Born Esther Mae Jones in Galveston, Texas, when she was an adolescent, her parents divorced, and she was forced to divide her time between her father in Houston and her mother in the Watts area of Los Angeles. Because she was brought up singing in church, she was hesitant to enter a talent contest at a local blues club, but her sister insisted and she complied. A mature singer at age fourteen, she won the amateur talent contest in 1949 at the Barrelhouse Club owned by Johnny Otis. Otis was so impressed that he recorded her for Modern Records and added her to his traveling revue, the California Rhythm and Blues Caravan, billed as 'Little Esther Phillips' (she reportedly took the surname from a gas station sign).
Her first hit record was Double Crossing Blues, recorded in 1950 for Savoy Records. After several hit records with Savoy, including her duet with Mel Walker on Mistrusting Blues, which went to number one that year, as did "Cupid Boogie". Other Phillips records that made it onto the U.S. Billboard R&B chart in 1950 include "Misery" (number 9), "Deceivin' Blues" (number 4), "Wedding Boogie" (number 6), and "Faraway Blues" (number 6). Few female artists, R&B or otherwise, had ever enjoyed such success in their debut year. Phillips left Otis and the Savoy label at the end of 1950 and signed with Federal Records.
But just as quickly as the hits had started, they stopped. Although she recorded more than thirty sides for Federal, only one, Ring-a-Ding-Doo, charted; the song made it to number 8 in 1952. Not working with Otis was part of her problem; the other part was her drug usage. By the middle of the decade Phillips was chronically addicted to drugs.
In 1954, she returned to Houston to live with her father to recuperate. Short on money, she worked in small nightclubs around the South, punctuated by periodic hospital stays in Lexington, Kentucky, stemming from her addiction. In 1962, Kenny Rogers re-discovered her while singing at a Houston club and got her signed to his brother Lelan’s Lenox label.
Phillips ultimately got well enough to launch a comeback in 1962. Now billed as Esther Phillips instead of Little Esther, she recorded a country tune, Release Me, with producer Bob Gans. This went to number 1 R&B and number 8 on the pop listings. After several other minor R&B hits on Lenox, she was signed by Atlantic Records. Her cover of The Beatles' song And I Love Him nearly made the R&B Top Ten in 1965 and the Beatles flew her to the UK for her first overseas performances.
She had other hits in the 1960s on the label, but no more chart toppers, and she waged a battle with heroin dependency. With her addiction worsening, Phillips checked into a rehab facility. While undergoing treatment, she cut some sides for Roulette in 1969, mostly produced by Lelan Rogers. On her release, she moved back to Los Angeles and re-signed with the Atlantic label. A late 1969 gig at Freddie Jett's Pied Piper club produced the album Burnin'. She performed with the Johnny Otis Show at the Monterey Jazz Festival in 1970.
One of her biggest post-1950s triumphs was in 1972 with her first album for Kudu Records. The song penned by Gil Scott-Heron, Home Is Where the Hatred Is, - an account of drug use — was lead track on From a Whisper to a Scream which went on to be nominated for a Grammy Award. When Phillips lost to Aretha Franklin, the latter presented the trophy to Phillips, saying she should have won it instead.
Taylor continued to cut albums with her until in 1975, she scored her biggest hit single since "Release Me" with a disco-style update of Dinah Washington's What a Diff'rence a Day Makes. It reached a high of a Top 20 chart appearance in the U.S., and Top 10 in the UK Singles Chart. On November 8, 1975 she performed the song on an episode of NBC's Saturday Night hosted by Candice Bergen. The accompanying album of the same name became her biggest seller yet, with arranger Joe Beck on guitar, Michael Brecker on tenor sax, David Sanborn on alto sax, and Randy Brecker on trumpet to Steve Khan on guitar and Don Grolnick on keyboards.
She continued to record and perform throughout the 1970s and early 1980s, completing a total of seven albums on Kudu and four with Mercury Records, for whom she signed in 1977. In 1983, she charted for the final time on a tiny independent label, Winning with Turn Me Out, which reached #85 R&B. She completed recording her final album a few months before her death, but it was not until 1986 that the label (Muse) released the record.
Phillips died at UCLA Medical Center in Carson, California in 1984, at the age of 48 from liver and kidney failure due to drug use. Her funeral services were conducted by Johnny Otis, and she was buried in the Morning Light section, at Forest Lawn - Hollywood Hills Cemetery in Los Angeles. The bronze marker recognizes her career achievements, as well as quoting a Bible passage, "In My Father's House Are Many Mansions" - St. John 14:2
Let There Be Love
Esther Phillips Lyrics
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Let there be me.
Let there be oysters
Under the sea.
Let there be wind,
An occasional rain.
Chile con carne,
Let there be birds
To sing in the trees,
Someone to bless me
Whenever I sneeze.
Let there be cuckoos,
A lark and a dove,
But first of all, please
Let there be love.
Let there be cuckoos,
A lark and a dove,
But first of all, please
Let there be love...
Hmmm umm...love
Hmmm umm...love
Let there be love.
Esther Phillips's song "Let There Be Love" is a whimsical and light-hearted tune about the simple pleasures of life that are enhanced when love is present. As the lyrics suggest, the song celebrates the beauty of nature, from the oysters under the sea to the birds singing in the trees. Phillips sings of the joys of good food and drink, such as Chile con carne and sparkling champagne, and the comfort of having someone to bless her when she sneezes. The chorus reinforces the song's central message: that love is the most important thing of all.
The lyrics of "Let There Be Love" are an ode to the joys of life that are magnified by the presence of love. The song is not about grand gestures, but rather the simple moments that make life worth living. The imagery of natural beauty and the pleasures of food and drink convey a sense of contentment and relaxation that is heightened by the warmth and affection of a companion. The use of onomatopoeic sounds, such as the "cuckoos, lark and dove," adds an element of playfulness and childlike joy to the song.
Line by Line Meaning
Let there be you,
May there exist you,
Let there be me.
May there exist me.
Let there be oysters
May there exist oysters
Under the sea.
Located under the waters of the ocean.
Let there be wind,
May there exist wind,
An occasional rain.
And at times, precipitation in the form of rain.
Chile con carne,
Dishes containing chili peppers and meat,
Sparkling champagne
Bubbly alcoholic beverages
Let there be birds
May there exist birds
To sing in the trees,
Which produce melodious sounds while perched on branches.
Someone to bless me
An individual who bestows good wishes on me
Whenever I sneeze.
Whenever I involuntarily expel air through my nose.
Let there be cuckoos,
May there exist cuckoos,
A lark and a dove,
as well as larks and doves,
But first of all, please
However, most importantly and above all else,
Let there be love.
May there exist affection and kindness towards oneself and others.
Let there be cuckoos,
May there exist cuckoos,
A lark and a dove,
as well as larks and doves,
But first of all, please
However, most importantly and above all else,
Let there be love...
May there exist affection and kindness towards oneself and others.
Hmmm umm...love
Expressing an affirmative feeling of desire towards love.
Hmmm umm...love
Expressing an affirmative feeling of desire towards love.
Let there be love.
May there exist affection and kindness towards oneself and others.
Lyrics © Sony/ATV Music Publishing LLC, RESERVOIR MEDIA MANAGEMENT INC, Warner Chappell Music, Inc.
Written by: JAMES GRANT
Lyrics Licensed & Provided by LyricFind