"Suspicious Minds" was one of the singles that revived Presley's chart success in the U.S., following his '68 Comeback Special. It was his eighteenth and last No.1 single in the United States. Rolling Stone ranked it No. 91 on their list of the 500 Greatest Songs of All Time. Session guitarist Reggie Young played on both the James and Presley versions.
The song is about a mistrusting and dysfunctional relationship, and the need of the characters to overcome their issues in order to maintain it. Written in 1968 by Mark James, who was also co-writer of "Always on My Mind" (which Presley would later record), the song was first recorded and released by James on Scepter Records in 1968. Chips Moman had asked James to come to Memphis to write songs for American Sound Studio. At the time, James was residing in Houston. He had written three songs that became No.1 hits in the Southern United States. American Sound Studio was gaining a reputation in the industry, as the Box Tops had just recorded "The Letter" there, so James relocated to Memphis.
James said that late one night, he was fooling around on his Fender guitar and using his Hammond organ pedals for a bass line and came up with what he thought was a catchy melody. At the time, he was married to his first wife but still had feelings for his childhood sweetheart, who was married back in Houston. James's wife had suspicions about his feelings. He felt it was a confusing time for him and that all three were "caught in this trap that they could not walk out of". At the recording session, James sang the lead vocals, and the studio band backed him; Moman produced. The horns, strings, and vocals of the Holladay Sisters were later overdubbed. After the tape was mixed, James and Moman flew to New York, where James's manager had contacts with Scepter Records. The label loved the song and put it out, but Scepter did not have the money to promote new artists, and the song did not make the charts.
Later that year, Don Crews, Moman's partner, told James that Presley had booked their studio to record what would become the From Elvis in Memphis album. Crews kept asking James if he had any songs that would be right for Presley. James felt Presley needed a mature rock 'n' roll song to bring him back, as Tom Jones was a hot artist at the time. Crews and James thought of "Suspicious Minds" and James began urging others to get Presley to hear it. Even though James's recording had not been commercially successful, upon reviewing the song, Presley decided he could turn it into a hit.
Presley's 1969 recordings at American Sound Studio were a direct consequence of the '68 Comeback Special, that interested Chips Moman in producing recordings in Presley's new style; he was making his comeback to the Memphis musical scene by recording rock, gospel, country, rhythm & blues, and soul. Marty Lacker, a close friend of Elvis, suggested he record at the studio. These sessions produced the album From Elvis in Memphis.
"Suspicious Minds" was a product of a January 23, 1969 session, that took place between 4 am and 7 am. James was in Memphis, but he was not at the recording session. A few days earlier, he had walked into the recording studio during a session and sensed that Elvis was uncomfortable with his presence. James did not want to jinx the song so he stayed away. When he heard the track the day after it was recorded, he initially thought it sounded too slow. When he later heard the embellished version, he said he was blown away. In later years, whenever Elvis saw James he would cross the room to say hello.
Production of the song was nearly scuttled over a copyright dispute. Elvis's business people said they wanted half of Moman's publishing rights. Moman accused them of stealing and threatened to halt the recording session. Harry Jenkins of RCA agreed with Moman because he sensed that "the song would be a big hit and there would be plenty to go around". The songs "I'll Hold You In My Heart (Till I Can Hold You In My Arms)", "Without Love (There Is Nothing)", and "I'll Be There" were recorded in the same session. On August 7, "Suspicious Minds" was again overdubbed to stereo and mono in Las Vegas, where the final master was produced. The song's time signature changes in the bridge section, from 4/4 to the slower 6/8 then back again to the faster 4/4 rhythm. The instrumental arrangement uses an electric guitar, bass guitar, organ, strings, trumpets, trombones, and drums.
RCA staff producer Felton Jarvis made the unusual decision to add a fade-out to the song starting at 3:36 and lasting for nearly 15 seconds before fading back into the song. The first verse then continues repeatedly until the song completely fades out. In a 2012 interview with Marc Myers of The Wall Street Journal, Moman disclosed that Jarvis was never happy with Elvis recording at American Sound Studio, saying "it was a control thing". Moman added, "So when Jarvis took the tape of 'Suspicious Minds,' he added this crazy 15-second fade toward the end, like the song was ending, and brought it back by overdubbing to extend it. I have no idea why he did that, but he messed it up. It was like a scar in the song - a scar not too well-liked. Not that it mattered, though - soon after the song was released, Elvis was back on top of the charts."
Future Grateful Dead vocalist Donna Jean Godchaux sang backing vocals on the track.
The song was later included on the legacy edition of From Elvis in Memphis and the follow that dream reissue of Back In Memphis.
Presley first performed the song at the Las Vegas International Hotel (later renamed the Hilton) on July 31, 1969, and the 45 rpm single was released 26 days later. It reached No.1 in the United States in the week of November 1 and stayed there for that week. It would be Presley's final No.1 single in the U.S., on the Billboard Hot 100, before his death ("Burning Love" in 1972 was a No.1 hit on the Cashbox charts; "The Wonder of You" in 1970, "Way Down" in 1977 and Junkie XL's remix of "A Little Less Conversation" in 2002 all hit No.1 on the British charts, followed by re-issues of several previous chart-toppers in 2005).
Use in film soundtracks
1983 in the film Breathless, starring Richard Gere
1992 in the film Honeymoon in Vegas, starting Nicolas Cage & James Caan
2000 in the film Frequency, starring Dennis Quaid & Jim Caviezel
2001 in the film Black Hawk Down
2002 in the Disney animated feature film, Lilo & Stitch
2003 included in Intolerable Cruelty, an American romantic comedy film directed and co-written by Joel and Ethan Coen, and produced by Brian Grazer and the Coens, about divorce and lawyers in Los Angeles
2017 in the film Blade Runner 2049, along with "Can't Help Falling in Love"
2019 in the TV series Dark (S2E02)
2020 in the TV series Love Island (S6E12)
Suspicious Minds
Elvis Presley Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I can't walk out
Because I love you too much, baby
Why can't you see
What you're doing to me
When you don't believe a word I say?
We can't go on together
With suspicious minds (with suspicious minds)
And we can't build our dreams
On suspicious minds
So, if an old friend I know
Stops by to say hello
Would I still see suspicion in your eyes?
But here we go again
Asking where I've been
You can't see these tears are real
I'm crying (yes, I'm crying)
We can't go on together
With suspicious minds (with suspicious minds)
And we can't build our dreams
On suspicious minds
Oh, let our love survive
I'll dry the tears from your eyes
Let's don't let a good thing die
When honey, you know I've never lied to you
Mmm, yeah, yeah
We're caught in a trap
I can't walk out
Because I love you too much, baby
Why can't you see
What you're doing to me
When you don't believe a word I say?
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
The song “Suspicious Minds” by Elvis Presley is about the struggle and frustration of a relationship that's breaking apart due to a lack of trust. The singer is deeply in love with his partner, yet their suspicious mind is causing a rift between them. The chorus of the song captures the essence of the theme perfectly, as it underscores the fact that they can't move forward when one is always questioning everything the other is saying or doing.
In the lyrics, the singer is pleading with his partner to trust him and stop doubting him. He mentions the absurdity of being suspicious when an old friend stops by to say hello, and wonders if they will still be met with suspicion in the eyes of his partner. He also expresses his frustrations with being questioned about his whereabouts frequently, stating that the tears he's shedding are genuine, and a sign of how much their lack of trust is affecting him.
Towards the end of the song, the singer implores his lover to hold on to their love and not let it die due to their suspicions. He proclaims his love to be true, and begs her not to let go of something good.
Overall, the song is a heartfelt plea for a relationship to survive despite the lack of trust. It showcases the emotional turmoil that comes with having doubts and how it can break down the foundation of any relationship.
Line by Line Meaning
We're caught in a trap
We are in a difficult situation that we cannot escape from
I can't walk out
I am unable to leave
Because I love you too much, baby
My love for you has made me powerless and trapped
Why can't you see
Why can't you understand
What you're doing to me
The effect of your actions on me
When you don't believe a word I say?
Your lack of trust in me and my words
We can't go on together
We cannot continue our relationship
With suspicious minds (with suspicious minds)
If we do not trust each other
And we can't build our dreams
We cannot achieve our goals
On suspicious minds
If we are always suspicious of each other
So, if an old friend I know
If a mutual friend visits
Stops by to say hello
Pays a friendly visit
Would I still see suspicion in your eyes?
Would you still doubt my intentions and loyalty?
But here we go again
We are having this argument once more
Asking where I've been
Questioning my whereabouts
You can't see these tears are real
You do not believe that I am genuinely upset
I'm crying (yes, I'm crying)
I am emotional and upset
Oh, let our love survive
Let our relationship continue
I'll dry the tears from your eyes
I will comfort you and make you feel better
Let's don't let a good thing die
Let's not end our relationship when it is going well
When honey, you know I've never lied to you
I have always been honest with you
Mmm, yeah, yeah
An emotional expression of agreement and understanding
Well, don't you know I'm caught in a trap?
Do you not understand the difficult situation I am in?
Because I love you too much, baby
My love for you has made me powerless and trapped
Lyrics © Sony/ATV Music Publishing LLC
Written by: Francis Zambon
Lyrics Licensed & Provided by LyricFind
@shantamtarangita304
We're caught in a trap
I can't walk out
Because I love you too much, baby
Why can't you see
What you're doing to me
When you don't believe a word I say?
We can't go on together
With suspicious minds (suspicious minds)
And we can't build our dreams
On suspicious minds
So, if an old friend I know
Stops by to say hello
Would I still see suspicion in your eyes?
Here we go again
Asking where I've been
You can't see the tears are real
I'm crying (Yes, I'm crying)
We can't go on together
With suspicious minds (suspicious minds)
And we can't build our dreams
On suspicious minds
Oh, let our love survive
Or dry the tears from your eyes
Let's don't let a good thing die
When, honey, you know
I've never lied to you
Mmm, yeah, yeah
We're caught in a trap
I can't walk out
Because I love you too much, baby
Why can't you see
What you're doing to me
When you don't believe a word I say?
Don't you know I'm caught in a trap
I can't walk out
Because I love you too much, baby
Don't you know I'm caught in a trap
I can't walk out
Because I love you too much, baby
Don't you know I'm caught in a trap
I can't walk out
Because I love you too much baby
Don't you know I'm caught in a trap
I can't walk out
Because I love you too much, baby
Don't you know I'm caught in a trap
I can't walk out
Because I love you too much, baby
Don't you know I'm caught in a trap
I can't walk out
Because I love you too much, baby
@tomasignacio1226
We're caught in a trap
I can't walk out
Because I love you too much, baby
Why can't you see
What you're doing to me
When you don't believe a word I say?
We can't go on together
With suspicious minds (suspicious minds)
And we can't build our dreams
On suspicious minds
So if an old friend I know
Stops by to say hello
Would I still see suspicion in your eyes?
Here we go again
Asking where I've been
You can't see the tears are real, I'm crying
(Yes I'm crying)
We can't go on together
With suspicious minds (suspicious minds)
And we can't build our dreams
On suspicious minds
Oh, let our love survive
I'll dry the tears from your eyes
Let's don't let a good thing die
When honey, you know I've never lied to you
Mmm, yeah, yeah
We're caught in a trap
I can't walk out
Because I love you too much, baby
Why can't you see
What you're doing to me
When you don't believe a word I say?
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
I can't walk out
Because I love you too much, baby
Well, don't you know I'm caught in a trap?
@lorifaircloth920
My stepfather was actually in the army with Elvis. Elvis never kept his pay he gave the guys in his barrack his pay. We have several pictures of Elvis in the Army and pictures of Elvis with my stepfather. I told my stepdad those pictures are probably worth some money, but he said it was a part of his life he doesn't care to part with.
@olsza_o
what an amazing story! a treasure to keep forever ♥️
@MusicALLyes
Who woulda sold his pic wit Elvis
@kimkatz2444
Wow
@John_Carpenter
Just wow dude! Wooow 😲
@caneladiaz111
Porfavor compartan esas fotos, de seguro cuando su padrastro deje este mundo, heredarán esas fotografías será su momento de compartirlas con el mundo 🇨🇱❤️
@DragonPhlegm
This new movie is going to bring a whole new generation back to Elvis. Let’s celebrate this, as everyone deserves to remember the King 👑
@dustindixon6628
yup I agree. I was on the internet a few weeks ago.....feeling down....and I said I'm going to check out "that" Elvis movie trailer. Now here I am. Also I just read the family loved it.
@pamwilleford2076
Agree he was the king always will be🎶🎶🎶❤️
@DetailDisoriented
I just discovered I actually like his music. Never even gave it a chance before.