Baby Let's Play House
Elvis Presley Lyrics


Oh, baby, baby, baby, baby baby
Baby, baby baby, be-be-be-be-be-be baby baby, baby
Baby baby baby
Come back, baby, I want to play house with you
Well, you may go to college
You may go to school
You may have a pink Cadillac
But don't you be nobody's fool
Now baby come back, baby, come
Come back, baby, come
Come back, baby I want to play house with you

Now listen and I'll tell you baby
What I'm talking about
Come on back to me, little girl
So we can play some house
Now baby come back, baby, come
Come back, baby, come
Come back, baby
I want to play house with you (oh let's play house, baby)

Now this is one thing, baby
That I want you to know
Come on back and let's play a little house
And we can act like we did before
Well, baby come back, baby, come
Come back, baby, come
Come back, baby I want to play house with you (hit it)

Yeah

Now listen to me, baby
Try to understand
I'd rather see you dead, little girl
Than to be with another man
Now baby come back, baby, come
Come back, baby, come
Come back, baby, I want to play house with you
Oh, baby baby baby
Baby baby baby be-be-be-be-be-be baby baby baby
Baby baby baby
Come back, baby, I want to play house with you

Lyrics © BMG Rights Management
Written by: Arthur Gunter

Lyrics Licensed & Provided by LyricFind
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Most interesting comments from YouTube:

Jackson Azevedo

Well, that's all right, mama
That's all right for you
That's all right mama, just anyway you do
Well, that's all right, that's all right
That's all right now mama, anyway you do

Mama she done told me
Papa done told me too
'Son, that gal your foolin' with
She ain't no good for you
But, that's all right, that's all right
That's all right now mama, anyway you do

I'm leaving town, baby
I'm leaving town for sure
Well, then you won't be bothered with
Me hanging 'round your door
Well, that's all right, that's all right
That's all right now mama, anyway you do



Netflix De Jesús

Well, that's all right now mama
That's all right with you
That's all right now mama, just anyway you do
That's all right, that's all right
That's all right now mama, anyway you do

Well mama, she done told me, papa done told me too
"Son, that gal you're foolin' with
She ain't no good for you"
But that's all right now, that's all right
That's all right now mama, anyway you do

I'm leaving town, baby
I'm leaving town for sure
Well, then you won't be bothered with me hanging 'round your door
Well, that's all right, that's all right
That's all right now mama, anyway you do

Ah dala dee dee deelee
Dee dee deelee
Dee dee deelee, I need your lovin'

That's all right, 
That's all right now mama, anyway you do



Chaseme

On the night of July 7, 1954, Memphis disc jockey Dewey Phillips played a brand-new recording of the song “That’s All Right” sung by 19-year-old Elvis Presley, who lived there in Memphis. Right away, listeners starting calling, demanding that he play it again, asking exactly what kind of music it was – blues? rock ’n’ roll? – and wanting to know more about the singer.

Dewey played the song fourteen times that night. During one break, he called the Presley home, wanting to get Elvis down to the studio for an interview. Elvis, who’d been told that his record might be on the radio, had been too nervous to listen. “I thought people would laugh at me,” he later explained. So he’d gone to the movies.

Dewey asked his mother to find him, saying, “I played that record of his, and them birdbrain phones haven’t stopped ringing since.” Mr. and Mrs. Presley hurried to the theater, searched the dark rows, found their son, and hustled the boy off to WHBQ for the interview.

As a child, Elvis Presley soaked up gospel music at church. He listened to country music on The Grand Ole Opry radio show, blues singers on the streets of Memphis, spirituals at tent revivals, symphony orchestra concerts in the park, opera on the family’s wind-up Victrola.

“What kind of singer are you?” the manager of a Memphis recording studio asked him when he made his very first record. “Aw, I sing all kinds,” he answered. “Who do you sound like?” she  pressed. “I don’t sound like nobody,” he insisted.

His answer was more than youthful boasting. Presley’s unabashedly original style embraced all kinds of American music and crossed all borders of race, class, and region. As biographers have noted, that democratic principle of his music helped win legions of fans.

— by Bill Bennett and John T.E. Cribb, The American Patriot’s Daily Almanac



All comments from YouTube:

FutbolMas

Por siempre... Elvis Presley...

Mia Fink

I think this guy’s gonna be a legend. He has potential

LEanimator

@Buffalo Billy Nat and Ray are not the same people just similarly styled

Buffalo Billy

@LEanimator yeah but Nat and Ray are the same people. Elvis wasn’t. Just saying.

LEanimator

@Buffalo Billy he didn’t STEAL from them he was INFLUENCED by them. Yes, it may appear he stole, but influences can either come heavy or light. Ray Charles’ style was influenced by Nat King Cole.

Buffalo Billy

@LEanimator he’s not the king😂

Buffalo Billy

Only if he steals from black artists and not give credit. Yeah.

112 More Replies...

Roadglide

This song started it all. A legend was born.

Devin Bret

@Jetmir Metaliaj 🙄 this is why everybody says racists are ignorant. You don't even know the geography of Africa. Your earliest ancestors were black. You are not more intelligent than black people and you're certainly more ignorant than most. Deal with your abuse issues and your own problems and quit lashing out at scapegoats. Take some personal responsibility for yourself.

Jetmir Metaliaj

Back to thé jungle

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