James was born Jamesetta Hawkins in Los Angeles, California, on 25th January 1938, to an unmarried fourteen-year-old mother, Dorothy Hawkins. According to Etta, her mother claimed that her father was the white Rudolph "Minnesota Fats" Wanderone, and that they received financial support from him on the condition that they keep his paternity a secret. This seems unlikely, though it has not been definitively disproved. Etta was born in Los Angeles in 1938. At the time, Wanderone was known to be managing a pool hall in Washington, D.C. and had not yet become known to be the cross-country traveller he later became.
She received her first professional vocal training at five years old from James Earle Hines, musical director of the Echoes of Eden choir at St Paul Baptist Church in Los Angeles. Her family moved to San Francisco in 1950, and she teamed up with two other girls to form a doo-wop singing group. When the girls were fourteen, band leader Johnny Otis had them audition. They sang an answer to Hank Ballard's "Work with Me, Annie" called "Roll Wwth Me Henry". Otis particularly liked the song, and against her mother's wishes, James and the trio went to Los Angeles to record the song in 1954. The song was recorded on the label Modern Records. By this time, the trio renamed the song "The Wallflower (Dance with Me, Henry)" and released it in 1955. James named her vocal group The Peaches. Richard Berry, a Los Angeles doo-wop luminary, is featured on some of their records.
"The Wallflower" reached number two on the rhythm and blues charts in February 1955, but was undercut in the wider market by a rushed-out cover version by Georgia Gibbs on Mercury Records; in fact, the very first time Gibbs was recorded in studio, they used the first take recorded and it became number one on the top 100 songs nationally. The song's royalties were divided between Hank Ballard, Etta James, and Johnny Otis, and its huge success attracted the attention of the R&B world, resulting in James going on tour with Little Richard. On the tour, though, according to James, she witnessed and experienced situations to which minors are not usually privy, and she allegedly acquired a drug habit.
Soon after the success of "Wallflower", The Peaches and James parted company, but this did not halt her career. Shecontinued to record and release albums throughout much of the decade, and enjoyed more success. Her follow-up, "Good Rockin' Daddy", became another fifties hit. Other songs however, such as "Tough Lover" and "W-O-M-A-N" failed to gain any significant success. James toured with Johnny "Guitar" Watson and Otis Redding in the fifties, and has cited Watson as the most significant influence on her style..
In 1960, James signed a recording contract with Chess Records. She went on to have the biggest success of her career from this label, recording her biggest and most memorable hits. Chess went into high gear with James, releasing many duets with her then boyfriend, the married Harvey Fuqua, who was the lead singer of the Moonglows. One of her duets with Fuqua, "If I Can't Have You", became a hit on the R&B charts in 1960. As a solo artist however, she had more enduring success. One of her first singles released by Chess in 1960 was called "All I Could Do Was Cry"; this blues number became a big hit on the R&B charts in 1960. Leonard Chess, one of the founders of Chess Records, helped James along the way. He saw the potential for her to go in a more pop-oriented direction, and she started recording more pop tunes for the label.
The year 1961 became a year of great change for James. In 1961 came the release of one of her first pop-oriented tunes called "At Last". The song became a big hit in 1961, reaching number two on the R&B charts. The song even went as far as twenty-two on the pop charts that year. It became her signature song. Other songs, such as "Trust in Me", also became hits, and the 1962 tune "Something's Got a Hold On Me" showed more of James' gospel side, a genre she had sung since childhood.
She had other big hits in the 1960s, but mainly on the R&B charts: the song "Pushover" in 1963 and "Stop the Wedding", "Fool That I Am", and "Don't Cry Baby", were hits for her between 1961 and 1963. Her 1963 album Etta James Rocks the House, recorded at Nashville's "New Era" club, also gave her career a boost. James then became one of the most successful R&B artists of the 1960s, having many more top ten and top twenty hit singles. Performing in Memphis, Tennessee helped make her into a blues icon.
In 1967, James released her next hit single, "Tell Mama", and it became a top ten hit on the R&B charts. After a dry period of no hits for almost four years, the song once more made James a household name. The follow-up, "Security", was also a success, and proved that James had staying power on the charts again. Whilst less success came for James after this hit, she was still on the charts regularly and, despite the death of Leonard Chess, stayed with the Chess label into 1975. Towards the end of the Chess years though, she went into more rock-based songs. She recorded for many other labels, and continued to release albums, such as 1978's Deep In the Night on Atlantic Records.
Despite a dry period during the early to mid 1980s, James got back on track and began to record music again. She received accolades for her 1981 rendition of Randy Newman's "God's Song". Her 1988 album Seven Year Itch proved this comeback capability; the album showed more of her soul side. In 1989, she recorded the song "Avenue D" with David A. Stewart of Eurythmics. The song was featured on the soundtrack to the Robert Wise film Rooftops. She also performed with the Grateful Dead for two shows in 1982. In the 1990s she continued to record and perform. Her albums widely varied in styles and genres. Her 1992 album, The Right Time, was another soul album that was released by Elektra Records. She also began to record more jazz, which became the style for many of her 1990s albums.
Drug-related and romantic problems interfered with her career, but James managed to maintain a career throughout the latter half of the twentieth century. Later in life, she struggled with obesity, experiencing mobility and knee problems. In 2003, she underwent gastric bypass surgery.
In 2011, a vocal sample from Etta's "Something's Got a Hold on Me" was used in "Levels" by Avicii. "Levels" became a monster EDM hit, making Etta's "sometimes I get a good feeling" one of the most recognizable samples in 21st century music.
She died on 20th January 2012.
In The Basement Part One
Etta James Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In the basement, down in the basement, yeah
Oh where can you go where your money gets low?
In the basement, whoa down in the basement
And if a storm is taking place, you can jam and still be safe
In the basement, down in the basement, yeah, yeah, yeah, yeah
Where can you dance to any music you choose?
Oh, you got the comforts of home, a nightclub too
In the basement, whoa down in the basement
There's no cover charge or fee and the food and drinks are free
In the basement, down in the basement
Come on child, you can do it, you can do it, yeah
In the basement, that's where it's at
In the basement, that's where it's at
In the basement, that's where it's at
In the basement, that's where it's at
In the basement, in the basement, in the basement
That's where it's at
You tell'em
Where they don't, where they don't check your age at the door
In the basement, whoa down in the basement
Barracuda and til your feet get sore
In the basement, whoa down in the basement
Do any dance you want to do, there's no one under you
In the basement, I know it, you tell'em oh-h-h-h I wanno go
In the basement, that's where it's at
In the basement, that's where it's at
In the basement, that's where it's at
In the basement, that's where it's at
The lyrics to Etta James and Sugar Pie DeSanto's "In The Basement" are a celebration of the joys of partying and dancing in the basement. The song starts by asking where one can party all night and still be safe. The answer is simple: the basement. The basement is the place to go when your money is low, but you still want to have a good time. Even if a storm is taking place, you can still jam in the basement.
As the song continues, the singers describe the many benefits of partying in the basement. You can dance to any music you choose, and you have the comforts of home and a nightclub at the same time. There's no cover charge or fee, and the food and drinks are free. In the basement, there's no age limit or restrictions on dancing, and you can do any dance you want without worrying about anyone being under you.
Line by Line Meaning
Oh, tell me where can you party, child, all night long?
Where can you find a place to party all night?
In the basement, down in the basement, yeah
You can find it in the basement.
Oh where can you go where your money gets low?
Where can you go when you're short on cash?
In the basement, whoa down in the basement
You can go to the basement.
And if a storm is taking place, you can jam and still be safe
Even during a storm, you can dance and remain safe.
In the basement, down in the basement, yeah, yeah, yeah, yeah
That's because you're in the basement.
Where can you dance to any music you choose?
Where can you dance to any music of your choice?
In the basement, whoa down in the basement
You can do that in the basement.
Oh, you got the comforts of home, a nightclub too
The basement has everything, it's like a home and a nightclub rolled into one.
In the basement, whoa down in the basement
That's why you should go to the basement.
There's no cover charge or fee and the food and drinks are free
Entry is free, and food and drinks are also free.
In the basement, down in the basement
And that's all thanks to the basement.
Come on child, you can do it, you can do it, yeah
Don't hesitate, come on down and join the fun.
In the basement, that's where it's at
The basement is the place to be.
In the basement, in the basement, in the basement
Let's all go to the basement.
That's where it's at
Because that's where the fun is.
You tell'em
Spread the word!
Where they don't, where they don't check your age at the door
Where can you enter without being asked your age?
In the basement, whoa down in the basement
That's right, the basement again.
Barracuda and til your feet get sore
Dance to your heart's content until your feet hurt.
In the basement, whoa down in the basement
That's why the basement is the place to be.
Do any dance you want to do, there's no one under you
You can dance however you like, without worrying about anyone else.
In the basement, I know it, you tell'em oh-h-h-h I wanno go
That's why you should tell everyone you know about the basement, and why you want to go there.
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Carl Smith, Raynard Miner, Roquel Davis
Lyrics Licensed & Provided by LyricFind
Erik brodland
on I Just Want to Make Love to You
Love this song so much, it makes me think of my son's Beautiful mommy jasmin and her amazing.voice.