Etta James (1938-2012) was a U.S. blues, soul, R&B, rock & roll, and jazz … Read Full Bio ↴Etta James (1938-2012) was a U.S. blues, soul, R&B, rock & roll, and jazz singer and songwriter. She is the winner of four Grammies, seventeen Blues Music Awards, and was inducted into the Rock & Roll Hall of Fame (in 1993), the Blues Hall of Fame (in 2001), and the Grammy Hall of Fame (in both 1999 and 2008).

James was born Jamesetta Hawkins in Los Angeles, California, on 25th January 1938, to an unmarried fourteen-year-old mother, Dorothy Hawkins. According to Etta, her mother claimed that her father was the white Rudolph "Minnesota Fats" Wanderone, and that they received financial support from him on the condition that they keep his paternity a secret. This seems unlikely, though it has not been definitively disproved. Etta was born in Los Angeles in 1938. At the time, Wanderone was known to be managing a pool hall in Washington, D.C. and had not yet become known to be the cross-country traveller he later became.

She received her first professional vocal training at five years old from James Earle Hines, musical director of the Echoes of Eden choir at St Paul Baptist Church in Los Angeles. Her family moved to San Francisco in 1950, and she teamed up with two other girls to form a doo-wop singing group. When the girls were fourteen, band leader Johnny Otis had them audition. They sang an answer to Hank Ballard's "Work with Me, Annie" called "Roll Wwth Me Henry". Otis particularly liked the song, and against her mother's wishes, James and the trio went to Los Angeles to record the song in 1954. The song was recorded on the label Modern Records. By this time, the trio renamed the song "The Wallflower (Dance with Me, Henry)" and released it in 1955. James named her vocal group The Peaches. Richard Berry, a Los Angeles doo-wop luminary, is featured on some of their records.

"The Wallflower" reached number two on the rhythm and blues charts in February 1955, but was undercut in the wider market by a rushed-out cover version by Georgia Gibbs on Mercury Records; in fact, the very first time Gibbs was recorded in studio, they used the first take recorded and it became number one on the top 100 songs nationally. The song's royalties were divided between Hank Ballard, Etta James, and Johnny Otis, and its huge success attracted the attention of the R&B world, resulting in James going on tour with Little Richard. On the tour, though, according to James, she witnessed and experienced situations to which minors are not usually privy, and she allegedly acquired a drug habit.

Soon after the success of "Wallflower", The Peaches and James parted company, but this did not halt her career. Shecontinued to record and release albums throughout much of the decade, and enjoyed more success. Her follow-up, "Good Rockin' Daddy", became another fifties hit. Other songs however, such as "Tough Lover" and "W-O-M-A-N" failed to gain any significant success. James toured with Johnny "Guitar" Watson and Otis Redding in the fifties, and has cited Watson as the most significant influence on her style..

In 1960, James signed a recording contract with Chess Records. She went on to have the biggest success of her career from this label, recording her biggest and most memorable hits. Chess went into high gear with James, releasing many duets with her then boyfriend, the married Harvey Fuqua, who was the lead singer of the Moonglows. One of her duets with Fuqua, "If I Can't Have You", became a hit on the R&B charts in 1960. As a solo artist however, she had more enduring success. One of her first singles released by Chess in 1960 was called "All I Could Do Was Cry"; this blues number became a big hit on the R&B charts in 1960. Leonard Chess, one of the founders of Chess Records, helped James along the way. He saw the potential for her to go in a more pop-oriented direction, and she started recording more pop tunes for the label.

The year 1961 became a year of great change for James. In 1961 came the release of one of her first pop-oriented tunes called "At Last". The song became a big hit in 1961, reaching number two on the R&B charts. The song even went as far as twenty-two on the pop charts that year. It became her signature song. Other songs, such as "Trust in Me", also became hits, and the 1962 tune "Something's Got a Hold On Me" showed more of James' gospel side, a genre she had sung since childhood.

She had other big hits in the 1960s, but mainly on the R&B charts: the song "Pushover" in 1963 and "Stop the Wedding", "Fool That I Am", and "Don't Cry Baby", were hits for her between 1961 and 1963. Her 1963 album Etta James Rocks the House, recorded at Nashville's "New Era" club, also gave her career a boost. James then became one of the most successful R&B artists of the 1960s, having many more top ten and top twenty hit singles. Performing in Memphis, Tennessee helped make her into a blues icon.

In 1967, James released her next hit single, "Tell Mama", and it became a top ten hit on the R&B charts. After a dry period of no hits for almost four years, the song once more made James a household name. The follow-up, "Security", was also a success, and proved that James had staying power on the charts again. Whilst less success came for James after this hit, she was still on the charts regularly and, despite the death of Leonard Chess, stayed with the Chess label into 1975. Towards the end of the Chess years though, she went into more rock-based songs. She recorded for many other labels, and continued to release albums, such as 1978's Deep In the Night on Atlantic Records.

Despite a dry period during the early to mid 1980s, James got back on track and began to record music again. She received accolades for her 1981 rendition of Randy Newman's "God's Song". Her 1988 album Seven Year Itch proved this comeback capability; the album showed more of her soul side. In 1989, she recorded the song "Avenue D" with David A. Stewart of Eurythmics. The song was featured on the soundtrack to the Robert Wise film Rooftops. She also performed with the Grateful Dead for two shows in 1982. In the 1990s she continued to record and perform. Her albums widely varied in styles and genres. Her 1992 album, The Right Time, was another soul album that was released by Elektra Records. She also began to record more jazz, which became the style for many of her 1990s albums.

Drug-related and romantic problems interfered with her career, but James managed to maintain a career throughout the latter half of the twentieth century. Later in life, she struggled with obesity, experiencing mobility and knee problems. In 2003, she underwent gastric bypass surgery.

In 2011, a vocal sample from Etta's "Something's Got a Hold on Me" was used in "Levels" by Avicii. "Levels" became a monster EDM hit, making Etta's "sometimes I get a good feeling" one of the most recognizable samples in 21st century music.

She died on 20th January 2012.

St. Louis Blues
Etta James Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I hate to see that evening sun go down
I hate to see that evening sun go down
Cause my baby, he's gone left this town

Feelin' tomorrow like I feel today
If I'm feelin' tomorrow like I feel today
I'll pack my truck and make my give-a-way

St. Louis woman with her diamond ring
Pulls that man around by her, if it wasn't for her and her
That man I love would have gone nowhere, nowhere

I got the St. Louis blues, blues as I can be
That man's got a heart like a rock cast in the sea
Or else he wouldn't have gone so far from me

I love my baby like a school boy loves his pie

Like a Kentucky colonel loves his mint 'n rye
I love my man till the day I die

Overall Meaning

Etta James's song St. Louis Blues is a blues classic that laments a lost love that has left the singer feeling desolate and desperate. The opening lines, "I hate to see that evening sun go down, Cause my baby, he's gone left this town," sets the tone of heartache and sorrow that reverberates throughout the rest of the song. The singer seems to be struggling with the aftermath of her lover's departure, with the prospect of each coming day feeling as miserable as the current one. The second stanza, "Feelin' tomorrow like I feel today, If I'm feelin' tomorrow like I feel today, I'll pack my truck and make my give-a-way," conveys the singer's reluctance to confront the future unless it holds the hope of reuniting with her lost love.

The song's signature lines include "St. Louis woman with her diamond ring, Pulls that man around by her, if it wasn't for her and her, That man I love would have gone nowhere, nowhere." Etta James repeats this refrain three times, underscoring the theme of the competing forces of love and pain. The singer seems to lament the magnetic attraction St. Louis woman holds over her man, considering it the cause of her own loss. The final stanza "I got the St. Louis blues, blues as I can be, That man's got a heart like a rock cast in the sea, Or else he wouldn't have gone so far from me" reveals the depth of her despair. Her blues are deep and relentless, compounded by her view of her lover's heart "like a rock cast in the sea." Etta James delivers this performance with a powerful, full-throated emotion that is both heartrending and exhilarating.

Line by Line Meaning

I hate to see that evening sun go down
I'm unhappy to see the end of the day

I hate to see that evening sun go down
I'm unhappy to see the end of the day because my loved one has left town

Feelin' tomorrow like I feel today
If my feelings don't change, I'll

If I'm feelin' tomorrow like I feel today
Do the same thing tomorrow as I did today

I'll pack my truck and make my give-a-way
Leave without looking back

St. Louis woman with her diamond ring
This woman from St. Louis has a diamond ring and uses it to control her man's actions

Pulls that man around by her, if it wasn't for her and her
If it wasn't for her, the man wouldn't be controlled

That man I love would have gone nowhere, nowhere
The man I love wouldn't be any better off without her

I got the St. Louis blues, blues as I can be
I'm despairing, the most blue I can be

That man's got a heart like a rock cast in the sea
He has an unfeeling heart

Or else he wouldn't have gone so far from me
If he felt for me, he wouldn't have left me so far behind

I love my baby like a school boy loves his pie
I love my baby deeply and unconditionally like a school boy loves his pie

Like a Kentucky colonel loves his mint 'n rye
I love my baby with devotion like a Kentucky colonel loves his mint and rye

I love my man till the day I die
I will love my man until the day that I die.

Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Downtown Music Publishing, HANDY BROTHERS MUSIC CO.,INC., Peermusic Publishing, Warner Chappell Music, Inc.
Written by: William Christopher Handy

Lyrics Licensed & Provided by LyricFind

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