Alfred Éric Leslie Satie (Honfleur, 17 May 1866–Paris, 1 July 1925) was a French composer, pianist, and writer.
Over the years, Erik Satie was described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism, and ambient music. As well as taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in a film Read Full BioAlfred Éric Leslie Satie (Honfleur, 17 May 1866–Paris, 1 July 1925) was a French composer, pianist, and writer.
Over the years, Erik Satie was described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism, and ambient music. As well as taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in a film, in 1924's Entr'acte by the French filmmaker René Clair.
Satie appears to have been the avant-garde to half of the avant-garde movements of the twentieth century. He was in contact with Tristan Tzara, the initiator of the Dada movement. He got to know the other Dadaists, such as Francis Picabia (later to become a Surrealist), André Derain, Marcel Duchamp and Man Ray. Satie contributed to the Dadaist publication 391. In the first months of 1922, he was surprised to find himself entangled in the argument between Tzara and André Breton. Satie originally sided with Tzara, but managed to maintain friendly relations with most players in both camps.
Satie is today regarded as a key modernist composer. As well as influencing contemporaries such as Claude Debussy, who orchestrated two of Satie's Gymnopédies, Maurice Ravel, and a group of composers known as the Les Six, his tendency towards simplicity and repetition continue to inform modern avant-garde genres.
Over the years, Erik Satie was described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism, and ambient music. As well as taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in a film Read Full BioAlfred Éric Leslie Satie (Honfleur, 17 May 1866–Paris, 1 July 1925) was a French composer, pianist, and writer.
Over the years, Erik Satie was described as a precursor of movements and styles as varied as Impressionism, Neo-Classicism, Dada, Surrealism, Conceptual art, minimalism, and ambient music. As well as taking the first steps towards techniques such as prepared piano and music-to-film synchronisation, Satie became one of the first musicians to perform a cameo appearance in a film, in 1924's Entr'acte by the French filmmaker René Clair.
Satie appears to have been the avant-garde to half of the avant-garde movements of the twentieth century. He was in contact with Tristan Tzara, the initiator of the Dada movement. He got to know the other Dadaists, such as Francis Picabia (later to become a Surrealist), André Derain, Marcel Duchamp and Man Ray. Satie contributed to the Dadaist publication 391. In the first months of 1922, he was surprised to find himself entangled in the argument between Tzara and André Breton. Satie originally sided with Tzara, but managed to maintain friendly relations with most players in both camps.
Satie is today regarded as a key modernist composer. As well as influencing contemporaries such as Claude Debussy, who orchestrated two of Satie's Gymnopédies, Maurice Ravel, and a group of composers known as the Les Six, his tendency towards simplicity and repetition continue to inform modern avant-garde genres.
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Gnossienne No. 1
Erik Satie Lyrics
We have lyrics for 'Gnossienne No. 1' by these artists:
Andreas M. Wolter (D. Locorriere/P. Overstreet) Like a little girl in a candy…
Steve & John Hackett 6 ft 4 Jonnys built to impress A portrait of Christ Tattooed…
The lyrics can frequently be found in the comments below or by filtering for lyric videos.
Tuzlu ERİK
Bende hiç tükenmez bir hayat vardı
Kırlara yayılan ilkbahar gibi
Kalbim hiç durmadan hızla çarpardı
Göğsümün içinde ateş var gibi
Bazı nur içinde, bazı sisteyim
Bazı beni seven bir göğüsteyim
Kah el üstündeydim, kah hapisteydim
Her yere sokulan bir rüzgar gibi.
ege
Eğer bunu dinliyorsanız , müzik zevkiniz bu kadar güzel olduğu için şükretmelisiniz...
berrak
@Alper Kerem Köksal 💀
hikmet bozkurt
You are right bro
XXCİONS
@Yağmur Adalı müziği duymayanlar dans edenleri deli sandılar..
Yağmur Adalı
sukrediyorum o zamansa..
Nilhiland
@Arda Sarıdemir kes
Ghost-Opossum
I really love this piece. There’s so many interpretations but mostly it feels like an old murder mystery film in black and white, or at least something like that
Annette Mihu
@jchawkless anche nel film Il velo dipinto..painted veil con Naomi Watts..tratto dal romanzo di Somerset Maugham
adam ousman
It feels like this would be the moment innocence leaves our soul and we are faced with the truth and harsh realities of life as we descent into an unsure path that leaves us constantly anxious till death.
jchawkless
It was used as the theme music in the TV version of the Agatha Christie murder mystery "Five Little Pigs" starring David Suchet.