Born in Manhattan, New York, United States, Apple made her break into the music industry when a friend, who babysat for a record executive, handed her employer a demo. Apple's husky voice, nimble piano skills, and mature lyrics got the attention of Sony executive Andy Slater, who signed her to a record deal.
In 1996, Apple's debut album Tidal was released by a subsidiary of Sony. The album went on to sell 3 million copies (certified triple platinum) domestically.
"Criminal," the fourth single from Tidal, became Apple's breakthrough hit. The song garnered a great deal of attention, in part for its suggestive lyrics ("I've been a bad, bad girl...") but also for the controversial music video, directed by Mark Romanek. The video featured a waifish, half-dressed Apple surrounded by the aftermath of a party, including unconscious party-goers. The video received heavy rotation on VH-1 and MTV and gained the singer immediate notoriety. Years later, Apple said, "I wasn't (comfortable). And you can see that in the video. It's not sexy. It's disturbing."
Other singles from Tidal included "Sleep to Dream," "Shadowboxer," "Never is a Promise," and "The First Taste."
In 1998, she contributed two tracks to the Pleasantville soundtrack, "Please Send Me Someone to Love" and a cover of the Beatles hit "Across the Universe".
In 1999, Apple's second album was released with the name "When the Pawn Hits the Conflicts He Thinks Like a King What He Knows Throws the Blows When He Goes to the Fight and He'll Win the Whole Thing 'fore He Enters the Ring There's No Body to Batter When Your Mind Is Your Might so When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won't Matter, Cuz You'll Know That You're Right" but it has just been commonly called "When the Pawn..." This album released the singles "Fast As You Can," "Limp," and "Paper Bag."
A third album, Extraordinary Machine, which was produced by Jon Brion, was submitted to Sony executives in May 2003. Sony was reportedly unenthusiastic about the finished product, and the project was shelved for over two years. In 2004 and 2005, tracks were leaked on the Internet in MP3 format and played on U.S. and international radio; subsequently, MP3s of the entire album believed produced by Brion (although he later claimed the leaked tracks were "tweaked" beyond his own work), went online. Although a website distributing the album was quickly taken offline via the DMCA copyright law, they soon reached P2P networks and were downloaded by fans.
In August 2005, the album was given a release date of October. Production had been completed by Mike Elizondo (though known for his work with hip-hop artists such as Dr. Dre, he had previously played bass for Apple on Pawn) and co-produced by electronica experimentalist Brian Kehew. Spin Magazine later reported: "Fans erroneously thought that Apple's record label, Epic, had rejected the first version of Extraordinary Machine... in reality, according to Elizondo, Apple was unhappy with the results, and it was her decision to redo the record, not her label's." Two of the eleven previous leaked tracks were relatively unchanged, nine were completely retooled, and one new song was also included. According to Elizondo, "Everything was done from scratch." Upon its release, the album became the highest-charting album of Apple's career (debuting at number seven), and before the end of 2005 had sold more than 300,000 copies in the United States alone.
It was revealed in late 2005 that Sony was initially unhappy with the work, and Apple and Brion sought to rework the album. Sony made caveats on the process, to which Apple balked. After a long period of waiting, she began an attempt to rework the album with close friend Kehew (also a friend and former roommate of Jon Brion). Elizondo was brought back as co-producer to complete the tracks he had begun with Brion and Apple. Despite suggestions that the album had caused a rift between Brion and Apple, they regularly perform together at Largo, a club in Los Angeles, including a joint appearance with Elizondo on bass just before the news broke of an official release. Apple went on a live tour to support the album in late 2005, and from early 2006 supported Coldplay on their tour of North America. The album has yielded four singles: "Parting Gift," "O' Sailor," "Not About Love," and "Get Him Back."
In 2006, a special edition version of "Tim Burton's The Nightmare Before Christmas" was released, with Fiona Apple contributing a version of "Sally's Song."
In January 2010, Fiona Apple and Jon Brion performed together at "Love and Haiti, Too: A Music Benefit", a charity concert for the people hurt by the Haiti Earthquake. Fiona sang a cover of "(S)he's Funny That Way", composed by Neil Moret, with lyrics by Richard Whiting, which is often associated with the singer Billie Holiday.
In June 2010, Fiona released a song titled "So Sleepy" produced by Jon Brion written by children involved with the non-profit organization 826LA. The song will be included in a compilation album released by the organization titled Chickens in Love. She also collaborated with Margaret Cho on Cho's album Cho Dependent.
The Every Single Night Songfacts reports that Apple began recording new material for her fourth album The Idler Wheel… in the late 2000s, keeping her sessions secret, even from her label, Epic Records. She opted to produce the album with her touring drummer, Charley Drayton, rather than her longtime collaborator Jon Brion. Executives at Epic only discovered that Apple had recorded an album in early 2012 when she presented it to them. It was released on June 19, 2012, to success, debuting at number three on the Billboard 200. The album sold 72,000 copies in the first week and was nominated for Best Alternative Album at the 2013 Grammy Awards. In 2020, the album was placed at number 213 on the list of the 500 Greatest Albums of All Time by Rolling Stone.
In 2020, Apple's fifth studio album, "Fetch the Bolt Cutters", was released to universal acclaim. The artist earned two Grammy Awards for the album: Best Alternative Music Album and Best Rock Performance for the lead single "Shameika."
Please Please Please
Fiona Apple Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
No more melodies
They lack impact, they're petty
They've been made up already
Please, please, please
No more maladies
I'm so tired of crying
But me and everybody's on the sad same team and
You can hear our sad brains screaming
Give us something familiar
Something similar
To what we know already
That will keep us steady, steady
Steady going nowhere
Please, please, please
No apologies
At best they buy you time
'Till you next step out of line
Please, please, please
No more remedies
My method is uncertain
It's a mess, but it's working
And maybe if you wanna try it out
You won't like it so when you're cried out
Give us something familiar
Something similar
To what we know already
That will keep us steady, steady, steady
Steady going nowhere
Please, please, please
No more melodies
They lack impact, they're petty
They've been made up already
Please, please, please
No more maladies
I'm so tired of crying
You'd think I was a siren
But me and everybody's on the sad same team and
You can hear our sad brain screaming
Give us something familiar
Something similar
To what we know already
That will keep us steady, steady, steady
Steady
Steady going nowhere
The song "Please Please Please" by Fiona Apple explores the human tendency to gravitate towards familiarity and comfort. Apple strikes an introspective tone, acknowledging that we all long for something that will keep us "steady, steady going nowhere". She urges the listener to stop searching for something new and original - "no more melodies", "no more maladies", "no apologies", "no more remedies". She contends that what we really want is something "familiar, something similar, to what we know already", because it is reliable and dependable.
Apple touches on the ubiquitous experience of sadness and grief in life, acknowledging that we are all "on the sad same team". She compares the sound of our collective despair to that of sirens, emphasizing the power of our shared emotion. Yet even as we all feel this pain, we continue to look for something that will ease it, that will keep us from feeling it in the first place. But Apple warns that this isn't the answer: we must embrace the sorrow and chaos of life, even when it is difficult to navigate. It is only then that we can achieve a sense of stability.
In summary, "Please Please Please" is a poignant meditation on the human search for comfort and familiarity in a world that can often seem daunting and unpredictable. Apple's lyrics urge us to embrace the sadness and chaos of life, rather than trying to avoid it, so that we can find a sense of steady grounding.
Line by Line Meaning
Please, please, please
Requesting urgently
No more melodies
Don't want to hear any new songs
They lack impact, they're petty
New songs are not impactful and trivial
They've been made up already
New songs are not original or unique
No more maladies
Don't want to experience any more pain or suffering
I'm so tired of crying
Exhausted from crying and showing vulnerability
You'd think I was a siren
Crying so much it appears as if she is warning of danger like a siren
But me and everybody's on the sad same team and
Everyone is experiencing sadness together and she is not alone in her feelings
You can hear our sad brains screaming
Our minds are crying out in pain
Give us something familiar
Wanting something recognizable and known
Something similar
Something that resembles what we already have
To what we know already
Something that we are already accustomed to
That will keep us steady, steady
Something that will maintain our stability
Steady going nowhere
Staying stagnant and not progressing forward
No apologies
Don't want anyone saying sorry
At best they buy you time
Apologies only provide temporary relief
Till you next step out of line
Until the next mistake is made
No more remedies
No more fixes or solutions for problems
My method is uncertain
Her way of coping with sadness is unsure
It's a mess, but it's working
Even though it's chaotic and disorganized, it's still helping her cope
And maybe if you wanna try it out
Suggesting that others could try her way of coping
You won't like it so when you're cried out
It may not work for everyone and they will eventually give up
Steady going nowhere
Staying stagnant and not progressing forward
They lack impact, they're petty
New songs are not impactful and trivial
They've been made up already
New songs are not original or unique
I'm so tired of crying
Exhausted from crying and showing vulnerability
You'd think I was a siren
Crying so much it appears as if she is warning of danger like a siren
But me and everybody's on the sad same team and
Everyone is experiencing sadness together and she is not alone in her feelings
You can hear our sad brains screaming
Our minds are crying out in pain
Give us something familiar
Wanting something recognizable and known
Something similar
Something that resembles what we already have
To what we know already
Something that we are already accustomed to
That will keep us steady, steady, steady
Something that will maintain our stability
Steady going nowhere
Staying stagnant and not progressing forward
Lyrics © Warner Chappell Music, Inc.
Written by: Fiona Apple Maggart
Lyrics Licensed & Provided by LyricFind