Despite diminishing success in the United States as the decade progressed, the band remained very popular in Asia, mainly in countries like Japan, Thailand, and Singapore. FireHouse continued to release new material throughout the late 1990s and into the early 2000s, most of which has successfully charted in Japan. The band has also continued to tour internationally as of 2007, having participated twice in the annual Rock Never Stops Tour with other bands of the 1980s. FireHouse is estimated to have sold over 6 million albums worldwide since their debut.
In December 2004, FireHouse became the first major international rock band to play concert dates in northeast India.[7] The band's first Indian concert date was in Shillong, followed by two more dates in Dimapur, and Aizawl.[7] The band's first Indian date, in Shillong When the Maharaja of Tripura Kirit Pradyot Deb Burman invited them, took place in front of a sold out stadium crowd of over 40,000, setting a record for that city.[5] The band toured in 2005, 2006, and launched another tour in 2007 visiting states in the Midwest United States such as North Dakota and playing at several festivals including Rocklahoma.[8] In a March 2007 interview, when asked about the band's next album, guitarist Bill Leverty said "we plan on going into the studio this coming winter. Hopefully, we’ll be able to get all the songs together and record them for a spring/summer release."[2] Regarding the future of the band, C.J. Snare commented that "this has been an incredible, incredible career. To do something that you love, to be an artist, to be an entertainer and to actually go out there and have fans all over the world and be able to make a living at it. As long as that's perpetuated, I don’t see any reason to ever stop."[5]
Band members
Originally composed of vocalist C.J. Snare, guitarist Bill Leverty, drummer Michael Foster, and bassist Perry Richardson, the band has maintained all of its original members with the exception of Richardson, who departed in 2000 due to conflict. Richardson was initially replaced by Bruce Waibel, but Waibel left in 2003 to spend more time with his family. Dario Seixas was brought on board to play bass on the band's 2003 album Prime Time, but he parted ways with the band shortly after the album was released. Current bassist Allen McKenzie was given the position in 2004.[3]
Guitarist Bill Leverty and C.J. Snare have both pursued solo careers, but neither have let their solo projects interfere with the band's studio and touring efforts. Leverty has released two solo albums; Wanderlust in 2004 and Southern Exposure in 2007, and when asked if he would ever tour in support of them, he said that it would be "extremely selfish" to do so while putting the band on hold.[9] Snare has commented in several interviews that he is working on a solo album, but such an album has yet to materialize.[5] Drummer Michael Foster has participated in Leverty's solo career by playing drums on both of his albums.
Current
C.J. Snare - vocals, keyboards (1989 - present)
Bill Leverty - guitars (1989 - present)
Michael Foster - drums (1989 - present)
Allen McKenzie - bass guitar (2004 - present)
Former
Perry Richardson - bass guitar (1989 - 1999)
Bruce Waibel - bass guitar (2000 - 2003)
Dario Seixas - bass guitar (2003)
Discography
Albums
FireHouse - August 21, 1990
Hold Your Fire - June 16, 1992
3 - April 11, 1995
Good Acoustics - October 8, 1996
Category 5 - October, 1998
Bring 'Em Out Live - December, 1999
O2 - November 7, 2000
Prime Time - August 12, 2003
2) Italian progressive metal band formed in 1986, which released its only album in 1994 entitled Labyrinth. The band is now split-up.
3) Firehouse is a Danish reggae sound system that has done a couple of support songs for the now torn down Ungdomshuset in Copenhagen.
In 2008 they gained a lot of airplay because of the song Du Får Ik’ Punani featuring Lady Smita.
They have also made the songs: Fremmed, Hård som Wozniacki, Snow Dub and Grammy
www.firehouse.dk
Rock On The Radio
Firehouse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Every night and everyday
I know what I need to get blown away
I turn it on to overload
And let the power of the sound explode
So come on, everybody let's go
Turn it up. I just gotta have some more
(Gimme that)
Rock on the radio
You turn it up 'til your speakers blow
Rock on the radio
Come on, come on everybody let's go
Like thunder, like dynamite
Ya know I'm gonna blow my speakers up tonight
I'm ready, going all the way
'Cause rock on the radio is here to stay
So come on, everybody let's go
Turn it up. I just gotta have some more
(Gimme that)
Chorus
The lyrics to Firehouse's song Rock On The Radio depict the power and excitement of rock music. The singer describes how every night and day they need to be blown away and turn on the radio to overload with the power of the sound. They encourage everybody to come along and turn it up, wanting more of the electrifying experience. The chorus is an encouragement to rock on the radio, turning it up until the singers blow, and to come on and join the thrill. The singer claims they are ready and going all the way, emphasizing the staying power of rock on the radio.
Overall, this song embodies the feeling of freedom and escape through rock music. The singer seemingly relies on rock to induce adrenaline, pump them up and transport them out of their mundane routines. The power of the sound in rock resonates with the singer and provides them with a rush of excitement. Through inviting others to join the party, the song showcases the communal aspect of rock music and its ability to bring people together.
Line by Line Meaning
Yeah, yeah, yeah, yeah
Expressing excitement and eagerness to begin.
Every night and everyday
No matter the time or occasion, the desire for music remains present.
I know what I need to get blown away
I understand what I require to be emotionally moved by music.
I turn it on to overload
I increase the volume to fully immerse myself in the music experience.
And let the power of the sound explode
Allowing the music's energy to take hold and create a powerful experience.
So come on, everybody let's go
Invitation to join in and experience the music together.
Turn it up. I just gotta have some more (Gimme that)
Expressing the strong craving and need for more intense music.
Chorus: Rock on the radio, You turn it up 'til your speakers blow Rock on the radio Come on, come on everybody let's go
Declaration of the power and joy of rock music as well as the urge to share the experience with others.
Like thunder, like dynamite
Comparing the music's intensity and power to explosive natural phenomena.
Ya know I'm gonna blow my speakers up tonight
Determination to fully engage with and enjoy the music, even at the risk of damaging equipment.
I'm ready, going all the way
Fully committed to engaging in the music experience to the fullest extent possible.
'Cause rock on the radio is here to stay
Belief that rock on the radio will continue to be a powerful force in music culture.
So come on, everybody let's go
Invitation to continue enjoying and sharing the music experience together.
Turn it up. I just gotta have some more (Gimme that)
Reassertion of the strong desire and craving for more intense music.
Chorus
Reiteration of the power and joy of rock music and the desire to share it with others.
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: ELLIS, FOSTER, LEVERTY, SNARE
Lyrics Licensed & Provided by LyricFind