Girls
Enhancer Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Refrain:
Hey! Hey! Hey! mec,
C'est quand tu veux pour toi tu sais!
Oh! Oh! Oh! Ouais
Rien que pour toi, la spéciale j'te fais
Mais qu'est ce qui se passe aujourd'hui c'est chaud
(Hé mec)
Les gadgis se jettent sur les gadjos
(Tu veux jouer)
Comme si elles avaient toutes un modjo
(Viens par ici)
Macho girl y'a quoi devenir barjo
(Tu veux jouer)

Partout harcelé par des minettes
(Hé mec)
La clope au bec, la main dans la jupette
(Tu veux jouer)
Leur regard braqué sur ma braguette
(Viens par ici)
Macho girl finit le temps des soubrettes
(Tu veux jouer)

Refrain (x2):
Hey! Hey! Hey! mec,
C'est quand tu veux pour toi tu sais
Oh! Oh! Oh! Ouais
Rien que pour toi, la spéciale j'te fais

Elles me jettent des regards pervers en passant
(Hé mec)
Me pinçant le postérieur en sifflant
(Tu veux jouer)
Demandant si j'habite chez mes parents
(Viens par ici)
Macho girl rancoeur vieille de 1000 ans
(Tu veux jouer)

Miss, c'est pas que je veux pas vous combler
(Hé mec)
Mais là je me sens vraiment agressé
(Tu veux jouer)
Comme si les rôles étaient inversés
(Viens par ici)
Macho Girls c'est l'heure du jugement dernier
(Tu veux jouer)

Refrain (x2):

(Hé mec
Tu veux jouer
Montre le ici
Tout de suite)





Refrain (x2):

Overall Meaning

The song "Girls" by Enhancer is a commentary on the societal shift in gender roles and the rise of assertive women. The singer is being pursued relentlessly by women who are taking on traditionally male traits, such as smoking and making lascivious gestures. This is contrasted with a world where women were expected to be subservient and stay in the background, as suggested by the lyric "Macho girl finit le temps des soubrettes" (Macho girl puts an end to the time of maids). The refrain suggests that the singer is not completely against the attention he is receiving from these women, and is perhaps even flattered by it.


The verses describe the singer's experiences being "harassed" by these women, using language that is often associated with men being the aggressors. The women in the song are portrayed as pursuing the singer with a kind of single-minded determination, as if driven by their own "modjo" (mojo). This is in contrast to the traditional stereotype of women waiting to be approached by men. The singer is clearly uncomfortable with the situation, but at the same time, he is being forced to confront his own assumptions about gender roles.


The song is a reflection of the changing attitudes towards gender roles in French society. While there is still a long way to go in terms of achieving true equality between men and women, the rise of "macho girls" suggests that the tide is turning. By exploring these themes through the medium of music, Enhancer is helping to shine a light on this important social issue.


Line by Line Meaning

Hey! Hey! Hey! mec,
The singer addresses someone and greets them enthusiastically.


C'est quand tu veux pour toi tu sais!
The singer is offering their company to the person they are addressing.


Oh! Oh! Oh! Ouais
The singer acknowledges the situation and agrees with it.


Rien que pour toi, la spéciale j'te fais
The artist is promising something special for the person they are addressing.


Mais qu'est ce qui se passe aujourd'hui c'est chaud (Hé mec)
The artist is commenting on the current situation, which they find to be intense or exciting.


Les gadgis se jettent sur les gadjos (Tu veux jouer)
The singer observes that the women are aggressively pursuing the men around them.


Comme si elles avaient toutes un modjo (Viens par ici)
The singer implies that the women are motivated by some kind of collective energy or vibe.


Macho girl y'a quoi devenir barjo (Tu veux jouer)
The artist addresses someone with a mocking term, suggesting that they are trying too hard to be tough or masculine.


Partout harcelé par des minettes (Hé mec)
The artist expresses frustration at being persistently pursued by young women.


La clope au bec, la main dans la jupette (Tu veux jouer)
The artist describes the behavior of the women who are pursuing them, who seem to smoke cigarettes and be very flirtatious.


Leur regard braqué sur ma braguette (Viens par ici)
The singer implies that the women are staring at his crotch area in a suggestive manner.


Macho girl finit le temps des soubrettes (Tu veux jouer)
The artist uses another mocking term to suggest that someone is trying too hard to be tough or macho.


Elles me jettent des regards pervers en passant (Hé mec)
The singer describes the behavior of the women who are pursuing them, suggesting that they are giving him lewd or inappropriate looks as they walk by.


Me pinçant le postérieur en sifflant (Tu veux jouer)
The singer describes a physical gesture that the women are making toward him, which is both flirtatious and aggressive.


Demandant si j'habite chez mes parents (Viens par ici)
The singer suggests that the women are asking if he still lives with his parents, which is a demeaning question implying that he is not successful or independent.


Macho girl rancoeur vieille de 1000 ans (Tu veux jouer)
The artist uses a mocking term to insult someone, suggesting that they are resentful and bitter about something that happened a long time ago.


Miss, c'est pas que je veux pas vous combler (Hé mec)
The artist addresses a woman and tries to politely decline her advances.


Mais là je me sens vraiment agressé (Tu veux jouer)
The singer is expressing a level of discomfort or fear related to the way that the women are behaving toward him.


Comme si les rôles étaient inversés (Viens par ici)
The singer suggests that the women are behaving in a way that is unusual or unexpected, since typically men are the ones who are aggressive in pursuit of women.


Macho Girls c'est l'heure du jugement dernier (Tu veux jouer)
The artist uses a mocking term to insult someone, suggesting that a reckoning or punishment is coming for their behavior.


(Hé mec Tu veux jouer Montre le ici Tout de suite)
The artist addresses someone and challenges them to prove themselves in some way.




Writer(s): Frederic Goubet, Jonathan Gitlis, Toni Rizzotti, David Gitlis, Marc Meli, Etienne Bouet, William Bastiani Copyright: Universal Music Publishing

Contributed by Landon W. Suggest a correction in the comments below.
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