Jump to: Overall Meaning | Line by Line Meaning
I disgust you like dialogue from The Shop to The Wired Frog
Night club, shit, I was taught if your CD's on fire
You had to put it out yourself like Highland Park, no fire department
So you might not hear sirens at all
But don't be alarmed if I sound off
Something just ain't right with me, dawg
A martyr on a private charter, whose life could be harder?
Widely regarded highly, bite me, sweetheart, I'm slightly retarded
But tonight I'm starting shit, I'm feeling self righteous
I might just hop in a mosh pit on some Mike Tyson and Pac shit
Looking to box with anybody, disorderly conduct
I'll fuck around and snort a key and pick a fight with a locksmith
Fan of the LOX, bananas, manic, I'm going in shock
Frantic, I'm trapped in a closet
Panic attack cause I'm claustrophobic
No, faggot, I mean I can't maneuver from movement
Cause I have no room for improvement
I'm practically squashed, unpacked it and boxed it
Toxic, hands are arsenic, flammable bars, examine the content
Bar exam, start of insanity
Charles Hamilton slash Manson and Bronson
Animal snarls, cannibal jaws
Shark mandibles, lambs to the slaughter
Looking scamp as Hannibal stalking
Anthony Hopkins with his hands in his pockets
Black out, Zach Galifianakis, gallons of Vodka
But that gal has some knockers
I bet you they ring a bell when I come back and I'm conscious
What happened, doc? I passed out again
Alcohol's making me break into vacant's naked
Stole a Magnum box and bag Cirocs in back of a Datsun
Fell asleep watching Fear Factor and Scare Tactics
Too close to the StairMaster
Poked a hole in the air mattress and popped it
Woke up shortly thereafter, hungover
No underwear, grasping a Bayer Aspirin and dropped it
Air Max in my closet, preposterous Nikes made out of ostrich
And the cross stitching is a cross mixing
Of a rhinoceros, possum skin, giraffe and a dolphin
Fin Dockers, OshKoshes, drop crotches
Swatch watches and sneakers matches with the Parkers
But it's like being overstaffed at a boxing gym
With all these trainers, but I don't have any boxers
And I'm standing here naked, hangover, still wasted
Like paper you write raps on, obnoxious
Yo, why does it always sound like I'm grabbing my nostrils?
Fuck that, I'll battle 'em all, I'll battle a mall
I’ll stand there and yell that at a wall
Until the mannequin doll scatter and the inanimate objects
That I'm battering all shatter and fall
Cause I hear the track and I'm starting to get fucking amped
I'mma spark plug, I'm like the car with the cables hooked to my fucking back, I'm a Duracell
But I sure as hell got it backwards cause y'all could get jumped
And I'd catch the battery charge, but
I got a hunch like your back when it's arching
When I start attacking your squadron
You'll feel like MasterCard when I'm charging
So take a swipe at me, I'm coming straight at you
Like Clay Matthews from the Green Bay Packers
So get the sack of Wisconsin
That's nutbag that I'm talking, who am I kidding?
You faggots are all gonna do my bidding
Don't get dragged to the auction
Neiman Marcus, bags of Vuitton and all
I'll push a bitch into oncoming traffic, just watch this
Stretched, tinted, black sedan my ass
See how mad you act when I drop you off at Saks Fifth Ave
In a fucking taxi cab to go shopping
Affable guy next door is laughable
My next whore's gonna have mechanical arms
That'll jack me off with a lotion dispenser with a motion sensor
No emotion hence I guess this sick prick dies hard
I got a Magic Johnson
It's like a Magic Wand allows me to not let a blonde arouse me
If Ronda Rousey was on the couch with the condoms out
Holding a thousand Magnums at once to pounce me
I'll laugh in response to how she dances and flaunts it around me
Her flat little badonkadonk is bouncing around
And all I see is Paulie Malign now, she's slaughterhouse in a blouse
And Madonna with mud on her, God dammit I am misogynist
I slap Linda Ronstadt with a lobster, throw her off a balcony
Just so happens she's fond of algae
Cause now she's faceplants on the concrete
Complete lack of responsibility
Half you assholes ain't strong enough to pick up a spirit
Shit, you fags couldn't shoplift at a thrift shop
But I let the track lift 'em up, boost the energy
Klepto, I'm back to rip shop up, but my thing is this now
Been rapping so long I've been killing this shit, it's easy
Kidnapping your mom cause I'm still in this bitch, thievery
Ransom for JonBenét Ramsey, Chandra Levy, and Gary Condit
("Em") Paul was scared that if I went back to the blonde
I might relapse, get on some bullshit
Perhaps I'll launch some cracker taunts at Action Bronson
Macklemore, Mac Miller and Asher Roth
And have some back and forths
And record a wack response to Kendrick Lamar's "Control" verse
And perform "Fack" in concert
Yo, I put that shit on a greatest hits album
Now that was awesome
It takes some massive balls to do some shit like that
Sometimes I have to ponder why people are like
(I'll stick around)
And put up with my crap so long for
What's the attraction, mama?
Is it the fact that I'm a walking, talking, actual quadruple entendre
Or the pointy nose that's pointing at you, mama?
Who knows at this point, it's always poking so meh
Still get along with this voice cause that's the monster
So do-si-do with a sociopath, everyone who knows me knows that
What they don't know is the fact Rihanna calls me Pinocchio, meh
She loves the way I lie
Sits on my face and waits for my nose to grow
Pathological liar, oh, why am I such an asshole
That my disguise is pants, but they on fire
So am I-a, wooh, Cappadonna, cut the track off
Sabotage Christmas, crap in your stocking
I'm wrapping up all the presents
In fucking camouflage so you can't even find 'em
Jack Santa Claus, snap Rudolph's antlers off
Wrap his schnoz in gauze bandage and blind him
Blowing the head gasket at Bed, Bath and Beyond
Put the basket back while the bath salt packets are gone, I
Know you really tired of me sampling Billy Squier
But classic rock acid rap is the genre
Got Slash on guitar, splashing Bizarre, Thrasher and Aerosmith
And I'm a spectacular archer, feed count Dracula Chocula
Godzilla, half dragon and Bob Dylan
Bandwagoners, I'm kicking the damn stragglers off and I'm strangling 'em
Smack Kim Basinger on a ass
The lyrics to Eminem's song ShadyXV are filled with violent and shocking imagery as he describes his urge to start fights and attack anyone who gets in his way. He talks about feeling self-righteous and like a martyr on a private charter, while also acknowledging that he may be slightly retarded. He mentions his love for rap music and his obsession with battling anyone, including famous artists like Macklemore and Kendrick Lamar. Throughout the song, Eminem uses complex wordplay and multiple entendres, such as "pinocchio" and "asshole," to showcase his skill as a rapper and his ability to shock and disgust his audience.
Overall, the song is a self-referential celebration of Eminem's talent and his ability to push boundaries with his music. He acknowledges his flaws, but ultimately feels empowered by his ability to rhyme words and control language in a way that few others can. The violent and offensive nature of the lyrics is meant to shock and provoke listeners, as Eminem has always been known for his controversial and polarizing style.
Line by Line Meaning
I'm liable to start a violent spark with a silent thought
My thoughts have the capability to cause destruction without me taking any action
I disgust you like dialogue from The Shop to The Wired Frog
I offend you like vulgar language would
Night club, shit, I was taught if your CD's on fire / You had to put it out yourself like Highland Park, no fire department / So you might not hear sirens at all / But don't be alarmed if I sound off
I wasn't taught to rely on anyone and to handle things myself, so if I act recklessly, don't be surprised.
Something just ain't right with me, dawg
There's something off about me, and I know it.
Widely regarded highly, bite me, sweetheart, I'm slightly retarded
Everyone thinks highly of me, but I don't care and think I'm a little foolish.
But tonight I'm starting shit, I'm feeling self righteous / I might just hop in a mosh pit on some Mike Tyson and Pac shit / Looking to box with anybody, disorderly conduct / I'll fuck around and snort a key and pick a fight with a locksmith
I'm feeling confident and reckless, willing to instigate fights and unlawful behavior.
Frantic, I'm trapped in a closet / Panic attack cause I'm claustrophobic / No, faggot, I mean I can't maneuver from movement / Cause I have no room for improvement / I'm practically squashed, unpacked it and boxed it
I feel trapped and overwhelmed by my insecurities and feel like there's no way out for me.
Toxic, hands are arsenic, flammable bars, examine the content / Bar exam, start of insanity / Charles Hamilton slash Manson and Bronson / Animal snarls, cannibal jaws / Shark mandibles, lambs to the slaughter / Looking scamp as Hannibal stalking / Anthony Hopkins with his hands in his pockets
My lyrics are poisonous and dangerous, reflective of a madness like Charles Manson and Bronson's depicted in movies like Hannibal.
Black out, Zach Galifianakis, gallons of Vodka / But that gal has some knockers / I bet you they ring a bell when I come back and I'm conscious / What happened, doc? I passed out again / Alcohol's making me break into vacant's naked / Stole a Magnum box and bag Cirocs in back of a Datsun / Fell asleep watching Fear Factor and Scare Tactics / Too close to the StairMaster / Poked a hole in the air mattress and popped it / Woke up shortly thereafter, hungover / No underwear, grasping a Bayer Aspirin and dropped it
I drank so much alcohol, I blacked out, stole things, slept naked, and had a terrible hangover the next day.
Air Max in my closet, preposterous Nikes made out of ostrich / And the cross stitching is a cross mixing / Of a rhinoceros, possum skin, giraffe and a dolphin / Fin Dockers, OshKoshes, drop crotches / Swatch watches and sneakers matches with the Parkers / But it's like being overstaffed at a boxing gym / With all these trainers, but I don't have any boxers / And I'm standing here naked, hangover, still wasted
I own ridiculous shoes and clothing that don't match, yet I have no good use for them and am just standing there naked while still feeling drunk.
Like paper you write raps on, obnoxious / Yo, why does it always sound like I'm grabbing my nostrils?
I realize my voice can be unpleasant and annoying and can cause some confusion.
Fuck that, I'll battle 'em all, I'll battle a mall / I’ll stand there and yell that at a wall / Until the mannequin doll scatter and the inanimate objects / That I'm battering all shatter and fall
I'm willing to fight anyone, even inanimate objects, and will do whatever it takes to win.
Cause I hear the track and I'm starting to get fucking amped / I'mma spark plug, I'm like the car with the cables hooked to my fucking back, I'm a Duracell / But I sure as hell got it backwards cause y'all could get jumped / And I'd catch the battery charge, but
When I hear music, I get hyped up and energized, and even though I am like a strong battery, I can still get in trouble for jumping into trouble with others.
Who am I kidding? You faggots are all gonna do my bidding / Don't get dragged to the auction / Neiman Marcus, bags of Vuitton and all / I'll push a bitch into oncoming traffic, just watch this
I believe others will do what I say and follow my lead, and I am willing to do cruel things without remorse.
It takes some massive balls to do some shit like that / Sometimes I have to ponder why people are like / And put up with my crap so long for / What's the attraction, mama?
I recognize that my behavior can be extreme, and I question why people continue to tolerate me.
Still get along with this voice cause that's the monster / So do-si-do with a sociopath, everyone who knows me knows that / What they don't know is the fact Rihanna calls me Pinocchio, meh / She loves the way I lie
I recognize that I have a dark side within me and that people still tolerate me because of that. Rihanna even jokes about my habit of lying.
Pathological liar, oh, why am I such an asshole / That my disguise is pants, but they on fire / So am I-a, wooh, Cappadonna, cut the track off / Sabotage Christmas, crap in your stocking
I am a liar and act like an asshole to others, even at Christmas.
Blowing the head gasket at Bed, Bath and Beyond / Put the basket back while the bath salt packets are gone, I / Know you really tired of me sampling Billy Squier / But classic rock acid rap is the genre
I cause destruction at stores like Bed, Bath and Beyond, and I am aware that people get tired of my sampling music, but I still do it because I like it.
Bandwagoners, I'm kicking the damn stragglers off and I'm strangling 'em / Smack Kim Basinger on a ass
I am ruthless toward people who jump on the bandwagon and push others away. I even talk about hitting Kim Basinger with no remorse.
Lyrics © Universal Music Publishing Group
Written by: Marshall Mathers
Lyrics Licensed & Provided by LyricFind
Eminem is the best-selling artist of the 2000s in the United States. Throughout his career, he has had 10 number-one albums on the Billboard 200 and five number-one singles on the Billboard Hot 100. With more than 47.4 million albums and 107. Read Full BioMarshall Bruce Mathers III (born October 17, 1972, in St. Joseph, MO), known professionally as Eminem (often stylized as EMINƎM), is an American rapper, songwriter, record producer, record executive, and actor.
Eminem is the best-selling artist of the 2000s in the United States. Throughout his career, he has had 10 number-one albums on the Billboard 200 and five number-one singles on the Billboard Hot 100. With more than 47.4 million albums and 107.5 million singles sold in the US and 220 million records globally, he is among the world's best-selling artists of all time and is consistently cited as one of the greatest and most influential artists in any genre. He is the only artist to have eight albums consecutively debut at number one on the Billboard 200. Rolling Stone ranked him 83rd on its list of 100 Greatest Artists of All Time, calling him "King of Hip-Hop".
After his debut album Infinite (1996) and then Slim Shady EP (1997), Eminem signed with Dr. Dre's Aftermath Entertainment and subsequently achieved mainstream popularity in 1999 with [album artist= Eminem The Slim Shady LP[/album], which earned him his first Grammy Award for Best Rap Album. His next two releases, 2000's The Marshall Mathers LPand 2002's The Eminem Show, were worldwide successes, with each being certified diamond in U.S. sales and both winning Best Rap Album Grammy Awards—making Eminem the first artist to win the award for three consecutive LPs. They were followed by Encore in 2004, another critical and commercial success. Eminem went on hiatus after touring in 2005, releasing Relapse in 2009 and Recovery in 2010. Both won Grammy Awards and Recovery was the best-selling album of 2010 worldwide, the second time he had the international best-selling album of the year (after The Eminem Show). Eminem's eighth album, 2013's The Marshall Mathers LP 2, won two Grammy Awards, including Best Rap Album; it expanded his record for the most wins in that category and his Grammy total to 15. In 2017, he released his ninth studio album, Revival. On August 31, 2018, Eminem released his tenth studio album, Kamikaze, to streaming services Apple Music, Spotify, and Amazon Music.
In addition to his solo career, Eminem is an original member of the Midwest hip-hop groups Soul Intent and D12. He is also known for his collaborations with fellow Detroit-based rapper Royce da 5'9"; the two are collectively known as Bad Meets Evil. Eminem has developed other ventures, including Shady Records, with manager Paul Rosenberg, which helped launch the careers of artists such as 50 Cent. Eminem has also established his channel, Shade 45, on Sirius XM Radio. In November 2002, he starred in the hip-hop film 8 Mile, which won the Academy Award for Best Original Song for "Lose Yourself", becoming the first rap artist to ever win the award. Eminem has made cameo appearances in the films The Wash (2001), Funny People (2009), The Interview (2014), and the television series Entourage (2010).
Marshall Bruce Mathers III was born on October 17, 1972, in St. Joseph, Missouri, the only child of Marshall Bruce Mathers Jr. and Deborah Rae "Debbie" Nelson. His mother nearly died during her 73-hour labor with him. Eminem's parents were in a band called Daddy Warbucks, playing in Ramada Inns along the Dakotas–Montana border before their separation. Bruce left the family, moving to California and having two other children: Michael and Sarah. Debbie later had a son Nathan "Nate" Kane Samara. During his childhood, Eminem and Debbie shuttled between Michigan and Missouri, rarely staying in one house for more than a year or two and living primarily with family members. In Missouri, they lived in several places, including St. Joseph, Savannah, and Kansas City.
Eminem uses alter egos in his songs for different rapping styles and subject matter. His best-known alter ego, Slim Shady, first appeared on the Slim Shady EP. In this persona, his songs are violent and dark, with a comic twist. Eminem downplayed Slim Shady on Recovery because he felt it did not fit the album's theme.
As a white performer prominent in a genre influenced by black artists, Eminem has been compared, much to his chagrin, to Elvis Presley, as a lyricist, and as aforementioned to Bob Dylan. Rapper Asher Roth has been compared to Eminem, and Roth devoted a song on his album ("As I Em") to him, which he took offense to. The accomplished trumpeter Nicholas Payton has called Eminem "the Bix Beiderbecke of hip hop".
A protégé of Dr. Dre, rapper Eminem emerged in 1999 as one of the most controversial rappers to ever grace the genre. Coming up from Detroit's rap battle scene, Eminem proved he could withstand the test of time to become one of the greatest and best-selling artists in hip-hop. Using his biting wit and incredible skills to vent on everything from his unhappy childhood to his contempt for the mainstream media, his success became the biggest crossover success the genre had seen since Dre's solo debut seven years earlier. The controversy over his lyrics was the best publicity any musician could afford, and being the first Caucasian rapper to make a significant impact in years may have given him a platform not afforded to equally talented African-American rappers. A gifted producer as well, his talents always seemed overshadowed by his media presence, which was a mix between misunderstood genius and misogynistic homophobe. Both may be true, but his message spoke to legions of disaffected youth who had few role models in the rap world who could relate to the white lower-class experience. The lackluster debut of Infinite in 1996 ignited his Slim Shady violent persona, whom Em debuted in Slim Shady EP in 1997. Somehow, Dr. Dre got a copy of the EP, and well, the rest is history.
He was born Marshall Mathers in St. Joseph, MO (near Kansas City), spending the better part of his impoverished childhood shuttling back and forth between his hometown and the city of Detroit. Initially attracted to rap as a teen, Eminem began performing at age 14, performing raps in the basement of his high school friend's home. The two went under the names Manix and M&M (soon changed to Eminem), which Mathers took from his own initials. Due to the unavoidable racial boundaries that came with being a white rapper, he decided the easiest way to win over underground hip-hop audiences was to become a battle rapper and improv against other MCs in clubs. Although he wasn't immediately accepted, through time he became such a popular attraction that people would challenge him just to make a name for themselves.
His uncle's suicide prompted a brief exodus from the world of rap, but he returned and found himself courted by several other rappers to start groups. He first joined the New Jacks, and then moved on to Soul Intent, who released Eminem's first recorded single in 1995. A rapper named Proof performed the B-side on the single and enjoyed working with Eminem so much that he asked him to start yet another group. Drafting in a few other friends, the group became known as D-12, a six-member crew that supported one another as solo artists more than they collaborated. The birth of Eminem's first child put his career on hold again as he started working in order to care for his family. This also instilled a bitterness that started to creep into his lyrics as he began to drag personal experiences into the open and make them the topic of his raps.
A debut record, 1996's Infinite, broke his artistic rut but received few good reviews, as comparisons to Nas and AZ came unfavorably. Undaunted, he downplayed many of the positive messages he had been including in his raps and created Slim Shady, an alter ego who was unafraid to say whatever he felt. Tapping into his innermost feelings, he had a bounty of material to work with when his mother was accused of mentally and physically abusing his younger brother the same year. The next year his girlfriend left him and barred him from visiting their child, so he was forced to move back in with his mother, an experience that fueled his hatred toward her and made him even more sympathetic toward his brother. The material he was writing was uncharacteristically dark as he began to abuse drugs and alcohol at a more frequent rate. An unsuccessful suicide attempt was the last straw, as he realized his musical ambitions were the only way to escape his unhappy life. He released the brutal Slim Shady EP, a mean-spirited, funny, and thought-provoking record that was light years ahead of the material he had been writing beforehand. Making quite the impression in the underground not only for his exaggerated, nasal-voiced rapping style but also for his skin color, many quarters dubbed him the music's next "great white hope."
According to legend, Dr. Dre discovered his demo tape on the floor of Interscope label chief Jimmy Iovine's garage, but the reality was that Eminem took second place in the freestyle category at 1997's Rap Olympics MC Battle in Los Angeles and Iovine approached the rapper for a tape afterward. It wasn't until a month or two later that he played the tape for an enthusiastic Dre, who eagerly contacted Eminem. Upon meeting, Dre was taken back by his skin color more than his skill, but within the first hour they had already started recording "My Name Is." Dre agreed to produce his first album and the two released "Just Don't Give a Fuck" as a single to preview the new album. A reconciliation with his girlfriend led to the two getting married in the fall of 1998, and Interscope signed the rapper and prepared to give him a massive push on Dre's advice. An appearance on Kid Rock's Devil Without a Cause only helped the buzz that was slowly surrounding him.
The best-selling Slim Shady LP followed in early 1999, scoring a massive hit with the single and video "My Name Is," plus a popular follow-up in "Guilty Conscience"; over the next year, the album went triple platinum. With such wide exposure, controversy ensued over the album's content, with some harshly criticizing its cartoon-ish, graphic violence; others praised its edginess and surreal humor, as well as Eminem's own undeniable lyrical skills and Dre's inventive production. In between albums, Eminem appeared on Dre's 2001, with his contributions providing some of the record's liveliest moments.
The Marshall Mathers LP appeared in the summer of 2000, moving close to two million copies in its first week of release on its way to becoming the fastest-selling rap album of all time. Unfortunately, this success also bred more controversy, and no other musician was better suited for it than Eminem. Among the incidents that occurred included a scuffle with Insane Clown Posse's employees in a car stereo shop, a bitter battle with pop star Christina Aguilera over a lyric about her fictional sexual exploits, a lawsuit from his mother over defamation of character, and an attack on a Detroit club goer after Eminem allegedly witnessed the man kissing his wife. Fans ate it up as his album stood strong at the top of the charts. But the mainstream media was not so enamored, as accusations of homophobia and sexism sprung from the inflammatory lyrics in the songs "Kill You" and "Kim." It was this last song that ended his marriage, as the song's chosen topic (violently murdering his real life wife Kim Mathers) drove his spouse to a suicide attempt before they divorced. Eminem toured throughout most of this, settling several of his court cases and engaging a mini-feud with rapper Everlast.
The annual Grammy Awards nominated the album for several awards, and to silence his critics the rapper called on Elton John to duet with him at the ceremony. In 2001, he teamed with several of his old Detroit running buddies and re-formed D-12. Releasing an album with the group, Eminem hit the road with them that summer and tried to ignore the efforts of his mother, who released an album in retaliation to his comments. After getting off of the road, he stepped in front of the camera and filmed 8 Mile, a film loosely based on his life directed by an unlikely fan, Curtis Hanson (Wonder Boys). His constant media exposure died out as well, leaving him time to work on new music.
When he re-emerged in 2002, he splashed onto the scene with "Without Me," a single that attacked Moby and Limp Bizkit and celebrated his return to music. Surprisingly, the following album, The Eminem Show, inspired little controversy. Instead, the popular second single, "Cleanin' Out My Closet," told of his dysfunctional childhood and explained his hatred toward his mother in a mannered, poignant fashion. And being Eminem, he followed this up with an appearance at MTV's Video Music Awards that inspired boos when he verbally assaulted Moby. Targets on his third straight chart-topper, 2004's Encore, ranged from Michael Jackson ("Just Lose It") to war-hungry politicians ("Mosh"). The album was another smash hit for Eminem, but the resulting touring was fraught with setbacks and controversy. First there was a bus crash in Missouri that injured protégé Stat Quo. Then there were reports of the tour being under-attended. There were also rumors of Eminem retiring, which he quickly quelled. However, the tour's European leg was eventually canceled due to "exhaustion," and Em entered rehab for a dependency on sleeping pills. However, by the end of 2005 he was back with a new video. In typical Eminem fashion, the clip for "When I'm Gone" riffed on his recent rehab stay. He also issued a chart-topping greatest-hits set, Curtain Call: The Hits, that December.
The year 2006 was a turbulent one. Mathers remarried Kim on January 14, 2006, but the couple filed for divorce in April. Also in April, D-12 member Proof, Mathers' best friend, was killed in a shooting at a Detroit nightclub. In August, Eminem resurfaced as producer on Obie Trice's Second Round's on Me and in October he was rapping on Akon's hit single "Smack That." He capped the year off with Eminem Presents: The Re-Up, a mixtape featuring artists from his Shady label.
Since then, many other great rappers have listed Eminem as one of their influences while growing up. From Detroit's very own Big Sean to Compton's finest Kendrick Lamar, here's how Eminem influenced the style of some of these rappers.
Coming from the Motor City of Detroit, Big Sean grew up with Eminem's The Slim Shady LP tape. The two ended up collaborating several times, including in Detroit's posse cut "Detroit vs. Everybody" from the Shady XV album.
"He’s the biggest rapper of all time," the rapper told Tim Westwood of Capital Xtra, citing the album as one of his childhood favorites. “If you just look at the numbers. You can imagine what that’s like coming up in Detroit and looking up to that."
North Carolina rapper B.o.B rose to stardom in the early 2010s after his Bruno Mars-supported single "Nothin' on You" scored a massive commercial success. He's also won an Eminem feature in "Airplanes" from The Adventures of Bobby Ray's debut album.
"I grew up listening to Eminem, so to be able to work and get advice on your music from him is a dream come true," he told MTV.
Tyler, The Creator:
While the two had exchanged some not-so-nice words about each other between 2017 and 2018, one of Tyler the Creator's favorite albums of all time is Eminem's 2009 Relapse. The drug-fueled and heavy-accented album plays a serial killer role, in which Tyler's early works were heavily influenced. Some of his favorite songs from the horrorcore album were "Stay Wide Awake," "Deja Vu," "Underground," and "Hello."
Logic hailed Eminem as one of his all-time favorites, but it wasn't until 2019 that they finally linked up. The two collaborated on "Homicide" from Logic's Confession of a Dangerous Mind album.
"Em, if you’re reading this I want you to know how much I love and appreciate you. I’ll never forget the experience and I’m more than happy and ecstatic to now call you my homie!," the rapper took to social media to detail his encounter with the Rap God.
The late Mac Miller grew up with the angst and explosive anger of The Marshall Mathers LP, but it wasn't until he turned 15 or 16 that he finally realized the genius of Em.
"I think people assume that that was how I got into rap, by the way of like Marshall Mathers LP. Had some good moments with that when I was younger," The Divine Feminine rapper told Mass Appeal's Time Alone.
If there's something that Eminem and XXXTentacion have shared in common, is that the two are bravely candid about their struggle with substance abuse in their early works. When the train of hate started coming towards Em in 2017 for "Walk on Water" from Revival, X is one of the few people who defended the single.
Coming up from the rap battle scene, Eminem's freestyling ability should not be put in question. The late Juice WRLD did an hour of non-stop freestyle over Eminem's classic beats at Tim Westwood. The two ended up collaborating for Juice's first-ever posthumous feature, "Godzilla," from Eminem's Music to Be Murdered By album in 2020.
"That kid was so talented," Eminem showed the late some love during a rare chat on King Crookxd's Crooked Corner interview series. "To be so young, he mastered that so f—ing quickly. His potential was so off the charts."
Over the years, Eminem and Nicki Minaj have shared a unique timeline of friendship and name-dropped each other in their respective crafts. Both are fans of each other's works, with Nicki Minaj listing Em as one of her all-time favorites.
"As a fan of rap, I think I would say the people that have influenced me the most with the way I rap, that would definitely be Lil Wayne, JAY-Z, Foxy Brown, Eminem," she told XXL.
J. Cole always shows love for Eminem. Interestingly, he also cited rap veteran Canibus, one of Eminem's early nemesis, as another inspiration. His favorite album was The Marshall Mathers LP.
"I have people's raps on my wall, but his raps and then Canibus' raps were the only ones that could get close to the bedspread," he told DJ Whoo Kid in an interview.
Just like Eminem back in the late 1990s, in the early 2010s, Kendrick Lamar also signed to Dr. Dre's Aftermath Entertainment label. This trio link-up is what propelled "Kung Fu Kenny's" career to the next level.
The "King Kunta" rapper spoke highly of Eminem and often called him one of his favorites. Em's aggressiveness in The Marshall Mathers LP influenced Lamar's hard-hitting and determined approach in his early works, especially in his 2013 verse in Big Sean's cut "Control".
Mind Space Apocalypse
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