Juan García Esquivel (January 20, 1918 – January 3, 2002) was a Mexican band leader, pianist, and composer for television and films. He is recognized today as one of the foremost exponents of a sophisticated style of largely instrumental music that combines elements of lounge music and jazz with Latin flavors. Esquivel is sometimes called "The King of Space Age Pop" and "The Busby Berkeley of Cocktail Music." Esquivel is considered one of the foremost exponents of a style of late 1950s-early 1960s quirky instrumental pop that became known (in retrospect) as "Space Age Bachelor Pad Music".
He was born in Tampico, Tamaulipas, and his family moved to Mexico City in 1928 where he studied at the UNAM.
Esquivel is considered the king of a style of late 1950s-early 1960s quirky instrumental pop known today as lounge music. Esquivel's musical style was highly idiosyncratic, and although elements sound like his contemporaries, many stylistic traits distinguished his music and made it instantly recognizable, including exotic percussion, wordless vocals, virtuoso piano runs, and exaggerated dynamic shifts. He used many jazz-like elements; however, other than his piano solos, there is no improvisation, and the works are tightly, meticulously arranged by Esquivel himself, who considered himself a perfectionist as a composer, performer, and recording artist.
His orchestration tended toward the very lush, employing novel instrumental combinations, such as Chinese bells, mariachi bands, whistling, and numerous percussion instruments, blended with orchestra, mixed chorus, and his own heavily-ornamented piano style. The chorus was often called upon to sing only nonsense syllables, most famously "zu-zu" and "pow!" A survey of Esquivel's recordings reveals a fondness for glissandi, sometimes on a half-valved trumpet, sometimes on a kettle drum, but most frequently on pitched percussion instruments and slide guitars.
Esquivel's use of stereo recording was legendary, occasionally featuring two bands recording simultaneously in separate studios, such as on his album Latin-Esque (1962). The song "Mucha Muchacha" makes particularly mind-bending use of the separation, with the chorus and brass rapidly alternating stereo sides.
He arranged many traditional Mexican songs like "Bésame Mucho", "La Bamba", "El Manisero" (Cuban/Mexican) and "La Bikina"; covered Brazilian songs like "Aquarela do Brasil" (also known simply as "Brazil") by Ary Barroso, "Surfboard" and "Agua de Beber" by Tom Jobim, and composed spicy lounge-like novelties such as "Mini Skirt", "Yeyo", "Latin-Esque", "Mucha Muchacha" and "Whatchamacallit". He was commissioned to compose the music of a Mexican children's TV show Odisea Burbujas.
His concerts also featured elaborate light shows years before effects like that became popular in live music. He performed in Las Vegas on several occasions, often as the opening act for Frank Sinatra.
Several compilations of Esquivel's music were issued starting with Space Age Bachelor Pad Music in 1994. The apparent success of these releases led to reissues of several of Esquivel's albums. The first reissues were compiled by Irwin Chusid, who also produced the first CD reissues of Raymond Scott and The Langley Schools Music Project.
The last recording on which Esquivel worked was Merry Christmas from the Space-Age Bachelor Pad in 1996, for which he did a voiceover on a track by the band Combustible Edison. This album also included several obscure tracks from his past sessions. The last CD released during his lifetime, See It In Sound, was actually recorded in 1960, but was not released at the time because the record company believed it would not be commercially successful. When finally released in 1998, it exhibited very unusual and introspective stylings absent from his other works, including a version of "Brazil", played as a musical soundscape of a man bar-hopping where the band plays different renditions of "Brazil" at each bar.
Esquivel also worked as a composer for Revue Productions/Universal Television; where he scored the TV western series "The Tall Man," and wrote the familiar Revue/Universal TV logo fanfare.
Tribute performances (current)
Jan 14, 2011 Boston - Mr. Ho's Orchestrotica - CD Release for "The Unforgettable Sounds of Esquivel"
Mar 18, 2011 New York City - Mr. Ho's Orchestrotica - CD Release for "The Unforgettable Sounds of Esquivel" (first-ever live performance of Esquivel's big band studio orchestra music in NYC)
Influences
Kronos Quartet recorded a string quartet arrangement of Esquivel's song "Mini Skirt" for their album Nuevo.
Mucha Muchacha
Esquivel Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
hello muchacha
oh, hello muchacha
no no, me muchacho,
you muchacha
you know, like, me tarzan, you jane?
you muchacha
you muchacho
me muchacha
mucha muchacha!!
The lyrics to Esquivel's song Mucha Muchacha are quite simple but carry a deeper meaning. The song opens with a greeting to the girl, calling her "muchacha" which is a Spanish term for "girl" or "young woman". The song then goes on to play with gender roles, with the singer claiming to be the "muchacho" or male counterpart, while addressing the girl as the "muchacha". The lines "me tarzan, you jane" further reinforce this idea of masculine and feminine dynamics.
The song then repeats the phrase "mucha muchacha" several times, almost as if it is a playful chant or a way to express admiration for the girl. It could also be interpreted as a commentary on the idea of femininity and how it is often celebrated or coveted by men.
Overall, Mucha Muchacha is a fun and upbeat song that explores gender roles and celebrates the beauty of young women.
Line by Line Meaning
mucha muchacha
A fun and upbeat greeting to all the lively and attractive women around
hello muchacha
A cheerful way of saying hello to a girl
oh, hello muchacha
An even more enthusiastic and affectionate way of saying hello to a girl
no no, me muchacho,
The artist is saying that he is the boy/young man and the person he is talking to is the girl/woman
you muchacha
The artist directly addresses the girl he is talking to as 'muchacha'
you know, like, me tarzan, you jane?
The singer is making a comparison between himself and the girl he is talking to− like, him being Tarzan and her being Jane
me muchacho,
Reaffirming that he is muchacho, i.e., the boy/young man
you muchacha
Reiterating that the person he is addressing is the girl/woman
mucha muchacha!!
The artist is excited by all the girls around and is playfully saying 'many girls, many girls!!'
Lyrics © Universal Music Publishing Group
Written by: JUAN GARCIA ESQUIVEL
Lyrics Licensed & Provided by LyricFind
@JasMaceExperience
Thank you Beavis and Butthead, for introducing me to this goodness
@brycedecory4946
Nope nacho libre
@RedFormanOG
Blessed be beavis and butthead for introducing us to this classic
@thewardenofoz3324
@@brycedecory4946nope. Beavis & Butthead Do America: 1996. Nacho Libre: 2006.
@marvincool3744
“Hey how’s it going?”
@AaronCMounts
@@RedFormanOG Tom Anderson's camper!
@Dakers11
Beneath the clothes we find a man. But beneath the man we find his . . Nucleus.
@dec13666
[ proceeds to stretch buttocks ]
@justnathan8955
@@dec13666 me: proceeds to laugh
@brandonlobos9735
His recreational clothes