At the age of sixteen, Esthero moved from small town Harriston, Ontario on her own to Toronto, where she began singing at open-mic nights, a journey that in 1997 led to a meeting with the president of EMI Publishing Canada, whom she charmed so well during their first meeting that without hearing her sing a single note he was moved to set up and finance recording sessions with Doc, a guitarist and studio engineer. Their debut album, Breath from Another, was released to critical acclaim in 1998 and is widely seen as one of the more accessible albums of the trip-hop genre.
Though she remained active following the moderate success of the debut album, featuring on tracks by such artists as Nelly Furtado and The Black Eyed Peas, it would take over 7 years for a proper follow-up to be released (due to a confluence of factors that included a lengthy creative process, the closure of the WORK record label and marketing delays) in the form of 2005's Wikked Lil Grrrls, an album that crossed genre boundaries with its heavy debt to jazz and hip-hop. The album was preceded in 2004 by a pair of EPs, The O.G. Bitch Remixes (with the title song reaching Number 1 on the Billboard Dance Chart) and We R In Need of a Musical Revolution, which served as a preview of the full length album.
After the release of Wikked Lil Grrrls, Esthero devoted an increasing amount of time to songwriting and production, with her work featuring on albums by Brandy and Kanye West (most prominently on West's single Love Lockdown).
2012 saw the release of Esthero's third full-length album, Everything is Expensive (Universal Music Canada), preceded by the release of Never Gonna Let You Go as the lead single and video. The album was partially funded through a campaign on PledgeMusic in which backers could choose from exclusives such as artwork by the singer. Everything is Expensive debuted on Billboard's Heatseeker chart at #13.
Official Websites
www.esthero.net
Dragonfly
Esthero Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Then I'm the red-haired faerie child
Of whom the pirates prophesies
Would bleed songs until the lyrics died
But I've been busy with my unborn child
I sent him aborted songs to wrap his unformed limbs in
I'm Grace Jones in this sin thing with my titties out prowling this tee-dot club
I crush their bones into melancholy melodies
As gifts for the brokenhearted girls who's stereos pump me
I'm a grown-ass woman with little girl features
A Jewish cornbread macaroni pie like your Mom makes at green eyes
I fall to pieces, Patsy Klein faerie preacher
I'm at the hip hop show head-bopping in the back
Smoking anything that'll burn
During intermission, I'm in the club bathroom
Hold up in a stall praying in earnest for Jeff Buckley's return
(Thank heaven for you, thank heaven for you, thank heaven for you)
I'm a studio rat, designer geared, Toronto kid, Hollywood brat
Bad gal, war child, bookworm, Sierra Leone activist cat
I'm a wicked little gal
Who don't take no back chat
Unless it's in the dark
I might be in the attics now
But a mother fucker just moved out of Regent Park
But look into my civil eyes, really
I'll sing you all some civil lies
And take you from your civil lives
And show you that I'm civilized
Nearly, nearly, nearly
The lyrics of Esthero's song "Dragonfly" are rich in imagery and metaphors. The first verse conjures the image of a red-haired faerie child, prophesied by pirates to create songs that bleed until their lyrics die. Yet, the singer is preoccupied with her unborn child and sends him aborted songs as a cocoon. This verse speaks to the creative process and the importance of nurturing creativity, even if it's not ready to see the light of day. It also alludes to the pain and sacrifice of creating art.
In the second verse, the singer describes herself as "Grace Jones in this sin thing," taking pride in her sexuality and prowling the club for partners. She crushes their bones into melancholy melodies and gifts them to brokenhearted girls. This verse explores the intersection of sexuality and creativity, and the power dynamics at play in relationships.
The final verse is a list of disparate qualities that make up the singer's identity: a grown-ass woman with little girl features, a Jewish cornbread macaroni pie with green eyes, a Patsy Cline faerie preacher, a hip hop show head-bopper, a studio rat, a Toronto kid, a Hollywood brat, a bad gal, a war child, a bookworm, a Sierra Leone activist cat. This verse highlights the complexity and multiplicity of identity, and suggests that even seemingly contradictory qualities can coexist. The final line, "nearly, nearly, nearly," suggests that despite all these qualities, the singer is still striving for something unattainable.
Overall, "Dragonfly" is a song that celebrates creativity, sexuality, and identity, while also acknowledging the pain and sacrifice that come with creation.
Line by Line Meaning
If the world is nearly civilized
Despite the world being considered almost civilized, there is still much work to do
Then I'm the red-haired faerie child
The singer embraces her whimsy and perceived mystical qualities
Of whom the pirates prophesies
The singer has been the subject of prophecies made by pirates
Would bleed songs until the lyrics died
The artist continuously creates music until they can no longer find the words to say
But I've been busy with my unborn child
The artist has been focused on preparing for their child's arrival
I sent him aborted songs to wrap his unformed limbs in
The singer has been creating music in anticipation of her child, despite not fully developing the songs
I'm Grace Jones in this sin thing with my titties out prowling this tee-dot club
The singer compares herself to the bold and provocative Grace Jones while wandering through a club in Toronto
Eyes on a Reebok thug, looking for soft boy parts to make my mattress comfy
The artist is on the lookout for a vulnerable man to take advantage of and use for her own pleasure
I crush their bones into melancholy melodies
The artist uses her sexual conquests to inspire sad songs
As gifts for the brokenhearted girls who's stereos pump me
The artist creates music for female fans who are emotionally distressed
I'm a grown-ass woman with little girl features
The singer has matured into an adult but retains some physical characteristics of a child
A Jewish cornbread macaroni pie like your Mom makes at green eyes
The artist describes herself as a mix of cultures and ethnicities with green eyes
I fall to pieces, Patsy Klein faerie preacher
The singer compares herself to Patsy Klein, a musician who often sang about heartbreak and despair
I'm at the hip hop show head-bopping in the back
The singer is at a hip hop concert, enjoying the music and moving to the beat
Smoking anything that'll burn
The singer is smoking whatever she can in the moment
During intermission, I'm in the club bathroom
During a break in the concert, the artist goes to the bathroom
Hold up in a stall praying in earnest for Jeff Buckley's return
The artist admires Jeff Buckley's music and hopes for his return
(Thank heaven for you, thank heaven for you, thank heaven for you)
The singer is expressing gratitude for someone or something
I'm a studio rat, designer geared, Toronto kid, Hollywood brat
The singer is multitalented and has lived in both Toronto and Hollywood
Bad gal, war child, bookworm, Sierra Leone activist cat
The artist is rebellious, passionate, and well-read, and is also involved in activism for Sierra Leone
I'm a wicked little gal
The artist is feisty and mischievous
Who don't take no back chat
The artist does not tolerate disrespect or opposition
Unless it's in the dark
The singer may be more open to vulnerability or compromise in private
I might be in the attics now
The artist may currently have a lower socioeconomic status
But a mother fucker just moved out of Regent Park
The singer suggests that she is capable of rising above her current situation
But look into my civil eyes, really
Despite her rough exterior, the singer wants her true character to be seen
I'll sing you all some civil lies
The singer may not always be truthful, but tries to present herself in a certain light
And take you from your civil lives
The artist desires to take her listeners away from their mundane lives through her music
And show you that I'm civilized
The artist believes that she is a cultured and sophisticated individual
Nearly, nearly, nearly
Despite her confidence, the singer acknowledges that she is not yet perfect
Lyrics © Sony/ATV Music Publishing LLC
Written by: Jenny Bea Christina Englishman
Lyrics Licensed & Provided by LyricFind