In 1986, he was among the first batch to get inducted into the Rock & Roll Hall Of Fame. "Ain't That A Shame" and "Blueberry Hill" were named part of The Rock & Roll Hall Of Fame's 500 Songs That Shaped Rock & Roll. In 2004, "Blueberry Hill" was named #81 and "Ain't That A Shame" was named #431 on Rolling Stone's Top 500 Songs Of All Time. In 2004, he was named #25 on Rolling Stone's 100 Greatest Artists Of All Time.
In the wake of Domino's rescue from his 9th ward home during 2005's Hurricane Katrina, the Tipitina's Foundation organized a tribute album to the elder artist featuring Robert Plant, Norah Jones, Paul McCartney and numerous other acts that owe a creative debt to this seminal rock n roll pianist.
I Be My Guest
Fats Domino Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come join the party and meet the rest
Everything is gonna be all right
So be my guest tonight
We're gonna dance to the rock 'n' roll
We're gonna even do the stroll
We're gonna Lindy Hop and Suzy Q
My, my-oh-mine, gee, you're so fine
Don't let me down
I'm the king but you can wear my crown
I'm gonna sing, my band gonna play
I'm gonna make you queen for a day
Everything is gonna be all right
So be my guest tonight
My, my-oh-mine, gee, you're so fine
Don't let me down
I'm the king but you can wear my crown
I'm gonna sing, my band gonna play
I'm gonna make you queen for a day
Everything is gonna be all right
So be my guest tonight
"Be My Guest" by Fats Domino is an upbeat and lively rock and roll song that invites the listener to join in a party and have a good time. In the song, the singer is inviting someone to come and be their guest and be a part of a special party that is just for them. The singer reassures the person that everything is going to be alright and they will have a great time.
The song is filled with references to dancing and different dance styles. The singer promises that they will dance to rock and roll, do the stroll, Lindy Hop and Suzy Q. The singer also flatters the person they are inviting by calling them so fine and saying that they can wear their crown. The chorus repeats the invitation to be their guest and reassures that everything will be alright.
Overall, "Be My Guest" is a fun and inviting song that encourages people to let loose and have some fun. It's a celebration of rock and roll music and dancing, and the invitation to be the singer's guest adds an extra level of excitement to the party.
Line by Line Meaning
Come on baby and be my guest
Join me and my fellow party guests
Come join the party and meet the rest
Come mingle with everyone and have a good time
Everything is gonna be all right
No need to worry, everything is under control
So be my guest tonight
Join us tonight, we'd love to have you
We're gonna dance to the rock 'n' roll
We'll be dancing to the lively beat of rock 'n' roll music
We're gonna even do the stroll
And we'll even show you some dance moves, like the stroll
We're gonna Lindy Hop and Suzy Q
We'll be showing off some other popular swing dances too
It's a special party just for you
This party is meant for you, and we want you to have a great time
My, my-oh-mine, gee, you're so fine
You look absolutely stunning
Don't let me down
I have high hopes for this evening, don't disappoint me
I'm the king but you can wear my crown
I may be the host of this party, but tonight you're the center of attention
I'm gonna sing, my band gonna play
I'll be singing and my band will be playing music all night long
I'm gonna make you queen for a day
You'll be treated like royalty for the evening
Everything is gonna be all right
I promise everything will be fine, just enjoy yourself
So be my guest tonight
Join us tonight and have a great time
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: ANTOINE DOMINO, JOHN MARASCALCO, TOMMY BOYCE
Lyrics Licensed & Provided by LyricFind
@MSILBB
@mayena It is because it’s the basis for it. He (guy up top) likes to spread misinformation, he shifts his information a lot because he doesn’t know what he’s talking about and for whatever reason he’s uncomfortable with the truth. Anyone with basic familiarity of Black American music can readily see and hear it all up in Jamaican music to this day. There is no “face value.” It’s embedded.
There is very little Mento in Jamaican music, very little and as hard as this might be to hear, it’s not the foundation for any of Jamaica’s music post the 1950s, as Mento peaked when Black music from America took over Jamaica. Some mento/African derived elements were added later on in the 60s due to Pan-Africanism but by then the base for Ska was already formed. It would be an “additive” not a “basis.”
The offbeat emphasis that’s present in Jamaican music comes from Black American music (Jazz, Rock n Roll and R&B), you’ll find this information in a number of books and research articles. Trying to separate the guitar from drumming is delusional and points to not knowing anything about the history, African music and indicates a lack in common sense and basic critical thinking skills.
You’ll find that the offbeat and its emphasis/accentuation exists in Black American music via the use of various instruments, ranging from the guitar, drums, piano etc. It’s a common feature in ANY African derived music.
What he’s referencing about the “downbeat” is a very slight change that was made permanent that later developed during the formative years of Ska, and it had no effect on the structure or framework from which Ska, Rocksteady and Reggae operated from (Black American Music). That minor change was just a nice way of trying to create some independence and I get it but it’s not a significant shift , nonetheless that small shift was renamed Ska.
The offbeat emphasis in Black American music on the drums is typically played on the snare aka backbeat, after Blacks in Jamaica copied American music with the snare drum offbeat and offbeat emphasis, the offbeat emphasis drumming was later permanently moved to the bass by a Jamaican drummer, no biggie, as you can hear offbeat kick drumming in American music. Offbeat kick drumming wasn’t unheard of in Black American music, it just wasn’t as common. Jamaicans simply made this change their signature sound. It’s like/akin to changing the pitch of a song or enhancing one aspect; it indicates nothing about Mento.
One drop developed later with roots reggae in the 60s, there is no evidence to support that it comes from Mento and even if it did, it’s still not the foundation, but is a unique additive. Dude is delusional.
@user-do6xp7tq1z
Living in Philadelphia in the 50’s about 10 years old I remember listening to Blueberry Hill. We were so young, family together. Happy times. Love you, Fats.
@phillydog57coupe
Loved hearing that New Orléans sound growing up growing up in Philly myself in the 50's and 60's, especially Huey Piano Smith's stuff.
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@carolynyoung-jenkins7263
Loved every song he did. Great musician.💞💞
@andrewfoster883
Right now I'm reading about the proto-ska rhythms in this. Fascinating. Jamaicans heard this over the radio and drew influence
@willemschell398
I'm 79 of years now and i love Fats since i was about 10 years. I bought his singles by selling other singles to gather money. Afterwards i hurried home to put the new single on the turntable and i was so glad............Wish all friends of Fats the best and remain healthy!!!!!
@johnnyb8825
Once music gets a hold of you it never lets go!
@davidclifton1390
A brilliant performer from the 50's . Mixed blues with rock and boy it sounded fantastic!
@njplr
My God, this man was talented. The whole thing just swings along, with melody, bounce, and rhythm. I hate being a "it-was-all so-much-better-way-back-when" old fart - but it was. Even if I wasn't born till 62, I was raised on this stuff. And I'm glad I was!
@francoradice9269
When God met Fats Domino said to him: BE MY GUEST!! God bless you Fats. RIP
@seriouslee7762
Original musical pioneer....from RnB to ska provoking riddims. R.I.P. Fats domino.