Recorded with Ted Hutt (The Gaslight Anthem, Lucero) in California, the album sees the band stripping down the expansive orchestration of 2009’s It’s Great To Be Alive and discovering what magic lurks at the core of Fake Problems’ collective psyche. “We wanted the album to be a little more subtle and let it speak for itself,” Farren explains when asked how found the act found the inspiration to craft a unique brand of music that manages to incorporate elements of infectious indie rock & roll and ‘60s girl groups—the latter of which is aided by crooning vocals courtesy of Fake Problems’ longtime friends/fans Arrested Development’s Mae Whiteman and Alia Shawkat.
Farren also acknowledges that Hutt helped the band realize their Phil Spector-esque wall of sound production style they had in their heads, which allowed them to transcend the DIY punk scene they grew up in without abandoning their roots. “In the past we would jam so many ideas into one song and it would just be too much,” Farren admits. “Ted helped us realize that while that approach is very creative, it’s wasn’t the best way to go about writing this record” he continues. “This album was a good exercise in restraint and filtering the ideas so we could make every good idea really count. “
From soul-inspired indie-rock experiments like “5678” and chilling compositions like “Ghost To Coast” to sparkling beach punk-inspired gems like “Complaint Dept,” Real Ghosts Caught On Tape effectively shows how Fake Problems have organically developed into one of rock’s most exciting acts and will undeniably see them attracting a whole new base of music fans who are looking for something in what they listen to that can’t be easily described or marketed. “The song ‘Complaint Dept’ was such a different thing for us to do because all of the guitar parts are so intricate and noodly,” Farren says when asked about some of his favorite moments on the album. “It was just so fun to be able to do that with our band because it’s surprising for a Fake Problems song, but it works for us.”
Real Ghosts Caught On Tape also sees Farren expanding his lyrical palette—and while he’s become well known for his theological imagery, this album sees Farren exploring himself more as opposed to any external deities. “There’s a theme in the lyrics of uncertainty,” he explains. “There’s an emphasis on fear, trying to persevere, not giving up hope and doing the best you can to stay positive,” he continues. “It’s more of a record about being yourself and living your own life than it is about any other person, concept or idea,” he summarizes. Although lines like “When I reach the pearly gates of hell, I’ll send those dimes back up the wishing well with a note tied to each that reads ‘Nobody’s listening.’” (from “Complaint Dept.”) still display Farren’s gift for wordplay and metaphor, “it’s more of a conversation than a sermon.”
That said, Real Ghosts Caught On Tape isn’t going to make Fake Problems an easy act to categorize—but that’s something that they wouldn’t change for the world. “Creatively we always molded our band from the beginning so that we’d be able to do anything and tour with anyone from Against Me! to William Elliott Whitmore to even the Dillinger Escape Plan,” Farren explains. “I think it’s kind of hard to slap our name on a sticker and recommend us if you like another band, but I think in the long term it’s definitely a blessing that we’re not pinpointed into one thing,” he continues. “We really don’t ever want to be that type of band.”
“Sometimes I dream of getting in my car and driving straight through the night,” vocalist Chris Farren croons on the intricately arranged ballad “Ghost To Coast.” Real Ghosts Caught On Tape is the perfect soundtrack to that journey from darkness to light, showcasing a band who have grown to new artistic heights lying on the other side of the horizon.
Fake Problems is an American rock band from Naples, Florida. They released their first album, How Far Our Bodies Go, on Sabot Productions on April 27, 2007. Their second record, It's Great to Be Alive, was released through Side One Dummy Records on February 17, 2009.
Growing up is never easy, but when you’re in a band it often seems impossible. Make the same record twice and you’re chastised for being repetitive, but if you make too large of a sonic shift your fan base will desert you. Luckily Naples, Florida’s Fake Problems have never had to deal with this dilemma because with each release they’ve not only organically reinvented their sound, they’ve also successfully redefined who they are as musicians and human beings in the process. The culmination of this is the band’s SideOneDummy debut It’s Great To Be Alive, which shows Fake Problems’ unique brand of indie rock finally shaking off the insecurity and soul-searching of adolescence and sees the band embracing a sense of perspective that can only be gained by spending countless months on the road touring, laughing and writing music they believe in.
In order to capture their creative vision for It’s Great To Be Alive the band packed up their van and headed to the cornfields of Omaha, Nebraska, where they spent two weeks tracking the album at ARC Studios with producer A.J. Mogis (Cursive, Rilo Kiley, The Faint). Although this might seem like an unconventional choice for a band who have toured with decidedly more aggressive peers such as Against Me! and the Riverboat Gamblers, Fake Problems were so prepared going into the studio they didn’t have to worry about getting bogged down with technicalities. “We knew exactly what order we wanted the record to be in and what auxiliary instruments we wanted to use on the songs,” Farren explains adding that Perry arranged the strings, Look Mexico’s Matt Agrella arranged the horns—and at one point the band even enlisted the help of a seven-piece horn section comprised of University of Nebraska students and teachers.
The result is an album that combines the band’s punk rock roots with elements of folk and indie rock to create a unique amalgam of music that’s as distinctive as Farren’s soulful tenor. “I’m definitely influenced by my musical surroundings, so there was never any decision to make ‘this’ or ‘that’ kind of song,” the band’s frontman explains, listing everyone from alt-country crooners like Ryan Adams to troubadours like Bob Dylan and rock revivalists such as the Hold Steady as influences this time around. “We write songs that we would want to hear from other artists,” he elaborates. “We make music that we want to listen to, so it just wouldn’t make sense to keep doing the same thing over and over again.
From the sinister shuffle of “You’re A Serpent, You’re a She-Snake” to orchestral ballads like “Tabernacle Song” and intricately layered anthems like “There Are Times,” It’s Great To Be Alive is less of a traditional album and more of a sonic journey that refuses to be limited by genre constraints.
To Repel Ghosts
Fake Problems Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You really cannot say
But I’m sure we’ll find out someday
And those cameras focus in on that bleeding and ablaze
And I’ve got my doubts that this will change
‘Cause we’re suckers for entertainment
Oh, yeah, we just want the truth
‘Cause that’s just the way we work
You’re afraid of the dark
Afraid of the dark
And you know as well as I know
You’re afraid
You’re afraid of the dark
Afraid of the dark
And you know as well as I know
You’re afraid
Now your bones are breakin’ down
And you cannot escape the truth we all have to face
And you’ll be lowered in to your new home
And everyone is watchin’ you go down
‘Cause we’re suckers for entertainment
Oh, yeah, we just want the dirt
And if you don’t give it, we’re gonna take it
‘Cause that’s just the way we work
You’re afraid of the dark
Afraid of the dark
And you know as well as I know
You’re afraid
You’re afraid of the dark
Afraid of the dark
And you know as well as I know
You’re afraid
And those wolves are comin’ to town
And our houses are made of straw
And, oh, yeah, they’re gonna huff, they’re gonna puff
They’re gonna blow the whole damn thing down!
We’re afraid of the dark
Afraid of the dark
And you know as well as I know
We’re afraid
We’re afraid of the dark
Afraid of the dark
And you know as well as I know
We’re afraid
The lyrics of "To Repel Ghosts" by Fake Problems deal with the complex topic of death and how people try to find meaning in the face of finality. The opening lines - "What happens when we die?/You really cannot say/But I’m sure we’ll find out someday" - express the uncertainty and curiosity that people have around death. However, the following lines take a darker turn, as the singer expresses doubt that anything will change after death. The lines "And those cameras focus in on that bleeding and ablaze/And I’ve got my doubts that this will change" touch on the idea that society's obsession with death and dying has become entertainment, and that even in death, people are more focused on spectacle than the deeper meaning of the event.
The chorus of the song - "You’re afraid of the dark/Afraid of the dark/And you know as well as I know/You’re afraid" - addresses the fear that many people have of death and the unknown. The repetition of the line "You’re afraid of the dark" is a reference to the idea that people fear what they can't see or don't understand, and the line "And you know as well as I know/You're afraid" is a reminder to the listener that fear is a universal experience.
Line by Line Meaning
What happens when we die?
The uncertainty of what happens to us when we die is a mystery.
You really cannot say
No one really knows what happens when we die with certainty.
But I’m sure we’ll find out someday
Eventually, we'll all discover what the afterlife entails, but no one knows when.
And those cameras focus in on that bleeding and ablaze
The media draws attention to dramatic events for entertainment purposes.
And I’ve got my doubts that this will change
The cycle of sensational journalism will continue because people crave it.
‘Cause we’re suckers for entertainment
Humans have an insatiable desire for stimulation and spectacle.
Oh, yeah, we just want the truth
Despite wanting entertainment, we still want to know the real story.
And if you don’t give it, we’re gonna take it
If the media can't get the facts, they will fabricate a story instead.
‘Cause that’s just the way we work
This behavior is a result of human nature and society's demands.
You’re afraid of the dark
The unknown and fear of what we can't see is scary.
Afraid of the dark
The fear of what could lurk in the shadows is a common fear.
And you know as well as I know
Fear is a shared emotion that we all experience.
Now your bones are breakin’ down
The inevitability of death slowly breaking down the body is a harsh reality.
And you cannot escape the truth we all have to face
Everyone has to confront death and the unknown at some point.
And you’ll be lowered in to your new home
Death is seen as a new dwelling place.
And everyone is watchin’ you go down
The final moments of someone's life often draw attention and are witnessed by others.
And those wolves are comin’ to town
Danger and threats are looming in our society.
And our houses are made of straw
Our defenses against these threats may not be as strong as we hope.
And, oh, yeah, they’re gonna huff, they’re gonna puff, They’re gonna blow the whole damn thing down!
The danger and threats we face have the power to destroy us.
We’re afraid of the dark
As a society, we have collective fears and uncertainty about the unknown.
And you know as well as I know
We are all aware of the shared fears and vulnerability we face.
Contributed by Vivian B. Suggest a correction in the comments below.
Samantha Applegate
I'm seeing them this saturday!
quinn
This song is amazing. I think I like it better than Dream Team
S Fuller
I found this in a strange way lol
Justin Atwood
Sometimes ghosts are positive, spreading white magic.