Likolo
Fally Ipupa Lyrics

Aigle
The artist is introducing the song with this word, which translates to "eagle" in English.

Binks, NI, NI
This phrase carries no specific meaning and is possibly just an ad-lib or a sound effect added for musical effect.

Tiens, tiens
This phrase can be loosely translated to "wait, wait" and indicates that the artist is about to say something important.

Retiens bien
This phrase can be translated to "remember well" or "pay close attention," indicating that the following lyrics hold significance.

Eeh, eeh
Another possible ad-lib or sound effect added for musical effect.

Donne-moi ça jusqu'au matin
Translated to "give me that till morning," this line is a request from the artist to his partner to continue providing him with something (possibly physical or emotional) for the rest of the night.

Jusqu'au matin, bébé
This line reiterates the request from the previous line, while adding an endearment to the partner.

Surtout y aura pas de tabou
Translated to "especially, there will be no taboo," this line suggests that the artist and his partner can be completely open and honest with each other without fear of judgement.

Allez, montre moi tes tattoos
Translated to "come on, show me your tattoos," this line is a playful request from the artist to his partner to reveal more about themselves (possibly referring to physical or emotional tattoos).

Tous tes tattoos cachés
Translated to "all your hidden tattoos," this line suggests that the partner may not be revealing everything about themselves, and the artist wants to know them more fully.

Près de moi, viens près de moi, bébé
Translated to "come close to me, come close to me, baby," this line is a request for physical intimacy and closeness with the partner.

Ngai na leli lelelele (donne-moi ça)
Translated to "me, I want it, lelelele" and followed by "give me that," this line could be interpreted as the artist expressing his desire for something from his partner (possibly physical or emotional).

Ye a leli lelelele (tout ça)
Translated to "you also want it, lelelele" and followed by "all that," this line suggests that the partner also desires something (possibly physical or emotional) from the artist.

Chérie a leli lelelele (j'aime ça)
Translated to "sweetheart also wants it, lelelele" and followed by "I like that," this line further suggests that the partner desires and enjoys something from the artist.

Fouquet's, Christian Dior, elle veut ça (elle veut ça)
Translated to "Fouquet's, Christian Dior, she wants that (she wants that)," this line suggests that the partner desires material possessions associated with luxury and high fashion.

Elle veut le sac Hermès, elle veut le Birkin, elle veut quoi? (Elle veut quoi?)
Translated to "she wants the Hermès bag, she wants the Birkin, what does she want? (What does she want?)," this line further emphasizes the partner's desire for high-end fashion items.

Que je l'emmène au soleil, Kattikkayam, Panama
Translated to "that I take her to the sun, Kattikkayam, Panama," this line suggests that the artist wants to take his partner on a luxurious vacation to a tropical destination.

Au septième ciel, elle veut qu'on se voit là haut
Translated to "to the seventh heaven, she wants us to see each other up there," this line further emphasizes the partner's desire for a luxurious and elevated lifestyle with the artist.

Likolo, likolo, likolo
This phrase is repeated throughout the song and has no direct translation, but is possibly a reference to a Congolese expression of pleasure or celebration.

Tokei likolo
This phrase, which is repeated a few times throughout the song, roughly translates to "touch the pleasure" and continues the theme of pleasure and enjoyment.

Papa est fatigué, million d'euros, c'est le boulot
Translated to "daddy is tired, one million euros, that's the job," this line suggests that the artist is successful and has worked hard to earn his wealth.

Aleli ngai, naleli ye
Translated to "he/she likes me, I like him/her," this line suggests that the artist's relationship with his partner is mutual and genuine.

C'est mon soldat, mon meilleur allié (ah, ah)
Translated to "he's my soldier, my best ally (ah, ah)," this line reinforces the idea that the artist and his partner have a strong and supportive relationship.

Fongola ngai motema na yo, omona la vie en vraie
Translated to "open your heart to me, you'll see the real life," this line suggests that the artist wants his partner to be open and honest with him, and that together they can experience true happiness.

Ouvre moi ton cœur que je te montre tous les plans que j'ai manigancé
Translated to "open your heart to me so I can show you all the plans I've schemed," this line suggests that the artist has grand plans for his future with his partner and wants to share them with her.

Et si c'est toi, c'est que toi, t'inquiètes pas
Translated to "and if it's you, it's you, don't worry," this line suggests that the artist is confident in his love for his partner and that he knows she is the right person for him.

Nous deux ouais, comme Roméo, comme Aladin, je viendrai te retrouver
Translated to "the two of us, yeah, like Romeo, like Aladdin, I'll come find you," this line suggests that the artist will always be there for his partner, like the classic literary and folk tale characters.

Pleins d'ennemis, plein d'amour, jaloux ooh (Poso na poso)
Translated to "lots of enemies, lots of love, jealous ooh (step by step)," this line suggests that the artist and his partner face opposition but that their love for each other surpasses any negativity.

Pleins d'ennemis, plein d'amour, jaloux ooh (Poso na mbonda)
Translated to "lots of enemies, lots of love, jealous ooh (step by step)," this line reiterates the sentiment of the previous line.

Pleins d'ennemis, plein d'amour, jaloux ooh (Pasuka epasuka)
Translated to "lots of enemies, lots of love, jealous ooh (break and fix)," this line continues to emphasize the theme of facing opposition while maintaining a strong love.