En Vogue has sold over 28 million albums and singles worldwide. They have won more MTV Video Music Awards than any other female group in MTV history, a total of 7 VMAs. The group was named the second most successful girl group of the 1990s and the 18th most successful act overall of the 1990s according to Billboard magazine.
Assembled in Oakland, California in July 1989, En Vogue launched with original members Cindy Herron, Maxine Jones, Dawn Robinson and Terry Ellis. The inspiration for the group came when production duo of Foster and Mc Elroy envisioned a modern-day girl group in the tradition of the 1950s/1960s female trios. The blueprint was based on the plan of recruiting singers who possessed strong voices, noticeably good looks, and intelligence. Auditions were held in 1988, with Herron, Jones and Robinson making the final cut. Like previous girl groups, En Vogue was originally conceived as a trio, but after hearing Ellis audition, Foster and McElroy decided to create a quartet. At first, they selected the name "For You." They shifted to "Vogue", but ultimately settled on En Vogue, upon learning that another group had already claimed the Vogue moniker.
After forming, the group began working with their producers on their debut album. Recording began in August 1989 and wrapped up in December of the same year. Born to Sing was released on April 3, 1990. The album charted at number twenty-one on the Billboard 200 and number three on Billboard's R&B Albums Chart. The first single, "Hold On," was released to radio in late February 1990 and became a crossover pop hit, reaching number two on Billboard's Hot 100 singles charts, and number one on both the R&B singles and Hot Dance Music/Club Play charts. It later went to #5 in the UK, and became a hit in Europe. The next two singles, "Lies" and "You Don't Have to Worry," each went to number one on the Billboard R&B charts, while the fourth and final single, "Don't Go," charted at number three on the Billboard R&B. The album was later certified platinum by the RIAA.
"Hold On" was awarded a Billboard Music Award for "R&B Single of the Year," a Soul Train Award for "R&B/Urban Contemporary Single of the Year, Group, Band or Duo" and have been nominated for a Grammy Award for "Best R&B Vocal Performance by a Duo or Group". In 1990, En Vogue signed an endorsement deal to appear in a Diet Coke commercial directed by Spike Lee.
En Vogue's second album, Funky Divas, was released in the spring of 1992. The album debuted at number eight on the Billboard 200 and number one on the Billboard R&B and ultimately doubled the take of its predecessor, going multi-platinum. The album's first two singles: "My Lovin' (You're Never Gonna Get It)" and "Giving Him Something He Can Feel" both went top ten pop, and peaked at number one on the R&B charts. The next single, "Free Your Mind" also went top ten. The final two singles "Give It Up Turn It Loose" and "Love Don't Love You" both were top forty hits.
The album went on to sell more than three million copies, won an American Music Award for "Favorite Soul/R&B Album," and was nominated for five Grammy Awards. The music video for "Free Your Mind" earned the group three MTV Video Music Awards for "Best Choreography," "Best Dance Video," and "Best R&B Video." They were also honored with Soul Train's prestigious "Entertainer of the Year Award." In addition to this, the group were featured in Rolling Stone, Entertainment Weekly, and Essence among other major publications. Riding high on the success of Funky Divas, a six-song EP entitled Runaway Love was released in the fall of 1993, spawning the hit "Runaway Love."
The group was signed to an endorsement deal with Converse, and were featured as an opening act on Luther Vandross' 1993 tour. Among the numerous countries toured were England, Germany, the Netherlands and France which confirmed the group's live vocal and performing prowess. However, according to an article in Vibe magazine, Vandross (by his own admission in interviews) and his entourage clashed with the members of En Vogue during the tour and he vowed never to work with them again afterwards.
En Vogue also made numerous television appearances on such series as In Living Color, A Different World, Roc and Hangin' With Mr. Cooper (the latter two of which they also sang the show's theme songs.) In 1993, En Vogue were featured vocalists on Salt-N-Pepa's top ten hit "Whatta Man", from Salt-N-Pepa's Very Necessary album. The track also appeared (slightly edited) on En Vogue's Runaway Love EP.
In 1995, En Vogue was amongst numerous female vocalists featured on the song "Freedom" for the soundtrack to Panther. Also in 1995, group member Terry Ellis recorded a solo album entitled Southern Gal, which spun off the top ten R&B single "Where Ever You Are."
In 1996, En Vogue recorded "Don't Let Go (Love)" for the soundtrack to the motion picture Set It Off. Released in the autumn, it became the group's biggest hit to date; the single peaked at number two on the Hot 100, number one on the R&B singles chart, and was certified platinum by the RIAA. It, inadvertently, would also be the final En Vogue single to feature Robinson. One of Robinson's final performances with her bandmates came in October of that year, when the group sang the final National Anthem rendition in the history of Atlanta-Fulton County Stadium in Atlanta, which came in game five of the 1996 World Series.
In response to the large commercial success of "Don't Let Go (Love)", the group steadfastly went to work on its third album. As the album was nearing completion, Robinson chose to leave the group in April 1997 after difficult contractual negotiations reached a stalemate. Despite Robinson's abrupt departure, En Vogue resolved to continue on as a trio (forcing the group to re-record some of the tracks on their forthcoming album that had originally featured her on lead vocals).
EV3, the group's third album, was released in the spring and debuted at number eight on both the Billboard 200 and the Billboard R&B charts. The first single, the Babyface-penned and produced "Whatever" went on to become a top-20 pop hit, a top ten R&B hit, while also peaking at number five on the Hot Dance Music/Club Play chart. On August 26, 1997, the single was certified gold by the RIAA. The follow-up single "Too Gone, Too Long" (which was produced by David Foster and written by Diane Warren) performed more modestly, managing to only peak in the top forty.
Despite its being certified platinum, and the album being nominated for Grammy Award and a Soul Train Lady of Soul Award, sales of EV3 failed to live up to full commercial expectation. A world tour had been planned, but was canceled due to poor ticket sales. In 1998, En Vogue recorded "No Fool No More" for the soundtrack to the motion picture, Why Do Fools Fall In Love as well as a version of I Want A Monster to Be My Friend for the Elmopalooza special on ABC. The following year, a greatest hits compilation, The Best of En Vogue, was released.
In 2004, En Vogue (now composed of Ellis, Herron and Bennett) released Soul Flower on independent label 33rd Street Records. While the album failed to chart on the Billboard 200, it managed to peak at number forty-seven on the R&B charts. The albums two singles: "Losin' My Mind" and "Ooh Boy", however, failed to chart. Soon after promotion had finished on this album, Maxine Jones returned to En Vogue, turning the group back into a quartet for the first time since 1996. The group teamed with Boyz II Men for select concert dates during the summer of 2004. That same year En Vogue graced the cover of R&B Showcase magazine.
In 2005, after an eight-year absence, Robinson rejoined En Vogue. The original four went on to sign with one of the industry's largest management firms, The Firm Management Group. That September, they joined Salt N Pepa for the girl groups' first-ever joint public performance of their 1994 hit, "Whatta Man" at VH-1's Hip Hop Honors, and briefly toured. They also earned another Grammy nomination for the single "So What the Fuss", which featured Stevie Wonder and Prince (on guitar). The group also appeared in the single's music video. After failing to agree on business terms, Robinson once again chose to defect from En Vogue and Bennett returned. As a result, En Vogue was let go from The Firm. En Vogue continued to perform spot dates in North America with Terry Ellis, Maxine Jones, Cindy Herron and Rhona Bennett. This line-up also saw the group return to Europe and Japan for select concert dates. During this time, En Vogue teamed up with Belgian singer Natalia for a song called "Glamorous" where Rhona Bennett's vocals are featured. The single reached No. 2 in the Belgian charts and was followed by a DVD release of the concert, which went double platinum.
On June 24, 2008, the original lineup of En Vogue appeared on the BET Awards, performing with Alicia Keys, SWV and TLC as a tribute to girl groups of the 1990s. With speculation abuzz, En Vogue received the twenty-eighth highest number of hits on the Rock on the Net website for the month of June 2008. The following month, the group ascended to the twelfth position. As of June 30, Robinson stated via an En Vogue Yahoo! fan site that she had indeed returned to En Vogue. On August 6, the original members appeared on Los Angeles' KTLA television station and announced that they have reunited and would do spot dates around the country during the latter part of 2008. The foursome kicked off the Americana at Brand Concert Series in Glendale, California that same evening. Furthermore, En Vogue performed at the 2009 Essence Music Festival, at the Louisiana Superdome in New Orleans. They continue to tour throughout the United States. In October 2010, the band performed their first UK show in 18 years in London.
On September 26, 2011, a new single called "I'll Cry Later" was sent to select urban adult contemporary radio stations. In December 2011, Dawn Robinson left En Vogue once again.
In March 2012, a lawsuit was filed by Wells Fargo Bank against Rufftown, Inc. for breach of contract. On May 8, Cindy Herron announced on their official En Vogue Facebook page that no new album was coming out.[citation needed] En Vogue toured in 2012. In June 2012, Rhona Bennett, who was filling in for Robinson's absence announced on her Facebook page that she was in rehearsals with the group, hinting that she was once again filling in for Robinson.
In August 2012, Maxine Jones, as well as Dawn Robinson, left the group and would begin their own En Vogue with two new members and would be touring, releasing solo albums and potentially another group album. Herron and Ellis would continue to tour as En Vogue with Rhona Bennett. It was also soon announced that the members would take each other to court for use of the En Vogue name; a judge ruled that Herron and Ellis, as holders of the group's LLC, had exclusive rights to the group's name. Herron and Ellis filed suit against Jones and Robinson, demanding $1 million for unauthorized use of the name, though the damages request was ultimately determined to be without merit, as Herron and Ellis could not demonstrate harm done to the company from Jones's use of the name (although Robinson was named in the suit, she was not directly involved in the dispute, as she had surrendered her rights to use the name herself when she departed from the LLC years earlier).
In late 2012, Robinson and Jones announced that they would be starting a new group called "Heirs to the Throne". In 2013, Robinson chose not to begin a new group with Jones and joined the cast of the reality show "R&B Divas: L.A.". In early 2013, Jones began a touring with Alison Carney and Maria Freeman as her new line-up of En Vogue, entitled En Vogue to the Max.
In March 2012, a lawsuit was filed by Wells Fargo Bank against Rufftown, Inc. for breach of contract. On May 8, Cindy Herron announced on their official En Vogue Facebook page that no new album was coming out. En Vogue toured in 2012. In June 2012, Rhona Bennett, who was filling in for Robinson's absence announced on her Facebook page that she was in rehearsals with the group, hinting that she was once again filling in for Robinson.
In July 2014, Pyramid Records announced that En Vogue (Terry Ellis, Cindy Herron-Braggs, Rhona Bennett) will be recording a new studio album. Their first one in almost ten years since their last studio album Soulflower.
Strange
En Vogue Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What the story is my dear
So I'll have to analyze
All those lies and alibis
One look was all it took
Cause I know you like a book
You think you're cleaver
Those endeavors, that you're hiding
Strange
Got a feeling you've been lying to me lately
When we kiss I get a bad vibration
You tried to hide the guilt in your eyes
Leaving clues without a trace
We used to talk and now you're always quiet
I ask you why, you say that you're just tired
You get a call and you're ready to walk out the door
And I think it's kinda strange
Bridge
My suspicions are killing me
But I don't wanna point the finger at you
You say I shouldn't place the blame
But it seems you're playing games
How much longer must I tolerate this madness
Chorus
Strange
So low I can't get under it
So high I can't get over it
So wide I can't get around it
And it's looking mighty strange
Yesterday I saw you across town
Buying roses, that's something you never do
When you got home, hello is all I got from you
Don't cha think that's kinda strange
I been feelin kinda funny since the last time
Cause you left in such a hurry, tryin' to buy time
If you're doing what I'm thinking that you're going
Then I think you need to change
Bridge
Chorus
Rap:
I can't say when
But it seems it all began
When I felt an icy tingle down my spine
You say it's in my mind
So I must resolve to find
Little pieces of the puzzle that fit
You think you're so slick
But I'm up on all your tricks
And I think you're soon to be
A small part of history
I know it's hard to see
So how you are cheating me
You can't hide
I can't stop it
Can't get by it
And to top it off, you're strange
En Vogue's song Strange is a classic tale of suspicion and deceit in a romantic relationship. The lyrics describe the singer's struggle to parse through the lies and alibis of their partner, who they believe to be cheating on them. The singer is plagued by a bad feeling every time they kiss their partner and by the sudden changes in their behavior, such as being quiet when they used to talk and leaving the house in a hurry. The singer cannot shake their suspicions and feels like they are going mad constantly monitoring their partner's behavior and trying to find little pieces of evidence that could lead to the truth.
Throughout the song, the singer expresses their confusion and disbelief at their partner's actions. The chorus reflects this, describing the situation as being "so low I can't get under it, so high I can't get over it, so wide I can't get around it, and it's looking mighty strange." Despite their partner's continued denials and shifting explanations, the singer ultimately decides to end the relationship, concluding that they are "through."
Line by Line Meaning
It really isn't clear
There is no clarity on what is happening between us
What the story is my dear
I don't know your story, dear
So I'll have to analyze
I need to investigate and understand
All those lies and alibis
Your excuses and lies need to be scrutinized
One look was all it took
I can read you like an open book
Cause I know you like a book
I know all your secrets and schemes
You think you're cleaver
You consider yourself smart
Those endeavors, that you're hiding
But you are hiding your activities
I'm deciding that we're through
I am ending our relationship
Got a feeling you've been lying to me lately
I suspect you've been dishonest with me recently
When we kiss I get a bad vibration
I have an unpleasant feeling when we are intimate
You tried to hide the guilt in your eyes
You are attempting to conceal your guilt
Leaving clues without a trace
But you are leaving breadcrumbs for me to follow
We used to talk and now you're always quiet
We used to have conversations but now you are uncommunicative
I ask you why, you say that you're just tired
When I inquire about your mood, you claim to be fatigued
You get a call and you're ready to walk out the door
When you receive a call, you abruptly leave
And I think it's kinda strange
I find this behavior suspicious
My suspicions are killing me
My doubts and uncertainties are causing me distress
But I don't wanna point the finger at you
I don't want to accuse you outright
You say I shouldn't place the blame
You advise me not to hold you responsible
But it seems you're playing games
But it appears you are playing mind games
How much longer must I tolerate this madness
I cannot endure this insanity any longer
So low I can't get under it
The situation is too complex or difficult to ignore
So high I can't get over it
The problem is too insurmountable to forget
So wide I can't get around it
The issue is too extensive to sidestep
And it's looking mighty strange
And the situation is becoming increasingly suspicious
Yesterday I saw you across town
I observed you in another part of town yesterday
Buying roses, that's something you never do
You purchased roses, which is out of character for you
When you got home, hello is all I got from you
You barely acknowledged me when you arrived home
Don't cha think that's kinda strange
Don't you think this is unusual?
I been feelin kinda funny since the last time
I have been experiencing strange emotions since our last encounter
Cause you left in such a hurry, tryin' to buy time
I believe you hurriedly departed in an attempt to gain more time
If you're doing what I'm thinking that you're going
If you are indeed doing what I suspect you are doing
Then I think you need to change
Then I believe you need to change your actions
I can't say when
I am uncertain of the timing
But it seems it all began
But it appears that the issue originated
When I felt an icy tingle down my spine
When I sensed an uneasy sensation throughout my body
You say it's in my mind
You contend that it is a figment of my imagination
So I must resolve to find
Therefore, I must resolve to seek out answers
Little pieces of the puzzle that fit
Clues that fit together like a puzzle
You think you're so slick
You believe you are very clever
But I'm up on all your tricks
However, I am aware of all your schemes
And I think you're soon to be
Therefore, I believe that you will be
A small part of history
Fading into obscurity
I know it's hard to see
I realize it is difficult to comprehend
So how you are cheating me
How you are being unfaithful to me
You can't hide
You cannot conceal the truth
I can't stop it
I cannot prevent the situation from occurring
Can't get by it
I cannot ignore or overcome the issue
And to top it off, you're strange
Furthermore, you are bizarre and perplexing
Lyrics © Universal Music Publishing Group
Written by: DANIEL JONES
Lyrics Licensed & Provided by LyricFind