HMV Magazine ranked him as #46 on a list of the 100 most influential musicians of the 20th century.
The musical style performed by Fela Kuti is called Afrobeat, which is essentially a fusion of jazz, funk, highlife, and traditional Yoruban chants and rhythms. It is characterized by having African-style percussion, vocals, and musical structure, along with jazzy, funky horn sections. The endless groove is also used, in which a base rhythm of drums, shekere, muted guitar, and bass guitar are repeated throughout the song. His band was notable for featuring two baritone saxophones, whereas most groups using this instrument only use one. This is a common technique in African and African-influenced musical styles, and can be seen in funk and hip-hop. Some elements often present in Fela's music are the call-and-response within the chorus and figurative but simple lyrics. Fela's songs were almost always over 10 minutes in length, some reaching the 20- or even 30-minute marks, while some unreleased tracks would last up to 45 minutes when performed live. This was one of many reasons that his music never reached a substantial degree of popularity outside of Africa. His songs were mostly sung in Nigerian pidgin, although he also performed a few songs in the Yoruba language. Fela's main instruments were the saxophone and the keyboards, but he also played the trumpet, guitar, and took the occasional drum solo. Fela refused to perform songs again after he had already recorded them, which also hindered his popularity outside Africa. Fela was known for his showmanship, and his concerts were often quite outlandish and wild. He referred to his stage act as the Underground Spiritual Game.
Fela was born Olufela Olusegun Oludotun Ransome-Kuti in Abeokuta, Ogun State, Nigeria, to a middle-class family. His mother, Funmilayo Ransome-Kuti, was a feminist activist in the anti-colonial movement and his father, Reverend Israel Oludotun Ransome-Kuti, a Protestant minister and school Principal, was the first president of the Nigerian Union of Teachers. His brothers, Dr. Beko Ransome-Kuti and Professor Olikoye Ransome-Kuti,both medical doctors, are both well known in Nigeria.
Fela was sent to London in 1958 to study medicine but decided to study music instead at the Trinity College of Music. While there, he formed the band Koola Lobitos, playing a style of music that he would later call Afrobeat. The style was a fusion of American Jazz, psychedelic rock, and Funk with West African Highlife. In 1961, Fela married his first wife, Remilekun (Remi) Taylor, with whom he would have three children (Femi, Yeni, and Sola). In 1963, Fela moved back to Nigeria, re-formed Koola Lobitos and trained as a radio producer for the Nigerian Broadcasting Corporation. In 1969, Fela took the band to the United States. While there, Fela discovered the Black power movement through Sandra Smith (now Isidore)—a partisan of the Black Panther Party—which would heavily influence his music and political views and renamed the band Nigeria ’70. Soon, the Immigration and Naturalization Service was tipped off by a promoter that Fela and his band were in the US without work permits. The band then performed a quick recording session in Los Angeles that would later be released as The '69 Los Angeles Sessions.
Fela and his band, renamed Africa '70, returned to Nigeria. He then formed the Kalakuta Republic, a commune, a recording studio, and a home for many connected to the band that he later declared independent from the Nigerian state. Fela set up a nightclub in the Empire Hotel, named the Afro-Spot and then the Afrika Shrine, where he performed regularly. Fela also changed his middle name to Anikulapo (meaning "he who carries death in his pouch"), stating that his original middle name of Ransome was a slave name. The recordings continued, and the music became more politically motivated. Fela's music became very popular among the Nigerian public and Africans in general. In fact, he made the decision to sing in Pidgin English so that his music could be enjoyed by individuals all over Africa, where the local languages spoken are very diverse and numerous. As popular as Fela's music had become in Nigeria and elsewhere, it was also very unpopular with the ruling government, and raids on the Kalakuta Republic were frequent. In 1974 the police arrived with a search warrant and a cannabis joint, which they had intended to plant on Fela. He became wise to this and swallowed the joint. In response, the police took him into custody and waited to examine his feces. Fela enlisted the help of his prison mates and gave the police someone else's feces, and Fela was freed. He then recounted this tale in his release Expensive Shit (now released together with "He Miss Road" as Expensive Shit/He Miss Road).
In 1977 Fela and the Afrika ’70 released the hit album Zombie, a scathing attack on Nigerian soldiers using the zombie metaphor to describe the methods of the Nigerian military. The album was a smash hit with the people and infuriated the government, setting off a vicious attack against the Kalakuta Republic, during which one thousand soldiers attacked the commune. Fela was severely beaten, and his elderly mother was thrown from a window, causing fatal injuries. The Kalakuta Republic was burned, and Fela's studio, instruments, and master tapes were destroyed. Fela claimed that he would have been killed if it were not for the intervention of a commanding officer as he was being beaten. Fela's response to the attack was to deliver his mother's coffin to the main army barrack in Lagos and write two songs, "Coffin for Head of State" and "Unknown Soldier," referencing the official inquiry that claimed the commune had been destroyed by an unknown soldier.
Fela and his band then took residence in Crossroads Hotel as the Shrine had been destroyed along with his commune. In 1978 Fela married 27 women, many of whom were his dancers, composers, and singers to mark the anniversary of the attack on the Kalakuta Republic. Later, he was to adopt a rotation system of keeping only twelve simultaneous wives. The year was also marked by two notorious concerts, the first in Accra in which riots broke out during the song "Zombie," which led to Fela being banned from entering Ghana. The second was at the Berlin Jazz Festival after which most of Fela's musicians deserted him, due to rumors that Fela was planning to use the entirety of the proceeds to fund his presidential campaign.
Despite the massive setbacks, Fela was determined to come back. He formed his own political party, which he called 'Movement of the People'. In 1979 he put himself forward for President in Nigeria's first elections for more than a decade but his candidature was refused. At this time, Fela created a new band called Egypt 80 and continued to record albums and tour the country. He further infuriated the political establishment by dropping the names of ITT vice-president Moshood Abiola and then General Olusegun Obasanjo at the end of a hot-selling 25-minute political screed titled "I. T. T. (International Thief Thief)."
In 1984, he was again attacked by the Military government, who jailed him on a dubious charge of currency smuggling. His case was taken up by several human-rights groups, and after 20 months, he was released from prison by General Ibrahim Babangida. On his release he divorced his 12 remaining wives, saying that "marriage brings jealousy and selfishness." Once again, Fela continued to release albums with Egypt 80, made a number of successful tours of the United States and Europe and also continued to be politically active. In 1986, Fela performed in Giants Stadium in New Jersey as part of the Amnesty International Conspiracy of Hope concert, sharing the bill with Bono, Carlos Santana, and the Neville Brothers. In 1989, Fela & Egypt 80 released the anti-apartheid "Beasts of No Nation" album that depicts on its cover U.S. President Ronald Reagan, UK Prime Minister Margaret Thatcher and South African Prime Minister P.W. Botha with fangs dripping blood.
His album output slowed in the 1990s, and eventually he stopped releasing albums altogether. The battle against military corruption in Nigeria was taking its toll, especially during the rise of dictator Sani Abacha. Rumors were also spreading that he was suffering from an illness for which he was refusing treatment. On 3 August 1997, Olikoye Ransome-Kuti, already a prominent AIDS activist and former Minister of Health, stunned the nation by announcing his younger brother's death a day earlier from Kaposi's sarcoma brought on by AIDS. (Their younger brother Beko was in jail at this time at the hand of Abacha for political activity). More than a million people attended Fela's funeral at the site of the old Shrine compound. A new Africa Shrine has opened since Fela's death in a different section of Lagos under the supervision of his son Femi Kuti.
Teacher Don't Teach Me Nonsense
Fela Kuti Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
TEACHER, TEACHER-O NA THE LECTURE BE THE SAME
MAKE-EE NO TEACH-EE ME AGAIN OH
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-O
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-OME AND YOU NO DEY FOR THE SAME-U CATEGORY
NA THE SAME CATEGORY-O
Let's get down, to the underground spiritual game
We all sing together, play music together in happiness
Now Let's go...
A kujuba, A kujuba
YE-EHHHH!
Yehhhhhh-Ey!
Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-ke, Ke-re-Ji-Ke-Ke
YAA!
Ke-re-ke Ji Ke-ke
YAA!
ke Ji Ke-ke
YAA!
Ke-re-ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
All the wahala, all the problems,
All the things, all the things they go do,
For this world go start,
When the teacher, schoolboy and schoolgirl jam together
Who be teacher?
I go let you know
When we be pikin
FATHA/ MAMA BE TEACHER
When we dey for school
TEACHER BE TEACHER
Now dey University
LECTURER BE TEACHER
When we start to work
GOVERNMENT BE TEACHER
CU-ULTURE AND TRADITION
Who be government teacher? CU-ULTURE AND TRADITION
Who be government teacher? CU-ULTURE AND TRADITION
Cu-ulture and tradition CU-ULTURE AND TRADITION
Cu-ulture and tradition CU-ULTURE AND TRADITION
Now the problem side, of a teaching student-ee
I go sing about
I don pass pikin, I don pass school, university, se-fa pass
As I don start to work, na government I must se-fa pass
Da go for France
YES SIR/YES MAAM
Engi-land, YES SIR/YES MAAM
Italy, YES SIR/YES MAAM
Germany, YES SIR/YES MAAM
Na dem culture, YES SIR/YES MAAM
For der, YES SIR/YES MAAM
Be teacher, YES SIR/YES MAAM
For dem , YES SIR/YES MAAM
Go China , YES SIR/YES MAAM
Russia, YES SIR/YES MAAM
Korea, YES SIR/YES MAAM
Viet Nam, YES SIR/YES MAAM
Na dem culture, YES SIR/YES MAAM
For der, YES SIR/YES MAAM
Be teacher, YES SIR/YES MAAM
For dem, YES SIR/YES MAAM
Go Syria, YES SIR/YES MAAM
Jordan, YES SIR/YES MAAM
Iran, YES SIR/YES MAAM
Iraq, YES SIR/YES MAAM
Na dem culture, YES SIR/YES MAAM
For der, YES SIR/YES MAAM
Be teacher, YES SIR/YES MAAM
For dem Let us face ourselves for Afrika
Na de matter of Afrika
This part-ee of my song
Na all the problems of this world
In we dey carry, for Afrika
Wey no go ask-ee me
WHICH ONE? (*after each line)
Problems of inflation
Problems of corruption
Of mismanagement
Stealing by government
Nothing we dey carry
All over Afrika
Na de latest one
Na him dey make me laugh
AUSTERITY (*after each line)
Austeri-
Austeri-
Na him dey latest one
Na him dey make me laugh
Why I dey laugh?
Man no fit cry?
Who be our teacher na Oyinbo?
Who be our teacher na Oyinbo?
A na false, the first election
And the second election held in Nigeria
Na the second election na it was pass
BOBA LA NONSENSE
Boba la nonsense, BOBA LA NONSENSE
Boba la nonsense, BOBA LA NONSENSE
He pass redeem, BOBA LA NONSENSE
He pass corruption, BOBA LA NONSENSE
Which kind election be dis? BOBA LA NONSENSE
People na go vote, BOBA LA NONSENSE
Dem come get big big numbers , BOBA LA NONSENSE
Thousands to thousands, BOBA LA NONSENSE
Millions to billions, BOBA LA NONSENSE
Which kind election be dis? BOBA LA NONSENSE
Boba la nonsense, BOBA LA NONSENSE
Na dem-o-cr-azy be the deal
Na dem-o-cr-azy be the deal
Who don teach us ee dem-o-cr-azy?
(Bo-ptch!) Oyinbo teach-ee us
(Yuh-ngh!) Oyinbo for Europe-oh
Oyinbo teach us many many things-ee
Many of dem things I don sing about-ee
Me I no gin copy Oyinbo style
Let us think say, Oyinbo no pass me
When Shagari finish him elections
Wey dem no tell am, say him make mistake-ee
Say this yo, no be democracy
Oyinbo dem no tell army self
Na for England-ee, I me no fit take over
I come think about this demo-crazy
Democrazy
DEMO-CRAZY
Crazy demo, DEMO-CRAZY
Demonstration of craze, DEMO-CRAZY
Crazy demonstration, DEMO-CRAZY
If it no be craze, DEMO-CRAZY
Why for Afrika? DEMO-CRAZY
As time dey go, DEMO-CRAZY
Things just dey bad, DEMO-CRAZY
They bad more and more, DEMO-CRAZY
Poor man dey cry, DEMO-CRAZY
Rich man dey mess, DEMO-CRAZY
Demo-crazy, DEMO-CRAZY
Democrazy, DEMO-CRAZY
Crazy demo, DEMO-CRAZY
Demonstration of craze, DEMO-CRAZY
Crazy demonstration, DEMO-CRAZY
If good-u teacher teach-ee something
And student make mistake
Teacher must talk-ee so
But Oyinbo no talk-ee so
I suffer dem, Dey suffer dem
Dem dey say da teaching get meaning
Different different meaning
Different different kinds of meaning
That is why I say
That is the reason of my songThat is the conclude
The conclud-ee of my song I say,
I sing, I beg everyone to join my song
I say, I sing, I beg everyone to join my
I say, I sing, I beg everyone to join my
TEACHER, TEACHER-O NA THE LECTURER BE YOUR NAME
TEACHER, TEACHER-O NA THE LECTURE BE THE SAME
MAKE-EE NO TEACH-EE ME AGAIN OH
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-O
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-OME AND YOU NO DEY FOR THE SAME-U CATEGORY
NA THE SAME CATEGORY-O
Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-ke, Ke-re-Ji-Ke-Ke
YAA!
Ke-re-ke Ji Ke-ke
YAA!
ke Ji Ke-ke
YAA!
Ke-re-ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
The lyrics to Fela Kuti's "Teacher" are a critique of the education system and the concept of "Western education." The song starts off stating, "Teacher, teacher-o na the lecturer be your name," and then goes on to question the value of education by saying, "Make-ee no teach-ee me again oh, as soon teaching finish yes, da thing-ee it gon die it dey-o, as soon teaching finish yes, da thing-ee it gon die it dey-ome and you no dey for the same-u category, na the same category-o." In other words, Fela is saying that once the education is over, what has been learned is meaningless and won't be used, and that the teacher is not in the same category or mindset as the students.
Additionally, the song criticizes the misconception that Western education is superior by stating that "Who be our teacher na Oyinbo?... Oyinbo teach us many many things-ee, many of dem things I no sing about-ee, me I no gin copy Oyinbo style, let us think say, Oyinbo no pass me." Fela is asserting that Africans don't need to emulate the West and that they have their own valuable culture and knowledge.
There is also an emphasis in the song on the importance of unity and African culture, demonstrated when Fela sings about problems facing Africa that people all over the continent can relate to, such as problems with inflation, corruption, and mismanagement. The song ends by inviting everyone to join in singing along and urging people to think critically about the messages they receive.
Line by Line Meaning
TEACHER, TEACHER-O NA THE LECTURER BE YOUR NAME
The educator, the instructor, they are synonymous with the individual who imparts knowledge.
TEACHER, TEACHER-O NA THE LECTURE BE THE SAME
The teacher, the one who teaches, they are synonymous with the content of the instruction itself.
MAKE-EE NO TEACH-EE ME AGAIN OH
Please refrain from instructing me any further.
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-O
Once the teaching is completed, the substance being taught will lose its vitality.
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-OME AND YOU NO DEY FOR THE SAME-U CATEGORY
When the instruction concludes, the content being taught will lose its relevance, while you, the instructor, remain unaffected.
NA THE SAME CATEGORY-O
We both belong to the same group or classification.
Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-ke, Ke-re-Ji-Ke-Ke
Let us engage in rhythmic music together, harmonizing our voices and instruments.
YAA!
Expressing excitement and affirmation.
All the wahala, all the problems, All the things, all the things they go do, For this world go start, When the teacher, schoolboy and schoolgirl jam together
The myriad difficulties, the various undertakings that will transpire in this world, commence when the teacher, student, and pupil collaborate harmoniously.
Who be teacher? I go let you know, When we be pikin, FATHA/ MAMA BE TEACHER, When we dey for school, TEACHER BE TEACHER, Now dey University, LECTURER BE TEACHER, When we start to work, GOVERNMENT BE TEACHER
Who is considered the teacher? I will inform you. In childhood, our parents fulfill this role, while in school, the teacher assumes the position. As we progress to university, the lecturer becomes the teacher, and eventually, in the workforce, the government takes on this role.
CU-ULTURE AND TRADITION
Furthermore, our culture and traditions play a part in shaping our education.
Now the problem side, of a teaching student-ee, I go sing about, I don pass pikin, I don pass school, university, se-fa pass, As I don start to work, na government I must se-fa pass
Now, allow me to discuss the drawbacks experienced by a student being taught. I have surpassed childhood, education at all levels, and even exceeded university. And yet, as I enter the workforce, I am still subject to governmental authority.
Da go for France, YES SIR/YES MAAM, Engi-land, YES SIR/YES MAAM, Italy, YES SIR/YES MAAM, Germany, YES SIR/YES MAAM, Na dem culture, YES SIR/YES MAAM, For der, YES SIR/YES MAAM, Be teacher, YES SIR/YES MAAM, For dem , YES SIR/YES MAAM
This is prevalent not only in France, England, Italy, and Germany, but also in their respective cultures. There, the culture itself assumes the role of the teacher.
Go China , YES SIR/YES MAAM, Russia, YES SIR/YES MAAM, Korea, YES SIR/YES MAAM, Viet Nam, YES SIR/YES MAAM, Na dem culture, YES SIR/YES MAAM, For der, YES SIR/YES MAAM, Be teacher, YES SIR/YES MAAM, For dem, YES SIR/YES MAAM
Similarly, in China, Russia, Korea, and Vietnam, the culture plays the role of teacher.
Go Syria, YES SIR/YES MAAM, Jordan, YES SIR/YES MAAM, Iran, YES SIR/YES MAAM, Iraq, YES SIR/YES MAAM, Na dem culture, YES SIR/YES MAAM, For der, YES SIR/YES MAAM, Be teacher, YES SIR/YES MAAM, For dem
In Syria, Jordan, Iran, and Iraq, the culture assumes the responsibility of teaching.
Let us face ourselves for Afrika, Na de matter of Afrika, This part-ee of my song, Na all the problems of this world, In we dey carry, for Afrika, Wey no go ask-ee me, WHICH ONE? (*after each line)
Let us confront the issues present in Africa, for this concerns the entirety of Africa. This segment of my song expounds on the problems that burden us in Africa, without asking me which particular issue I am referring to.
Problems of inflation, Problems of corruption, Of mismanagement, Stealing by government, Nothing we dey carry, All over Afrika, Na de latest one, Na him dey make me laugh
These problems include inflation, corruption, mismanagement, and government theft. We carry and endure all of these issues throughout Africa, and the most recent one in particular is laughable.
AUSTERITY (*after each line), Austeri-, Austeri-, Na him dey latest one, Na him dey make me laugh
Austerity measures, marked by financial and resource constraints, is the most recent problem that elicits laughter from me.
Man no fit cry?, Who be our teacher na Oyinbo?, Who be our teacher na Oyinbo?
Can a man not shed tears? Who is our teacher? It is the white man, the European.
(Bo-ptch!) Oyinbo teach-ee us, (Yuh-ngh!) Oyinbo for Europe-oh, Oyinbo teach us many many things-ee, Many of dem things I don sing about-ee
The white man has instructed us, the European white man. They have imparted a multitude of teachings upon us, many of which I have mentioned in my songs.
Me I no gin copy Oyinbo style, Let us think say, Oyinbo no pass me, When Shagari finish him elections, Wey dem no tell am, say him make mistake-ee
I refuse to emulate the style of the white man. Let us believe that the white man does not surpass me. When Shagari concluded his elections, they neglected to inform him of the mistakes he made.
Say this yo, no be democracy, Oyinbo dem no tell army self, Na for England-ee, I me no fit take over, I come think about this demo-crazy
As I declare, this is not true democracy. The white man did not even inform the military. In England, I cannot take over. This led me to reflect on the concept of 'demo-crazy'.
Demo-crazy, DEMO-CRAZY, Crazy demo, DEMO-CRAZY, Demonstration of craze, DEMO-CRAZY, Crazy demonstration, DEMO-CRAZY, If it no be craze, DEMO-CRAZY, Why for Afrika? DEMO-CRAZY, As time dey go, DEMO-CRAZY, Things just dey bad, DEMO-CRAZY, They bad more and more, DEMO-CRAZY, Poor man dey cry, DEMO-CRAZY, Rich man dey mess, DEMO-CRAZY
Demo-crazy, a play on words, refers to a situation where lunacy prevails. It manifests as a demonstration of madness, as things worsen over time. The impoverished suffer and cry, while the affluent engage in reckless behavior.
Na dem-o-cr-azy be the deal, Na dem-o-cr-azy be the deal, Who don teach us ee dem-o-cr-azy?, (Bo-ptch!) Oyinbo teach-ee us, (Yuh-ngh!) Oyinbo for Europe-oh, Oyinbo teach us many many things-ee, Many of dem things I don sing about-ee
The deal is that we are in 'dem-o-cr-azy'. The white man has taught us 'dem-o-cr-azy'. The European white man has imparted numerous teachings upon us. Many of those teachings have been captured in my songs.
Na de conclude, The conclud-ee of my song I say, I sing, I beg everyone to join my song
This marks the conclusion, the essence of my song. I express, sing, and implore everyone to join me in my song.
I say, I sing, I beg everyone to join my, I say, I sing, I beg everyone to join my, I say, I sing, I beg everyone to join my
I declare, sing, and plead with everyone to participate in my song.
Lyrics © BMG RIGHTS MANAGEMENT (FRANCE), BMG Rights Management, EMI MUSIC PUBLISHING FRANCE
Written by: FELA ANIKULAPO KUTI
Lyrics Licensed & Provided by LyricFind
@vivianomelime4008
TEACHER, TEACHER-O NA THE LECTURER BE YOUR NAME
TEACHER, TEACHER-O NA THE LECTURE BE THE SAME
MAKE-EE NO TEACH-EE ME AGAIN OH
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-O
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-O
ME AND YOU NO DEY FOR THE SAME-U CATEGORY
NA THE SAME CATEGORY-O
Let's get down, to the underground spiritual game
We all sing together, play music together in happiness
All you have to do is sing what I play on my horn
Now Let's go...
A kujuba, A kujuba
YE-EHHHH!
Yehhhhhh-Ey!
Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-ke, Ke-re-Ji-Ke-Ke
YAA!
Ke-re-ke Ji Ke-ke
YAA!
Ke-re-ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
All the wahala, all the problems,
All the things, all the things they go do,
For this world go start,
When the teacher, schoolboy and schoolgirl jam together
Who be teacher?
I go let you know
When we be pikin
FATHA/ MAMA BE TEACHER
When we dey for school
TEACHER BE TEACHER
Now dey University
LECTURER BE TEACHER
When we start to work
GOVERNMENT BE TEACHER
CU-ULTURE AND TRADITION (*after each line)
Who be government teacher?
Who be government teacher?
Cu-ulture and tradition
Cu-ulture and tradition
Now the problem side, of a teaching student-ee
I go sing about
I don pass pikin, I don pass school, university, se-fa pass
As I don start to work, na government I must se-fa pass
Da go for France
YES SIR/YES MAAM (*after each line)
Engi-land
Italy
Germany
Na dem culture
For der
Be teacher
For dem
Go China
Russia
Korea
Viet Nam
Na dem culture
For der
Be teacher
For dem
Go Syria
Jordan
Iran
Iraq
Na dem culture
For der
Be teacher
For dem
Let us face ourselves for Afrika
Na de matter of Afrika
This part-ee of my song
Na all the problems of this world
In we dey carry, for Afrika
Wey no go ask-ee me
WHICH ONE? (*after each line)
Problems of inflation
Problems of corruption
Of mismanagement
Stealing by government
Nothing we dey carry
All over Afrika
Na de latest one
Na him dey make me laugh
AUSTERITY (*after each line)
Austeri-
Austeri-
Na him dey latest one
Na him dey make me laugh
Why I dey laugh?
Man no fit cry?
Who be our teacher na Oyinbo?
Who be our teacher na Oyinbo?
A na false, the first election
And the second election held in Nigeria
Na the second election na it was pass
BOBA LA NONSENSE (*after each line)
Boba la nonsense
Boba la nonsense
He pass redeem
He pass corruption
Which kind election be dis?
People na go vote
Dem come get big big numbers
Thousands to thousands
Millions to billions
Which kind election be dis?
Boba la nonsense
Na dem-o-cr-azy be the deal
Na dem-o-cr-azy be the deal
Who don teach us ee dem-o-cr-azy?
(Bo-ptch!) Oyinbo teach-ee us
(Yuh-ngh!) Oyinbo for Europe-oh
Oyinbo teach us many many things-ee
Many of dem things I don sing about-ee
Me I no gin copy Oyinbo style
Let us think say, Oyinbo no pass me
When Shagari finish him elections
Wey dem no tell am, say him make mistake-ee
Say this yo, no be democracy
Oyinbo dem no tell army self
Na for England-ee, I me no fit take over
I come think about this demo-crazy
Democrazy
DEMO-CRAZY (*after each line)
Crazy demo
Demonstration of craze
Crazy demonstration
If it no be craze
Why for Afrika?
As time dey go
Things just dey bad
They bad more and more
Poor man dey cry
Rich man dey mess
Demo-crazy
Democrazy
Crazy demo
Demonstration of craze
Crazy demonstration
If good-u teacher teach-ee something
And student make mistake
Teacher must talk-ee so
But Oyinbo no talk-ee so
I suffer dem, Dey suffer dem
Dem dey say da teaching get meaning
Different different meaning
Different different kinds of meaning
That is why I say
That is the reason of my song
That is the conclude
The conclud-ee of my song
I say, I sing, I beg everyone to join my song (3x)
---------------------
TEACHER, TEACHER-O NA THE LECTURER BE YOUR NAME
TEACHER, TEACHER-O NA THE LECTURE BE THE SAME
MAKE-EE NO TEACH-EE ME AGAIN OH
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-O
AS SOON TEACHING FINISH YES, DA THING-EE IT GON DIE IT DEY-O
ME AND YOU NO DEY FOR THE SAME-U CATEGORY
NA THE SAME CATEGORY-O
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Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-ke, Ke-re-Ji-Ke-Ke
YAA!
Ke-re-ke Ji Ke-ke
YAA!
Ke-re-ke Ji Ke-ke
YAA!
Ke-re-ke-Ke Ji Ke-ke
YAA!
@aifuwarhodes5013
My image of Fela was at his lying in state at the Tafawa Balewa Square in Lagos in 1997. Images of thousands of loyalist trying to reach his casket just to touch it like some messiah who had just passed away. I said to myself, all the Pastors and Imams had vilified him as a negative figure, who are these thousands mourning his death. Fast forward 25years and listening carefully to his songs, apart from being very creative, Fela said things alot of the Pastors and Imams were scared to say back then(and till date) because of the fear of what they stood to lose. Fela was a true Nigerian treasure. Rest in Peace BABA.
@Breakbeat90s
this one is for recovering your brain cells after listening to bad music
@safesclart
Yeaah
@gbengadada860
Agreed
@Joacoleoni
medicine....
@bbp2930
Truth
@samadbiobaku2038
@@safesclart ..l..lllllllll
@kushagoyo
When my dad would play his music back in the day, I thought it was useless music. I have since grown and now understand!
@raywaneku6214
Kenya with love! Long live the greatest! Africa 💪
@adeyinkadosumu
22.16..into the music …wow…Baba70 is truly in a different league ooo. RIP❤