After receiving attention in 2006 for a track released on Advanced Electronics vol3, Faderhead was signed to Accession Records/Indigo and released his debut album "FH1". One year later, he followed up with his sophomore album "FH2".
In 2008, Faderhead parted ways with Accession Records and joined L-Tracks Recordings. On October 10th, the third Faderhead album, aptly titled "FH3" was released.
Faderhead's live show is currently supported by Marco Visconti (of XP8) on keyboards and backing vocals. The Hamburg producer/vocalist uses different musicians for live shows.
Houston
Faderhead Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Drop down, like a forty hertz sound
It ain't pretty and your ditty sounds odd
When this motherfucker drops you
Like an act of god
Sustain's the game
Establish one more brand name
I'll be crushing all the rushing mules
With a touch of the oldschool
Houston
We're landing on your fuckin' face
Serene, obscene
Can't get my ass to intervene
It ain't working when the company's broke
'Cause this motherfucker grabbed you
Just to make you choke
Inside your eyes
I see right through your mind
Fearful stopping of the robot thoughts
When this motherfucker drops you
Like an act of god
The lyrics of Faderhead's song Houston are cryptic yet intriguing. The chorus, "Houston, we're landing on your fuckin' face," sets the tone for the entire song. The lyrics depict a power struggle between two individuals, where one is the aggressor and the other the victim. It opens with the victim bowing to the aggressor, who is in control of the situation, evident through phrases such as "drop down," "like a forty hertz sound," and "when this motherfucker drops you like an act of god." The victim is helpless, vulnerable, and at the mercy of the stronger person.
As the song progresses, it becomes evident that the aggressive person is crushing the victim to establish his brand name. The victim is seen as a means to an end for the aggressor. The phrase "with a touch of the old school" suggests that the aggressor is an expert in the art of manipulation, and the victim is no match. The lyrics, "can't get my ass to intervene" suggest that the singer is a third party, who can see the situation unfolding, but is helpless to change the outcome. The phrase "fearful stopping of robot thoughts" means that the victim is paralyzed with fear and cannot think straight.
In conclusion, Faderhead's song Houston is a metaphor for power and control, where the stronger person gains dominance over the weaker. The lyrics are powerful and evocative, and the listener can almost feel the emotions that the victim is going through. The singer's helplessness adds another layer to the song, making it a complex, multilayered work of art.
Line by Line Meaning
You bow, back rounds
You submit and put up a front
Drop down, like a forty hertz sound
You fall, like a low frequency sound
It ain't pretty and your ditty sounds odd
Your attempt is unimpressive and off-putting
When this motherfucker drops you
Like an act of god
When the situation knocks you down with no mercy
Sustain's the game
Establish one more brand name
Endurance is key, create another identity
I'll be crushing all the rushing mules
When this motherfucker shreds you
With a touch of the oldschool
I'll defeat all the amateur challengers with classic style
Houston
We're landing on your fuckin' face
We're arriving to take over and dominate
Serene, obscene
Can't get my ass to intervene
Calm but depraved, unwilling to get involved
It ain't working when the company's broke
'Cause this motherfucker grabbed you
Just to make you choke
Things aren't functioning when the organization's destitute, and now you're caught in a suffocating grip
Inside your eyes
I see right through your mind
Fearful stopping of the robot thoughts
When this motherfucker drops you
Like an act of god
I can see through your facade, and when things fall apart, you freeze up like a machine malfunctioning
Contributed by Muhammad Y. Suggest a correction in the comments below.
Mistress Strange
Ich liebe es!