2. A Finnish melodic metal band.
3… Read Full Bio ↴1. An American pop-punk/rock band.
2. A Finnish melodic metal band.
3. A French screamo band.
4. Ultra death minimalist noise by Jamie butch jenny Stewart (Xiu Xiu)
The sophomore album poses an interesting situation for any artist: They can either take the if-it-ain't-broke-don't-fix-it approach, or they can opt to push the envelope and try something progressive, all the while subjecting themselves to potential failure.
On Run It Up the Flagpole, Greensboro, NC pop-punkers FAREWELL have chosen the latter, toeing the line between sugary pop melodies and unbridled punk-rock energy while creating a record that both Top-40 fans and punk purists can enjoy equally. The set follows 2007's Isn't This Supposed To Be Fun!?, which, along with the band's earn-it-yourself attitude, kept Farewell on the road alongside acts including Forever The Sickest Kids, The Secret Handshake, Four Year Strong and Hit The Lights, as well as earning them a spot on last year's Van's Warped Tour.
When facing the task of writing Fun's follow-up, the band - vocalist Marshall Davis, guitarists Wil Andrews and Kevin Carter, bassist Buddy (just buddy) and drummer Jeff Ellis - set out with one goal: to diversify its sound while proving that it's possible to play catchy, pop-based music without pandering to overtly glossy production and studio trickery. "So many bands' second record sounds exactly like their first one, and it's almost always a letdown," says Davis. "We wanted to continue to move forward as a band and help expand our fans' perception of what "pop-punk" could be. That's why this new record has its own identity. It's a perfect blend of our past and present."
If you're looking for a record full of snot-nosed vocals and breakneck tempos, you'll probably be disappointed. Instead, Farewell's punk influence is exuded in swagger and attitude, drawing from influences like Jawbreaker and Screeching Weasel. Even so, it's clear the band isn't pulling any punches this time around. Calling out the "cookie cutter caffeinated teens, deployed for mass consumption," the lead single "Devoid (That's What I Think About It)" kicks listeners in the teeth with massive Green Day-sized guitars and its rallying-cry chorus of "When did rock and roll become this fucking fashion show!?"
No, Farewell has not become a band of crusty punk-rock bellyachers. Nor have they turned their backs on the fan base that's supported them since the beginning. They're simply not willing to stand by and watch their pop-punk scene be overrun by sound-alike clones who care more about looking good than making good music. "We're basically a punk-rock band that's more rock than punk," Davis laughs. "I wish I could sing like Armstrong, but I guess I'll settle for Hoppus."
Farewell's members, most of whom had grown up playing in various punk and hardcore bands, came together in 2005 and quickly built a name for themselves, touring the Southeast and crafting their upbeat pop-rock sound, all the while showcasing for labels across the country. They eventually caught the ear of Epitaph founder Brett Gurewitz, who signed the group in 2007. It was an ideal situation for the band; many of their influences were veteran Epitaph artists. "They understood our band and didn't want to change us," Davis says of the label. "They were stoked on what we had to offer and gave us 100% creative control. It was perfect for us."
Throughout Run It Up the Flagpole, Farewell tempers it's us-against-the-world mentality with a hearty dose of earnestness and sincerity. That's best found on "Catch As Catch Can," an autobiographical mid-tempo number that recaps the band's history - from its nascent stages in the dive-bars of North Carolina to an eventual deal with Epitaph and subsequent worldwide touring. Run It Up The Flagpole not only cements Farewell as a band that won't compromise its ideals for the sake of rock stardom, but also shows its members will never forget their roots and what it took to make it this far. "You have to keep in mind that your fans are growing as individuals too, along with their musical tastes," Davis explains. "We're playing the type of music that made us want to do this in the first place. It's what we love, and what we do best."
check out farewell on the web!
http://www.purevolume.com/farewell
http://www.myspace.com/farewell
http://www.merchdirect.com/farewell
Sing Baby
Farewell Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
These days are numbered one by one
Feeding the masses with their pacifying thumb
Too important to listen
They've got us pinned against the wall and so we say
You're one-in-a-million, baby
I've got a familiar feeling that everybody knows
Crooked minds and timeless binds have rotted out the core
Subconscious leading to precarious trap doors
Two times they glisten (?)
They've got us poised to take the fall and so we say
You're one-in-a-million, baby
Well that's just how it goes
I've got a familiar feeling that everybody knows
Climbing rooftops and the suits you're living in can't save your skin
So I sing this song to you
(You're my one and only)
You're one-in-a-million, baby
Well that's just how it goes
I've got a familiar feeling that everybody knows
You're one of a million dead-beats washed up on the shore
At the cap of a new wave that'll be crashing at your door(?)
In "Sing Baby" by Farewell, the theme of feeling trapped in a society that doesn't listen to your struggles is prevalent. The lyrics start by describing someone who is down on their luck, and how every day seems to be numbered one by one. This person is being fed pacifying messages, which is turning them into one of the masses. The lyrics suggest that the powers that be are too important to listen, and that they have pinned the people against the wall. Despite this, the singer says that they are one-in-a-million, but they have a familiar feeling that everyone knows.
The next set of lyrics describes how crooked minds and timeless binds have completely rotted out the core. The subconsciousness is leading the people through precarious trap doors, and they've been glistened two times, making them even more vulnerable to being trapped. Despite this, the singer says that they're one-in-a-million, but they have a familiar feeling that everyone knows. The song crescendos as the singer describes climbing rooftops, and how the person's suits will not save them. The song is sung to the one and only person who is one-in-a-million, and who will soon be at the cap of a new wave that'll be crashing at their door.
Line by Line Meaning
Down on your luck
Feeling unlucky or unfortunate
These days are numbered one by one
Time is running out, each day is passing quickly
Feeding the masses with their pacifying thumb
Those in power are providing distractions to keep the people under control
Too important to listen
Arrogance and self-importance preventing them from hearing other perspectives
They've got us pinned against the wall and so we say
Feeling trapped or helpless in a situation
You're one-in-a-million, baby
Acknowledging unique qualities, but sarcastically implying that it doesn't matter in a world where everyone is the same
Well that's just how it goes
Accepting the harsh realities of the world
I've got a familiar feeling that everybody knows
A sense of shared experience or understanding
Crooked minds and timeless binds have rotted out the core
Corruption and outdated ideas have eroded the foundation of society
Subconscious leading to precarious trap doors
Unconscious biases or beliefs leading to dangerous consequences
Two times they glisten (?)
Unclear meaning or reference
They've got us poised to take the fall and so we say
Being put in a position to fail or suffer consequences
Climbing rooftops and the suits you're living in can't save your skin
Material possessions or status cannot protect you from harm
So I sing this song to you
Using music as a form of expression or communication
(You're my one and only)
Possibly a reference to a specific person or idea
You're one of a million dead-beats washed up on the shore
Being seen as a failure or insignificant in a crowded world
At the cap of a new wave that'll be crashing at your door(?)
Unclear meaning or reference
Contributed by Kayla I. Suggest a correction in the comments below.
Sali Drame
lembra me a Lisa com essas ideias loucas, amo essa série. K saudades
gringgoguy
this is my fav farewell song!
Eduarda Pinto
i love this song it's so cool x)
Grace M
whoa i found this song by accident n i LOVE it ;D
Robert Potrie
Farewell Is awesome!
sunder
If you guys like this band you'll probably like Panic! at the Disco's first album "A Fever You Can't Sweat Out"
Curtis Reid
I love the begining
Patrícia Oliveira
it's very nice :D:D
H̶a̶p̶p̶y̶ ̶G̶i̶r̶l̶ッ
Esta é a musica de quando Lisa tinha ideias loucas!
MissSara BG
§ COOL!! §