Conscience
Eminem / Dr. Dre Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Fed up with life and the way things are going
He decides to rob a liquor store
(I can't take this no more, I can't take it no more homes)
But on his way in, he has a sudden change of heart
And suddenly, his conscience comes into play
(Shit is mine, I gotta do this, gotta do this)
Now before you walk in the door of this liquor store
And try to get money out the drawer
You better think of the consequence (But who are you?)
I'm your motherfuckin' conscience
That's nonsense!
Go in and gaffle the money and run to one of your aunt's cribs
And borrow a damn dress, and one of her blonde wigs
Tell her you need a place to stay
You'll be safe for days if you shave your legs with Renee's razor blade
Yeah but if it all goes through like it's supposed to
The whole neighborhood knows you and they'll expose you
Think about it before you walk in the door first
Look at the store clerk, she's older than George Burns
Fuck that! Do that shit! Shoot that bitch!
Can you afford to blow this shit? Are you that rich?
Why you give a fuck if she dies? Are you that bitch?
Do you really think she gives a fuck if you have kids?
Man, don't do it, it's not worth it to risk it! (You're right!)
Not over this shit (Stop!)
Drop the biscuit (I will!)
Don't even listen to Slim yo, he's bad for you
(You know what Dre? I don't like your attitude)
(It's alright c'mon, just come in here for a minute)
(Mm, I don't know!)
(Look baby)
(Damn!)
(Yo, it's gonna be alright, right?)
(Well OK)
Meet Stan, twenty-one years old. (Give me a kiss!)
After meeting a young girl at a rave party
Things start getting hot and heavy in an upstairs bedroom
Once again, his conscience comes into play (Shit!)
Now listen to me, while you're kissin' her cheek
And smearin' her lipstick, I slipped this in her drink
Now all you gotta do is nibble on this little bitch's earlobe
(Yo! This girl's only fifteen years old
You shouldn't take advantage of her, that's not fair)
Yo, look at her bush, does it got hair? (Uh huh!)
Fuck this bitch right here on the spot bare
'Til she passes out and she forgot how she got there
(Man, ain't you ever seen that one movie "Kid")
No, but I seen the porno with SunDoobiest!
(Shit, you wanna get hauled off to jail?)
Man fuck that, hit that shit raw dog and bail
Meet Grady, a twenty-nine year old construction worker
After coming home from a hard day's work
He walks in the door of his trailer park home
To find his wife in bed with another man
(What the fuck!)
(Grady!)
Alright calm down, relax, start breathin'
Fuck that shit, you just caught this bitch cheatin'
While you at work she's with some dude tryin' to get off?
Fuck slittin' her throat, cut this bitches head off!
Wait! What if there's an explanation for this shit?
(What? She tripped? Fell? Landed on his dick?)
Alright Shady, maybe he's right Grady
But think about the baby before you get all crazy
Okay! Thought about it, still wanna stab her?
Grab her by the throat, get your daughter and kidnap her?
That's what I did, be smart, don't be a retard
You gonna take advice from somebody who slapped Dee Barnes?
What you say? (What's wrong?)
(Didn't think I'd remember?)
I'ma kill you motherfucker!
Uh-ah! Temper temper!
Mr. Dre? Mr. N.W.A.?
Mr. AK comin' straight outta Compton y'all better make way?
How in the fuck you gonna tell this man not to be violent?
'Cause he don't need to go the same route that I went
Been there, done that, aw fuck it
What am I sayin'?
Shoot 'em both Grady, where's your gun at?
The lyrics in Eminem/Dr. Dre's song "Conscience" tell the stories of three different characters who are each faced with making a tough decision. The first character, Eddie, is contemplating robbing a liquor store but ultimately decides against it due to his conscience. The second character, Stan, is considering taking advantage of a 15-year-old girl at a rave and gives in to his impulses until his conscience reminds him why it's wrong. The third character, Grady, comes home to find his wife cheating on him and is advised by his conscience to not take violent action and think about the potential consequences. However, Eminem's character continues to urge him towards violence.
The song plays with the concept of the internal "conscience" that exists within each individual and how it can be a force for good or bad, depending on the person's actions. It also touches on themes of violence, sexual misconduct, and infidelity, emphasizing how important it is to think before acting and try to do the right thing.
Line by Line Meaning
Meet Eddie, twenty-three years old
Introducing Eddie, a young man disenchanted with life
Fed up with life and the way things are going
Eddie is frustrated with the way his life is headed
He decides to rob a liquor store
Eddie plans to steal from a liquor store
(I can't take this no more, I can't take it no more homes)
Eddie expresses his frustration and desperation
But on his way in, he has a sudden change of heart
Eddie experiences a moment of conscience and doubts his plans
And suddenly, his conscience comes into play
Eddie's conscience intervenes and makes him question his actions
(Shit is mine, I gotta do this, gotta do this)
Eddie struggles with his inner thoughts and feelings
Alright, stop! (Huh?)
Eddie is interrupted by a voice in his head
Now before you walk in the door of this liquor store
The voice instructs Eddie to consider the consequences of his actions
And try to get money out the drawer
The voice reminds Eddie of his plan to steal money from the register
You better think of the consequence (But who are you?)
Eddie questions the voice's authority and identity
I'm your motherfuckin' conscience
The voice reveals itself as Eddie's conscience
That's nonsense!
Eddie denies the existence of his conscience
Go in and gaffle the money and run to one of your aunt's cribs
Eddie's plan to steal money and run to his aunt's house is reiterated
And borrow a damn dress, and one of her blonde wigs
The voice suggests that Eddie disguise himself to evade capture
Tell her you need a place to stay
The voice instructs Eddie to ask his aunt for refuge
You'll be safe for days if you shave your legs with Renee's razor blade
The voice suggests that Eddie shave his legs to further disguise himself
Yeah but if it all goes through like it's supposed to
The voice points out the flaws in Eddie's plan
The whole neighborhood knows you and they'll expose you
The voice warns Eddie of the risks of getting caught and exposed
Think about it before you walk in the door first
The voice encourages Eddie to reconsider his actions before going through with them
Look at the store clerk, she's older than George Burns
The voice draws attention to the store clerk's age
Fuck that! Do that shit! Shoot that bitch!
Eddie's inner monologue becomes aggressive and violent
Can you afford to blow this shit? Are you that rich?
The voice asks Eddie if he can afford the consequences of his actions
Why you give a fuck if she dies? Are you that bitch?
The voice questions Eddie's morality and empathy
Do you really think she gives a fuck if you have kids?
The voice challenges Eddie's assumption that the store clerk cares about his well-being
Man, don't do it, it's not worth it to risk it! (You're right!)
Eddie ultimately heeds his conscience's advice not to go through with the robbery
Not over this shit (Stop!)
The voice reinforces that Eddie should not rob the store over a small amount of money
Drop the biscuit (I will!)
The voice tells Eddie to put down his gun
Don't even listen to Slim yo, he's bad for you
The voice warns Eddie not to listen to the negative influences around him
(You know what Dre? I don't like your attitude)
Eddie addresses Dr. Dre's attitude
(It's alright c'mon, just come in here for a minute)
Dr. Dre tries to calm Eddie down and persuade him to stay
(Mm, I don't know!)
Eddie is unsure of what to do
(Look baby)
Dr. Dre tries to soothe Eddie with endearments
(Damn!)
Eddie reacts to the situation with surprise
(Yo, it's gonna be alright, right?)
Dr. Dre reassures Eddie that everything will be okay
(Well OK)
Eddie acquiesces and agrees to stay
Meet Stan, twenty-one years old. (Give me a kiss!)
Introducing Stan, a young man flirting with a girl at a party
After meeting a young girl at a rave party
Stan meets a girl at a party and starts getting intimate with her
Things start getting hot and heavy in an upstairs bedroom
Stan and the girl go to a room to have sex
Once again, his conscience comes into play (Shit!)
Stan experiences a moment of conscience and feels guilty about what he's doing
Now listen to me, while you're kissin' her cheek
The voice tries to get Stan's attention while he's kissing the girl
And smearin' her lipstick, I slipped this in her drink
The voice reveals that Stan has drugged the girl's drink without her knowledge
Now all you gotta do is nibble on this little bitch's earlobe
The voice instructs Stan to manipulate the girl into having sex with him
(Yo! This girl's only fifteen years old
Stan becomes aware that the girl he's with is underage
You shouldn't take advantage of her, that's not fair)
The voice admonishes Stan for attempting to take advantage of an underage girl
Yo, look at her bush, does it got hair? (Uh huh!)
Stan continues to objectify the girl and prioritize his own sexual desires over her well-being
Fuck this bitch right here on the spot bare
Stan decides to have sex with the girl even though she's underage and drugged
Til she passes out and she forgot how she got there
Stan intends to have sex with the girl until she loses consciousness and forgets what happened
(Man, ain't you ever seen that one movie "Kid")
Stan compares his situation to a movie he's seen before
No, but I seen the porno with SunDoobiest!
The voice challenges Stan's cultural references and priorities
(Shit, you wanna get hauled off to jail?)
The voice warns Stan of the consequences of his actions
Man fuck that, hit that shit raw dog and bail
Stan disregards the potential risks and decides to have unprotected sex with the girl before leaving
Meet Grady, a twenty-nine year old construction worker
Introducing Grady, a construction worker who comes home to find his wife cheating on him
After coming home from a hard day's work
Grady returns home from work exhausted
He walks in the door of his trailer park home
Grady enters his home and discovers his wife's infidelity
To find his wife in bed with another man
Grady's wife is cheating on him with another man in their bed
(What the fuck!)
Grady is shocked and angry at the sight of his wife with another man
(Grady!)
Grady's wife addresses him, acknowledging his presence
Alright calm down, relax, start breathin'
The voice urges Grady to calm down and recompose himself
Fuck that shit, you just caught this bitch cheatin'
Grady is furious and wants to seek revenge against his wife
While you at work she's with some dude tryin' to get off?
Grady is incredulous and blames his wife for being unfaithful
Fuck slittin' her throat, cut this bitches head off!
Grady's violent thoughts escalate, and he considers killing his wife
Wait! What if there's an explanation for this shit?
The voice suggests that there may be reasons beyond infidelity for Grady's wife's actions
(What? She tripped? Fell? Landed on his dick?)
Grady makes sarcastic comments and dismisses the idea that his wife's behavior is justified
Alright Shady, maybe he's right Grady
The voice tries to reason with Grady to think about his actions before acting on emotions
But think about the baby before you get all crazy
The voice appeals to Grady's compassion for his child and the potential impact of his actions
Okay! Thought about it, still wanna stab her?
Grady thinks through the situation but still wants to harm his wife
Grab her by the throat, get your daughter and kidnap her?
Grady's violent thoughts escalate further, and he considers kidnapping his daughter
That's what I did, be smart, don't be a retard
The voice reveals that it has personal experience with violent behavior and advises Grady not to make the same mistakes
You gonna take advice from somebody who slapped Dee Barnes?
Grady questions the voice's credibility and ability to give sound advice
What you say? (What's wrong?)
The voice addresses Grady's concerns and questions
(Didn't think I'd remember?)
The voice reminds Grady that it's been through similar struggles before and has personal experience with violence
I'ma kill you motherfucker!
Grady becomes violent and threatens the voice
Uh-ah! Temper temper!
The voice tries to calm Grady down and mitigate his violent tendencies
Mr. Dre? Mr. N.W.A.?
Grady addresses Dr. Dre and his past involvement in violent rap music
Mr. AK comin' straight outta Compton y'all better make way?
Grady references Dr. Dre's previous work and reputation as a violent rapper
How in the fuck you gonna tell this man not to be violent?
Grady challenges the voice and questions its credibility
'Cause he don't need to go the same route that I went
The voice argues that Grady can learn from its own mistakes and avoid making the same mistakes
Been there, done that, aw fuck it
The voice admits to past violent behavior and acknowledges its flaws
What am I sayin'?
The voice questions the legitimacy of its own advice
Shoot 'em both Grady, where's your gun at?
Grady's violent tendencies escalate to the point where he's being egged on to shoot people by the voice in his head
Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner/Chappell Music, Inc.
Written by: Marshall Bruce Mathers, Ronald Stein, Andre Romell Young
Lyrics Licensed & Provided by LyricFind
@Hyrule409
Yea, I do miss the old story-based songs like As The World Turns, Stan, and this one. I really liked Bad Guy, Legacy and kinda enjoyed So Far (despite having a pretty corny beat) on MMLP2, but he's only gone downhill since.
The constant yelling that started with Recovery has only went up, on top of the cleverness turned down for speed rhymes which I'm not super impressed by. He went from "you can jump a candle stick, burn your back, fuck Jill on a hill, but you still ain't Jack" and "sometimes I lay awake in the bed, strap a bulletproof vest on, and shoot myself in the head"
to
"this type of pickle we're in is hard to dill, but there's always tomorrow still".
Lame.
I want the old hype background clips back. The comedic intersections like in Criminal or Get My Gun where he's doing some funny shit. A big one is that I want him to just talk again and not be fucking yelling for half the song. Despite what everyone says, I don't think him getting off drugs was what affected his music capabilities. I think him getting successful and no longer struggling (which is a good thing) is what affected his creativity. But some of his most creative and greatest songs (Stan, Guilty Conscience, Without Me, My Name Is) were just goofy shit or serious stuff that either straight up didn't happen or was based off of a true story that didn't happen to him personally. It shouldn't be out of the realm of possibility to get a new track like that.
@itsRucka
It's NOT worth it to Risk it... not over this shi... DROP THE BISCUIT 😧😵😨🖐🥔
@slumpflumpy2870
What you do is heat the peanutbutter in a pan to pour over the burger with pickles.
@notanotherguitarchannel
that's a potato dude
@XIVEY
Dont like cringe shit, you ready to risk it?? drop the biscuit?? tell KSI he's dip shit
@zipzap1402
😁😁😁😁😁
@Mr.Sloth55
Wise words
@robrot404
I like how Eminem digs straight into Dre's soul at the last verse man that was ruthless
@superflipfjr
"You gonna take advice from somebody who slapped Dee Barnes?"
@rappers3274
https://youtu.be/df7ufEIp9MY
Junior slim shady
@kidz4p509
The ending of the song caused some controversy.