Olufela Olusegun Oludotun Ransome-Kuti (15 October 1938 – 2 August 1997 … Read Full Bio ↴Olufela Olusegun Oludotun Ransome-Kuti (15 October 1938 – 2 August 1997 ), known professionally as Fela Kuti, Fela Anikulapo Kuti, or simply Fela, was a Nigerian multi-instrumentalist musician and composer, pioneer of Afrobeat music, human rights activist, political maverick & leader of Fela Ransome Kuti & Africa 70.
HMV Magazine ranked him as #46 on a list of the 100 most influential musicians of the 20th century.
The musical style performed by Fela Kuti is called Afrobeat, which is essentially a fusion of jazz, funk, highlife, and traditional Yoruban chants and rhythms. It is characterized by having African-style percussion, vocals, and musical structure, along with jazzy, funky horn sections. The endless groove is also used, in which a base rhythm of drums, shekere, muted guitar, and bass guitar are repeated throughout the song. His band was notable for featuring two baritone saxophones, whereas most groups using this instrument only use one. This is a common technique in African and African-influenced musical styles, and can be seen in funk and hip-hop. Some elements often present in Fela's music are the call-and-response within the chorus and figurative but simple lyrics. Fela's songs were almost always over 10 minutes in length, some reaching the 20- or even 30-minute marks, while some unreleased tracks would last up to 45 minutes when performed live. This was one of many reasons that his music never reached a substantial degree of popularity outside of Africa. His songs were mostly sung in Nigerian pidgin, although he also performed a few songs in the Yoruba language. Fela's main instruments were the saxophone and the keyboards, but he also played the trumpet, guitar, and took the occasional drum solo. Fela refused to perform songs again after he had already recorded them, which also hindered his popularity outside Africa. Fela was known for his showmanship, and his concerts were often quite outlandish and wild. He referred to his stage act as the Underground Spiritual Game.
Fela was born Olufela Olusegun Oludotun Ransome-Kuti in Abeokuta, Ogun State, Nigeria, to a middle-class family. His mother, Funmilayo Ransome-Kuti, was a feminist activist in the anti-colonial movement and his father, Reverend Israel Oludotun Ransome-Kuti, a Protestant minister and school Principal, was the first president of the Nigerian Union of Teachers. His brothers, Dr. Beko Ransome-Kuti and Professor Olikoye Ransome-Kuti,both medical doctors, are both well known in Nigeria.
Fela was sent to London in 1958 to study medicine but decided to study music instead at the Trinity College of Music. While there, he formed the band Koola Lobitos, playing a style of music that he would later call Afrobeat. The style was a fusion of American Jazz, psychedelic rock, and Funk with West African Highlife. In 1961, Fela married his first wife, Remilekun (Remi) Taylor, with whom he would have three children (Femi, Yeni, and Sola). In 1963, Fela moved back to Nigeria, re-formed Koola Lobitos and trained as a radio producer for the Nigerian Broadcasting Corporation. In 1969, Fela took the band to the United States. While there, Fela discovered the Black power movement through Sandra Smith (now Isidore)—a partisan of the Black Panther Party—which would heavily influence his music and political views and renamed the band Nigeria ’70. Soon, the Immigration and Naturalization Service was tipped off by a promoter that Fela and his band were in the US without work permits. The band then performed a quick recording session in Los Angeles that would later be released as The '69 Los Angeles Sessions.
Fela and his band, renamed Africa '70, returned to Nigeria. He then formed the Kalakuta Republic, a commune, a recording studio, and a home for many connected to the band that he later declared independent from the Nigerian state. Fela set up a nightclub in the Empire Hotel, named the Afro-Spot and then the Afrika Shrine, where he performed regularly. Fela also changed his middle name to Anikulapo (meaning "he who carries death in his pouch"), stating that his original middle name of Ransome was a slave name. The recordings continued, and the music became more politically motivated. Fela's music became very popular among the Nigerian public and Africans in general. In fact, he made the decision to sing in Pidgin English so that his music could be enjoyed by individuals all over Africa, where the local languages spoken are very diverse and numerous. As popular as Fela's music had become in Nigeria and elsewhere, it was also very unpopular with the ruling government, and raids on the Kalakuta Republic were frequent. In 1974 the police arrived with a search warrant and a cannabis joint, which they had intended to plant on Fela. He became wise to this and swallowed the joint. In response, the police took him into custody and waited to examine his feces. Fela enlisted the help of his prison mates and gave the police someone else's feces, and Fela was freed. He then recounted this tale in his release Expensive Shit (now released together with "He Miss Road" as Expensive Shit/He Miss Road).
In 1977 Fela and the Afrika ’70 released the hit album Zombie, a scathing attack on Nigerian soldiers using the zombie metaphor to describe the methods of the Nigerian military. The album was a smash hit with the people and infuriated the government, setting off a vicious attack against the Kalakuta Republic, during which one thousand soldiers attacked the commune. Fela was severely beaten, and his elderly mother was thrown from a window, causing fatal injuries. The Kalakuta Republic was burned, and Fela's studio, instruments, and master tapes were destroyed. Fela claimed that he would have been killed if it were not for the intervention of a commanding officer as he was being beaten. Fela's response to the attack was to deliver his mother's coffin to the main army barrack in Lagos and write two songs, "Coffin for Head of State" and "Unknown Soldier," referencing the official inquiry that claimed the commune had been destroyed by an unknown soldier.
Fela and his band then took residence in Crossroads Hotel as the Shrine had been destroyed along with his commune. In 1978 Fela married 27 women, many of whom were his dancers, composers, and singers to mark the anniversary of the attack on the Kalakuta Republic. Later, he was to adopt a rotation system of keeping only twelve simultaneous wives. The year was also marked by two notorious concerts, the first in Accra in which riots broke out during the song "Zombie," which led to Fela being banned from entering Ghana. The second was at the Berlin Jazz Festival after which most of Fela's musicians deserted him, due to rumors that Fela was planning to use the entirety of the proceeds to fund his presidential campaign.
Despite the massive setbacks, Fela was determined to come back. He formed his own political party, which he called 'Movement of the People'. In 1979 he put himself forward for President in Nigeria's first elections for more than a decade but his candidature was refused. At this time, Fela created a new band called Egypt 80 and continued to record albums and tour the country. He further infuriated the political establishment by dropping the names of ITT vice-president Moshood Abiola and then General Olusegun Obasanjo at the end of a hot-selling 25-minute political screed titled "I. T. T. (International Thief Thief)."
In 1984, he was again attacked by the Military government, who jailed him on a dubious charge of currency smuggling. His case was taken up by several human-rights groups, and after 20 months, he was released from prison by General Ibrahim Babangida. On his release he divorced his 12 remaining wives, saying that "marriage brings jealousy and selfishness." Once again, Fela continued to release albums with Egypt 80, made a number of successful tours of the United States and Europe and also continued to be politically active. In 1986, Fela performed in Giants Stadium in New Jersey as part of the Amnesty International Conspiracy of Hope concert, sharing the bill with Bono, Carlos Santana, and the Neville Brothers. In 1989, Fela & Egypt 80 released the anti-apartheid "Beasts of No Nation" album that depicts on its cover U.S. President Ronald Reagan, UK Prime Minister Margaret Thatcher and South African Prime Minister P.W. Botha with fangs dripping blood.
His album output slowed in the 1990s, and eventually he stopped releasing albums altogether. The battle against military corruption in Nigeria was taking its toll, especially during the rise of dictator Sani Abacha. Rumors were also spreading that he was suffering from an illness for which he was refusing treatment. On 3 August 1997, Olikoye Ransome-Kuti, already a prominent AIDS activist and former Minister of Health, stunned the nation by announcing his younger brother's death a day earlier from Kaposi's sarcoma brought on by AIDS. (Their younger brother Beko was in jail at this time at the hand of Abacha for political activity). More than a million people attended Fela's funeral at the site of the old Shrine compound. A new Africa Shrine has opened since Fela's death in a different section of Lagos under the supervision of his son Femi Kuti.
HMV Magazine ranked him as #46 on a list of the 100 most influential musicians of the 20th century.
The musical style performed by Fela Kuti is called Afrobeat, which is essentially a fusion of jazz, funk, highlife, and traditional Yoruban chants and rhythms. It is characterized by having African-style percussion, vocals, and musical structure, along with jazzy, funky horn sections. The endless groove is also used, in which a base rhythm of drums, shekere, muted guitar, and bass guitar are repeated throughout the song. His band was notable for featuring two baritone saxophones, whereas most groups using this instrument only use one. This is a common technique in African and African-influenced musical styles, and can be seen in funk and hip-hop. Some elements often present in Fela's music are the call-and-response within the chorus and figurative but simple lyrics. Fela's songs were almost always over 10 minutes in length, some reaching the 20- or even 30-minute marks, while some unreleased tracks would last up to 45 minutes when performed live. This was one of many reasons that his music never reached a substantial degree of popularity outside of Africa. His songs were mostly sung in Nigerian pidgin, although he also performed a few songs in the Yoruba language. Fela's main instruments were the saxophone and the keyboards, but he also played the trumpet, guitar, and took the occasional drum solo. Fela refused to perform songs again after he had already recorded them, which also hindered his popularity outside Africa. Fela was known for his showmanship, and his concerts were often quite outlandish and wild. He referred to his stage act as the Underground Spiritual Game.
Fela was born Olufela Olusegun Oludotun Ransome-Kuti in Abeokuta, Ogun State, Nigeria, to a middle-class family. His mother, Funmilayo Ransome-Kuti, was a feminist activist in the anti-colonial movement and his father, Reverend Israel Oludotun Ransome-Kuti, a Protestant minister and school Principal, was the first president of the Nigerian Union of Teachers. His brothers, Dr. Beko Ransome-Kuti and Professor Olikoye Ransome-Kuti,both medical doctors, are both well known in Nigeria.
Fela was sent to London in 1958 to study medicine but decided to study music instead at the Trinity College of Music. While there, he formed the band Koola Lobitos, playing a style of music that he would later call Afrobeat. The style was a fusion of American Jazz, psychedelic rock, and Funk with West African Highlife. In 1961, Fela married his first wife, Remilekun (Remi) Taylor, with whom he would have three children (Femi, Yeni, and Sola). In 1963, Fela moved back to Nigeria, re-formed Koola Lobitos and trained as a radio producer for the Nigerian Broadcasting Corporation. In 1969, Fela took the band to the United States. While there, Fela discovered the Black power movement through Sandra Smith (now Isidore)—a partisan of the Black Panther Party—which would heavily influence his music and political views and renamed the band Nigeria ’70. Soon, the Immigration and Naturalization Service was tipped off by a promoter that Fela and his band were in the US without work permits. The band then performed a quick recording session in Los Angeles that would later be released as The '69 Los Angeles Sessions.
Fela and his band, renamed Africa '70, returned to Nigeria. He then formed the Kalakuta Republic, a commune, a recording studio, and a home for many connected to the band that he later declared independent from the Nigerian state. Fela set up a nightclub in the Empire Hotel, named the Afro-Spot and then the Afrika Shrine, where he performed regularly. Fela also changed his middle name to Anikulapo (meaning "he who carries death in his pouch"), stating that his original middle name of Ransome was a slave name. The recordings continued, and the music became more politically motivated. Fela's music became very popular among the Nigerian public and Africans in general. In fact, he made the decision to sing in Pidgin English so that his music could be enjoyed by individuals all over Africa, where the local languages spoken are very diverse and numerous. As popular as Fela's music had become in Nigeria and elsewhere, it was also very unpopular with the ruling government, and raids on the Kalakuta Republic were frequent. In 1974 the police arrived with a search warrant and a cannabis joint, which they had intended to plant on Fela. He became wise to this and swallowed the joint. In response, the police took him into custody and waited to examine his feces. Fela enlisted the help of his prison mates and gave the police someone else's feces, and Fela was freed. He then recounted this tale in his release Expensive Shit (now released together with "He Miss Road" as Expensive Shit/He Miss Road).
In 1977 Fela and the Afrika ’70 released the hit album Zombie, a scathing attack on Nigerian soldiers using the zombie metaphor to describe the methods of the Nigerian military. The album was a smash hit with the people and infuriated the government, setting off a vicious attack against the Kalakuta Republic, during which one thousand soldiers attacked the commune. Fela was severely beaten, and his elderly mother was thrown from a window, causing fatal injuries. The Kalakuta Republic was burned, and Fela's studio, instruments, and master tapes were destroyed. Fela claimed that he would have been killed if it were not for the intervention of a commanding officer as he was being beaten. Fela's response to the attack was to deliver his mother's coffin to the main army barrack in Lagos and write two songs, "Coffin for Head of State" and "Unknown Soldier," referencing the official inquiry that claimed the commune had been destroyed by an unknown soldier.
Fela and his band then took residence in Crossroads Hotel as the Shrine had been destroyed along with his commune. In 1978 Fela married 27 women, many of whom were his dancers, composers, and singers to mark the anniversary of the attack on the Kalakuta Republic. Later, he was to adopt a rotation system of keeping only twelve simultaneous wives. The year was also marked by two notorious concerts, the first in Accra in which riots broke out during the song "Zombie," which led to Fela being banned from entering Ghana. The second was at the Berlin Jazz Festival after which most of Fela's musicians deserted him, due to rumors that Fela was planning to use the entirety of the proceeds to fund his presidential campaign.
Despite the massive setbacks, Fela was determined to come back. He formed his own political party, which he called 'Movement of the People'. In 1979 he put himself forward for President in Nigeria's first elections for more than a decade but his candidature was refused. At this time, Fela created a new band called Egypt 80 and continued to record albums and tour the country. He further infuriated the political establishment by dropping the names of ITT vice-president Moshood Abiola and then General Olusegun Obasanjo at the end of a hot-selling 25-minute political screed titled "I. T. T. (International Thief Thief)."
In 1984, he was again attacked by the Military government, who jailed him on a dubious charge of currency smuggling. His case was taken up by several human-rights groups, and after 20 months, he was released from prison by General Ibrahim Babangida. On his release he divorced his 12 remaining wives, saying that "marriage brings jealousy and selfishness." Once again, Fela continued to release albums with Egypt 80, made a number of successful tours of the United States and Europe and also continued to be politically active. In 1986, Fela performed in Giants Stadium in New Jersey as part of the Amnesty International Conspiracy of Hope concert, sharing the bill with Bono, Carlos Santana, and the Neville Brothers. In 1989, Fela & Egypt 80 released the anti-apartheid "Beasts of No Nation" album that depicts on its cover U.S. President Ronald Reagan, UK Prime Minister Margaret Thatcher and South African Prime Minister P.W. Botha with fangs dripping blood.
His album output slowed in the 1990s, and eventually he stopped releasing albums altogether. The battle against military corruption in Nigeria was taking its toll, especially during the rise of dictator Sani Abacha. Rumors were also spreading that he was suffering from an illness for which he was refusing treatment. On 3 August 1997, Olikoye Ransome-Kuti, already a prominent AIDS activist and former Minister of Health, stunned the nation by announcing his younger brother's death a day earlier from Kaposi's sarcoma brought on by AIDS. (Their younger brother Beko was in jail at this time at the hand of Abacha for political activity). More than a million people attended Fela's funeral at the site of the old Shrine compound. A new Africa Shrine has opened since Fela's death in a different section of Lagos under the supervision of his son Femi Kuti.
Water No Get Enemy
Fela Kuti Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
T'o ba fe lo we omi l'o ma'lo
If you wan' go wash, na water you go use
T'o ba fe se'be omi l'o ma'lo
If you want cook soup, na water you go use
T'o ri ba n'gbona o omi l'ero re
If your head dey hot, na water go cool am
T'omo ba n'dagba omi l'o ma'lo
If your child dey grow, na water he go use
If water kill your child, na water you go use
T'omi ba p'omo e o omi na lo ma'lo
Ko s'ohun to'le se k'o ma lo'mi o
Nothing without water
Ko s'ohun to'le se k'o ma lo'mi o
Omi o l'ota o
Water, him not get enemy!
Omi o l'ota o
Water, him not get enemy!
If you fight am, unless you wan die
Water, him not get enemy!
I say water no get enemy
Water, him not get enemy!
If you fight am, unless you wan die
Water, him not get enemy!
Omi o l'ota o
Water, him not get enemy!
I dey talk of Black man power
Water, him not get enemy!
I dey talk of Black power, I say
Water, him not get enemy!
I say water no get enemy
Water, him not get enemy!
If you fight am, unless you wan die
Water, him not get enemy!
I say water no get enemy
Water, him not get enemy!
I say water no get enemy
Water, him not get enemy!
Omi o l'ota o
Water, him not get enemy!
Omi o l'ota o
Water, him not get enemy!
If you wan' go wash, na water you go use
T'o ba fe se'be omi l'o ma'lo
If you want cook soup, na water you go use
T'o ri ba n'gbona o omi l'ero re
If your head dey hot, na water go cool am
T'omo ba n'dagba omi l'o ma'lo
If your child dey grow, na water he go use
If water kill your child, na water you go use
T'omi ba p'omo e o omi na lo ma'lo
Ko s'ohun to'le se k'o ma lo'mi o
Nothing without water
Ko s'ohun to'le se k'o ma lo'mi o
Omi o l'ota o
Water, him not get enemy!
Omi o l'ota o
Water, him not get enemy!
If you fight am, unless you wan die
Water, him not get enemy!
I say water no get enemy
Water, him not get enemy!
If you fight am, unless you wan die
Water, him not get enemy!
Omi o l'ota o
Water, him not get enemy!
I dey talk of Black man power
Water, him not get enemy!
I dey talk of Black power, I say
Water, him not get enemy!
I say water no get enemy
Water, him not get enemy!
If you fight am, unless you wan die
Water, him not get enemy!
I say water no get enemy
Water, him not get enemy!
I say water no get enemy
Water, him not get enemy!
Omi o l'ota o
Water, him not get enemy!
Omi o l'ota o
Water, him not get enemy!
The lyrics of "Water No Get Enemy" by Fela Kuti celebrate the power of water and its universal role in our day to day lives. Each line in the song highlights a different way we rely on water, from cooking and washing to cooling our heads and nourishing our children. The refrain "Water, him not get enemy" emphasizes how essential water is to life and how it is something that should be appreciated and valued, rather than taken for granted.
In the larger context of Fela Kuti's music, "Water No Get Enemy" is also a political statement. Fela was a Nigerian musician and activist who was deeply critical of the government and colonial powers in his country. His music often had a strong element of social commentary, and "Water No Get Enemy" can be seen as a call for unity and solidarity among the Black community. The repeated refrain of "I dey talk of Black man power" highlights the importance of coming together and recognizing our shared humanity and struggles.
Overall, "Water No Get Enemy" is a musically rich and lyrically deep song that celebrates the power of water in our lives while also making a poignant political statement about the need for unity and solidarity among marginalized communities.
Line by Line Meaning
T'o ba fe lo we omi l'o ma'lo
If you want to wash anything, you need water
T'o ba fe se'be omi l'o ma'lo
If you want to cook anything, you need water
T'o ri ba n'gbona o omi l'ero re
If you are feeling hot, water can cool you down
T'omo ba n'dagba omi l'o ma'lo
When your child grows up, they will need water
If water kill your child, na water you go use T'omi ba p'omo e o omi na lo ma'lo
Even if water kills your child, you will still need water for other things
Ko s'ohun to'le se k'o ma lo'mi o
There is nothing you can do without water
Ko s'ohun to'le se k'o ma lo'mi o
There is nothing you can do without water
Omi o l'ota o Water, him not get enemy!
Water is not an enemy to anyone
If you fight am, unless you wan die Water, him not get enemy!
If you fight with water, you will only harm yourself
I say water no get enemy Water, him not get enemy!
Water is harmless, it has no enemies
I dey talk of Black man power Water, him not get enemy!
I am talking about the power of the black man, and water is not his enemy
I dey talk of Black power, I say Water, him not get enemy!
I am talking about black power and still water is not the enemy
Omi o l'ota o Water, him not get enemy!
Water is not an enemy to anyone
Omi o l'ota o Water, him not get enemy!
Water is not an enemy to anyone
I say water no get enemy Water, him not get enemy!
Water is harmless, it has no enemies
I say water no get enemy Water, him not get enemy!
Water is harmless, it has no enemies
Omi o l'ota o Water, him not get enemy!
Water is not an enemy to anyone
Lyrics © F.K.O. Music, BMG Rights Management, EMI MUSIC PUBLISHING FRANCE
Written by: KUTI FELA ANIKULAPO
Lyrics Licensed & Provided by LyricFind
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@anitacanada1824
It was 1983 and I had just turned 21 when my late father, Charles Paul, presented me with three albums: Fela Kuti, Bob Marley, and Jimi Hendricks. He explained their similarities, differences, and purpose for existence. I still have all three, along with Bob Dylan. I'm good for life!
@JaxonSmithers
Those are better than any presents I ever got for any occasion!
@mattcook3936
You had a wise father indeed.
@dontatmeevr
that's beautiful
@hdpow7688
Blessed
@samensa1
wish i had your dad! <3
@mylife2022
I'm a Yemeni woman living in London, I finished uni in 1995, and went to teach in a summer school in Lagos. Well , what an adventure that was, I had the time of my life, so many stories. I saw Fela live at the shrine, smoked big ,fat zoots, danced the night away, left there at 6am and now have a life long love of his music, I'm 51 this year and can still see the message in his music, he lives on.
@hussein.kbasha8578
Glad that I've came across your comment I'm from yemen nothing better than hearing stories from yemeni fellas going out to be open about different cultures and appreciate it their lifestyle, music and just enjoying life 🇾🇪
@scottmcinnis8558
right on sister...what a life
@mylife2022
@@hussein.kbasha8578
It was biggest adventure of my life so far. Us Yemenis are loved wherever we go, we have a good reputation for being kind and easy going. We haven't been tainted by oil wealth and we are not people who brag a lot, we can easily relate to people from all over the world.