Faudel (b. Faudel Belloua on 6 Jun 1978 in Mantes-la-Jolie, France), is a s… Read Full Bio ↴Faudel (b. Faudel Belloua on 6 Jun 1978 in Mantes-la-Jolie, France), is a singer of Algerian descent - considered, by many, the "Prince of Raï". He grew up in the suburbs of Paris, where he picked up his musical talents from his grandmother who taught him traditional Algerian music. His first public singing experience was during a family wedding celebration in Oran, Algeria. Faudel started to cover the popular tracks by Cheb Khaled and Cheb Mami at 12, after which he soon fronted the popular band "Les Etoiles du Raï". His debut album, Baida, catapulted him to fame. He has also performed with Khaled and Rachid Taha on the live album 1,2,3 Soleils. His other albums include Samra and his album Un Autre Soleil (released Sept. 2003) and, most recently, Mundial Corrida (2006).
He also has acted in a few roles, including Happenstance (Le Battement d'ailes du papillon) with Audrey Tautou.
Biography
The French music scene, long renowned as a thriving centre for world music, has now become a refuge for Algerian Rai stars. Faced with repression and death threats in their homeland, a number of top Algerian Rai stars have now set up home in Paris and launched successful international careers from France. The French capital and the surrounding suburbs have now become a rich breeding ground for young chebs seeking to emulate the examples of Khaled and Cheb Mami. Indeeilld, a whole new generation of Rai musicians are now "made in France". Rai star Faudel is typical of the New Rai Generation.
Faudel Bellula - better known to fans as Faudel - was born on June 6th 1978 in the Paris suburb of Mantes-la-Jolie, where he grew up in the Val-Fourré neighbourhood. His father, who was born in Chlef (Algeria) worked on the production line at the Renault car factory while his mother, who was also born in Algeria (in the village of Hennaya) worked as a cleaner. Faudel grew up in a highly musical environment at home. His seven brothers, all of them musicians, introduced him to soul and reggae at an early age, while his parents stocked the house with Rai cassettes.
But one of Faudel's greatest influences during his early years was his grandmother who performed regularly with the "meddahates" (groups of women musicians in Oran who play traditional music at weddings and other family occasions). It was Faudel's grandmother who was largely responsible for putting the young boy in touch with his Algerian roots and teaching him traditional Rai rhythms during the summer holidays. Faudel certainly proved to be a quick and enthusiastic learner and, by the age of 12, the talented youngster had already formed his own group, "Les Etoiles du Rai" (The Rai Stars). Faudel and "Les Etoiles du Rai" soon became a well-known fixture at the youth club and other local associations in Mantes-la-Jolie. Faudel then went on to appear at clubs throughout the Paris suburbs, performing covers of Khaled, Zahouania and Mami's greatest hits, accompanied by a pre-recorded backing tape.
The turning-point of Faudel's early career came at the age of 13 when he was spotted by Mohamed Mestar (aka Momo). Mestar, an ex-guitarist, had recently set up an association in the suburbs to promote up-and-coming local artists and, after catching one of Faudel's concerts, he offered to take charge of the young Rai singer's career. Thanks to Momo's guiding hand, Faudel soon built up his own repertoire and began performing as a support act with a number of top French music stars (including MC Solaar, Idir, Jimmy Oihid and Rai mega-star Khaled). Faudel went on to study accountancy and metallurgy, but his passion for Rai soon led to him taking up a professional singing career.
Even though Faudel was still in his early teens, he managed to establish himself as the new voice of Rai. Indeed, in 1995 two French television documentaries were made about the rising young star from Mantes-la-Jolie - "Saga cités" (which was broadcast on the state-owned channel France 3) and "Les Enfants du Rai" (broadcast on the Franco-German channel Arte). The following year Faudel would be chosen to represent the Ile-de-France region at the prestigious Printemps de Bourges Festival. And the young singer's impressive performance in the New Talent category would only serve to increase his growing popularity.
Meanwhile, Faudel embarked on a new series of concert tours while Momo set about getting his young protégé a recording deal. In order to produce the best demo tape possible, Momo and Faudel flew out to New York in January 96 to record three tracks with session musicians at the legendary Record Plant studios (graced by major American stars such as Bruce Springsteen). The demo tape would actually prove unnecessary - after Faudel's impressive performance at the Printemps de Bourges, the young star was snapped up by a leading major record label (Mercury) shortly afterwards. Faudel's original sound - which fuses traditional Arab Rai rhythms with 'new wave' guitar, reggae, Afro-beat and vibrant flamenco rhythms - was now set to hit the big time.
After signing a contract with Mercury to produce five albums over the next few years, Faudel decided to quit school (thereby realising his childhood dream of earning his own salary by the age of 18!) The young singer then embarked upon another major concert tour, performing dates throughout France and Europe. In the course of this new tour Faudel would appear in concert with a number of legendary Rai stars such as Khaled and Cheb Mami. Meanwhile, Faudel's catchy new Rai sound would reach a whole new audience when it was used as part of the soundtrack to Ariel Zeitoun's film "Elle est Belle la Vie".
Faudel soon caught on with the French media too, journalists and music critics dubbing him "Le Petit Prince du Rai" (The Little Prince of Rai). The Little Prince of Rai soon went into the studio to record his début album "Baïda" (White). Released in October 97, Faudel's album combined a "light", and extremely catchy, modern Rai style with hard-hitting lyrics. (Faudel's songs deal with everything from broken hearts to the problems of France's second-generation immigrants). The first single release from the album, "Tellement N'brick" (I Love You So Much), went on to become a huge hit on community radio during the Muslim month of Ramadan (January 98).
Following the success of "Tellement N'brick", "Baïda" was nominated in the 'traditional music' category at the "Victoires de la Musique" awards in February 97. Later that year (on April 15th) Faudel was invited to perform at the Printemps de Bourges Festival once again. Needless to say, the extracts from the young Rai star's new album met with rapturous applause from the festival audience.
Following the release of his début album, Faudel went on to perform a whole string of concerts, delighting music fans up and down the country. On September 26th the Little Prince of Rai appeared in concert with Khaled and Rachid Taha at Bercy stadium in Paris, attracting a crowd of 15,000 Rai fans. He then went on to continue his successful national tour. The live album of the Bercy concert (entitled "1.2.3. Soleils") proved to be an overwhelming success with the French public and the three Rai Tenors were soon inundated with invitations to appear on all the top TV shows.
At the beginning of '99 the popular Rai trio were back in the limelight again with a new single. They had already performed the song - an Arabic adaptation of Jacques Revaux's legendary French classic "Comme d'habitude" (the French "My Way") - at their Bercy concert and, needless to say, the single proved instantly popular with French music fans. On 20 February 1999 the trio were invited to perform the song at the 'Victoires de la Musique' (the annual French music awards) held at the prestigious Olympia. What's more, Faudel triumphed at the award ceremony that night, when television viewers voted him Best Newcomer of the Year. Following this triumph Faudel went on to bring the house down when he performed two concerts at the Olympia on March 10 and 11.
In the summer of '99 the young Rai star set off on a mini tour of Tunisia, performing six concerts which brought the famous "Faudel Tour" (the extensive international tour he had launched at the beginning of the year) to a triumphant end.
Meanwhile, Faudel's career continues to go from strength to strength as his modern Rai sound attracts a whole new following of fans. However, while Faudel is very much the 'happening young Rai star of the moment', his music should certainly not be dismissed as a passing fad. On the contrary, the lyrics of Faudel's songs are an important social comment, expressing the hopes and frustrations of a whole generation of French-born Algerians growing up in the Paris suburbs today.
1997: "Baïda"
Faudel soon caught on with the French media too, journalists and music critics dubbing him "Le Petit Prince du Rai" (The Little Prince of Rai). The Little Prince of Rai soon went into the studio to record his début album "Baïda" (White). Released in October 97, Faudel's album combined a "light", and extremely catchy, modern Rai style with hard-hitting lyrics. (Faudel's songs deal with everything from broken hearts to the problems of France's second-generation immigrants). The first single release from the album, "Tellement N'brick" (I Love You So Much), went on to become a huge hit on community radio during the Muslim month of Ramadan (January 98).
Following the success of "Tellement N'brick", "Baïda" was nominated in the 'traditional music' category at the "Victoires de la Musique" awards in February 97. Later that year (on April 15th) Faudel was invited to perform at the Printemps de Bourges Festival once again. Needless to say, the extracts from the young Rai star's new album met with rapturous applause from the festival audience.
Following the release of his début album, Faudel went on to perform a whole string of concerts, delighting music fans up and down the country. On September 26th the Little Prince of Rai appeared in concert with Khaled and Rachid Taha at Bercy stadium in Paris, attracting a crowd of 15,000 Rai fans. He then went on to continue his successful national tour. The live album of the Bercy concert (entitled "1.2.3. Soleils") proved to be an overwhelming success with the French public and the three Rai Tenors were soon inundated with invitations to appear on all the top TV shows.
At the beginning of '99 the popular Rai trio were back in the limelight again with a new single. They had already performed the song - an Arabic adaptation of Jacques Revaux's legendary French classic "Comme d'habitude" (the French "My Way") - at their Bercy concert and, needless to say, the single proved instantly popular with French music fans. On 20 February 1999 the trio were invited to perform the song at the 'Victoires de la Musique' (the annual French music awards) held at the prestigious Olympia. What's more, Faudel triumphed at the award ceremony that night, when television viewers voted him Best Newcomer of the Year. Following this triumph Faudel went on to bring the house down when he performed two concerts at the Olympia on March 10 and 11.
In the summer of '99 the young Rai star set off on a mini tour of Tunisia, performing six concerts which brought the famous "Faudel Tour" (the extensive international tour he had launched at the beginning of the year) to a triumphant end.
Meanwhile, Faudel's career continues to go from strength to strength as his modern Rai sound attracts a whole new following of fans. However, while Faudel is very much the 'happening young Rai star of the moment', his music should certainly not be dismissed as a passing fad. On the contrary, the lyrics of Faudel's songs are an important social comment, expressing the hopes and frustrations of a whole generation of French-born Algerians growing up in the Paris suburbs today.
Singing or acting?
During the summer of 2000, Faudel performed at the Summer Stage Festival in New York. Then, the young star of Raï music decided to take a new turn towards acting and accepted a part in the French film, "Battement d’ailes du papillon". Following that part, Faudel continued to read a lot of scripts, but remained on the look out for the right part that would turn him into a star of the big screen. Meanwhile, he went back to work on his next album, "Samra". Written and arranged by Nabil Khalidi (a collaborator of Rachid Taha) and Goh Hotoda (a well-known remixer), and produced by Mohamed Mestar who has been following Faudel since 1993, "Samra" remained faifthful to the raï tradition, while presenting more synthetic rhythms and Arabic pop features, as well as new Latino touches—especially for the song "Salsa raï" performed in a duo with Yuri Buenaventura. More than in his previous albums, the lyrics focused on love rather than on his usual social comments, except for one track that referred to Mantes-la-Jolie, the inner-city where the artist grew up and still lives. Released in February 2001, and following the great success of "Baïda", which topped the 350,000 mark; this new album should easily rocket to the top of the charts.
While touring to promote the album, Faudel went on with his career as an actor and took part in a television series entitled Sami. He played a Tunisian student working as a supervisor in a French high school.
In February 2002, his partner gave birth to a little girl named Enzy.
The following year, the singer went back to the recording studio to work on a new album.
On September 2nd, 2003, Faudel released "Un Autre Soleil", his most mature album so far. The artist had to compromise with his record company that insisted on his producing an exclusively Arabic album, yet he also managed to impose songs in French. With the help of songwriter Patrick Dupond who had collaborated with Florent Pagny, Faudel composed very personal lyrics such as those of "Petit Etre"—dealing with his recently-born son. Marion Michau penned the first single to be aired on the French radios "Je Veux Vivre". Bands like Zebda, the Négresses Vertes and Zen Zila also came to collaborate on the record. With a strong Mediterranean feel, the album should enable Faudel to meet with a larger and larger audience.
In 2004, Faudel made a comeback on cinema screens, starring in Merzak Allouache's film "Bab el web" alongside Samy Naceri and Julie Gayet. He played the role of a young man from the Bab el Oued neighbourhood in Algiers.
Faudel turned his attention back to his singing career soon afterwards, working on a new album called "Mundial Corrida." This, the Rai star's fourth album to date, was released in September 2006. On "Mundial Corrida", produced by Fred Chateau and Volodia, Faudel affirmed his double French and Algerian identity, celebrating his two cultures on "Mon pays", the first single release which received extensive airplay. The French singer, songwriter and composer Pascal Obispo also contributed several tracks to the album.
http://en.wikipedia.org/wiki/Faudel !
He also has acted in a few roles, including Happenstance (Le Battement d'ailes du papillon) with Audrey Tautou.
Biography
The French music scene, long renowned as a thriving centre for world music, has now become a refuge for Algerian Rai stars. Faced with repression and death threats in their homeland, a number of top Algerian Rai stars have now set up home in Paris and launched successful international careers from France. The French capital and the surrounding suburbs have now become a rich breeding ground for young chebs seeking to emulate the examples of Khaled and Cheb Mami. Indeeilld, a whole new generation of Rai musicians are now "made in France". Rai star Faudel is typical of the New Rai Generation.
Faudel Bellula - better known to fans as Faudel - was born on June 6th 1978 in the Paris suburb of Mantes-la-Jolie, where he grew up in the Val-Fourré neighbourhood. His father, who was born in Chlef (Algeria) worked on the production line at the Renault car factory while his mother, who was also born in Algeria (in the village of Hennaya) worked as a cleaner. Faudel grew up in a highly musical environment at home. His seven brothers, all of them musicians, introduced him to soul and reggae at an early age, while his parents stocked the house with Rai cassettes.
But one of Faudel's greatest influences during his early years was his grandmother who performed regularly with the "meddahates" (groups of women musicians in Oran who play traditional music at weddings and other family occasions). It was Faudel's grandmother who was largely responsible for putting the young boy in touch with his Algerian roots and teaching him traditional Rai rhythms during the summer holidays. Faudel certainly proved to be a quick and enthusiastic learner and, by the age of 12, the talented youngster had already formed his own group, "Les Etoiles du Rai" (The Rai Stars). Faudel and "Les Etoiles du Rai" soon became a well-known fixture at the youth club and other local associations in Mantes-la-Jolie. Faudel then went on to appear at clubs throughout the Paris suburbs, performing covers of Khaled, Zahouania and Mami's greatest hits, accompanied by a pre-recorded backing tape.
The turning-point of Faudel's early career came at the age of 13 when he was spotted by Mohamed Mestar (aka Momo). Mestar, an ex-guitarist, had recently set up an association in the suburbs to promote up-and-coming local artists and, after catching one of Faudel's concerts, he offered to take charge of the young Rai singer's career. Thanks to Momo's guiding hand, Faudel soon built up his own repertoire and began performing as a support act with a number of top French music stars (including MC Solaar, Idir, Jimmy Oihid and Rai mega-star Khaled). Faudel went on to study accountancy and metallurgy, but his passion for Rai soon led to him taking up a professional singing career.
Even though Faudel was still in his early teens, he managed to establish himself as the new voice of Rai. Indeed, in 1995 two French television documentaries were made about the rising young star from Mantes-la-Jolie - "Saga cités" (which was broadcast on the state-owned channel France 3) and "Les Enfants du Rai" (broadcast on the Franco-German channel Arte). The following year Faudel would be chosen to represent the Ile-de-France region at the prestigious Printemps de Bourges Festival. And the young singer's impressive performance in the New Talent category would only serve to increase his growing popularity.
Meanwhile, Faudel embarked on a new series of concert tours while Momo set about getting his young protégé a recording deal. In order to produce the best demo tape possible, Momo and Faudel flew out to New York in January 96 to record three tracks with session musicians at the legendary Record Plant studios (graced by major American stars such as Bruce Springsteen). The demo tape would actually prove unnecessary - after Faudel's impressive performance at the Printemps de Bourges, the young star was snapped up by a leading major record label (Mercury) shortly afterwards. Faudel's original sound - which fuses traditional Arab Rai rhythms with 'new wave' guitar, reggae, Afro-beat and vibrant flamenco rhythms - was now set to hit the big time.
After signing a contract with Mercury to produce five albums over the next few years, Faudel decided to quit school (thereby realising his childhood dream of earning his own salary by the age of 18!) The young singer then embarked upon another major concert tour, performing dates throughout France and Europe. In the course of this new tour Faudel would appear in concert with a number of legendary Rai stars such as Khaled and Cheb Mami. Meanwhile, Faudel's catchy new Rai sound would reach a whole new audience when it was used as part of the soundtrack to Ariel Zeitoun's film "Elle est Belle la Vie".
Faudel soon caught on with the French media too, journalists and music critics dubbing him "Le Petit Prince du Rai" (The Little Prince of Rai). The Little Prince of Rai soon went into the studio to record his début album "Baïda" (White). Released in October 97, Faudel's album combined a "light", and extremely catchy, modern Rai style with hard-hitting lyrics. (Faudel's songs deal with everything from broken hearts to the problems of France's second-generation immigrants). The first single release from the album, "Tellement N'brick" (I Love You So Much), went on to become a huge hit on community radio during the Muslim month of Ramadan (January 98).
Following the success of "Tellement N'brick", "Baïda" was nominated in the 'traditional music' category at the "Victoires de la Musique" awards in February 97. Later that year (on April 15th) Faudel was invited to perform at the Printemps de Bourges Festival once again. Needless to say, the extracts from the young Rai star's new album met with rapturous applause from the festival audience.
Following the release of his début album, Faudel went on to perform a whole string of concerts, delighting music fans up and down the country. On September 26th the Little Prince of Rai appeared in concert with Khaled and Rachid Taha at Bercy stadium in Paris, attracting a crowd of 15,000 Rai fans. He then went on to continue his successful national tour. The live album of the Bercy concert (entitled "1.2.3. Soleils") proved to be an overwhelming success with the French public and the three Rai Tenors were soon inundated with invitations to appear on all the top TV shows.
At the beginning of '99 the popular Rai trio were back in the limelight again with a new single. They had already performed the song - an Arabic adaptation of Jacques Revaux's legendary French classic "Comme d'habitude" (the French "My Way") - at their Bercy concert and, needless to say, the single proved instantly popular with French music fans. On 20 February 1999 the trio were invited to perform the song at the 'Victoires de la Musique' (the annual French music awards) held at the prestigious Olympia. What's more, Faudel triumphed at the award ceremony that night, when television viewers voted him Best Newcomer of the Year. Following this triumph Faudel went on to bring the house down when he performed two concerts at the Olympia on March 10 and 11.
In the summer of '99 the young Rai star set off on a mini tour of Tunisia, performing six concerts which brought the famous "Faudel Tour" (the extensive international tour he had launched at the beginning of the year) to a triumphant end.
Meanwhile, Faudel's career continues to go from strength to strength as his modern Rai sound attracts a whole new following of fans. However, while Faudel is very much the 'happening young Rai star of the moment', his music should certainly not be dismissed as a passing fad. On the contrary, the lyrics of Faudel's songs are an important social comment, expressing the hopes and frustrations of a whole generation of French-born Algerians growing up in the Paris suburbs today.
1997: "Baïda"
Faudel soon caught on with the French media too, journalists and music critics dubbing him "Le Petit Prince du Rai" (The Little Prince of Rai). The Little Prince of Rai soon went into the studio to record his début album "Baïda" (White). Released in October 97, Faudel's album combined a "light", and extremely catchy, modern Rai style with hard-hitting lyrics. (Faudel's songs deal with everything from broken hearts to the problems of France's second-generation immigrants). The first single release from the album, "Tellement N'brick" (I Love You So Much), went on to become a huge hit on community radio during the Muslim month of Ramadan (January 98).
Following the success of "Tellement N'brick", "Baïda" was nominated in the 'traditional music' category at the "Victoires de la Musique" awards in February 97. Later that year (on April 15th) Faudel was invited to perform at the Printemps de Bourges Festival once again. Needless to say, the extracts from the young Rai star's new album met with rapturous applause from the festival audience.
Following the release of his début album, Faudel went on to perform a whole string of concerts, delighting music fans up and down the country. On September 26th the Little Prince of Rai appeared in concert with Khaled and Rachid Taha at Bercy stadium in Paris, attracting a crowd of 15,000 Rai fans. He then went on to continue his successful national tour. The live album of the Bercy concert (entitled "1.2.3. Soleils") proved to be an overwhelming success with the French public and the three Rai Tenors were soon inundated with invitations to appear on all the top TV shows.
At the beginning of '99 the popular Rai trio were back in the limelight again with a new single. They had already performed the song - an Arabic adaptation of Jacques Revaux's legendary French classic "Comme d'habitude" (the French "My Way") - at their Bercy concert and, needless to say, the single proved instantly popular with French music fans. On 20 February 1999 the trio were invited to perform the song at the 'Victoires de la Musique' (the annual French music awards) held at the prestigious Olympia. What's more, Faudel triumphed at the award ceremony that night, when television viewers voted him Best Newcomer of the Year. Following this triumph Faudel went on to bring the house down when he performed two concerts at the Olympia on March 10 and 11.
In the summer of '99 the young Rai star set off on a mini tour of Tunisia, performing six concerts which brought the famous "Faudel Tour" (the extensive international tour he had launched at the beginning of the year) to a triumphant end.
Meanwhile, Faudel's career continues to go from strength to strength as his modern Rai sound attracts a whole new following of fans. However, while Faudel is very much the 'happening young Rai star of the moment', his music should certainly not be dismissed as a passing fad. On the contrary, the lyrics of Faudel's songs are an important social comment, expressing the hopes and frustrations of a whole generation of French-born Algerians growing up in the Paris suburbs today.
Singing or acting?
During the summer of 2000, Faudel performed at the Summer Stage Festival in New York. Then, the young star of Raï music decided to take a new turn towards acting and accepted a part in the French film, "Battement d’ailes du papillon". Following that part, Faudel continued to read a lot of scripts, but remained on the look out for the right part that would turn him into a star of the big screen. Meanwhile, he went back to work on his next album, "Samra". Written and arranged by Nabil Khalidi (a collaborator of Rachid Taha) and Goh Hotoda (a well-known remixer), and produced by Mohamed Mestar who has been following Faudel since 1993, "Samra" remained faifthful to the raï tradition, while presenting more synthetic rhythms and Arabic pop features, as well as new Latino touches—especially for the song "Salsa raï" performed in a duo with Yuri Buenaventura. More than in his previous albums, the lyrics focused on love rather than on his usual social comments, except for one track that referred to Mantes-la-Jolie, the inner-city where the artist grew up and still lives. Released in February 2001, and following the great success of "Baïda", which topped the 350,000 mark; this new album should easily rocket to the top of the charts.
While touring to promote the album, Faudel went on with his career as an actor and took part in a television series entitled Sami. He played a Tunisian student working as a supervisor in a French high school.
In February 2002, his partner gave birth to a little girl named Enzy.
The following year, the singer went back to the recording studio to work on a new album.
On September 2nd, 2003, Faudel released "Un Autre Soleil", his most mature album so far. The artist had to compromise with his record company that insisted on his producing an exclusively Arabic album, yet he also managed to impose songs in French. With the help of songwriter Patrick Dupond who had collaborated with Florent Pagny, Faudel composed very personal lyrics such as those of "Petit Etre"—dealing with his recently-born son. Marion Michau penned the first single to be aired on the French radios "Je Veux Vivre". Bands like Zebda, the Négresses Vertes and Zen Zila also came to collaborate on the record. With a strong Mediterranean feel, the album should enable Faudel to meet with a larger and larger audience.
In 2004, Faudel made a comeback on cinema screens, starring in Merzak Allouache's film "Bab el web" alongside Samy Naceri and Julie Gayet. He played the role of a young man from the Bab el Oued neighbourhood in Algiers.
Faudel turned his attention back to his singing career soon afterwards, working on a new album called "Mundial Corrida." This, the Rai star's fourth album to date, was released in September 2006. On "Mundial Corrida", produced by Fred Chateau and Volodia, Faudel affirmed his double French and Algerian identity, celebrating his two cultures on "Mon pays", the first single release which received extensive airplay. The French singer, songwriter and composer Pascal Obispo also contributed several tracks to the album.
http://en.wikipedia.org/wiki/Faudel !
Ne me quitte pas
Faudel Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ne me quitte pas
Il faut oublier
Tout peut s'oublier
Qui s'enfuit déjà
Oublier le temps
Des malentendus et le temps perdu
À savoir comment
Oublier ces heures
Qui tuaient parfois à coups de pourquoi
Le cœur du bonheur
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Moi je t'offrirai
Des perles de pluie
Venues de pays où il ne pleut pas
Je creuserai la terre jusqu'après ma mort
Pour couvrir ton corps d'or et de lumière
Je ferai un domaine
Où l'amour sera roi, où l'amour sera loi
Où tu seras reine
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Je t'inventerai
Des mots insensés
Que tu comprendras
Je te parlerai
De ces amants-la
Qui ont vu deux fois leurs cœurs s'embraser
Je te raconterai l'histoire de ce roi mort
De n'avoir pas pu te rencontrer
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
On a vu souvent
Rejaillir le feu
D'un ancien volcan
Qu'on croyait trop vieux
Il est, paraît-il
Des terres brûlées
Donnant plus de blé
Qu'un meilleur avril
Et quand vient le soir
Pour qu'un ciel flamboie
Le rouge et le noir ne s'épousent-ils pas?
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Je ne vais plus pleurer
Je ne vais plus parler
Je me cacherai là
À te regarder danser et sourire et
À t'écouter chanter et puis rire
Laisse-moi devenir l'ombre de ton ombre
L'ombre de ta main
L'ombre de ton chien
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Il faut oublier
Tout peut s'oublier
Qui s'enfuit déjà
Oublier le temps
Des malentendus et le temps perdu
À savoir comment
Oublier ces heures
Le cœur du bonheur
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Moi je t'offrirai
Des perles de pluie
Venues de pays où il ne pleut pas
Je creuserai la terre jusqu'après ma mort
Pour couvrir ton corps d'or et de lumière
Je ferai un domaine
Où l'amour sera roi, où l'amour sera loi
Où tu seras reine
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Je t'inventerai
Des mots insensés
Que tu comprendras
Je te parlerai
De ces amants-la
Qui ont vu deux fois leurs cœurs s'embraser
Je te raconterai l'histoire de ce roi mort
De n'avoir pas pu te rencontrer
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
On a vu souvent
Rejaillir le feu
D'un ancien volcan
Qu'on croyait trop vieux
Il est, paraît-il
Des terres brûlées
Donnant plus de blé
Qu'un meilleur avril
Et quand vient le soir
Pour qu'un ciel flamboie
Le rouge et le noir ne s'épousent-ils pas?
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Je ne vais plus pleurer
Je ne vais plus parler
Je me cacherai là
À te regarder danser et sourire et
À t'écouter chanter et puis rire
Laisse-moi devenir l'ombre de ton ombre
L'ombre de ta main
L'ombre de ton chien
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
The lyrics of Faudel's song "Ne Me Quitte Pas" (Do Not Leave Me) are an emotional plea for his love to stay with him. He asks her to forget the past misunderstandings and lost time, promising to give her pearls of rain from countries where it does not rain and to make a kingdom where love will reign. He further assures her that he will stay as her shadow and watch her dance, sing and smile, never leaving her side. The song captures the pain and desperation of the singer, who does not want his love to abandon him.
The lyrics convey a strong sense of yearning, love and loss. The first stanza encourages the love to forget the past and move forward, while the second stanza promises a grand future for them. The third stanza appeals to the senses, with the singer promising to invent new, senseless words to describe their love, and recounting the stories of lovers who died longing for each other. The fourth stanza speaks of hope that love can arise from even the most barren of lands, and the final stanza, with its somber tone, is a plea for the lover not to leave and a promise of undying devotion.
Line by Line Meaning
Ne me quitte pas
Don't leave me
Il faut oublier
We must forget
Tout peut s'oublier
Everything can be forgotten
Qui s'enfuit déjà
That which is already slipping away
Oublier le temps
Forget the past
Des malentendus et le temps perdu
The misunderstandings and the time wasted
À savoir comment
To know how
Oublier ces heures
Forget those hours
Qui tuaient parfois à coups de pourquoi
That sometimes killed with the question of why
Le cœur du bonheur
The heart of happiness
Moi je t'offrirai
I will offer you
Des perles de pluie
Rain pearls
Venues de pays où il ne pleut pas
From countries where it doesn't rain
Je creuserai la terre jusqu'après ma mort
I will dig the earth until after my death
Pour couvrir ton corps d'or et de lumière
To cover your body in gold and light
Je ferai un domaine
I will make a domain
Où l'amour sera roi, où l'amour sera loi
Where love will be king, where love will be law
Où tu seras reine
Where you will be queen
Je t'inventerai
I will invent for you
Des mots insensés
Senseless words
Que tu comprendras
That you will understand
Je te parlerai
I will talk to you
De ces amants-la
About those lovers
Qui ont vu deux fois leurs cœurs s'embraser
Who have seen their hearts ignite twice
Je te raconterai l'histoire de ce roi mort
I will tell you the story of that dead king
De n'avoir pas pu te rencontrer
For not being able to meet you
On a vu souvent
We have often seen
Rejaillir le feu
The fire reigniting
D'un ancien volcan
From an old volcano
Qu'on croyait trop vieux
That was thought too old
Il est, paraît-il
It is, supposedly
Des terres brûlées
Burnt lands
Donnant plus de blé
Giving more wheat
Qu'un meilleur avril
Than a better April
Et quand vient le soir
And when the evening comes
Pour qu'un ciel flamboie
So that a sky can blaze
Le rouge et le noir ne s'épousent-ils pas?
Don't red and black marry each other?
Je ne vais plus pleurer
I won't cry anymore
Je ne vais plus parler
I won't talk anymore
Je me cacherai là
I will hide there
À te regarder danser et sourire et
Watching you dance and smile
À t'écouter chanter et puis rire
Listening to you sing and then laugh
Laisse-moi devenir l'ombre de ton ombre
Let me become the shadow of your shadow
L'ombre de ta main
The shadow of your hand
L'ombre de ton chien
The shadow of your dog
Lyrics © Tratore, WARNER CHAPPELL MUSIC FRANCE
Written by: Jacques Brel
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Daniel 1999
Ne me quitte pas
Il faut oublier
Tout peut s'oublier
Qui s'enfuit déjà
Oublier le temps
Des malentendus et le temps perdu
À savoir comment
Oublier ces heures
Qui tuaient parfois à coups de pourquoi
Le cœur du bonheur
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Moi je t'offrirai
Des perles de pluie
Venues de pays où il ne pleut pas
Je creuserai la terre jusqu'après ma mort
Pour couvrir ton corps d'or et de lumière
Je ferai un domaine
Où l'amour sera roi, où l'amour sera loi
Où tu seras reine
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Je t'inventerai
Des mots insensés
Que tu comprendras
Je te parlerai
De ces amants-la
Qui ont vu deux fois leurs cœurs s'embraser
Je te…
yannik noa
me gusta , muy buena version
qaifan
Enorme combinacion de dos pueblos unidos por una cancion... letra francesa con el toque musical del medio oriente.... grax jacques brel for this deep song of love!!!
Shir Turgeman
הביצוע הכי מדהים שיש !!!!!!!!!!
Daniel 1999
Ne me quitte pas
Il faut oublier
Tout peut s'oublier
Qui s'enfuit déjà
Oublier le temps
Des malentendus et le temps perdu
À savoir comment
Oublier ces heures
Qui tuaient parfois à coups de pourquoi
Le cœur du bonheur
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Moi je t'offrirai
Des perles de pluie
Venues de pays où il ne pleut pas
Je creuserai la terre jusqu'après ma mort
Pour couvrir ton corps d'or et de lumière
Je ferai un domaine
Où l'amour sera roi, où l'amour sera loi
Où tu seras reine
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Ne me quitte pas
Je t'inventerai
Des mots insensés
Que tu comprendras
Je te parlerai
De ces amants-la
Qui ont vu deux fois leurs cœurs s'embraser
Je te…
Carlos Pimenta
fantastic!
Hen .g.
Amazing.
Yossi Nachshon
מדהים בכל שפה
TW
jaime ..cest parfait!
טלי חפץ
חזק!!!! מהמם
Daniel 1999
fucking wowwww!!