Kim
Eminem / Eminem Lyrics

Aww, look at daddy's baby girl
The singer is addressing their daughter with affection.

That's daddy's baby, little sleepy head
The singer is expressing possession and identifying the child's current state.

Yesterday I changed your diaper
The singer is recalling a past event of caretaking for the child.

Wiped you and powdered you
The artist is providing further detail about the care they gave to the child.

How did you get so big?
The artist is expressing surprise and nostalgia at the child's growth.

Can't believe it, now you're two
The singer is acknowledging the child's age and expressing disbelief at the passage of time.

Baby, you're so precious
The singer is expressing affection and admiration for the child.

Daddy's so proud of you
The artist is expressing parental pride in the child.

Sit down, bitch! You move again
The artist is issuing an aggressive command to someone.

I'll beat the shit out of you! (Okay!)
The artist is making a violent threat to the person they are addressing.

Don't make me wake this baby!
The singer is warning the person they are addressing against disturbing the sleeping child nearby.

She don't need to see what I'm 'bout to do!
The artist is indicating that the child should not witness what is about to happen.

Quit crying, bitch! Why do you always make me shout at you?!
The singer is expressing frustration at the person they are addressing and aggression towards them.

How could you just leave me and love him out the blue?!
The singer is expressing hurt and confusion at the person ignoring them in favor of another.

Oh, what's the matter, Kim? Am I too loud for you?!
The singer is taunting the person they are addressing and engaging in verbal abuse.

Too bad, bitch! You're gonna finally hear me out this time!
The artist is expressing a desire for the person they are addressing to finally listen to them and acknowledge their feelings.

At first I'm like, "Aight, you wanna throw me out, that's fine!"
The artist is recalling a previous event where they were being asked to leave.

But not for him to take my place, are you out your mind?!
The singer is expressing disbelief and anger that someone else has taken their former place.

This couch, this TV, this whole house is mine!
The singer is claiming ownership of the physical space the altercation is taking place in.

How could you let him sleep in our bed?! Look it, Kim!
The artist is expressing hurt and disbelief that someone else was given access to their intimate space.

Look at your husband now! (No!) I said look at him!
The artist is commanding the person they are addressing to pay attention to their current partner.

He ain't so hot now, is he, little punk?!
The artist is belittling the person they are addressing's current partner and expressing feelings of superiority.

(Why are you doing this?!) Shut the fuck up! (You're drunk!
The singer is telling the person they are addressing to stop talking and accusing them of being intoxicated.

You're never gonna get away with this!) You think I give a fuck?!
The artist is expressing a lack of concern for the consequences of their actions.

Come on! We're going for a ride, bitch! (No!) Sit up front!
The singer is forcing the person they are addressing to come with them, going against their wishes.

(We can't just leave Hailie alone, what if she wakes up?)
The person being addressed is expressing concern for the welfare of the nearby child.

We'll be right back, well, I will, you'll be in the trunk!
The singer is making a violent threat and indicating that they will take the person they are addressing somewhere against their will.

So long, bitch, you did me so wrong
The artist is expressing a parting message of blame and anger towards the person they are leaving.

I don't wanna go on Living in this world without you
The artist is expressing sadness and emotional pain at the idea of living without the person they are leaving.

You really fucked me, Kim! You really did a number on me!
The singer is expressing hurt and resentment towards the person they are addressing for the emotional damage they have suffered.

Never knew me cheatin' on you would come back to haunt me
The singer is acknowledging their infidelity and the consequences that have arisen from it.

But we was kids then, Kim, I was only eighteen
The artist is referencing a past event and suggesting that their actions were influenced by their youth.

That was years ago, I thought we wiped the slate clean
The artist is expressing surprise that the previous event has resurfaced and suggesting that they believed it had been resolved.

That's fucked up! (I love you!) Oh God, my brain is racin' (I love you!) What are you doing? Change the station!
The artist is expressing emotional distress and confusion over conflicting feelings for the person they are addressing.

I hate this song! Does this look like a big joke? (No!)
The singer is expressing anger and disbelief that anyone would think the current situation is humorous.

There's a -year-old little Laying dead with a slit throat in your living room!
The artist is revealing the gruesome aftermath of a violent altercation.

Ha-ha! What, you think I'm kiddin' you?!
The singer is taunting the person they are addressing over the reality of the situation.

You loved him, didn't you? (No!)
The singer is accusing the person they are addressing of infidelity and lying to them.

Bullshit, you bitch! Don't fuckin' lie to me!
The singer is expressing anger and frustration that the person they are addressing is not being honest with them.

What the fuck's this guy's problem on the side of me?
The artist is expressing confusion and irritation with an unknown third party nearby.

Fuck you, asshole! Yeah, bite me!
The artist is engaging in a verbal altercation and trading insults with the third party nearby.

Kim, Kim! Why don't you like me?
The singer is expressing confusion and hurt over the attitude and behavior of the person they are addressing.

(It's not that!) No, you think I'm ugly
The person being addressed is correcting the singer's assumption before agreeing with it.

(Baby!) Get the fuck away from me! Don't touch me!
The artist is pushing away physical affection from the person they are addressing.

I hate you! I hate you! I swear to God, I hate you!
The artist is expressing intense negative emotions towards the person they are addressing.

Oh my God, I love you! How the fuck could you do this to me?!
The artist is expressing conflicting and intense emotions towards the person they are addressing.

(I'm sorry!) How the fuck could you do this to me?!
The singer is expressing anger and hurt towards the person they are addressing and demanding an explanation.

Come on, get out! (I can't! I'm scared!) I said get out, bitch! (Let go of my hair! Please don't do this, baby! Please! I love you! Look, we can just take Hailie and leave!) Fuck you!
The artist is demanding that the person they are addressing leave, but is met with resistance and attempts at negotiation.

You did this to us! You did it! It's your fault!
The singer is placing blame on the person they are addressing for the current situation.

Oh my God, I'm crackin' up, get a grip, Marshall!
The singer is acknowledging their own emotional distress and attempting to regain control of themselves.

Hey, remember the time we went to Brian's party And you were, like, so drunk that you threw up all over Archie? That was funny, wasn't it? (Yes) That was funny, wasn't it?! (Yes!)
The singer is recalling a past event and attempting to lighten the mood with a shared humorous memory.

See, it all makes sense, doesn't it?
The artist is expressing satisfaction and understanding of the current situation.

You and your husband have a fight One of you tries to grab a knife And during the struggle he accidentally gets his Adam's apple sliced (No!) And while this is going on, his son just woke up And he walks in, she panics, and he gets his throat cut (Oh my God!) So now they both dead And you slash your own throat So now it's double homicide and suicide with no note
The artist is revealing the events that led up to the current violent situation, ultimately resulting in multiple deaths and a suicide.

I shoulda known better when you started to act weird We coulda— hey, where you going? Get back here!
The singer is reflecting on previous behavior from the person they are addressing and attempting to continue the conversation despite their attempt to leave.

You can't run from me, Kim! It's just us, nobody else You're only makin' this harder on yourself!
The singer is pursuing the person they are addressing and attempting to maintain control over the situation.

Ha-ha, got ya! Go ahead, yell! Here, I'll scream with you, "Ah, somebody help!" Don't you get it, bitch? No one can hear you! Now shut the fuck up and get what's comin' to you!
The artist is taunting and belittling the person they are addressing as they continue to exercise force and control over them.

You were supposed to love me! Now bleed, bitch, bleed! Bleed, bitch, bleed! Bleed!
The artist is expressing hurt and anger towards the person they are addressing, while also engaging in violent and abusive behavior.