He was also a part of the hip-hop supergroup La Coka Nostra, which consists of his former House of Pain mates, Danny Boy and DJ Lethal along with underground rap veteran Ill Bill and Irish-American rapper Slaine. On July 14, 2009, they released their debut album, 'A Brand You Can Trust', through Uncle Howie Records and Suburban Noize Records.
Everlast was born in Valley Stream, New York of Irish descent. His grandfather was of German descent. Emerging as a member of the Rhyme Syndicate, Everlast's first solo album Forever Everlasting (1990), largely made possible by MC Ice T, was a disappointment both critically and commercially. Following the album's failure, Everlast teamed up with DJ Lethal and high school friend Danny Boy to form House of Pain. The group was signed to Tommy Boy Records, and their eponymous debut album, House of Pain (1992), went multi-platinum, spawning the successful DJ Muggs produced single Jump Around. This song was also remixed twice by Pete Rock, one version featuring a verse from him and one without. The album also featured Cypress Hill member, B-Real, on the song Put Your Head Out.
Fashioning themselves as rowdy Irish American hooligans (Lethal is actually of Latvian heritage), they toured with various rap and alternative-rock bands after their breakthrough. They participated together with Helmet, along with several other rap acts, on the influential 1993 rock-rap collaborative Judgment Night movie soundtrack. The group eventually disbanded in 1996, with Everlast pursuing a solo career.
Everlast's second solo album Whitey Ford Sings the Blues (1998)-- which was released a full eight years after his solo debut and after he had a major heart attack – was both a commercial and critical success (selling more than 3 million copies). Whitey Ford Sings the Blues was hailed for its blend of rap with acoustic and electric guitars, developed by Everlast together with producers Dante Ross and John Gamble. The album's lead single What It's Like proved to be his most popular and successful song, although the follow up single, Ends, also reached the rock top 10.
Everlast followed-up this success by collaborating with Santana on the track Put Your Lights On on Santana's 1999 album Supernatural. It charted at #118 on the pop chart, but did considerably better with rock radio airplay, peaking at #8 on the Mainstream Rock Tracks chart. "Put Your Lights On" won Best Rock Performance by a Duo or Group with Vocal at the 2000 Grammy Awards.
Despite the success of Whitey Ford Sings the Blues and his success with Santana, Everlast's follow-up album, Eat at Whitey's (2000), stumbled commercially at first in the United States. However, it was eventually certified gold. The album was also embraced critically, especially by Rolling Stone Magazine, which reviewed the album between "good" and "great" and focused on it as that month's most important release.
Shortly after both artists contributed tracks to the End of Days soundtrack, a feud erupted between Everlast and Eminem. Eminem and Everlast crossed paths before a concert in early 1999. Eminem says he didn't greet Everlast because he didn't recognize him right away, and said Everlast didn't acknowledge him. Everlast's version is that he tried to congratulate Eminem on his success, and Eminem blew him off. Either way, Everlast's verse from the Dilated Peoples all star track Ear Drums Pop (Remix) contained a thinly veiled reference to Eminem "I buck a .380 on ones that act shady", and went on to warn "You might catch a beatdown now where I come from" in his recounting of the incident.
Eminem, in turn, ripped Everlast several times in public and with the song I Remember (Dedication To Whitey Ford) released as the b-side to his group D12's 12" vinyl single Shit On You. In it, Eminem talks about how he remembered Everlast's music, however, "Kid Rock and Limp Bizkit came along now / Don't nobody wanna hear your old ass sing no more."
Everlast responded with the track Whitey's Revenge, released only on his official website. Whereas the song contained references to Eminem's strained relationships with his wife and mother, it was "Better run and check your kid for your DNA", again referring to Eminem's daughter, Hailie Jade Mathers, that set Eminem off.
Eminem & D12 responded with Quitter, the first half uses the backing of Eminem's own song Marshall Mathers, the second half of which is a take off on 2Pac's Hit Em Up (a diss song aimed at The Notorious B.I.G.). In it, he warns Everlast, "If you talk about my little girl in a song again, I’ma kill you." The track ends with the spoken words, "Fuck him, that’s it, I’m done, I promise, I’m done, that’s it," and again warning, "Mention my daughter’s name in a song again you fucking punk."
Everlast echoed similar sentiment on the status of this feud, stating in various interviews that he felt everything had been said and he would now refrain from further responses.
After the sale of the Tommy Boy Records' catalog of master tapes to Warner Bros. Records and its metamorphosis to a dance music label in 2002, Everlast was without a label, but in 2003 he signed with Island Def Jam. His fourth solo album, White Trash Beautiful (2004), was subsequently released after almost a four-year hiatus. The album, which had an almost country-rap feel, received mixed reviews and was a commercial failure. Eventually, Everlast was released from his contract.
In early 2006, Everlast teamed up with his former House of Pain mates DJ Lethal and Danny Boy to join the hip-hop group La Coka Nostra.The group first came to be due to the former House of Pain Hype man Danny Boy starting the group as a collective with rappers Slaine and Big Left (who has since left the group). Soon after the group started, Ill Bill of a now disbanded Non Phixion and Everlast joined the group. Their first known song was Fuck Tony Montana, which features Cypress Hill's MC B Real and Sick Jacken. Due to the popularity of the song online, the group released several more online for free. The group's debut album, A Brand You Can Trust, was released on July 14. The album features guests like Snoop Dogg, B Real, Bun B, Immortal Technique, Sick Jacken and Q-Unique. La Coka Nostra recently joined the likes of Nas and Ill Bill's brother, Necro on Rock The Bells.
In 2007, Everlast was chosen to do the theme song for the TV show Saving Grace. The song,Saving Grace, plays during the show's main title sequence, and was originally released to digital outlets only, however, it was also included on Everlast's fifth solo album, Love, War and the Ghost of Whitey Ford. The album was released on September 23, 2008, on Everlast's own record label Martyr Inc, with distribution by Hickory Records/Sony/ATV Music Publishing (It was revealed through diditleak.co.uk that the album leaked out early on Friday, August 29). A second single and video, Letters Home From The Garden Of Stone, was released for free download from martyr-inc.com in December 2007. The third single, a cover of Johnny Cash's Folsom Prison Blues, was released to download on August 19. The Video for Stone in My Hand debuted on the martyr-inc website on October 28, 2008, making it the fourth video for the album.
Discography
Forever Everlasting
* Released: March 27, 1990
* Label: Warner Bros. Records
* Singles: "Never Missin' a Beat", "The Rhythm", "I Got the Knack"
Whitey Ford Sings the Blues
* Released: September 8, 1998 (2× Multi-Platinum)
* Label: Tommy Boy Records
* Singles: "What It's Like", "Ends", "Painkillers"
Today (EP)
* Released: 1999
* Label: Tommy Boy Records
* Singles: -
Eat at Whitey's
* Released: October 17, 2000 (Gold)
* Label: Tommy Boy Records
* Singles: "Black Jesus", "Deadly Assassins", "I Can't Move"
White Trash Beautiful
* Released: May 25, 2004
* Label: Island Def Jam
* Singles: "White Trash Beautiful", "Sleepin' Alone", "Blinded By The Sun", "Sad Girl", "Lonely Road"
Love, War and The Ghost of Whitey Ford
* Release Date: September 23, 2008
* Label: Martyr Inc.
* U.S. sales: 6,500+ in its first week.
* Singles: "Letters Home from the Garden of Stone", "Folsom Prison Blues", "Stone In My Hand"
Selected Guest Appearances
* Ice-T - What Ya Wanna Do? (]The Iceberg, 1989)
* Bronx Style Bob - Ode II Junior (Grandma's Ghost, 1992)
* The Whooliganz - Hit the Deck (Put Your Handz Up (Single), 1993)
* Madonna/artist] - Waiting (Remix) (Rain (Maxi-Single), 1993)
* Nice & Smooth - Save the Children (Jewel of the Nile, 1993)
* Lordz of Brooklyn - Gravesend (Lake Of Fire) (Gravesend (Soundtrack), 1997)
* Carlos Santana - Put Your Lights On (Supernatural, 1999)
* Swollen Members - Bottle Rocket (Balance, 1999)
* SX-10 - Rhyme in the Chamber (Mad Dog American, 2000)
* Dilated Peoples - Ear Drums Pop (Remix) (The Platform, 2000)
* DJ Muggs - Razor to Your Throat (Soul Assassins II, 2000)
* Run DMC - Take the Money and Run (Crown Royal, 2001)
* Kurupt - Kuruption! (Space Boogie: Smoke Oddessey, 2001)
* Limp Bizkit - Faith/Fame Remix (New Old Songs, 2001)
* Hesher - Whose Generation (Hesher, 2001)
* X-Ecutioners - B-Boy Punk Rock 2001 (Built From Scratch, 2002)
* DJ Muggs - Gone for Good (Dust, 2003)
* Danny Diablo - Rise Above (Street CD Vol 2, 2005)
* The Lordz - "The Brooklyn Way" (The Brooklyn Way, 2006)
* Swollen Members - Put Me On (Black Magic, 2006)
* Snoop Dogg - My Medicine (Ego Trippin', 2008)
* Ill Bill - Only Time Will Tell "Pain Gang"(The Hour of Reprisal, 2008)
* Swollen Members - Dumb (Armed to the Teeth, 2009)
Soundtracks
* Judgment Night (1993) -- "Just Another Victim" Helmet & House of Pain
* Gravesend (1997) -- "Gravesend (Lake of Fire)" w/ Lordz of Brooklyn; "Some Nights (Are Better Than Others)"
* End of Days (1999) -- "So Long"
* Big Daddy (1999) -- "Only Love Can Break Your Heart"
* Black & White (2000) -- "Life's A Bitch"
* King of the Jungle (2000) --"Love for Real (Remix)" feat. N'Dea Davenport
* Ali (2001) -- "The Greatest"
* Saving Grace (TV series) (2007) -- Saving Grace
Birth Name: Erik Schrody
Also Known As: Whitey Ford, Mr. White, Whitey Farad
Born: August 18, 1969 (1969-08-18) (age 40)
Origins: Valley Stream, New York
Genres: Blues, Hip hop, Rock, Alternative, Country-rap
Instruments: Vocals, Emceeing, Guitar
Years Active: 1988–Present
Labels: Martyr Inc. Records. Warner Bros. Records, Tommy Boy/Warner Bros. Records, Island/ IDJMG/ Universal Records, PIAS Recordings
Associated Acts: House of Pain, La Coka Nostra, Soul Assassins, Cypress Hill, Rhyme Syndicate, B-Real, Carlos Santana
Graves to Dig
Everlast Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Three for the Khutba from the Imam
Four for the mother that birthed my frame
Five for the father 'cause he taught me game
Been 'round the world, songs are all the same
Sometimes when I'm asleep I still call your name
Back when I was young I used to dream of fame
Now they all point they fingers saying who's to blame
Fathers teach their sons how to shoot their guns
They say, "Boy don't never cry control your emotions
Just take it like a man, make your stand"
They say, "Sex and violence go hand in hand"
For every man blessed there got to be ten damned
Expand through the depths of space and time
Standing three eyes blind on the firing line
Word to my man divine, come too far
Singing la ilaha il allah
Twelve rakahs short on my full day's prayer
Just hoping that the lord got some mercy to spare
They go one for the ummah, two for the deen
Three for the angels, four for the alamin
Somewhere between totally obscene
And perfectly clean, got a Babylon feeling'
Wounds that need healing', truth need revealing'
Hands need washing' from all the dirty dealing'
From the floor to the ceiling', from the stage to the door
From the kings and the queens and the slaves and the whores
For every lost cause where the martyrs are found
That funky little sound, that make you want to get down
Somebody told me once, love makes the world go round
Now kids they carry pistols out on the playground
That profound, gone too far.
Praying to the light from a burned out star
Put your lights on, put down your crosses
It's time to tally up your wins and your losses
They go one for Scott La Rock
Two for Pac and B.I.G.
And three for all the mothers who got graves to dig
For all the mothers who got graves to dig
For all the mothers who got graves to dig
The lyrics to Everlast's "Graves to Dig" touch on a range of social, political, and religious topics. The song begins with references to religion, specifically the Islamic faith, with one and two representing the Prophet and Islam, respectively, and three standing for the Khutba or sermon delivered by the Imam. Four is for the mother who birthed the singer, and five is for his father who taught him life lessons. The verse "Been 'round the world, songs are all the same, sometimes when I'm asleep I still call your name" speaks to the universal nature of music and how it can connect us to people from different cultures and parts of the world. The singer also reflects on his dreams of fame, now replaced by finger-pointing and blame.
The song also touches on themes like masculinity, violence, and societal expectations. The lines "mothers put their girls into pigtail curls, fathers teach their sons how to shoot their guns" speak to the traditional gender roles still prevalent in many cultures. The singer also references the reinforcing culture of toxic masculinity in the lines "they say 'boy don't never cry, control your emotions, just take it like a man, make your stand. They say, 'sex and violence go hand in hand.'"
The song concludes with a somber verse about lost loved ones and the pain of burying them. The lines "one for Scott La Rock, two for Pac and B.I.G., and three for all the mothers who got graves to dig" acknowledges the tragic deaths of hip-hop icons while also speaking to a larger reality of mothers around the world who have to bury their children.
Overall, "Graves to Dig" is a thought-provoking song that explores themes of religion, identity, and societal expectations, while also recognizing the pain of loss and mourning.
Line by Line Meaning
They go one for the Prophet, two for Islam
The song begins by acknowledging the religion of the artist and his respect for the Prophet Muhammad and the religion of Islam.
Three for the Khutba from the Imam
The Khutba is a religious speech given by the Imam during the Friday prayer. The artist is acknowledging the importance of this religious tradition in his song.
Four for the mother that birthed my frame
The artist is showing gratitude toward his mother for giving him birth and bringing him into this world.
Five for the father 'cause he taught me game
The artist is appreciating his father for teaching him valuable life lessons and strategies that he incorporates into his persona in music.
Been 'round the world, songs are all the same
Even though the artist may have traveled around the world, the songs he hears everywhere seem to carry the same message and/or sound.
Sometimes when I'm asleep I still call your name
The artist is still emotionally attached to someone from his past that he may not be with anymore, and thinks of them even when sleeping.
Back when I was young I used to dream of fame
The artist recalls as a child dreaming of fame and success in his career as a musician.
Now they all point they fingers saying who's to blame
As a result of gaining fame and success, a lot of attention and scrutiny falls on the artist in the public eye, and people are quick to blame him for various things.
Mothers put their girls into pigtail curls
Mothers have been dressing and styling their daughters in this particular hairdo for some time now.
Fathers teach their sons how to shoot their guns
Fathers have been teaching their sons how to use guns, and the traditional roles of masculinity still continue to be imparted upon the younger generation.
They say, "Boy don't never cry control your emotions
Boys are told to control their emotions and not to cry, which presents an unrealistic and mentally unhealthy expectation for their emotional health.
Just take it like a man, make your stand"
Boys are raised to be tough and resilient, which includes being able to take hardships and tough situations, which is viewed as a positive trait in this context.
They say, "Sex and violence go hand in hand"
Our society has an unfortunate tendency to link violence with sex, which can lead to unhealthy gender dynamics and relationships.
For every man blessed there got to be ten damned
For every success, there are many failures, and not everyone is given the same opportunities or advantages in life.
Expand through the depths of space and time
The artist wants his work to impact people, communities, and cultures throughout the world and for many generations beyond his time.
Standing three eyes blind on the firing line
The artist feels like he is in a dangerous or life-threatening situation, and he is ill-equipped in some way to handle it.
Word to my man divine, come too far
The artist is giving a shoutout to someone he admires greatly and commenting on how much progress he himself has made thus far.
Singing la ilaha il allah
This is a phrase from Arabic that expresses the artist's universal and inclusive perspective in regards to religious and personal belief.
Twelve rakahs short on my full day's prayer
The artist is acknowledging that he has not been able to fulfill his religious obligations.
Just hoping that the lord got some mercy to spare
The artist is hoping that God will be merciful and forgiving toward him despite his shortcomings.
They go one for the ummah, two for the deen
The 'ummah' refers to the universal community of Muslims while 'deen' refers to the Islamic way of life. The artist is acknowledging that these two things are highly important in Islamic traditions.
Three for the angels, four for the alamin
In Islamic beliefs, angels are an important creation of Allah (God), and alamin refers to the material and spiritual worlds created by God.
Somewhere between totally obscene
The artist is saying that his music may contain explicit and vulgar language that is not appropriate for all audiences.
And perfectly clean, got a Babylon feeling'
The artist's music carries vibes of ancient Babylon, a complex and highly important historical city of Mesopotamia.
Wounds that need healing', truth need revealing'
The artist feels that some tangible and important issues need to be addressed in our society that collective wishful thinking cannot heal.
Hands need washing' from all the dirty dealing'
The artist feels that society is full of corruption and dishonesty that damaging our community and should be addressed and fixed.
From the floor to the ceiling', from the stage to the door
The artist's music and message permeates every inch of our daily life, from the floor of your home to the stage performances and even beyond the door to the outside world.
From the kings and the queens and the slaves and the whores
The artist and his message are intended for everyone, including important leaders and figures, enslaved individuals, and even sex workers in society.
For every lost cause where the martyrs are found
The artist acknowledges and respects the individuals who have perished to different causes throughout our history and the world, and expresses sympathy towards them.
That funky little sound, that make you want to get down
The artist's music is designed to be upbeat and catchy, with an infectious rhythm that lifts the listener's mood and makes them want to move to the beat.
Somebody told me once, love makes the world go round
The artist believes that love is a powerful and positive force that can make the world better and peaceful.
Now kids they carry pistols out on the playground
The artist recognizes the dark and complex reality of many vulnerable children and youth, who carry guns and other weapons within their communities.
That profound, gone too far.
The artist considers the level of weapons and violence among our society to be deeply disturbing and frightful, and something needs to be done.
Praying to the light from a burned out star
The artist is expressing religious and philosophical beliefs in his music, and here he is referring to the idea that human beings pray and seek guidance from something that is already dead or extinct in the universe.
Put your lights on, put down your crosses
The artist is telling his audience to stop behaving in violent, divisive, or destructive ways, and instead to lead towards a path of unity and forgiveness.
It's time to tally up your wins and your losses
The artist is reminding his listeners that it is important to reflect on your actions and decisions, and to remember the successes and failures that shaped your personhood and learning growth experiences.
They go one for Scott La Rock
Scott La Rock was a hip hop musician and activist who was shot and killed in 1987. This song honors him and his contributions to the genre.
Two for Pac and B.I.G.
Tupac Shakur and The Notorious B.I.G. are two of the greatest and most influential hip hop musicians of all time. This song pays tribute to their legacies.
And three for all the mothers who got graves to dig
This line acknowledges that mothers who have lost their children to violence or other tragedies are the ones who suffer the most and have to bury their sons/daughters. It is a tribute to them.
For all the mothers who got graves to dig
This line restates the previous line and emphasizes the sentiment of paying homage and respect in some way to mothers who have lost their child.
Lyrics © Warner Chappell Music, Inc.
Written by: ERIK SCHRODY
Lyrics Licensed & Provided by LyricFind
-sky’sgamechannel-
“Eat At Whitey’s” is slept on hard
sensibilium
this
James Sims
Need a “eat at whiteys 2!!”
Sean Bunting
Wise mick... 💯💪🏻🔥🙏🏻
sensibilium
rip scott la rock, pac, big <3
Chrisann turk
I think we ain't in Kansas anymore
Deanna young
Wtf?! 2 comments?! Hhmhhmm!!
Chrisann turk
Comment
Chrisann turk
It's reference to wizard of oz. Conner now