Guilty Conscience Version
Eminem Lyrics


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Meet Eddie, twenty-three years old
Fed up with life and the way things are going
He decides to rob a liquor store
(I can't take this no more, I can't take it no more homes)
But on his way in, he has a sudden change of heart
And suddenly, his conscience comes into play
(Shit is mine, I gotta do this, gotta do this)
Alright, stop! (Huh?)
Now before you walk in the door of this liquor store
And try to get money out the drawer
You better think of the consequence (But who are you?)
I'm your motherfuckin' conscience

That's nonsense!
Go in and gaffle the money and run to one of your aunt's cribs
And borrow a damn dress, and one of her blonde wigs
Tell her you need a place to stay
You'll be safe for days if you shave your legs with Renee's razor blade

Yeah but if it all goes through like it's supposed to
The whole neighborhood knows you and they'll expose you
Think about it before you walk in the door first
Look at the store clerk, she's older than George Burns

Fuck that! Do that shit! Shoot that bitch!
Can you afford to blow this shit? Are you that rich?
Why you give a fuck if she dies? Are you that bitch?
Do you really think she gives a fuck if you have kids?

Man, don't do it, it's not worth it to risk it! (You're right!)
Not over this shit (Stop!)
Drop the biscuit (I will!)
Don't even listen to Slim yo, he's bad for you
(You know what Dre? I don't like your attitude)

(It's alright c'mon, just come in here for a minute)
(Mm, I don't know!)
(Look baby)
(Damn!)
(Yo, it's gonna be alright, right?)
(Well OK)

Meet Stan, twenty-one years old. (Give me a kiss!)
After meeting a young girl at a rave party
Things start getting hot and heavy in an upstairs bedroom
Once again, his conscience comes into play (Shit!)
Now listen to me, while you're kissin' her cheek
And smearin' her lipstick, I slipped this in her drink
Now all you gotta do is nibble on this little bitch's earlobe
(Yo! This girl's only fifteen years old
You shouldn't take advantage of her, that's not fair)
Yo, look at her bush, does it got hair? (Uh huh!)
Fuck this bitch right here on the spot bare
'Til she passes out and she forgot how she got there
(Man, ain't you ever seen that one movie "Kid")
No, but I seen the porno with SunDoobiest!
(Shit, you wanna get hauled off to jail?)
Man fuck that, hit that shit raw dog and bail
Meet Grady, a twenty-nine year old construction worker
After coming home from a hard day's work
He walks in the door of his trailer park home
To find his wife in bed with another man
(What the fuck!)
(Grady!)

Alright calm down, relax, start breathin'
Fuck that shit, you just caught this bitch cheatin'
While you at work she's with some dude tryin' to get off?
Fuck slittin' her throat, cut this bitches head off!
Wait! What if there's an explanation for this shit?
(What? She tripped? Fell? Landed on his dick?)
Alright Shady, maybe he's right Grady
But think about the baby before you get all crazy
Okay! Thought about it, still wanna stab her?
Grab her by the throat, get your daughter and kidnap her?
That's what I did, be smart, don't be a retard
You gonna take advice from somebody who slapped Dee Barnes?
What you say? (What's wrong?)
(Didn't think I'd remember?)
I'ma kill you motherfucker!
Uh-ah! Temper temper!

Mr. Dre? Mr. N.W.A.?
Mr. AK comin' straight outta Compton y'all better make way?
How in the fuck you gonna tell this man not to be violent?
'Cause he don't need to go the same route that I went
Been there, done that, aw fuck it




What am I sayin'?
Shoot 'em both Grady, where's your gun at?

Overall Meaning

The lyrics to Eminem's "Guilty Conscience" tell several stories of individuals contemplating committing criminal acts and their conscience speaking to them. The first story is about a man named Eddie who decides to rob a liquor store but has a change of heart. His conscience tells him to think about the consequences, but the voice advocating for him to commit the crime tells him to go ahead and do it. In the second story, a man named Stan is about to take advantage of a young girl at a party, but his conscience reminds him that she is only 15 years old and he shouldn't do it. The third story is about Grady, who catches his wife cheating on him and contemplates killing her. His conscience tells him to think about their child and not do anything drastic, but the voice advocating violence suggests he kidnap his daughter.


The song highlights the struggle between good and evil, and how easily individuals can be swayed one way or the other. It also touches on the concept of personal responsibility for one's actions, as the characters in each story have to weigh the consequences of their choices. Eminem's use of multiple voices adds a unique layer to the storytelling, with the conscience acting as a moral compass and the opposing voice representing the darker, more impulsive side of human nature.




Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner/Chappell Music, Inc.
Written by: Marshall Bruce Mathers, Ronald Stein, Andre Romell Young

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@Hyrule409

Yea, I do miss the old story-based songs like As The World Turns, Stan, and this one. I really liked Bad Guy, Legacy and kinda enjoyed So Far (despite having a pretty corny beat) on MMLP2, but he's only gone downhill since.



The constant yelling that started with Recovery has only went up, on top of the cleverness turned down for speed rhymes which I'm not super impressed by. He went from "you can jump a candle stick, burn your back, fuck Jill on a hill, but you still ain't Jack" and "sometimes I lay awake in the bed, strap a bulletproof vest on, and shoot myself in the head"

to
"this type of pickle we're in is hard to dill, but there's always tomorrow still".


Lame.


I want the old hype background clips back. The comedic intersections like in Criminal or Get My Gun where he's doing some funny shit. A big one is that I want him to just talk again and not be fucking yelling for half the song. Despite what everyone says, I don't think him getting off drugs was what affected his music capabilities. I think him getting successful and no longer struggling (which is a good thing) is what affected his creativity. But some of his most creative and greatest songs (Stan, Guilty Conscience, Without Me, My Name Is) were just goofy shit or serious stuff that either straight up didn't happen or was based off of a true story that didn't happen to him personally. It shouldn't be out of the realm of possibility to get a new track like that.



All comments from YouTube:

@itsRucka

It's NOT worth it to Risk it... not over this shi... DROP THE BISCUIT 😧😵😨🖐🥔

@slumpflumpy2870

What you do is heat the peanutbutter in a pan to pour over the burger with pickles.

@notanotherguitarchannel

that's a potato dude

@XIVEY

Dont like cringe shit, you ready to risk it?? drop the biscuit?? tell KSI he's dip shit

@zipzap1402

😁😁😁😁😁

@Mr.Sloth55

Wise words

16 More Replies...

@robrot404

I like how Eminem digs straight into Dre's soul at the last verse man that was ruthless

@superflipfjr

"You gonna take advice from somebody who slapped Dee Barnes?"

@rappers3274

https://youtu.be/df7ufEIp9MY
Junior slim shady

@kidz4p509

The ending of the song caused some controversy.

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