Hailing from Atlanta, USA the crew consists of Knick, Gigantor and The Enem… Read Full Bio ↴Hailing from Atlanta, USA the crew consists of Knick, Gigantor and The Enemy. Apart from being a production outfit, Evol Intent also owns and operates their own label, which functions as an outlet for their own work as well as like-minded artists.
After building an underground following with their first 3 releases, Evol Intent signed a deal with Alpha Magic to handle their distribution for Evol Intent Recordings. Soon after, Evol Intent was signed by Barcode records, a spinoff of dnb label Renegade Hardware. After their first release with Barcode, Hardware offered them an exclusive deal as permanent artists on the roster. Around the same time, Dieselboy approached Evol Intent to do a remix for his cd "The Dungeon Masters Guide." Upon completion of the remix, Dieselboy asked Evol Intent to do another remix for the cd, of a song from BT.
Their own Evol Intent Recordings imprint is distributed internationally through LOAD Media.
After building an underground following with their first 3 releases, Evol Intent signed a deal with Alpha Magic to handle their distribution for Evol Intent Recordings. Soon after, Evol Intent was signed by Barcode records, a spinoff of dnb label Renegade Hardware. After their first release with Barcode, Hardware offered them an exclusive deal as permanent artists on the roster. Around the same time, Dieselboy approached Evol Intent to do a remix for his cd "The Dungeon Masters Guide." Upon completion of the remix, Dieselboy asked Evol Intent to do another remix for the cd, of a song from BT.
Their own Evol Intent Recordings imprint is distributed internationally through LOAD Media.
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skafabafa
can't believe this only gets a few hundred views, when this album came out i couldnt stop listening to it.
Serhafiye
@adamfox7 With monetized and controlled "algorithms", we lost our way a little bit. Also music industry can't produce superstars like 10-20 years ago because of money issues. It has got many reasons but my english isn't that good '). I can't explain properly and probably you know those reasons.
1> Because of streaming, music labels are becoming unnecessary. 2> Music labels are getting poorer. They are disappearing one by one. Which means we are losing professional, qualified persons in industry day after day. People now trying to be famous with one song. Then what happens? A youtuber is born, not a superstar. Lmao.
3> Of course i'm talking about middle to small music labels. Warner, sony etc. are doing not bad.
4>Anyway, no label means no studio. No studio means DAW. But even for learning a DAW, you need support by a pro :D.
5> Since there is no money in music, only wealthy people left. Also we are not seeing bands like old days, because more people means less money :D. I think Noisia is splitting up because of this.
6> You can be in the industry even without leaving your room. Some dubstep artists are like that, and their music sucks...
I don't know, I think that all of these little by little lead us to the bad end. People were saying "mumble rap is the stupidest think ever 3 years ago. Now we have got K-pop, loll...I can't imagine the 2030's...
adamfox7
@Serhafiye Im afraid its too late. Them call this development. Poor we, more tech toys, less human contact.
Waskinistrator Waskinistrator
@Serhafiye I hope too
Serhafiye
I believe people will understand what is good music when they understand how to use technology, and stop listening shit companies like Spotify, Deezer, YT music...
Waskinistrator Waskinistrator
I was suprised too..
Timo Niksen
This is such a masterpiece, so much feeling and also chaos. Genius
walkingtree5
Shit man, I had all of these tracks on my iPod back then. It sucks to think of how many tracks I have lost over the years due to HDD failures and lost media.
Noir.
Sorry to be that one guy but I gotta say, this sounds like the early stages of breakcore, it's amazing.
ayko
masterpiece