Farhad was born in Tehran. His father was Reza Mehrad, an Iranian diplomat who worked in the Arabic countries for the Iranian ministry of foreign affairs. Being the youngest child he always behaved differently than his family members and everyone assumed he was trying to act like an adults.
When Farhad was three years of age his love for music was noticed when he stayed outside his brothers' room, listening to his Violin lessons. His family bought Farhad a Cello and he started taking lessons. After 3 lessons, his Chello broke and as Farhad describes "the instrument broke into pieces so did my soul". That was the end of the Chello for Farhad and his love and passion for music ended up to be only listening to his brother playing the Violin.
When he went to school he found a passion for literature. He decided to study literature in high school but with the absence of his father, his uncle forced him to study science despite his weak results on all other subjects other than literature and English language. His interest being ignored; he quit high school on the 11th year, because he had no love for what he was studying.
After quitting high school he met an Armenian music band, using their instruments he learnt music by experience and after a while he became the guitar player in the band. The band went to southern Iran to perform for the Iranian Oil Company Club. One of the biggest organizations in Iran with many foreign employees. Before the start of the first nights' performance, the band made Farhad sing, the excuse was the vocalists' absence. Farhads' great attention and fuss for correct pronunciation of the words, and his knowledge of world literature came as a good advantage; when he preformed a few songs in Italian, French and English, it was hard to believe his mother tongue was Farsi. That led to the band's success and they preformed for an extended number of nights.
After a while Farhad quit the band and started his solo career. In 1964 he performed a few English songs on an Iranian TV show, where he captured the attention of more people.
Later in an event sponsored by "EtelaÃt Javanan"; a popular youth magazine, he preformed in "Amjadie" Stadium. He played a few songs with the guitar which was followed by a huge crowd response. That was when "Shahbal Shabpareh" , the front man of the Iranian popular band "Black Cats" found out about Farhad.
Sometime later Shahbal and Farhad met and Farhad joined the Black Cats as a vocalist, the guitar player and the piano player. The Black Cats members were Shahbal Shabpareh (the percussions), Shahram Shabpareh (the Guitar), Hassan Shamaizadeh (the saxophone), Hamou (the Guitar) and Manouchehr Eslami (the trumpet). The band started playing in "Couchini Club".
Manouchehr Eslami called Farhad the most important member of the band; "Despite the fact he couldn't read music sheets and had learnt the music by listening and playing by experience, Farhad did not need to attend the practice sessions. By whispering the song a few times he could cooperate his voice and instrument with the other band members. In fact he attended the sessions only for the respect of other band members" said Eslami.
In the busiest and most successful time of the band, the first Farsi song of Farhad, called "Age Ye Jo Shans Dashtim" (With a little bit of Luck) was used in the movie "Banooye Zibaye Man" (My Fair Lady).
After a while Farhad left the Black Cats to take care of his sick sister in England. Farhad met a famous producer and he was offered a record deal by him. Farhad became ill and due to his illness and personal problems the deal never took place. The journey which was supposed to last for two months, took one year.
In 1969 Farhad sang "Marde Tanha" (the lonely man) for the movie "Reza Motori" (The Biker Reza). The song was composed by Esfandiar Monfaredzadeh and the lyrics where written by Shahyar Ghanbari. After the release of the movie, the song was released on gramophone discs and Farhad became a legendary star.
Farhad only sang songs which had a message and he believed in their messages. That's why after Marde Tanha he only released 3 singles during the years of 1971-1973. Those where "Jomeh" (The Friday) "Hafteh Kakestari" (The Gray Week) and "Ayeneh" (The Mirror).
Before the Iranian 1979 Islamic Revolution and during the political conflicts of the 1970s in Iran, Farhad recorded 6 songs with revolutionary massages that became the Iranians voice of unity.
The day after the Iranian revolution, 11th of February 1979, his song "Vahdat" (unity) was broadcasted from Iranian television[1] in the honour of revolution and freedom.
After revolution, the Islamic government turned its back on Farhad and refused to grant him permission to publish his album many times. Even the song "Vahdat" -which was considered a song in honer of the revolution- was refused permission to be released, the government's reason was the song is nothing new; but the fact was the Islamic Government was concerned about his popularity and his influence on people. The government wanted Farhad to be forgotten
In 1993, after 15 years of silence, Farhad was granted permission to release his first album "Khab Dar Bidari" (Sleep While Awake) and it went straight to the top of the charts just after its release.
After this album Farhad lost hope in the Iranian governments' grant of permission system and he released his next album "Barf" (Snow) in the United States in 1999. Barf was released in Iran a year later.
After Barf Farhad decided to record an album with songs from different countries and in different languages. He decided to call the album "Amin" (Amen) he started recording; but death stopped him from finishing it.
On September 2000, Farhad's illness became serious and on the 31st of August 2002, after 2 years of treatment in Iran and France, he died in Paris.
Farhad was 59 years of age when he died; he is resting in peace in the Thiais cemetery in Paris.
Source: Wikipedia
Official website : http://www.farhadmehrad.org
فرهاد مِهراد (۲۹ دی ۱۳۲۲ در تهران - ۹ شهریور ۱۳۸۱ در پاریس) معروف به فرهاد؛ خواننده، آهنگساز و نوازندهٔ پاپ راک اهل ایران بود.]
فرهاد از خوانندگان راک ایرانی بود و نخستین آلبوم راک اند رول ایران را منتشر کرد.
او به عنوان یکی از سیاسیترین خوانندگان ایران شناخته میشود. فرهاد در اوایل دهه ۱۳۵۰ شعرهایی با مضامین سیاسی میخواند و مدتی زندانی سیاسی بود. فرهاد بعداً از انقلابیون شد و در زمستان ۱۳۵۷ ترانه انقلابی «وحدت» را خواند، اما پس از انقلاب تا سال ۱۳۷۲ از ادامه کار منع شد.
آنچه فرهاد را از دیگر همدورههایش متمایز میکند، ترانههای پوچگرا و فرهنگ خیابانی است که در موسیقی او متبلور شدهاست. این عناصر در ترانه مشهور «کودکانه» بیش از پیش نمود دارد
از دیگر ترانههای مشهور او میتوان به «جمعه»، «گنجشکک اشیمشی»، «شبانه»، «هفته خاکستری» و «مرد تنها» اشاره کرد. فرهاد آهنگهایی نیز غیر فارسی به زبان های انگلیسی آلمانی و فرانسه نیز دارد
.
سالهای کودکی
فرهاد ۲۹ دی ۱۳۲۲ در تهران متولد شد. پدرش رضا مهراد، کاردار ایران در کشورهای عربی بود. فرهاد تا ۸ سالگی که به همراه خانواده به تهران بازگشت در عراق زندگی میکرد. برادر بزرگ فرهاد ویولن مینواخت. یکی از دوستان برادرش متوجه علاقهٔ فرهاد به موسیقی میشود و از خانواده فرهاد میخواهد که سازی برای او تهیه کنند. با اصرار برادرش یک ویولنسل برای او تهیه میکنند و تمرینات فرهاد آغاز میشود. ولی عمر تمرینات ویولنسل از ۳ جلسه فراتر نرفت
سالهای جوانی و شهرت
بعد از ترک تحصیل در کلاس یازدهم با یک گروه نوازندهٔ ارمنی آشنا میشود و با استفاده از سازهای آنان به صورت تجربی نواختن را میآموزد و مدتی بعد به عنوان نوازندهٔ گیتار در همان گروه شروع به فعالیت میکند. فرهاد دو سال نیز به انگلستان رفت و در آنجا با موسیقی پاپ آن سالهای انگلستان آشنا شد.
پس از بازگشت به ایران فرهاد اولین اجرای موسیقی خود را در هتل ریمبو در خیابان ایرانشهر تهران اجرا کرد. سپس به اجرای برنامه در رستوران کوچینی ادامه داد و در آنجا به فرهاد بلککَتس مشهور شد. در این دوران به خواندن آوازهایی از گروههای معروف موسیقی آن زمان از جمله بیتلها، الویس پریسلی، و ری چارلز میپرداخت. در همین دوره ترانهٔ «اگه یه جو شانس داشتیم» را برای دوبلهٔ فیلم بانوی زیبای من خواند که در فیلم استفاده شد.
در ۱۳۴۸ فرهاد برای ترانهٔ «مرد تنها» (با آهنگ اسفندیار منفردزاده و شعر شهیار قنبری) در فیلم رضا موتوری (به کارگردانی مسعود کیمیایی) آواز خواند. این ترانه در سال ۱۳۴۹ همزمان با اکران فیلم به شکل صفحهٔ موسیقی منتشر شد. در ۱۳۵۰ ترانهٔ «جمعه» (کار منفردزاده و قنبری) را برای فیلم خداحافظ رفیق (به کارگردانی امیر نادری)، در ۱۳۵۱ ترانهٔ «خسته» را برای فیلم زنجیری، و در ۱۳۵۶ ترانهٔ «سقف» (کار منفردزاده و ایرج جنتی عطایی) را برای فیلم ماهیها در خاک میمیرند خواند.
در همین سالها (اوایل دههٔ ۱۳۵۰) فرهاد با دختری به نام مونیکا آشنا شد و با او ازدواج کرد اما سرانجام این ازدواج جدایی بود. بعدها یعنی در اواخر همین دهه فرهاد با پوران گلفام ازدواج کرد و تا پایان عمر با او زندگی کرد.
تا سال ۱۳۵۷ و انقلاب ایران کنسرتهای فراوانی داد. در بهمن ۱۳۵۷ همزمان با انقلاب ترانهٔ معروفش «وحدت» (آهنگ از منفردزاده، شعر از سیاوش کسرایی) را ضبط کرد.
پس از انقلاب مدتها از کار منع شد تا بالاخره در ۱۳۶۹ آلبوم خواب در بیداری را منتشر کرد که چند ترانهٔ فارسی و چند ترانهٔ انگلیسی داشت. در این نوار فرهاد پیانو هم مینواخت و بعضی از آهنگها را هم خود ساخته بود. در ۱۳۷۴ نیز اولین کنسرت بعد از انقلابش را در کلن اجرا کرد.
در ۱۳۷۶ آلبوم وحدت او نیز منتشر شد که شامل ترانههای دههٔ ۱۳۵۰ او بود. در ۱۳۷۷ توانست در هتل شرق تهران کنسرت اجرا کند و آلبوم برف را نیز منتشر کرد.
سالهای پایانی و بیماری
پس از انتشار آلبوم «برف»، فرهاد درصدد تهیه آلبومی با نام «آمین» بود که ترانههایی از کشورها و زبانهای مختلف را در بر میگرفت. اما از مهرماه ۱۳۷۹ بیماری او جدی شد. فرهاد به بیماری هپاتیت سی مبتلا بود و در نتیجهٔ عوارض کبدی ناشی از آن در خرداد ۱۳۸۱ برای درمان به لیل در فرانسه رفت و در ۹ شهریور همان سال پس از مدتی اغما در بیمارستان، در سن ۵۹ سالگی درگذشت و در ۱۳ شهریور در گورستان تیه (قطعه ۱۱۰، ردیف ۷، سنگ ۲۳) در پاریس دفن شد. پس از درگذشت فرهاد، مجموعه آثار و فیلم مستندی از او منتشر شد.
منبع ویکی پدیا
.در صورت اطلاعات موثق تر در جهت آگاهی هر چه بیشتر دوستان و طرفداران این خواندده ی بزرگ شما معرفی کنید
Yesterday When I Was Young
Farhad Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The taste of life was sweet, as rain upon my tongue,
I teased at life, as if it were a foolish game,
The way the evening breeze may tease a candle flame
The thousand dreams I dreamed, the splendid things I planned,
I always built, alas, on weak and shifting sand,
I lived by night, and shunned the naked light of day,
Yesterday, when I was young,
So many happy songs were waiting to be sung,
So many wild pleasures lay in store for me,
And so much pain, my dazzled eyes refused to see
I ran so fast that time, and youth at last ran out,
I never stopped to think, what life, was all about,
And every conversation, I can now recall,
Concerned itself with me, and nothing else at all
Yesterday, the moon was blue,
And every crazy day, brought something new to do,
I used my magic age, as if it were a wand,
And never saw the worst, and the emptiness beyond
The game of love I played, with arrogance and pride,
And every flame I lit, too quickly, quickly died,
The friends I made, all seemed somehow to drift away,
And only I am left, on stage to end the play
There are so many songs in me, that won't be sung,
I feel the bitter taste, of tears upon my tongue,
The time has come for me to pay,
For yesterday, when I was young
( Roy Clark sang this song at Mickey Mantle's funeral in 1995. Mickey had heard Roy sing it before and thought it depicted his life so well that he specifically asked Roy to someday sing it at his funeral )
The song "Yesterday When I Was Young" by Farhad expresses the regret of the singer for not appreciating his youth and wasting so much time on selfish endeavors. The singer remembers the joyousness of his youth in the first stanza, where he likens life to a game but wishes that he had not treated it like one. He feels remorse at not achieving his dreams and building them on unstable foundations. He also recalls how he avoided reality by living at night, and now feels that all of his years have slipped away from him.
In the second stanza, the singer recalls the sheer number of opportunities that youth provided, with many songs still unsung and a lot of pain and hardship left out of sight. The singer admits his recklessness and lack of focus, always looking out for himself and burning bridges along the way. He remembers how love often fell victim to his pride, and how his friends have faded away from his life.
In the final stanza, the singer feels the weight of regret upon him in the form of unshed tears. He knows that he must face the music for the irretrievable time that has passed, with all of the would-haves and could-haves haunting him forevermore. He ends the song with a somber tone, bemoaning his failure to grasp the opportunities that life had presented him with.
Line by Line Meaning
Yesterday, when I was young,
In the past, when I was much younger than today
The taste of life was sweet, as rain upon my tongue,
Life was enjoyable, like sweet rain that refreshes the mouth
I teased at life, as if it were a foolish game,
I didn't take life seriously, like a game that was unimportant
The way the evening breeze may tease a candle flame
I was easily swayed and distracted, like a candle flame that flickers in the breeze
The thousand dreams I dreamed, the splendid things I planned,
I had many aspirations and grand ideas
I always built, alas, on weak and shifting sand,
Unfortunately, my plans were not well-thought-out and were based on unsteady foundations
I lived by night, and shunned the naked light of day,
I preferred the darkness of night and avoided facing reality and potential problems during the day
And only now, I see, how the years ran away
Only now am I realizing how quickly time has passed
So many happy songs were waiting to be sung,
There were many joyful experiences and moments waiting for me
So many wild pleasures lay in store for me,
There were many exciting and thrilling experiences and opportunities waiting for me
And so much pain, my dazzled eyes refused to see
However, I was too preoccupied with my own desires to see the potential pain and difficulties ahead
I ran so fast that time, and youth at last ran out,
I was so caught up in enjoying myself that I didn't realize how quickly time was passing and how quickly I was aging
I never stopped to think, what life, was all about,
I never took the time to reflect on the meaning and purpose of life
And every conversation, I can now recall,
I remember now that every conversation seemed to center around me and my desires
Concerned itself with me, and nothing else at all
Others were mostly concerned with my interests, and not much else
Yesterday, the moon was blue,
In the past, the moon seemed particularly bright or significant
And every crazy day, brought something new to do,
Every day seemed full of new and exciting possibilities
I used my magic age, as if it were a wand,
I felt invincible and all-powerful, as if my youth could create magic
And never saw the worst, and the emptiness beyond
However, I didn't realize the potential negative consequences and emptiness that lay ahead
The game of love I played, with arrogance and pride,
I approached romantic relationships as a game, with overconfidence and pride
And every flame I lit, too quickly, quickly died,
However, my relationships never lasted and ended quickly
The friends I made, all seemed somehow to drift away,
My friendships never seemed to last, and my friends all drifted away
And only I am left, on stage to end the play
Now I'm left alone, like an actor on stage, to finish out the rest of my life
There are so many songs in me, that won't be sung,
There were many experiences and possibilities that I never got around to pursuing
I feel the bitter taste, of tears upon my tongue,
I regret not taking advantage of those opportunities and feel sad about it
The time has come for me to pay,
Now it's time for me to face the consequences of my actions and inactions
For yesterday, when I was young
For my youthful mistakes and missed opportunities
Contributed by Bella W. Suggest a correction in the comments below.
camden
what a legend!
Rabee Farkhondeh
Fantastic