Enrique Granados (1867-1916) was a Catalan pianist and composer.
Gra… Read Full Bio ↴Enrique Granados (1867-1916) was a Catalan pianist and composer.
Granados was born on the 27th July, 1867 in Lérida, Catalonia to an officer in the Spanish army, and received his first musical instruction from an army bandmaster. Further studies in Barcelona with Jurnet (piano) and Pedrell (composition) prepared the young musician for a brief but highly influential stay in Paris (1887-1889), during which he worked under well-known Parisian pianist and teacher Charles de Bériot (son of the famous violinist of the same name). Granados' earliest mature work, the Valses poéticos of 1887, was completed around this time.
After returning to Barcelona in 1890 Granados spent the next decade building a dual career as pianist and composer, forming a successful piano trio with Belgian violinist Crickboom and the young Pablo Casals. His first opera, Maria del Carmen, was well received at its premiere in 1898, after which the Order of Carlos III (a Spanish knighthood) was bestowed upon him by a supportive government. Granados was quick to follow up on this success, and two more operas were produced in the next five years.
For the 1900 season Granados founded the Society of Classical Concerts (Sociedad de Conciertos Clásicos) in Barcelona, which, although short-lived, gave him the confidence to create his own piano school the following year (known as the Granados School, or Academia Granados). The school was a success, and Granados maintained his involvement with it until his death.
Granados was one of the great pianists of the late nineteenth and early twentieth centuries. Virtually all his music relies heavily on the Catalan and Spanish folk idiom (e.g., Twelve Spanish Pieces, or Six Pieces on Spanish Popular Songs), which, along with fellow Spaniard Isaac Albéniz, Granados was instrumental in bringing to the attention of the contemporary European musical establishment. Goyescas, begun in 1902 but not finished until 1911, is perhaps his mightiest achievement. (Granados also produced an opera by the same name — both the piano and operatic works take the striking visuals of Goya as their inspiration.)
In 1916, while returning from the U.S.A. (where the opera Goyescas had received a New York premiere on the 6th January 1916, and where Granados had performed in the White House for President Wilson), the liner Sussex was torpedoed by a German U-boat. Among the casualties were Granados and his wife.
Gra… Read Full Bio ↴Enrique Granados (1867-1916) was a Catalan pianist and composer.
Granados was born on the 27th July, 1867 in Lérida, Catalonia to an officer in the Spanish army, and received his first musical instruction from an army bandmaster. Further studies in Barcelona with Jurnet (piano) and Pedrell (composition) prepared the young musician for a brief but highly influential stay in Paris (1887-1889), during which he worked under well-known Parisian pianist and teacher Charles de Bériot (son of the famous violinist of the same name). Granados' earliest mature work, the Valses poéticos of 1887, was completed around this time.
After returning to Barcelona in 1890 Granados spent the next decade building a dual career as pianist and composer, forming a successful piano trio with Belgian violinist Crickboom and the young Pablo Casals. His first opera, Maria del Carmen, was well received at its premiere in 1898, after which the Order of Carlos III (a Spanish knighthood) was bestowed upon him by a supportive government. Granados was quick to follow up on this success, and two more operas were produced in the next five years.
For the 1900 season Granados founded the Society of Classical Concerts (Sociedad de Conciertos Clásicos) in Barcelona, which, although short-lived, gave him the confidence to create his own piano school the following year (known as the Granados School, or Academia Granados). The school was a success, and Granados maintained his involvement with it until his death.
Granados was one of the great pianists of the late nineteenth and early twentieth centuries. Virtually all his music relies heavily on the Catalan and Spanish folk idiom (e.g., Twelve Spanish Pieces, or Six Pieces on Spanish Popular Songs), which, along with fellow Spaniard Isaac Albéniz, Granados was instrumental in bringing to the attention of the contemporary European musical establishment. Goyescas, begun in 1902 but not finished until 1911, is perhaps his mightiest achievement. (Granados also produced an opera by the same name — both the piano and operatic works take the striking visuals of Goya as their inspiration.)
In 1916, while returning from the U.S.A. (where the opera Goyescas had received a New York premiere on the 6th January 1916, and where Granados had performed in the White House for President Wilson), the liner Sussex was torpedoed by a German U-boat. Among the casualties were Granados and his wife.
Dedicatoria
Enrique Granados Lyrics
We have lyrics for 'Dedicatoria' by these artists:
Bob da Rage Sense Acende a chama do desejo, nada vejo No eskuro farejo cheiro…
Chullage (Pa tudo nha people na xon Pa tudo nha people na…
Joztan Quisiera decirte tanto que no se ni que decir Sé…
Mind Da Gap Tudo bem no país à beira mar plantado Até aparecer algo…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Late Night Sessions David Martucci
Julian Bream has to be one of the most expressive players ever. Just sublime.
Volterraproject
My goodness!!! Such a beauty! Colorful, orchestrated! This is how guitar should sound!!
judith tonge
Such wonderfully legato and expressive playing qualities. Memories of so many live concerts, particularly at the Wigmore Hall in London.
Daniel Sweeting
Beautiful! Absolutely sublime- Granados and the incomparable Bream
Ch Martin
Even with years of practice how can anyone be this good?
Adam VSC
@Way A i didn’t say it’s not a pretty song at all!? It’s a lovely piece and as da Vinci said “simplicity is the ultimate sophistication”
So the fact that it’s simple (which IT IS or should be for guitarists with a bit of experience) doesn’t in the least take away from its obvious beauty
Matt Vinge
Do not let the other comments fool you. Those type of comments are not worth anything unless they can play themselves. And if they can…well, let’s see you do it like Mr. Bream… Many experienced classical guitar players cannot play with this beautiful tone and expressiveness. Sure it is a simple piece but to play it like this… This is mastery.
Way A
@Adam VSC yeah but do you the audience is (with no musical instrument training) is thinking, ‘oh, this song is an easy song, so it really isn’t that pretty after all.’ No, beautiful music played well is beautiful music, period.
Adam VSC
Ch Martin To be fair though it is quite a simple little piece but still, he makes it sound really good
Granny Grunt
So utterly beautiful and tender and sweet. Happy birthday yesterday Julian. You are the best!