Freestyle
Eminem Lyrics


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Okay (yeah)
It's about that time again (haha)
Green Lantern
That's right
G-G-G-G-G Unit
(Shit)
Shady
We back (Invasion)
Part two
The Conspiracy

'Cause we ain't gonna never stop
You just keep wasting your energy on us
You should find something to do with your time, time
And quit fucking with us 'cause we ain't fucking with you
And we must be fucking with you
So much you must be goin' out your mind (yeah, Shady Records Mixtape)
(Come on, Em)

They say I'm day away from my entire empire crumbling
Speak up your mumbling
What the fuck-a you's a bibi-bay okay big-bi-bi-baby
This is Shady I know you was
Bi-bi-hoping we be-be-would ge-go away
But weeble mable weeble wobble
But we don't fall down like
Jam Master Jay's two turn tables
Our label's just too stable
Your magazine so motherfucking thin
You using staples to hold it together
It's turning back into a newspaper
And y'all got something for my ass every issue
Thank you, 'cause I keep running out of fucking tissues
And not to diss you but God, I was sick of looking at you
At least now I can see when Nike's got a new tennis shoe
But-but I guess no good news is always good good news
Moving on to bigger and better things, chicka chicka jeera
50's blowing up, his shit just keeps going up
What the fuck is going on? Who the fuck is Norah Jones?
Shady, wait a minute, baby, leave the whore alone
Just go up there and be humble and take them awards home
Bush has just declared the world a fucking warzone
And meanwhile we got a war going on of our own at home
My fucking mind's blown
Tryna figure out how to fight my own clone
Rhinestones are so nice, they shine so bright
Especially at night after a hit of ecstasy, ain't that right?
Whoa, wait a minute, I'm rambling
Back to the matter at hand, it's Green Lantern
With Elvis Presley, the selfish MC
Back to ruin rap and destroy the industry
Single handedly and, oh man, did we
Yeah me and 50, Obie, me and Twizzy
And Nelly and Missy and Jigga
God damn, it's all a plan devised by the Man, it's a conspiracy
Against fake shit, and anybody who can't make hits or ain't dope lyrically
So fuck what you heard and what you read about
We ain't ruining rap, baby, we're just trying to weed it out
Shady in the place to be see
And I got what it takes to rock the mic right
Still keep talking shit to me punk
'Cause your magazine's over in less than six months

Haha
Shady Records
Still Aftermath
And don't think we can hear you motherfuckers talking
'Cause we can't
We don't hear y'all




So we just gonna sit back for the rest of our lives
While you ride our dicks

Overall Meaning

"The Monster" by Eminem ft. Rihanna is a song that highlights the struggles Eminem has with his alter-ego, Slim Shady. The song begins with a skit that features two men debating the living situation of two other men. This skit can be interpreted as a metaphor for the internal struggle that Eminem faces with Slim Shady. He acknowledges that there are two sides of him, and they are constantly at odds with each other.


The first verse features Eminem addressing his haters and critics, stating that he must be subliminally throwing Viagra at them because they have hard-ons for him. He also mentions that nothing is off-limits in his rhymes, except for Michael Jackson's nose, which is a reference to the late singer's plastic surgery. Eminem then apologizes for offending anyone and mentions having an apology for Steve Harvey in his pocket, which he eventually discards with a "fuck you." The second verse features Rihanna singing the chorus, which talks about how fame can be a monster that takes over your life. The bridge of the song features Eminem reflecting on his career, mentioning that he's sold millions of records and that he's grateful for his success.


Line by Line Meaning

Ayo (ayo)
The song begins with a greeting or a call to attention.


What do you think about two grown ass men living together?
The rapper is posing a rhetorical question to the audience, which he intends to answer himself in the next lines.


Haha, alright (Whoo Kid)
The rapper acknowledges the presence of someone, likely a DJ or producer, who is referred to by name.


Well, what do you think about another grown ass man Living right upstairs from 'em?
The rapper continues his previous question, adding a hypothetical scenario to emphasize his point about the absurdity of the situation.


Well, them two grown ass men living together on my nuts And that's you right above 'em Get the fuck off 'em
The rapper expresses his annoyance with the two men who are apparently obsessed with him, and tells the person above them, likely a neighbor, to leave him alone.


When I rhyme, somehow I think I must be subliminally throwin' Viagra at these fags that got these hard-ons for me
The rapper jokes about the power and influence of his music, suggesting that it has a sexually stimulating effect on some of his male fans.


But I suppose anything goes when it comes to my flows Nothin' is off limits, except for Michael's nose
The rapper acknowledges that his lyrics can be controversial and offensive, but he draws the line at mocking the physical appearance of a deceased celebrity.


I didn't know, I'm so sorry, please tell me what I can do To make it up to those of you who I offended Ooh, I got it, I got an apology for Steve Harvey too It's in my pocket, uh, wait, here it is, fuck you
The rapper mocks the idea of apologizing for his controversial lyrics, suggesting that he doesn't take such criticisms seriously and is unwilling to modify his artistic expression to please others.


Hey, what do you say, Andre? What's new?
The rapper addresses another artist by name, possibly as a way to show respect or to establish a connection between their respective works.


Life is good, man, I'm chillin', 50, how 'bout you?
The rapper inquires about the well-being of another artist, indicating a sense of camaraderie or friendship among their circle.


Yayo's out of jail, Buck is out on bail We'll get through, we always do ODB, rest in peace, G-G-G-Unit
The rapper acknowledges the return of two other artists from legal troubles, expresses his admiration for a deceased rapper, and pays tribute to his own label and collaborative group.




Lyrics © Kobalt Music Publishing Ltd.
Written by: Marshall B. III Mathers

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@billydouglass3179

Welcome back everyone, because we all know this isn’t your first time

@laius6047

First time. Ever heard of Harry Mack?

@Cheech2900

At least once a week I come and get my fix yewwwwwwwwww

@coleyoung1997

em spitting over that second beat is unreal tho

@KSA21Geladettor

Hi 🙋🏻‍♂️

@lilpoopstainthegaydude2373

Me first time

171 More Replies...

@ITheAnnihilator

“im quite mellow, a white fellow, my pee is bright yellow, i like jello” had me rolling

@ODD_times

I knoooow😂

@joaobras6116

Fr bro💀😂

@Tyler-do6xg

First listened to this when I was 16, fast forward 12 years to 2024 and this is still one of the best freestyles ever!!!

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