an unpredictable and unprecedented television experience. The series of 13 one-hour programs features everything from intimate one-on-ones with legendary performers and notable newcomers to thematic panel discussions, with a variety of performance elements including unique collaborations, acoustic and impromptu "illustrative" demonstrations of the creative process, and some original interpretations of others' songs by Costello.
Costello: Deliver Us
Elvis Costello Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't cry
Oh honey, please, don't be that way
Clouds in the sky
Should never make you feel that way
And the rain
Will bring the violets of May
Tears are in vain
So honey, please, don't be that way
Long as we
See it through
You'll have me
And I'll have you
Sweetheart
Tomorrow is another day
Don't break my heart
Oh honey, please, don't be that way
Long as we
See it through
You'll have me
And I'll have you
Sweetheart
Tomorrow is another day
Don't you break my heart
Oh honey, please, don't be that way
Honey, don't be that way, stop it
Oh honey, please, don't be that way
Clouds in the sky
Should never make you feel that way
And the rain
Will bring the violets of May
Tears are in vain
Long as we
See it through
You'll have me
And I'll have you
Sweetheart
Tomorrow is another day
Don't break my heart
Oh honey, please, don't be that way
Long as we
See it through
You'll have me
And I'll have you
Sweetheart
Tomorrow is another day
Don't you break my heart
Oh honey, please, don't be that way
Honey, don't be that way, stop it
The Brodsky Quartet's song "Deliver Us" is a beautiful and moving ballad about comfort and assurance in difficult times. The lyrics speak of a lover who is feeling down, perhaps due to outside forces like a stormy sky, and begs them not to give in to their sadness. The song emphasizes the importance of perseverance, promising that as long as they stay together, everything will turn out alright in the end.
The metaphor of the violets of May appearing after the rain is a powerful image of hope and renewal. It implies that after difficult times come beautiful things. The repetition of the line "long as we see it through, you'll have me and I'll have you" emphasizes the importance of supporting each other through all of life's struggles. The song speaks to the human need for connection and assurance, especially when life is challenging.
Line by Line Meaning
Don't cry
Please do not shed any tears
Oh honey, please, don't be that way
Please do not continue behaving in that manner, my dear
Clouds in the sky
The grey, fluffy masses above us
Should never make you feel that way
Should not cause you to feel despondent
And the rain
Precipitation that falls from the sky
Will bring the violets of May
Will result in the growth of purple flowers in May
Tears are in vain
Crying will not change anything
So honey, please, don't be that way
Please do not persist with that demeanor, my dear
Long as we
As long as we
See it through
Overcome this predicament/obstacle
You'll have me
You will have me for support
And I'll have you
I will have you for company and companionship
Sweetheart
Term of endearment
Tomorrow is another day
There is always another chance to start anew tomorrow
Don't break my heart
Please do not hurt me emotionally
Oh honey, please, don't be that way
Please do not continue with that demeanor, my dear
Honey, don't be that way, stop it
My dear, please cease acting in that fashion
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC
Written by: ELVIS COSTELLO, IAN DEREK BELTON, PAUL MARTIN CASSIDY, JACQUELINE LUCY KATHERINE THOMAS, MICHAEL HENRY THOMAS
Lyrics Licensed & Provided by LyricFind
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Stephen Karnes
The world is a better place for having Elvis Costello in it.
Eamonn Clabby
@thesun collective147 nice one....
thesun collective147
I remember singing Oliver's Army on the School stage in the UK. It was raining so everyone came in and we were messing around on stage with the mic. When I got to the chorus all my friends rushed up and joined in. Great memories courtesy of Elvis C.
roxy68
Amen! 👏
Jason Flay
"Those Beetles (double E)" is a very underrated joke, made me smile
rattyeely
I didn't even catch that joke at first, very subtle
New Message
"Keep the inner idiot alive."
* my wife nudges me and says: * "See? Elvis would be proud of you."
Eamonn Clabby
Seconded
EdEditz
LOL! ^__^
Lulu
Stephen thank you for doing justice to this incredible artist and awesome human!