Eric Wainaina (born 28 August 1973) is a Kenyan Kora Award-winning singer-s… Read Full Bio ↴Eric Wainaina (born 28 August 1973) is a Kenyan Kora Award-winning singer-songwriter whose career was launched with his debut album, Sawa Sawa, in 2001. Wainaina's music is a blend of Kenyan Benga rhythm and East African guitars, with some modern harmony.

Wainaina first stepped into the world of music with Five Alive, a gospel a cappella group. Five Alive consisted of Victor Seii, Bob Kioko, Chris Kamau, and David Mageria, who was replaced by Joe Kiragu. They drew their musical influence from Ladysmith Black Mambazo and Take 6. Dominating Kenya's airwaves in 1995, Five Alive released their debut album ‘Five Alive’ in 1996, and even went on to tour Europe the same year. His experience with the group convinced Wainaina to pursue a professional career in music. In 1996 he performed and appeared in the video for Get in the Driver’s Seat, a song commissioned by the United Nations Drug Control Programme for a highly successful anti-drug campaign spanning 20 countries. This not only set the stage for his eventual emergence as a solo artist, but also got him into the social concern and activism that characterizes much of his music

When the group disbanded in 1997, Wainaina went on to join the Berklee College of Music in Boston—USA, from which he graduated with a degree in Music, majoring in Songwriting and Record Engineering. He graduated with honours.

During his years at Berklee, Wainaina and his band traveled to different parts of the country to perform, as well as holding regular shows in Boston. Together with his producer, Christian Kaufmann, he worked to produce a sound that would be distinctively Kenyan both in the music and the content of the lyrics. In order to do this, he made sure that he released a new track every time he returned home for vacation, This was well received by his growing fanbase, with his performance at Kenya's 'Beats of the Season’ concert in December 2000 being watched live by 15,000 fans and broadcast nationally.

His notable releases include 'Kenya Only', a song that instantly made him Kenya's favourite modern musician. After the 1998 terrorist bombing in Nairobi where over 200 Kenyans lost their lives, 'Kenya Only' was adopted as the unofficial song of mourning, receiving extensive radio and TV airplay nation-wide. His adaptation of a Kikuyu folk tune 'Ritwa Riaku' was added to the playlist of every radio station in the nation soon after.

Wainaina returned to the top of Kenya's musical agenda after he released 'Nchi ya Kitu Kidogo' (‘Land of Small Things’ in Kiswahili)[refers to small bribes that once were required to get the most ordinary things done] in 2001, a song that launched his crusade against rampant corruption in the country. With the chart success of 'Nchi ya Kitu Kidogo', Wainaina received international accolades. Transparency International (Kenya) supported him as an artist who would help educate people on the negativity of corruption, appointing him an ambassador. He was also appointed Ambassador for the NGO MS Kenya, Kenya Human Rights Commission and by the Kenya National Commission on Human Rights for his commitment to fighting the abuses to justice through music. This anthem against corruption (Nchi ya Kitu Kidogo) was not so highly appreciated in all quarters, however, with the government of the day putting up resistance to it by refusing to air it on the national broadcaster, Kenya Broadcasting Corporation. In one instance several attempts were made to keep him from performing at a national event, the Kenya Music Festival, including intimidation and attempts to switch off his microphone.

Following the suspicious death of Father Anthony Kaiser in 2003 , Wainaina was commissioned by the Mill Hill Fathers to write a song about this. This became Ukweli, a call for justice despite efforts that were being made to cover up the true nature of Father Kaiser’s death, which was reported as suicide despite strong evidence to the contrary.

In 2001, Africa Almanac.com listed him amongst the top 100 Africans of the year 2000, which included high profile names such as Nelson Mandela, Joseph Kabila, Yash Pal Ghai, Baaba Maal and Ousmane Sembène. His first record, Sawa Sawa, released in 2001, remains one of the highest-selling solo albums in the country.

Wainaina returned home from Berklee in August 2002 after his graduation with two degrees. He was also honored with the Jack Maher award for his exceptional performance as a songwriter. The annual award is given to students who have been recognized for their potential to become leaders in the international music industry.

Wainaina's music receives international appeal. He received the MNET (South Africa) award for favourite male vocalist in February 2001, and was one of the first Kenyans to receive an award for Best East African Artist at the pan-African 7th Annual KORA All Africa Music Awards on 2nd November 2002. He is also the only Kenyan artist to have performed live at the KORA ceremony. He was nominated for another KORA Award in 2003, and in 2005 he received his third Kora nomination, this time for the prestigious Artist of the Decade award.

In 2002, he played at the launch of the International Criminal Court at the UN Headquarters in New York, presided over by Kofi Annan. He has toured in Switzerland for 4 consecutive years and has performed at Holland’s Festival Mundial (2003) as well as Harare International Festival of the Arts(HIFA) (2003), receiving outstanding reviews for both performances. He also performed at the 2004 Sauti za Busara festival in Zanzibar, a celebration of East African Music.

In December 2004 Wainaina premiered a 21- song musical theatre piece, “Lwanda, Man of Stone”, based on a local folk story. One of the first of its kind in Kenya, the show ran for a hugely successful theatre season, and a concert version of the same show continues to be performed at major cultural events. A contemporary adaptation of this musical, 'Lwanda-A Ghetto Story" had a very successful run at the GoDown Arts Centre, Nairobi, in December 2006. Plans are underway to find a permanent home for 'Lwanda' in Nairobi.

Together with Mumbi Kaigwa and Andrea Kalima, Eric co-wrote and arranged the music for Kigezi Ndoto, a Kenyan play written and directed by Kaigwa, which went on tour in Europe under the auspices of the World Theatre Music Festival- 2006. He has also written the music for Owen & Mzee, an upcoming documentary about the touching story of an unusual friendship between a tortoise and a baby hippo at the Kenyan coast. This documentary is based on a best-selling children’s book by the same name.

Wainaina was involved in the 2006 launch of Kenya’s National Civic Education Program (NCEP II), Uraia, which aims at fostering a mature political culture in Kenya: a culture in which citizens are able to exercise their rights and responsibilities—and to participate effectively in the broadening of democracy. Wainaina also performed at the inaugural Nairobi-hosted North Sea Jazz Festival in February 2006, and at the Holland-based version of the same in July 2006.

December 2006 saw the release of "Twende, Twende", his second solo album. At the 2007 Kisima Music Awards Wainaina won three categories: Afro-fusion, best song and best video from Kenya [1]. He was among 100 most influential Kenyans as selected by The Standard newspaper in August 2007

Too Far From Home
Eric Wainaina Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

When I lie next to you
Under this silver moon
I'm as close to heaven
As my sinner soul will go
But you are sweet poison
With an angel voice
You sing me to sleep
As you make my bed in hell

Now I know
You're no good for me baby
You're my fork in the desert road
But I know
There's no turning around
I'm too far from home

Hata vile nilikuwa mchaji Mungu
Sina Sali itakayoweza kuniokoa
Upendo wako ni mfoko
Umenifanya nizame
Umenibeba
Niongoze nikufuate

Now I know
You're no good for me baby
You're my fork in the desert road
But I know
There's no turning around
I'm too far from home

Now I know
You're no good for me baby
You're my fork in the desert road
But I know

There's no turning around
I'm too far from home

Overall Meaning

In Eric Wainaina's "Too Far from Home," the first verse sets the scene: lying next to someone under a silver moon, it's as close to heaven as the singer's "sinner soul" will go. But the sleep-inducing voice of this person is "sweet poison," leading the singer to a bed in hell. The second verse is in Swahili, expressing how the singer had faith in God but feels helpless now, led to his destruction by an alluring love.

The chorus repeats twice, emphasizing the realization that this love is no good for the singer and that he is too far gone to turn back. The use of the fork in the desert road analogy shows that the singer had a choice at one point, but the path taken leads him too far from home, and he cannot navigate his way out of this dangerous love. The lyrics portray a sense of helplessness, as the singer knows the relationship is toxic, but he's already too deep in it.

Line by Line Meaning

When I lie next to you
Being close to you feels heavenly

Under this silver moon
I am enjoying the romantic atmosphere

I'm as close to heaven
I feel spiritually uplifted

As my sinner soul will go
I am still limited by my human imperfections

But you are sweet poison
Your love is alluring yet harmful

With an angel voice
You sing like a divine being

You sing me to sleep
You lull me into a false sense of security

As you make my bed in hell
Your love is leading me down a dark path

Now I know
I have finally realized

You're no good for me baby
Your love is toxic and harmful

You're my fork in the desert road
You are a major obstacle in my life