Knife Edge
Emerson Lake & Palmer Lyrics


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Just a step cried the sad man
Take a look down at the madman
Theater kings on silver wings
Fly beyond reason
From the flight of the seagull
Come the spread claws of the eagle
Only fear breaks the silence
As we all kneel pray for guidance

Tread the road cross the abyss
Take a look down at the madness
On the streets of the city
Only specters still have pity
Patient queues for the gallows
Sing the praises of the hallowed
Our machines feed the furnace
If they take us they will burn us





Will you still know who you are
When you come to who you are

Overall Meaning

- The lyrics of Emerson Lake & Palmer's Knife Edge are notoriously complex and difficult to discern, but they seem to describe a world that is deeply troubled and uncertain. The song may be a commentary on the political and social upheaval of the 1970s, or it may simply be a poetic meditation on the nature of existence and the human desire for transcendence.
At the heart of the song is the idea that there is a thin line between sanity and madness, and that the world is full of people who are teetering on the edge of this divide. The singer urges the listener to "take a look down at the madman" and to recognize that even the most apparently stable and reasonable people may not be as they seem. The "theater kings on silver wings" may represent the powerful and wealthy elites who govern society, but who are themselves not immune to the madness that pervades the world.


Line by Line Meaning

Just a step cried the sad man
The singer implies that the sad man is on the brink of serious harm, and that he is crying in hopeless despair, seeking attention and help.


Take a look down at the madman
The singer appeals to the audience to observe and contemplate the behavior of the madman, which could be symbolic of society at large.


Theater kings on silver wings
The singer appears to be referring to politicians and leaders who propagate grand ideals and promises, but lack substance or practicality. They are said to be soaring high on wings of momentary fame and grandiosity.


Fly beyond reason
The artist notes that these leaders are detached from reality, floating beyond the realms of reason, and may not be held accountable for their actions.


From the flight of the seagull
The artist compares the flight of the seagull to the metaphorical journey that people undertake in search of purpose and identity, often trying to fly high and free.


Come the spread claws of the eagle
The singer comments on the dangers and challenges that lie in wait for people who seek to soar high, with the eagle's claws symbolizing the risks and obstacles that must be overcome.


Only fear breaks the silence
The singer posits that people are too often paralyzed by fear, inhibiting them from acting in their best interests or speaking up against injustice. Fear is perceived as a major cause of silence and apathy.


As we all kneel pray for guidance
The artist suggests that people are looking for direction and guidance, often seeking refuge in religion, faith or other spiritual practices. There appears to be a sense of helplessness and dependence on external forces to provide meaning or direction in life.


Tread the road cross the abyss
The artist represents life as a perilous journey, with many obstacles and uncertainties, including a symbolic abyss that must be crossed. This encourages the audience to seek courage and determination to navigate these dangers.


Take a look down at the madness
The artist repeats the call to observe and reflect on the insanity and absurdity of human behavior, which may have become normalized and accepted.


On the streets of the city
The singer refers to urban life, which is often characterized by alienation, isolation, and despair. Society is represented as a chaotic and unpredictable place, where people have to contend with multiple pressures.


Only specters still have pity
The artist observes that even basic human empathy and compassion have eroded, with only ghosts or spirits capable of providing any real solace or understanding.


Patient queues for the gallows
The singer refers to the dark and oppressive forces that are threatening to take over and subjugate people, with gallows representing the ultimate symbol of powerlessness and defeat.


Sing the praises of the hallowed
Despite the challenges and the sense of resignation, some people still hold on to ideals and values that they consider sacred, and continue to celebrate them, almost as a rallying cry.


Our machines feed the furnace
The singer refers to the technology and power structures that are driving society, and suggests that people may have become mere cogs in the machine, serving the interests of the powerful few, often at the expense of the many.


If they take us they will burn us
The artist draws a grim conclusion that if things continue as they are, people will only face more persecution and oppression, leading to destruction and chaos.


Will you still know who you are
The artist reaches out to the audience, posing a question about the meaning and purpose of life, and wondering whether people will still be able to reflect on their identity and values amidst all the madness and confusion.


When you come to who you are
The singer suggests that eventually, people will have to confront the realities of their lives, and come to terms with who they truly are, regardless of the pretenses, illusions, or fears that may have been holding them back.




Lyrics © Universal Music Publishing Group
Written by: ANDREW PAUL WILLIAMS, COLIN DEREK ABRAHALL, COLIN ROBERT BLYTH, ROSS ANDREW LOMAS

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

Tarkus

"Knife-Edge"

Just a step cried the sad man
Take a look down at the madman
Theatre kings on silver wings
Fly beyond reason
From the flight of the seagull
Come the spread claws of the eagle
Only fear breaks the silence
As we all kneel pray for guidance

Tread the road cross the abyss
Take a look down at the madness
On the streets of the city
Only spectres still have pity
Patient queues for the gallows
Sing the praises of the hallowed
Our machines feed the furnace
If they take us they will burn us

Will you still know who you are
When you come to who you are

When the flames have their season
Will you hold to your reason
Loaded down with your talents
Can you still keep your balance
Can you live on a knife-edge



All comments from YouTube:

Ross Brazier

That is without doubt the best footage of ELP in their prime I've seen .. what a band they were?? Magic

MrMjp58

Magnificent. ELP in all their glory.
Greg’s voice in it’s prime. Keith and Carl in full flow.
To me, Keith often sounded to be improvising on record, only to hear him then play the same or very similar solo live. I loved his sense of phrasing and structure.
Thanks to the Germans for preserving them (on clear film) and many other greats of that period.

manco82

Keith was a total madman.

DJ Knox

This - along with Take A Pebble - is one of the greatest live Rock recordings ever captured. It deserves the greatest of accolades. Pure brilliance. I saw them perform both several years later and I feel privileged. BUT, nothing can compare to these 2 recordings.

Jimmy Lee

Jesus, Greg Lake had a great voice.

marzzz

The are Soundcloud files of him singing isolated on "Court of the Crimson King" and it is just phenomenal how he sounds

Syfoll

Along with Dave Gilmour, definitively the best voices in prog

Eugene Wallace

I agree with you: Greg's voice sounds very nice. Unfortunately he didn't work on developing his range. You can hear him having a hard time at the note on "..TO WHO YOU AREEE" (2:01) and swiftly switching to lower notes.

rejoyce

@Eugene Wallace He was a baritone, not a tenor, tbh.

James Warren

@Syfoll Steve Walsh had a Great singing voice in the 1970s, and so did Lou Gramm.

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